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Kelly Final Word On Gar
Kelly Final Word On Gar
Kelly Final Word On Gar
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to The Catholic Biblical Quarterly
KELLY R. IVERSON
The Catholic University of America
Washington, DC 20064
1 I refer to the author of the book as Mark, though this writer is never identified in the text of
the Second Evangelist.
2 R. R. Ottley, "e<J)oßowco yap Mark xvi 8," JTS 27 (1926) 407-9; Carl H. Kraeling, "Brief
Communications: A Philological Note on Mark 16:8," JBL 44 (1925) 357-58; Morton S. Enslin,
"e<1>oßowco yap, Mark 16:8," JBL 46 (1927) 62-68; Henry J. Cadbury, "Brief Communications:
Mark 16:8," JBL 46 (1927) 344-45; Frederick W. Danker, "Menander and the New Testament,"
NTS 10 (1964) 365-68. See also BAG(D), 3rd ed., 189, s.v. yap.
3 P. W. van der Horst, "Can a Book End with a TAP? A Note on Mark X VI.8," JTS 23 ( 1 972)
121-24, esp. 123; see also the Twelfth Tractate by Musonius Rufias, which concludes with yap.
79
work that was fractured into smaller units by Plotinus's pupil and editor, Por-
phyry. Clearly, Porphyry did not consider it problematic to end a treatise with
yáp, and, as Harder noted, his division of the work was likely guided by Ploti-
nus's own markings.4 Van der Horst concluded his article by noting, "The proof
was really not necessary for common sense alone could argue that, if a sentence
or paragraph can end with yap, a book can too."5
The cumulative effect of these publications, along with the rise in narrative
criticism, helped substantiate Mark 16:8 as a viable conclusion to the Gospel.
Although there has never been unanimous agreement about the ending of Mark's
Gospel, the current consensus among NT scholars seems to be that 16:8 is the
authentic conclusion.6
In his recent book The Mutilation of Marks Gospel , N. Clayton Croy chal-
lenges the consensus, calling it a "sea change in scholarly opinion."7 He cites
numerous philosophical, methodological, and textual reasons for the shift, most
of which are beyond the scope of this study. In one of the more interesting textual
discussions, Croy draws new attention to one of the perennial issues of the
debate - the use of final yap in 16:8. 8 Unlike previous discussions, the thrust of
Croy's thesis is different.
The relevant question is no longer, can gar end a sentence? but rather what kinds of
sentences end with gar ? Obviously, such sentences must be short, usually two or
three words long. Less obvious is the fact that such sentences occur most often in
certain kinds of literature. Short sentences ending in gar reflect an informal oral or
conversational style. They often have the parenthetical quality of an aside. The text
almost always continues. Sentences ending in gar are much less common in narra-
tive.9
Croy deems the argument from style to be of lesser importance, but histori-
cally this line of reasoning reflects a new approach to this important issue.10 His
contention is unique in that he considers the genres in which final yap typically
occurs. By suggesting that sentences ending with yap are less common in narra-
tive literature, Croy argues that 16:8 is not the closing verse of Mark's Gospel but
represents the extant remains of a mutilated text. If accurate, Croy's research
could have an impact on the continued debate over Mark's ending. The purpose
of this study is to investigate Croy's assertion, specifically, the kinds of literature
in which yap is followed by a period. It is hoped that the study will provide a bal-
anced assessment of Croy's research and contribute to the ongoing debate over
Mark's ending.
The scope of this investigation will be the period surrounding the writing of
the NT documents - third century B.C.E. to the second century C.E. An endeavor
of this magnitude would be impossible without a computer-driven search engine.
Thanks to the work of Thesaurus Linguae Graecae {TLG), a research center
founded in 1972 at the University of California, Irvine, nearly all of the extant
Greek texts from Homer to the fall of Byzantium in 1453 C.E. have been digi-
tized. The CD-ROM version of the database ( TLG CD-ROM E) was released in
February 2000 and contains approximately seventy-six million words.11 Before
examining the data in question, it might be helpful to take a diachronic look at the
frequency of the construction. The following table lists the number of instances in
which yap is followed by a period from the eighth century B.C.E. to the eighth
century C.E. 12
Table 1
Century Number of
final yáp
ri
3rd 13
ui
Total 1059
Across the entire scope of the survey, there is tremendous deviation in the
number of concluding yap statements, but at the very least the table demonstrates
the statistical precedence for the construction. Table 2 provides a more descrip-
12 In the complete TLG database, which ranges far outside the scope of this study, there are
1,884 sentences that conclude with yap. There are also a total of 786 texts, 75 from the third cen-
tury B.C.E. to the second century C.E., where yap is followed by a question mark. Because this con-
struction falls outside the semantic situation in Mark 16:8, these texts were not included in the
study.
tive look at the shaded region in table 1 . It provides, by century, the spec
authors utilizing concluding yap constructions.
