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[instrumental music]

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[funky electronic music]

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[projector noise]

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- Outside line please, Carolyn.

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- Tom's number again?

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- Uh-huh.

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His ad just came out in the Barb.

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- Tom is running an ad?

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- Yep, uh-huh. A sex ad.

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Although it's not quite the usual kind.

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- Artie, I'll get you his number.

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You send the paper down here
when you through reading it.

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I'd love to read it.

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[dial tone]

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[dialing]

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[phone ringing]

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- Hello, Tom.

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- Yes, this is Tom.

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- Well, Tom, it's out.

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- Oh, Artie. What's out?

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- Your ad. I just finished reading it.

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Where did you ever come
up with the idea for it?

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I didn't know you wrote poetry.

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- Well, Artie. I don't.

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I copied it out of a book of poems

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that I have in my room.

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I tried to write a regular ad but

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I couldn't come up with anything,

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except the usual Barb trip.

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You know, gay, white, male, 28 years old,

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6 foot 3, 160 pounds,
blond hair, blue eyes,

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seeks...

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- Seeks what?

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- I drew a blank.

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So, I sent in that poem
by Walt Whitman in instead.

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Are you at the theater?

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- Uh-huh.

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- How's porno heaven?

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- It's about the same Tom.

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Two new flicks off from L.A.

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Washed out colors,

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shitty prints, lousy soundtracks.

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The house is about half full.

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You figure it.

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- Yeah. What are the films about this week?

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- Well,
one supposed to take place in Paris,

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but it's the usual, boy meets girl.

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Boy fucks girl.

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Girl does everybody in town.

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There's a beautiful dude
in the second feature

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and the Paris one has a good fucking scene

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in it near the end.

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They're just about par for the course.

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Were you late for work this morning?

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- Artie, these days,
I've been late for work

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just about every morning.

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I went to the bar last
night and stayed 'til last call.

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Then I cruised Polk Street,

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and got home by 3:30 a.m. alone.

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I was half asleep on the bus this morning.

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I've been stumbling
around the office coasting

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until lunchtime.

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Listen, Artie.

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What did you think of the ad?

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I mean if, if you didn't know me at all,

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would you answer it?

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- Well, I like the last part, you know,

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where it says, "I wake at night alone.

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I do not doubt, we shall meet again.”

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Heavy shit, but, no,
I wouldn't answer it, Tom.
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Poetry is not my style.

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- Well, I hope somebody answers it.

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- Tom, you know who will answer your ad?

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- Dear Box1154,

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My name is Robert. I'm 18
years old. I've never answered

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an ad in the Barb before.

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But yours seem so different
from the others in the paper that

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I thought I'd write to you.

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It's been very difficult for
me to enter the gay world.

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I live with my parents and I go
to school down by Aquatic Park.

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I don't like school
that much. It's a hassle.

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Being new to the gay scene is scary.

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Even writing this letter is weird.

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I don't know what to write.

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I've thrown away six tries so far.

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I'm going to mail this one
no matter how bad it is.

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I wish you had put your name along
with your post office box number,

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it would have made answering easier.

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I'm into movies,

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especially old ones.

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I like music and I have a
pretty good collection of records.

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I don't know how to end this letter.

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I'm wondering about what you're like,

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what your life is like.

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Right now, things for me

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are pretty heavy.

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I guess that's why I'm answering your ad.
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I wish I could put down
on paper what I'm feeling.

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Sincerely, Robert.

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P.S. My address is 2468B
Day Street San Francisco.

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If you answer,
don't put your name and return

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address on the outside of the envelope.

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My parents might ask who you are.

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[instrumental piano music]

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[projector noise]

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[sleazy electronic music]

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[TV sounds]

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- KDUX San Francisco
in cooperation with the

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Worthington Foundation presents

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Silent Screen Classics,
films from Hollywood's

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Golden Era. Tonight,
D.W. Griffith's Broken Blossoms, starring

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Lillian Gish and Richard
Barthelmess. Released in 1919, Broken

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Blossoms, marked Griffith's
return to the simple melodrama

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after the commercial failure
of his masterwork, Intolerance.

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Broken Blossoms is a story of
the doomed relationship between

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an Oriental man and a
White girl filmed in 19 days.

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[Broken Blossoms playing on TV]

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- Dear Robert, thanks for answering my ad.

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I got your letter yesterday at the
post office. I'm, I hardly know where to

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begin. First,
I didn't write that ad by myself. I copied

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it out of a book because, well,
I'm not a very good writer

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and it was hard to think of
words to describe my scene

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these days. I hope you understand.

