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Cultural Diplomacy and China
Cultural Diplomacy and China
Introduction
In the traditional sense, diplomacy can be described as the nature, purpose, and attitudes of a
state's relations with other nations. Diplomacy is one of the instruments used in these relations.
In this way, it is more than just a state's tool; it is also an institution of the state system itself
because it is concerned with dialogue and negotiation. One aspect or branch of public
diplomacy that includes various tools, including the arts, education, language, sports, and
religion, is "cultural diplomacy." Political scientist Milton Cummings famously described the idea
as "the exchange of ideas, information, values, systems, traditions, beliefs, and other aspects of
culture, to foster mutual understanding." Both public diplomacy and cultural diplomacy are now
regarded as crucial tools in "soft power." Joseph Nye, a Harvard professor, first used the
phrase, which is best understood as "the ability to affect others to obtain the outcomes one
wants through attraction rather than coercion or payment," the latter being characteristics of
hard—economic and military—power. Soft power is "attractive power," to put it simply. (The
Diplomat, 2013).
As a form of soft power and public diplomacy, cultural diplomacy entails the "exchange of ideas,
information, art, and other aspects of culture among nations and their peoples to foster mutual
understanding." (Waller, 2009). The goal of cultural diplomacy is to increase public support for
political and economic objectives by fostering an understanding of the ideals and institutions of
a foreign country among its citizens. (Maack, 2001). Essentially, "cultural diplomacy reveals the
soul of a nation," which in turn has an incredible impact on international relations.
Some forms of cultural diplomacy include:
In the arts (e.g. films, dance, music, painting, sculpture, etc.), Culture Exhibitions, Educational
programs (e.g., universities, language programs abroad, etc.) exchanges (e.g. scientific
research, artistic performance, educational study), etc.) Literature (e.g., the Nobel Prize, the
establishment of libraries abroad ,popular and national works, etc.), news broadcasting, and
religious diplomacy (for example, inter-religious dialogue), etc.
China in the past has been seen to place soft power, public diplomacy, and cultural diplomacy
at the forefront of its strategy. Chinese leaders are aware of the increasing relevance of cultural
diplomacy and are utilizing their unique culture on platforms such as cultural exchange
programs, festivals, movies, music, religious forums, sports, and tourism to engage with the
outside world. Some of these initiatives include the Confucius Institute, exports of Chinese
cultural products, and most recently, efforts to make the Chinese media global players.
China has already made some strides in cultural diplomacy, such as with the Confucius Institute
Projects, the Buddhist forum held in Hangzhou in April 2006, the Olympic Games held in Beijing
in 2008, the World Expo held in Shanghai in 2010, etc. Even Joseph Nye, who developed the
idea of soft power, concurs that China has increased its soft power and promoted its cultural
diplomacy by maintaining rapid economic growth, highlighting Chinese culture, and announcing
a peaceful rise.
References
Waller, M. J., 2009. Cultural Diplomacy, Political Influence, and Integrated Strategy. In: Strategic
Influence: Public Diplomacy, Counterpropaganda, and Political Warfare. 74. Washington, DC:
Maack, M. N., 2001. Books and Libraries as Instruments of Cultural Diplomacy in Francophone
Africa during the Cold War. Libraries & Culture, Volume 1, p. 55.
Bolewski, W., & Rietig, C. M. (2008). The Cultural Impact on China’s New Diplomacy. 14.