Table 2
3rd c. B.C.E.
Polybius 1 Athenaeus 23
Apollonius 1 Galen 9
Antigonus 1 Pseudo-Lucian 1
Aristophanes 3 Lucian 23
Erasistratus 2 Apollonius Dyscolus 7
Chrysippus 3 Aelius Herodianus 67
Straton 1 Pseudo-Plutarch 2
Euclides 1 Diogenianus 3
Aelius Aristides 3
Apollodorus 1 Pseudo-Galen 5
Demetrius 1 Sextus Empiricus 3
Claudius Aelianus 2
Justin Martyr 2
Iste. C.E. 16 Aretaeus 3
Plutarch 2 Alexander 23
Aëtius 1 Arístocles 1
Several items should be noted about table 2. First, the 272 occurrences of
yáp followed by a period are not limited to a few isolated authors. Rather, fifty-
six different writers utilize this construction.13 Second, several authors make
unusually high use of concluding yap statements. Most notable are Aristonicus
(14), Athenaeus (23), Lucian (23), Aelius Herodianus (67), and Alexander (23).
These variations are peculiar, given the restricted use by most authors. Such
usage could be due to a variety of factors, not the least of which is stylistic prefer-
ence or literary genre.
The next step in the study is to examine the genres in which these occur-
rences of final yap appear. Utilizing the genre classifications assigned to each
text in TLG' s Canon of Greek Authors and Works , table 3 summarizes the number
of hits occurring in each genre along with the total number of works.14 It might be
surprising to find decimals in the columns listing the number of hits and the num-
ber of works. This was necessary because many of the texts involved in the sur-
vey were assigned multiple genres by TLG. The number of hits was calculated by
dividing the number of sentences concluding with yáp in the particular text by the
number of genres assigned to the particular text. Likewise, the number of works
was computed by dividing the number of books in which the multiple-genre tag
occurred by the number of genres reflected in that work.15 The upshot of this
method is that it creates the least distortion of the data and the greatest possibility
for a side-by-side comparison of the output. A simple example might be helpful.
Clement of Alexandria's book Paedagogus contains one concluding yáp state-
ment and is classified by TLG as a theological and philosophical work.16 Using
the above formulas, the number of hits for both theology and philosophy would
be 0.5 - that is, the number of hits (1) divided by the number of genres (2). The
number of works assigned to both theology and philosophy would be 0.5 - that
is, the number of works ( 1 ) divided by the number of genres (2).
Table 3 is important because it indicates that the use of final yáp occurs in
approximately 40 percent of the literary genres in the TLG Canon}1 It also shows
13 Technically speaking, there are fifty-seven authors. According to the table, only fifty-six
authors are listed. The designation Novum Testamentům (i.e., the NT) includes final yáp construc-
tions for two authors, Mark ( 1 6:8) and John (13:13). Thus, there are fifty-seven, not fifty-six, authors.
14 For a detailed discussion of TLG's method and listing of genres, see Berkowitz and
Squitier, Canon , xxxi-xlix. The full canon of authors is also available for public use on the TLG
Web site. The online Canon was used in calculating the data presented in table 3.
15 Some of the computations resulted in repeating decimals. Decimals extending beyond the
hundredths position were truncated.
16 For a helpful tool in defining some of the genres and acquiring background information
about the authors, see The Oxford Classical Dictionary : The Ultimate Reference Work on the Clas-
sical World (3rd ed.; ed. Simon Hornblower and Antony Spawforth; Oxford: Oxford University
Press, 1996).
17 Table 3 lists thirty-one different genres. The TLG Canon lists a total of seventy-six genres
in its classification system. See Berkowitz and Squitier, Canon , xxxiii.
Table 3
Medica
Dialogus
Lexicographa
Rhetorica
Narratio Ficta
Paradoxographa
that the vast majority of sentences ending with yap occur in grammatical works.
