2.

You Too Much


           
E7 A 6 E7 A 6 E7 A 6


     
                                     
E7 A 6 E7 A 6 E7 A 6

   
        
   
Piano

       
1. 2.

     
LEROY:


7 E7 A 6 A 6 E E

        


      
Who else would take the time to give a hand to

      
      
E7 A 6 A 6 E E

 
      
 
Pno

 

  
MARILYN:

      
A E Daug E E

 
12

           



each and ev’ - ry ne’er - do - well? A sym - pa - the - tic ear who’ll un - der - stand or

        
A E Daug E E

   
  

Pno

  

     
TAYLOR:

       
F B7 E E

  
16

        



who might tell ya “go to Hell"; who else is al - ways quick to re - pri - mand and

       
F B7 E E

  
  
Pno

  
2 2. You Too Much
LEROY:
MARILYN:

   G 7
 

TAYLOR:

       
          
A6 A6 B  dim7 EB C7


20

     



just as quick to kiss and tell? Ev - er con - stand with your friends and such, but

          

A6 G 7 A6 B  dim7 EB C7

    
   
  
Pno

    

 
JULIET:

        
F 7 B7 E6 E E

 
24

        



Ar - del - la, you’re too much. Who else will go a - gainst so - ci - e - ty and

       
F 7 B7 E6 E E

    

  
Pno

   

  
B.J.:

                  
28 A E Daug E E F

           



take an in - de - pen - dent stance? Her life is lled with no - to - ri - e - ty, she ain’t a - fraid to take a chance.

          
A E Daug E E F

    
  

Pno

   
JULIET:
B.J.:

    G 7 
DORIS:

               
DORIS:

 
33 B7 E E A6

        



Who else can act with such pro - pri - e - ty un - til she starts to drink and dance? Ev -

       

B7 E E A6 G 7

 
  

Pno

  
 2. You Too Much 3

    
    
ALL:

             
A6 B  dim7 EB C7 F 7 B7 E6

 
38

      



- er con - stant with your friends and such, but Ar - del - la, you’re too much. We think you’re

           
A6 B  dim7 EB C7 F 7 B7 E6

         


    
 
Pno

 

     
     
E7 E7 A6 A6

  
42

         



peer - less, fear - less, and we’ve all seen you tear - less when you’re in the wrong. We think you’re

        

E7 E7 A6 A6

  
 
 
Pno

 

 
         
JOE HENRY:

    
E7 E7 A6 A6

   
46

    



stun - ning, cun - ning, e - ven more, you’re be - com - ing con - - dent and strong. A fun - ny

       

E7 E7 A6 A6

  
 
 
Pno

 

    
       
A Eaug A Eaug A Eaug A A7

     
50

     



thing oc - curred that I can’t dis - miss one time both she and I ar - gued, now get this: I

     

 


  
A Eaug A Eaug A Eaug A A7

    
 
    
Pno

  
4 2. You Too Much

 
MAXINE:

                   
54 D B7 E7 C7 F

      



got real - ly pissed ‘cause she told me just what I could kiss. They say that when she went and

       
  
D B7 E7 C7 F

  
         
Pno

  
                
59 F B F F F

            


dyed her hair, the co - lor - re en - gine red, a koo - ky soul e - merged with style and air, ‘cause

      
F B F F F

  
 
Pno

   


          
WILLIE JOE:

  
64 G7 C7 F F

         


some - thin’ snapped in - side her head. That’s when she shocked her friends and did - n’t care; the

      
G7 C7 F F

  
 
Pno

  

   B  
                   
ALL:


68 B A7 Bdim7 FC D7

    


old Ar - del - la was now dead. Ev - er con - stant with your friends and such, but

         

B A7 B Bdim7 FC D7

      
     

Pno
 2. You Too Much 5

     
                    
72 G7 C7 F6 F7 B Bdim7 FC D7

  


Ar - del - la, you too much. We’re be - hol’ - din’ to your friend - ly touch, but

            

G7 C7 F6 F7 B Bdim7 FC D7

         
     
Pno

 

  
                         
76 B Bdim7 FC D7 G7 C7 F6


you sure are diz - zy, stay - in’ too damn bu - sy. You, Ar - del - la, you too much!

       
  
B Bdim7 FC D7 G7 C7 F6

       

     
Pno

 
6 2. You Too Much