Na Vid»¡ Sa´g¢tatpar¡

2
G¡ndharbbam¡rgak£¿alaÅ K¡Æsat¡ladhar°haparaÅ .. 38 .. G¡t£Å
Sah¡yaÅ Kartav»aÅ Pram¡danib¤ttay® .
Sa´g¢taratn¡karaÅ, Paµcamast¡l¡dh»¡yaÅ

3
G¢taÆ V¡d»aÆ Tath¡ N¤ttaÆ TrayaÆ Sa´g¢tam£c»at® .. 21..
PrathamaÅ Sbaragat¡dh»¡yaÅ, PrathamaÆ
Prakara¸am, Sa´g¢taratn¡karaÅ
4
M£daÆ Dad¡ti Yasm¡t S¡ M£dr¡ T®na Prak¢rttit¡ .. 159 .. 57 th
Chapter, K¡lik¡pur¡¸am
5
Mudr¡su SaÆsthit¡ P£j¡ Sarbb®Àu Paricintanam . Mudr¡su
SaÆsthit¡ Ý°gaÅ Mudr¡ M°dakar¡stataÅ .. 99 .. 66 th Chapter,
K¡lik¡pur¡¸am
6
Cumbanabikalpaprakara¸am, 2Ya Adhikara¸®, T¤t°y°hadh»¡yaÅ,
K¡mas£tram
7
It»uktb¡ Bhagav¡n BiÀ¸ur¡d¡ya Narakahbayam .
S¡rddhaÆ Pathiv»¡ Ga´g¡y¡Æ Mamajja Jagat»aÆ PrabhuÅ .. 94 ..
Nimaj»a KÀa¸am¡tr®¸a Pr¡gj»°tiÀapuraÆ GataÅ .
Madh»agaÆ K¡mar£pas»¡ K¡m¡kh»¡ Ýatr¡ N¡yik¡ .. 95 ..
38 th Chapter, K¡lik¡pur¡¸am
8
Verse no 97 – 117, 38th Chapter, K¡lik¡pur¡¸am

9
79th Chapter, K¡lik¡pur¡¸am
10
AÀ¶°ttara¿ataÆ Mudr¡ Brahma¸¡ Ý¡Å Prak¢rttit¡Å . T¡s¡ntu
Paµcapaµc¡¿ad®t¡ Gr¡h»¡sttu P£jan® .. 29 .. á®À¡sttu
â¡stripaµc¡¿anmudr¡st¡Å Samay®Àu Ca . Dab»¡nayanasa´k®ta-
Na¶an¡diÀu T¡Å Sm¤t¡Å .. 30.. 66th Chapter, K¡lik¡pur¡¸am

1
1
66th Chapter : Verse No 23 to 28 & 54, 78 and 88; 53 th Chapter : Verse No 13; 74 th Chapter : Verse No 1,
2,7, 10 to 14 and 72nd Chapter : Verse No 61 -…. K¡lik¡pur¡¸am

12
Page No 17 – 18, Tungkhungia Buranjo : ed. Bhuyan, S. K.

13
Satsari Asom Buranji: ed. Bhuyan, S. K.

14
……… During the reign of this king Bengali musical group came from Bengal and the king and his
ministers were very delighted at this. Henceforth, Bengali songs and music had been introduced here…
Asom Buranji : ed. Bhuyan, S. K.

15
I had the opportunity to go through an old manuscript written on Sansi Pat about the rhythm-notes
and rhythms of Ligiri Nach at the residence of Late Anada Mohan Bhagawati, former Director of the
Cultural Affairs: Assam, when he was alive…..
Also see: Karengar Nachanir Nach, P 357, Asomiya Biswakosh – Publication Board, Assam

16
Asomiya Sangeetor Oitijya :Dutta, B. N.

17
Sattriya Nritya aru Sattriya Nrittar Taal : Neog, M and Changkakoty. K.

18
Thumri, Khemta, Jhap, Tri-tala and others are still practiced in the Auniati-Sattra. I have compiled
them in my work Auniati Sattrat Taal
19
Sattriya Nritya aru Sattriya Nrittar Taal : Neog, M and Changkakoty. K.

20
This percussion instrument still used by the Auniati Sattra, which was patronized by the Ahom King
since its establishment.

21
Asom Buranji : ed. Bhuyan, S. K.

22
A History of Assam : Gait, E.

23
Thalagiri-musicology or Ethnomusicology is the study of music of music of a region in the context of
indigenous culture, sociology, sciences, mode of communications and vocal variations and others.

24
According to the account of Harakanta Barua Sadaramin, Commissioner David Scott occupied
Rongpur, the then capital of the Ahom Kingdom on 2 nd February, 1826. See : Asom Buranji : ed. Bhuyan,
S. K.

25
See, Harakanta Barua Sadaraminar Atma Jiboni, L. B. S.

26
My telephonic discussion with the eminent Tablist Pandit Sukumar Barthakur, on 16 th March 2018 at
5:52 pm

2
27
Do

28
Do

29
Do

30
Sattriya Nritya aru Sattriya Nrittar Taal : Neog, M and Changkakoty. K.

31
Among these four, Õ·ram¡gadh¢ (Prav¤tti) is the local usage of eastern countries, including A´ga, Ba´ga,
Kali´ga, Batsa, Õ·ra, Magadha, Pu¸·a, N®p¡la, Antargiri, Bahirgiri, Prava´ga, M¡h®ndra,
Malada, Mallavarttaka, Brahm°ttara Bh¡rgava, M¡rgava, Pr¡gj»°tiÀa, Pulinda, Bid®ha,
T¡mralipta and Pr¡´ga. Pr¡gj»°tiÀa here is K¡mar£pa or modern Assam.

32
Letter of Rajani Kanta Bordoloi

33
See: The notation of Borgit of Dr Debendrachandra Changkakoty’s book Sangit Upakramanika (Part – 2)

34
I heard it from some elderly persons of North Guwahati in the 70’s

35
The review of Sangit Upakramanika (Part – 1) By Dr Debendrachandra Changkakoty in “The Times of
Assam”, Dibrugarh; 7th January, 1933