Even without the Aelius Herodianus texts, which account for sixty-seven of the
constructions, grammar is still one of the top genres. Philosophy and other techni-
cal works (i.e., medical, lexical, and exegetical works, and commentaries) round
out the upper echelons. In the literary genres most resembling the Gospels - his-
tory, biography, narrative fiction, evangelical literature, and religious literature -
there are a total of sixteen hits.18 Of the sixteen texts, twelve occur in dialogue
and one is the passage in question (Mark 16:8). 19 Three of the historical texts,
two of which are identical, parallel the construction found in Mark 16:8.
Historiae 2.60. 1 . 1 7tapírj|ii xà Ttap' o'ov xòv ßiov aÙTOÛ Kai tô>v 7tpoyóvcov aaeßf|-
jiaxa: |iaicpòv yáp.
I say nothing of the crimes that he and his ancestors were guilty of all through their
lives: it would be too long a story.20
Historiae Romanae 63.19.2.3 (SI 8 1.5) Kai èyéveio JlIÉv tiç étatiç imo xeuiwvoç
amò v <ļ)0apf|aea0ai, jiárriv 8è rcoÄAoi TļaOrļaav: eacoOrļ yáp.
There was, indeed, some hope of his perishing in a storm and many rejoiced, but to
no purpose, as he came safely to land.21
the body of a narrative work. The passage from Dio Cassius contains a narrat
third-person finite verb in a two-word clause - an excellent parallel to the co
struction in Mark.
Croy states that sentences ending with yáp "are much less common in nar
tive" and occur most frequently in conversational types of literature such as p
losophy, dialogue, and other technical works.25 Therefore, he concludes, "th
limited use of 'final gar ' sentences in narrative prose and their extreme scarcity
the end of narrative works . . . argues against the likelihood that Mark conclu
his entire Gospel with such a clause."26
This study has confirmed that narrative sentences ending in yáp are spar
Of the 272 concluding yáp statements from the third century B.C.E. to the sec
century C.E., only sixteen are found in genres similar to Mark's Gospel. By w
of comparison, there are 89 sentences that ended with yáp in grammatical w
and 3 1 .5 in the philosophical genre. In this respect, the elementary facts of Cro
thesis are confirmed. There are more occurrences of sentences ending with yá
philosophical and other technical works than in narrative literature (histori
works, narrative fiction, biography, evangelical works, and religious works).
But does the relative infrequency of final yáp in the narrative genres as com
pared to the philosophical and other technical genres argue against Mark's abr
ending? Croy responds in the affirmative; I am not so sure. To argue for a hy
thetical longer ending based on the scarcity of this particular construction is dif
cult, given the current parameters of the discussion. A narrative sentence end
that narrators may also speak in the first as well as the second person. See Acts 16:10-17; 20:
21:1-18; 27:1-28:16.
23 Croy, Mutilation , 180-85.
24 TLG does not assign a date to the Septuagint; thus these texts did not appear as hits in the
search.
with yáp may indeed be rare, but in comparison to what? Croy's assessment of
frequency is based on a comparison between the number of final yáp instances in
philosophical and other technical works and the number of final yáp instances in
narrative literature. But this comparison is potentially misleading. It could be that
there are more final yáp constructions in philosophical and other technical works
because these types of literature make up a larger proportion of the extant data.
Conversely, it may be that sentences ending with yáp are less common in the nar-
rative genres because these works make up a smaller percentage of the extant lit-
erature. Hypothetically speaking, if narrative literature comprises only a small
percentage of the extant literature, while philosophical and other technical works
make up a considerably larger percentage, final yáp could actually be more fre-
quent in narrative literature (even though the construction occurs fewer times in
comparison to the number of occurrences in philosophical and other technical
works). In other words, a simple comparison between the number of final yáp
instances in different genres is insufficient. Until the relative sizes of the extant
genres can be approximated during this period, there is no reliable way to identify
a construction as common or uncommon. For this reason, Croy's assessment of
the data is inadequate and must be regarded as tentative. His figures are accurate,
but they do not provide the full interpretive framework in which to assess their
significance.
In order to set up an adequate comparison between sentences ending with
yáp, it is first necessary to assess the size of the extant body of literature (table 4).