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You asked about me in your letter.

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I'm 28 years old.

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I've lived in San
Francisco for about 5 years.

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I was born in New York City.

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I work at the telephone
company in an office downtown.

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It's a job.

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At night, I go ask the bars.

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The Stud is my favorite place.

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On weekends,
I usually the windup with the baths.

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I've been going there a lot lately.

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I like the baths because

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I can be close to a man without all the

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hassles and introductions
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and heavy bar cruising.

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Things that the baths don't last too long.

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But,

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I've met some good folks there.

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My friend, Artie,

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says that sex is my
primary interest in life.

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I don't know.

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But then again,
he may be right because on Sunday,

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unless it's raining very hard,

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I'm out cruising.

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On Polk Street.

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[instrumental ragtime music]

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- You said in your letter,
Robert, that it's hard for you to

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enter the gay scene.
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I started on the street
when I was really young.

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I'd see some man who turned me on.

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I'd look and wish we could just
go somewhere and go to bed.

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Finally, a guy came over and talked and

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said hello,

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and that was it.

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Some of my friends think
cruising the streets is trashy but,

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I still dig it.

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It's out in the open and I can always

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back out if I change my mind.

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I live close enough to
Polk Street to walk home

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with whoever I meet.

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And,

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just have good time.

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If any of this stuff makes sense,
write back.

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I'd like to get to know you better.

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Love, Tom.

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P.S.

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If you answer,
you don't have to write to Box 1154.

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I live at 3098 California Street.

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Zip, 94115.

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[instrumental rock music]

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[telephone clicks]

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[dialing]

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[dial tone]

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[sleazy electronic music]

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[telephone rings]

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- This is a recorded message
of the program at the Variety

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Cinema on Turk Street.

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San Francisco's oldest Art Cinema.

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Through next Tuesday, two films from
Miracle Motion Pictures,

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Nymphets Go to Paris
with Gabrielle Gabrielle

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and Lina LaMont in Fuck Me,
Fuck Me, My Sweet.

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Nymphets at 10, 2, 6 and 10 p.m.

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Fuck Me at noon 4, 8 and midnight.

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For further information, hold the line.

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- Hello, Artie?

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- Tom, how're you doing?

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- Okay.
- How's it going with the letter writing?

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Well, I've written three more
to Robert since I saw you

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last.
- What's he like? I know, you told me, he's 18, but

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what else?
- Well, I think he's really neat. I mean, he sounds

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a bit lonely,
but I can relate to that. He doesn't like

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school too much. He seems
sincere. I'd like to meet him

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soon. - Did you write that in your last letter?
- No. Well,

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let's see. I just mailed the
last one yesterday. I wrote

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about my day and I asked him to send me his picture.
- What?

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- Well, I just asked him to
send me a photograph of himself

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so I could see what he looks like.
- Do you think that was

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an okay thing to ask for?
- What do you mean? - I don't know.

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It could sound freaky. Is
it that important? I mean,

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- how he looks?
- Yeah. Yeah, I guess it is.
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[eerie instrumental music]

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[discordant instrumental music]

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[wind blowing]

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[instrumental music]

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00:34:55,917 --> 00:35:03,083
[trolley noises]

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- Dear Tom, it's nighttime.
I'm sitting in my room writing

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this and feeling sorry for
myself. I guess I'm digging

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it. I've been thinking about
what you wrote in your last

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letter about getting together on Saturday,
June 23rd. I'm

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pretty scared to actually meet you,
scared that you might

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not like me or that all the
feelings in me might not come

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out. I want to love someone
but I've never gotten outside

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my head about it. Besides,
I'm getting used to writing to

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you. It's funny, you know,
more about me than anybody else

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and we've never really
met. I don't understand you

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too well. You wrote that you
have friends and that you've

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had lovers, and yet you said
you're not at all that happy.

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That blows my mind. Right now,
I wish there was someone

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to hold on to. Anyone.
School is a continuing drag. I

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hate P. E. class. I keep
wondering if anybody can tell I'm

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gay just by looking at me.
I feel skinny and weird. In

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the showers,
I freak out trying not to get an erection.

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It's a bummer. I hope I'm
not boring you with all this,

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but I'm lonely and I'm getting
tired of being lonely, which
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00:36:24,750 --> 00:36:29,750
is worse. I don't know. At school,
I always get 70 in English.

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My teacher says,
I don't write enough on my assignments.

