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  • Claps and Claps-Partitura y Partes

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    Diego Ulloa
    19 views6 pages
    The document is a musical score consisting of rhythmic clapping patterns represented through symbols. It contains the name Gabriel Solano Zamora at the top and is divided into two sections labeled "Palmada 1" and "Palmada 2". The patterns in each section involve clapping with different rhythms and combinations of hands and fingers.

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    The document is a musical score consisting of rhythmic clapping patterns represented through symbols. It contains the name Gabriel Solano Zamora at the top and is divided into two sections labeled "Palmada 1" and "Palmada 2". The patterns in each section involve clapping with different rhythms and combinations of hands and fingers.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    19 views6 pages

    Claps and Claps-Partitura y Partes

    Uploaded by

    Diego Ulloa
    The document is a musical score consisting of rhythmic clapping patterns represented through symbols. It contains the name Gabriel Solano Zamora at the top and is divided into two sections labeled "Palmada 1" and "Palmada 2". The patterns in each section involve clapping with different rhythms and combinations of hands and fingers.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 6

    Claps

    and claps

       
                              
    Gabriel Solano Zamora

       
                   
    Palmada

             
    Palmada

               
    Palmada

    Palmada

                     

    7

                   
    
    Palm.

        
                   
    Palm.

       
                 
    Palm.

    Palm.

     
               3         
     
    12

      
          
     
        
    Palm.

     
    3

    3 
               
        
    Palm.

          3 


                        
    Palm.

    Palm.

                       
    18

               
    Palm.

       
                       
    Palm.

       
                     
    Palm.

    Palm.
                         
    22 3

                      
    Palm.
    3

                   


    Palm.

     
    3

                           
    Palm.
    3

    Palm.

     
                           
     
    28

       
        
                   
    Palm.

     
       
       
                     
    Palm.

     

          
                    
    Palm.

    Palm.

    2
    Palmada 1 Claps and claps

        
                                            
    Gabriel Solano Zamora

      
           
                             
      
    11
    3

                                    
    19 3

     

         
                           
    29
    Palmada 2 Claps and claps

         
                          
    Gabriel Solano Zamora

      
         
     
                                
    11
    3

     
                                    
    20 3


                            
    32
    Palmada 3 Claps and claps

          
                         
    Gabriel Solano Zamora

         
    3
                                               
    12

                                 
    19 3

     

        
                          
    30
    Palmada 4 Claps and claps

           
                     
    Gabriel Solano Zamora

           
                                            
    13
    3

       
                                     
    20 3


                             
    31

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