Only then can the relative frequencies of final yáp across various genres be com-
pared (table 5). Table 4 is my attempt to estimate numerically, by genre, the body
of literature from the third century B.C.E. to the second century C.E. The table
includes the total number of words and works for each literary type. Percentages
are also included to offer some perspective on the relative size of the individual
genres with respect to the entire body of extant literature (in terms of the number
of both words and works).27 The figures in table 4, obtained from TLG s Canon of
Greek Authors and Works , approximate the total population of extant literature in
the study.28 The data set under scrutiny is large enough (17,729,880 words) to
provide a solid basis for determining the trends in literary genre.
27 See the discussion of table 3 for an explanation of the decimals under the number of
works.
28 Berkowitz and Squitier, Canon , 1-406. The data were collected page by page, author by
author according to the following guidelines. All works from the third century B.C.E. to the second
century C.E. were collected along with less precisely dated works (e.g., 5/3 B.C.E., 4/3 B.C.E., 2/3
C.E., and 2/4 C.E.). The only texts not included in the survey were those labeled NQ, or no quota-
tion. Because TLG is an ongoing electronic tool, the total number of words in the Canon is less
than that in CD-ROM E. The Canon contains approximately sixty-five million words, while the
current version of TLG encompasses seventy-six million words. This discrepancy should not be
Table 4
Medica
Histórica
Philosophica
Exegetica
Rhetorica
Grammatica
Mathematica
Commentarius
Biographa
Polyhistorica
Geographa
Theologica
Narrado Ficta
Apologetica
Epistolographa
Lexicographa
Oratio
Dialogus
Religiosa
Astrologica
Astronomica
Periegesis
Tactica
Paradoxographa
Comica
Acta
Satura
Mythographa
Paroemiographa
Onirocritica
Mechanica
Epica
Table 4 (continued)
Catena
Epigrammatica
Musica
Metrologica
Apocalypsis
Gnomica
Encomiastica
Pseudepigrapha
Evangelica
Magica
Doxographa
Hagiographa
Oraculum
Hymnus
Bucolica
Chronographa
Apocrypha
Hexametrica
Ecclesiastica
Iambica
Fabula
Tragica
Invectiva
Elegiaca
Lyrica
Parodica
Physiognomonica
Hypothesis
Poema
Satyra
Testimonia
Coquinaria
Mimus
considered problematic, as almost all of the extant literature up to 600 C.E. was digitized before
printed publication of the Canon.
29 One might argue that I have skewed the data by including all sixteen hits from the narr
tive genres when in actuality only three represented true parallels to Mark 16:8. It would be
curate, however, to eliminate numerous occurrences in the narrative genres via selection cri
that are not applied uniformly to the entire population of the study. The purpose of the table i
show trends among the literary genres. All hits should be included, whether or not they are
examples of the semantic situation in Mark 16:8, as they occur in one of the narrative genres. F
purposes of this table, I am concerned with the macro-genre. If the semantic situation of Mark
were used as a selection criterion across the entire body of literature, the vast majority of
would be eliminated indicating that the narrative genres were the most likely place to find the
struction.
30 Croy, Mutilation , 49.
31 The minimal amount of words in the coquinaria genre distorts the statistical frequen
This genre should not be considered significant.
