31/08/22, 18:19 Ensemble cast - Wikipedia

Ensemble cast
In a dramatic production, an ensemble cast is one which is composed of multiple principal actors
and performers who are typically assigned roughly equal amounts of screen time.[1][2]

Contents
Structure
Cinema
Television
See also
References

Structure
In contrast to the popular model, which gives precedence to a sole protagonist, an ensemble cast
leans more towards a sense of "collectivity and community".[3]

Cinema

Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic
film Intolerance, featuring four separate though parallel plots.[4] The film follows the lives of
several characters over hundreds of years, across different cultures and time periods.[5] The
unification of different plot lines and character arcs is a key characteristic of ensemble casting in
film; whether it's a location, event, or an overarching theme that ties the film and characters
together.[4]

Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when
the characters are strangers to one another.[6] The interconnectivity is often shown to the audience
through examples of the "six degrees of separation" theory, and allows them to navigate through
plot lines using cognitive mapping.[6] Examples of this method, where the six degrees of separation
is evident in films with an ensemble cast, are in productions such as Love Actually, Crash, and
Babel, which all have strong underlying themes interwoven within the plots that unify each film.[4]

The Avengers, X-Men, and Justice League are three examples of ensemble casts in the superhero
genre.[7] In The Avengers, there is no need for a single central protagonist as each character shares
equal importance in the narrative, successfully balancing the ensemble cast.[8] Referential acting is
a key factor in executing this balance, as ensemble cast members "play off each other rather than
off reality".[3]

Hollywood movies with ensemble casts tend to use numerous actors of high renown and/or
prestige, instead of one or two "big stars" and a lesser-known supporting cast.

Television
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Ensemble casting also became more popular in television series because it allows flexibility for
writers to focus on different characters in different episodes. In addition, the departure of players
is less disruptive than would be the case with a regularly structured cast. The television series The
Golden Girls and Friends are archetypal examples of ensemble casts in American sitcoms. The
science-fiction mystery drama Lost features an ensemble cast. Ensemble casts of 20 or more actors
are common in soap operas, a genre that relies heavily on the character development of the
ensemble.[9] The genre also requires continuous expansion of the cast as the series progresses,
with soap operas such as General Hospital, Days of Our Lives and The Bold and the Beautiful
staying on air for decades.[10]

An example of a success for television in ensemble casting is the Emmy Award-winning HBO series
Game of Thrones. The fantasy series features one of the largest ensemble casts on the small
screen.[11] The series is notorious for major character deaths, resulting in constant changes within
the ensemble.[12]

See also
All-star
Polyphony (literature)
Supergroup (music)

References
1. Random House: ensemble acting Linked 2013-07-17
2. Steven Withrow; Alexander Danner (2007). Character design for graphic novels (https://book
s.google.com/books?id=Ik9sleNg10kC&pg=PA112). Focal Press/Rotovision. p. 112.
ISBN 9780240809021. Retrieved 2009-09-05.
3. Mathijs, Ernest (March 1, 2011). "Referential acting and the ensemble cast" (https://academi
c.oup.com/screen/article/52/1/89/1668892). Screen. 52 (1): 89–96.
doi:10.1093/screen/hjq063 (https://doi.org/10.1093%2Fscreen%2Fhjq063) – via
academic.oup.com.
4. "Ensemble Film, Postmodernity and Moral Mapping" (http://www.screeningthepast.com/2012/
12/ensemble-film-postmodernity-and-moral-mapping/). www.screeningthepast.com.
5. "Intolerance (1916)" (https://www.filmsite.org/into.html). www.filmsite.org.
6. Silvey, Vivien (June 5, 2009). "Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and
the Rise of Network Narratives" (http://www.forumjournal.org/article/view/621). FORUM:
University of Edinburgh Postgraduate Journal of Culture & the Arts (8) – via
www.forumjournal.org.
7. Child, Ben (April 23, 2012). "Avengers Assemble disarms the critics" (https://www.theguardia
n.com/film/filmblog/2012/apr/23/avengers-assemble-disarms-critics-joss-whedon) – via
www.theguardian.com.
8. "Joss Whedon talks in depth about the ensemble cast of 'The Avengers' " (http://www.hypabl
e.com/2011/11/19/joss-whedon-talks-in-depth-about-the-ensemble-cast-of-the-avengers).
www.hypable.com. November 19, 2011. Retrieved 2020-06-15.
9. Ford, Sam (15 September 2008). "View of Soap operas and the history of fan discussion |
Transformative Works and Cultures" (https://journal.transformativeworks.org/index.php/twc/ar
ticle/view/42/50). Transformative Works and Cultures. 1. doi:10.3983/twc.2008.042 (https://do
i.org/10.3983%2Ftwc.2008.042).
10. "The Survival of Soap Opera (Part Two):The History and Legacy of Serialized Television" (htt
p://henryjenkins.org/blog/2010/12/the_survival_of_soap_opera_par_1.html). Henry Jenkins.

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11. Campbell, Scott (June 10, 2014). "David Cameron: 'I'm a Game of Thrones fan' " (https://ww
w.telegraph.co.uk/culture/tvandradio/game-of-thrones/10888519/David-Cameron-Im-a-Game
-of-Thrones-fan.html) – via www.telegraph.co.uk.
12. Brereton, Adam (June 12, 2013). "The Game of Thrones: Nobody wins, everybody dies" (http
s://www.abc.net.au/religion/the-game-of-thrones-nobody-wins-everybody-dies/10099808).
ABC Religion & Ethics.

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