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Unit 1. The Ancien Régime and Enlightenment
Unit 1. The Ancien Régime and Enlightenment
Unit 1. The Ancien Régime and Enlightenment
enlightenment
Enlightenment ideas were spread through the academies, books, newspapers and salons, which
were special meetings organised in people’s homes. Some Enlightenment thinkers such as
D’Alembert and Diderot, created the Encyclopedia, where they gathered all the knowledge of the
time.
Montesquieu argued for the separation of powers. This meant that the three branches of the government
(legislative, executive and judicial branches) should be separate from one another. This would stop power
being concentrated in one person.
Voltaire favoured a strong monarchy. However, he also thought its power should be limited by parliament.
Rousseau introduced the idea of popular sovereignty. The power resided with the people rather than the
crown.
Freedom of production for business owners, they could produce as much as the market demanded.
Free trade: the exchange of goods between countries without any restrictions.
Free competition forced the business owner to improve the quality of his products.
Enlightened Despotism
Enlightened despotism was a new form of government that developed in some European countries in the
18th century. Its objective was to combine absolute monarchy with Enlightenment ideas aimed at
modernising the country and improving people’s well-being.
‘Everything for the people, but without the people’ (‘Todo para el pueblo pero sin el pueblo’) was their main
motto.
Enlightenment despots had the following characteristics:
They maintained their absolute power but tried to work in favour of their people.
Organisations such as the ‘Sociedad Económica de Amigos del País’ were created in Spain to improve the
economic situation of Spain.
Examples of enlightenment despots include: Catherine of Russia, Joseph II of Austria, Carlos III of Spain.
Rococo Art
Rococo art was an artistic style popular in Europe in the XVIII century. It was characterised by:
Architecture: interiors were decorated with rough curves and floral elements. In French, these motives
were called rocaille (roca). For example, the Hotel Soubise, in France, was built in this style.
Paintings: pastel colours were used to depict domestic scenes from the nobility. Examples are The Shop,
by Luis Paret and The Swing, by Jean Honoré Fragonard.
Sculpture: images used to represent mythological images to decorate nobles’ houses. For example, Cupid,
by Edmé Bouchardon.