32 The median is the middle figure in an ordered set of numerical values.
Table 5
Coquinaria
Invectiva
Grammatica
Satura
Doxographa
Dialogus
Lexicographa
Polyhistorica
Onirocritica
Paroemiographa
Paradoxographa
Evangelica
Philosophica
Encomiastica
Narratio Ficta
Medianica
Rhetorica
Commentarius
Oratio
Naturalis Historia
Theologica
Magica
Biographa
Exegetica
Tactica
Medica
Religiosa
Apologetica
Mathematica
Histórica
tain 18,346, 11,133, and 19,482 words respectively - the vast majority of b
would never contain this type of construction.33 Essentially, it would be jus
unusual to find yap at the end of a sentence in a philosophical work as it wou
to find it at the end of a sentence in a narrative work. In this respect, Croy's
clusion is misleading. The discussion of final yap in certain kinds of literatur
conversation about the relative frequency of a construction that is exceedi
infrequent. Croy notes that yáp is followed by a period 1,884 times in the
database, which at first blush might seem to suggest that the construction is
mon, but when this figure is understood against the'magnitude of the
database, which spans twenty-three centuries, this figure is not nearly as im
sive. The fact is concluding yáp statements are extremely ; extremely rare a
times and in all genres ?A
To suggest, as Croy does, that "to the extent that the stylistic argume
weighs into the debate, it must be said to give its modest force to the thesis
mutilated text" is to misunderstand the data.35 The use of final yáp suggests
both the argument of frequency in selected genres and the use of yáp as the
cluding word in a piece of literature are moot points. In and of themselves,
data suggest nothing. They can be marshaled to argue for a hypothetical lost
ing or the abrupt ending. Croy uses the infrequency of the construction to a
for a mutilated text, but if Mark consciously and purposefully intended to en
account abruptly, why use a clichéd or even widely attested phrase? If Mar
intent was to shock his readers contextually (i.e., without a resurrection app
ance), why not add a stylistic punch with an unusual concluding yáp stateme
If, as Croy states, it is "awkward for a narrative to end as Mark does," per
this was the author's original intent?36 This is not to mention the other factors
support the abrupt ending, including the open-ended parallels in Greco-Ro
literature, narrative readings that make sense of the conclusion in 16:8, or
possibility that the entire discussion may be misguided owing to the distin
nature of the gospel genre.37 The point of this article is not to argue for a part
lar theory but to demonstrate that the usage of final yáp is inconclusive and
be utilized with equal force to support the case for a mutilated text or the in
tional, abrupt ending.
37 For a discussion of open endings in Greco-Roman literature, see J. Lee Magness, Sense
and Absence: Structure and Suspension in the Ending of Mark's Gospel (SBLSS; Atlanta: Schol-
ars Press, 1 986). The question of gospel genre is hardly a settled issue. For a discussion of the issue
or narrative explanations for the abrupt ending, see the commentaries listed in n. 6.
In a similar fashion, the fact that yap has never been found as the concluding
term in a narrative work - an argument generally used as evidence to suggest that
Mark could not have concluded at 16:8 - is equally misleading. Again, the prob-
lem is in the presentation of the facts. Most scholars acknowledge, as does Croy,
the existence of one or two examples of final yap occurring at the end of an
essay/book (Plotinus Ennead 5.5; Musonius Rufus Twelfth Tractate ).38 Oppo-
nents of the abrupt ending suggest that because the Gospel of Mark represents a
narrative work as opposed to the known philosophical example(s), it is improba-
ble that Mark concluded at 16:8, as no precedence for a similar ending in the nar-
rative genre exists. Although it is legitimate to seek literary parallels in order
better to understand or validate the existence of a particular construction, it is
erroneous to argue for the probability or improbability of a given construction
with any degree of certainty based on the occurrence of a construction that is
itself a remarkably unusual phenomenon. Having literary precedence only sug-
gests possibility; it does not necessarily provide any indication of probability and
may actually lead to greater uncertainty. Consider that there exists one, or possi-
bly two, philosophical works that conclude with yáp. Compared to the total num-
ber of texts in this genre, the odds against this one occurrence are astronomical.
Yet despite its statistical improbability, the occurrence exists. It would not be
unreasonable, nor necessarily surprising, if the Gospel of Mark represents the
only extant piece of narrative literature to conclude with yáp. Unfortunately, the
frequency, genre, and final yáp literary parallels do not aid the interpreter in
determining the location of Mark's ending.
Statistics are always open to interpretation and must be used with prudence;
however, after examining the data, I think that Croy's argument from genre is
inaccurate, and, moreover, a non-issue. It neither bolsters nor undermines the
hypothesis of a mutilated text or an abrupt ending. The argument from genre aids
little in the discussion of Mark's ending, as it occurs infrequently at all times and
across all kinds of literature. The construction is so infrequent that the evidence
can be used to argue both for and against the theory of a mutilated text or the
abrupt ending. What the research does affirm is that scholars should use caution
in utilizing final yáp as a basis for postulating a theory of Mark's ending. Barring
significant discoveries of new literature, statistical probability and literary paral-
lels provide little direction in this ongoing debate. The use of final yáp from the
third century B.C.E. to the second century C.E. indicates that both theories are pos-
sible, but it does not render one theory more probable.39
38 Most scholars favoring the theory of a mutilated text do not recognize Plotinus as a legiti-
mate example of the phenomenon. See Croy, Mutilation , 48-49; also see the commentaries favor-
ing the theory of a mutilated text in n. 6.
39 Special thanks to Daniel B. Wallace, Dallas Theological Seminary, for reading a prelimi-
nary version of the article.