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I can never think of what
to say. So I just sit there and

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hand in whatever comes to
mind. But writing to you is different.

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I can get some of it out on
paper at least. I guess it's

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because you're not here in
my room looking at me. Your

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friend, Robert. P.S. About Saturday,
I'm sorta freaked out.

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But I'll meet you near the point
at Land's End by 10 o'clock.

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I hope you'll be there.

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[birds chirping and wind blowing]

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[♪ Open Waters by Jack McMahon ♪]

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There wasn't anybody listening,
but a white gull glistening

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across the open sky. She called
away to open waters. There's

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a place here without borders,
fix themselves upon demise.

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And then, he's gone.

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So long. Beyond the sun.

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Oh, the night upon the ocean,
like a drink of gypsy potion

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makes you leave the world
behind. Would fill the darkest

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00:39:25,583 --> 00:39:33,208
eyes with moonglow. It'll linger
and it won't go without your

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dreams inside. On the sea,
the sleepy deep.

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Now, there's a new day in
an hour. We might fill our fists

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00:40:08,958 --> 00:40:16,875
with flowers when we reach
that port of call. I've been

249
00:40:18,667 --> 00:40:25,750
reading in these faces,
a filling in of spaces and the

250
00:40:26,042 --> 00:40:33,958
cost so very small. For we are all.

251
00:40:41,458 --> 00:40:47,042
One and all.

252
00:40:50,458 --> 00:40:55,333
La, la, la, la, la, la, la, la, la, la

253
00:40:59,167 --> 00:41:03,833
La, la, la, la, la, la, la, la, la, la

254
00:41:19,958 --> 00:41:27,000
[wind blowing]

255
00:41:37,333 --> 00:41:45,250
[♪ Gymnopédie No.1 by Erik Satie ♪]

256
00:45:44,833 --> 00:45:52,750
[instrumental piano music]

257
00:52:07,042 --> 00:52:14,958
[wind blowing]

258
00:53:10,583 --> 00:53:18,500
[♪ Gymnopédie No.1 by Erik Satie ♪]

259
00:57:44,167 --> 00:57:52,083
[wind blowing]

260
00:57:57,875 --> 00:58:05,792
[playful instrumental music]

261
01:01:23,833 --> 01:01:31,750
[romantic instrumental music]

262
01:05:00,083 --> 01:05:05,000
[♪ Great Expectations by Jim O'Connor ♪]

263
01:06:06,167 --> 01:06:12,250
Gonna take my song down out of the attic.
Gonna dust my shoes

264
01:06:12,542 --> 01:06:17,292
off,
take them out of the closet. I'm gonna get

265
01:06:19,167 --> 01:06:24,792
that old time magic, back.

266
01:06:32,917 --> 01:06:36,333
Gonna spend some time
just the way that I ought to

267
01:06:37,083 --> 01:06:41,250
Hope you like the song and
the smile that I brought you

268
01:06:42,250 --> 01:06:50,167
These lazy days are driving me crazy now

269
01:06:57,375 --> 01:07:05,292
Great expectations

270
01:07:15,667 --> 01:07:21,250
I think I'm gonna get to
loving your city. If I never told

271
01:07:21,542 --> 01:07:26,542
you, I think that you're pretty. Now,
could would take walk

272
01:07:26,833 --> 01:07:34,750
down by the sea

273
01:07:40,167 --> 01:07:48,083
Great expectations

274
01:09:01,667 --> 01:09:05,792
Gonna take my song down out of the attic

275
01:09:06,125 --> 01:09:10,750
Gotta dust my shoes off,
take them out of the closet

276
01:09:11,417 --> 01:09:19,000
Gonna get that old time magic back

277
01:09:41,958 --> 01:09:46,167
I'm gonna spend some
time just the way I ought to

278
01:09:46,458 --> 01:09:51,625
Hope you like the song and
the smile that I brought you

279
01:09:51,917 --> 01:09:59,833
These lazy days driving me crazy now

280
01:10:01,583 --> 01:10:07,250
Great expectations

281
01:10:31,500 --> 01:10:37,083
Gonna take my song out of
the attic. Gotta dust my shoes off

282
01:10:37,375 --> 01:10:42,292
take them out of the closet.
Gonna get that old time

283
01:10:42,583 --> 01:10:48,250
magic back

284
01:10:50,875 --> 01:10:58,792
Great expectations
Great expectations

285
01:14:44,000 --> 01:14:49,083
[playful instrumental music]

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