AMPLIFIER ENVELOPE trigger mode

As mentioned in the Envelopes Overview, by default,

playing legato on the Sub Phatty prevents envelopes
from retriggering on subsequent notes. With single

Multi Trigger
triggering, the Sub Phatty prevents envelopes from
retriggering on subsequent notes unless you’ve released
the previous key. With multiple triggering, a new gate
occurs each time you play a note on the keyboard,

Single Trigger
regardless of whether you’ve released the previous key.
You can select single or multiple triggering separately for
the amplifier and filter envelopes.

To specify single or multiple triggering for the amplifier

envelope, engage Shift mode and press the BANK 4
and PATCH 1 buttons. Press the low C key to turn select
single triggering (default), or press the low C# key to
select multiple triggering.

AMPLIFIER ENVELOPE RESET

When Amplifier Envelope Reset is turned on, each new
Amp. Env. Reset ON

note triggers the amplifier envelope to reset from zero,

so its output sweeps fully from zero to maximum with
each attack. By default, with envelope reset turned
off, an envelope Attack sweeps the envelope output
Amp. Env. Reset OFF

only from its current level to maximum. The effect of

Envelope Reset is more prominent with longer attack
and release times.

To change this function, engage Shift mode and press

the BANK 4 and PATCH 2 buttons. Pressing the low C
key turns Amplifier Envelope Reset off, and pressing C#
turns it on.

AMPLIFIER ENVELOPE Repeat

Amp. Env. Repeat ON

Just as with filter envelope repeat, it’s possible to use

the amplifier’s envelope generator as a multistage LFO
for controlling amplitude. When amplifier envelope
repeat is enabled, then the delay, attack, hold, decay,
Amp. Env. Repeat OFF

and release stages will loop continuously for as long

as the note is held. The shorter the envelope times, the
faster the loop will repeat.

To turn on amplifier envelope repeat, enable Shift

mode, press the BANK 4 and PATCH 3 buttons, and
press the C# key. Pressing the C key turns off amplifier
envelope repeat.

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 Amplifier ENVELOPE KEYBOARD AMOUNT
When amplifier envelope keyboard tracking is enabled,
the amplifier’s envelope times will respond to how
high or how low you play on the keyboard. Engage
Shift mode, press the BANK 4 and PATCH 4 buttons,

Keyboard Tracking OFF

and press any key besides low C to make the amplifier
envelope track the keyboard. The higher the key you
press, then the more keyboard tracking will affect
envelope times. Engage Shift mode, press the BANK
4 and PATCH 4 buttons, and press low C to turn off
keyboard tracking.

AMPLIFIER ENVELOPE GATE

You can control whether the amplifier envelope is
KB, MIDI, or Gate CV

triggered by the keyboard, by an external control-

voltage source, by both, or whether the envelope is
KB or MIDI

always on. Engage Shift mode and press the BANK

Gate Open (Always On)

4, PATCH 1, and PATCH 2 buttons. Pressing the low C

key leaves the gate open and bypasses the envelope
generator. When you press C#, only the keyboard or a
MIDI signal will trigger the envelope. When you press D,
only a gate (CV) signal routed from an external source
Gate CV

to the GATE CV jack will trigger the envelope. When

you press D#, the keyboard, a MIDI signal, or an external
gate signal will trigger the envelope (default).

midi parameters
Shift mode lets you modify the Sub Phatty’s default MIDI settings. You can change the MIDI transmit
and receive channels, turn local control on and off, filter MIDI data, enable and disable fine-resolution
data recognition, and enable and disable the DIN or USB ports to send, receive, and merge MIDI data.
Changing some MIDI settings requires that you press two BANK buttons and one PATCH button in
Shift mode.

MIDI IN CHANNEL
By default, the Sub Phatty sends and receives data on
MIDI Channel 1, but you can set it to send or receive on
any MIDI Channel from 1 to 16.
Channel 2

Channel 4

To change the input channel, engage Shift mode and

press the BANK 1, BANK 4, and PATCH 1 buttons. The
next key you press will determine the input channel.
Pressing the low C selects Channel 1, C# selects
Channel 3

Channel 2, and so on, all the way up to D# above middle

Channel 1

C, which selects Channel 16.

etc....

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 MIDI OUT channel
To change the output channel, engage Shift mode and
press the BANK 1, BANK 4, and PATCH 2 buttons. The
next key you press will determine the output channel.

Channel 2
Pressing the low C selects Channel 1, C# selects

Channel 4
Channel 2, and so on, all the way up to D# above middle
C, which selects Channel 16.

Channel 3
Channel 1

etc....
MIDI INPUT SELECT
The Sub Phatty can send and receive MIDI data through
MIDI IN & USB Port

the DIN jacks labeled MIDI IN and MIDI OUT or through

MIDI IN Jack Only

its USB port, depending on your preferences.

To specify the MIDI In path, engage Shift mode and

MIDI Reception OFF

press the BANK 1, BANK 4, and PATCH 3 buttons.

Pressing the low C key will turn MIDI reception off.
USB Port Only

Pressing C# will cause the Sub Phatty to receive data

through the MIDI IN jack only. Pressing D will cause it to
receive data through the USB port only. Pressing D# will
cause it to receive data through both the MIDI IN jack
and the USB port (default).

MIDI output SELECT

To specify the MIDI Out path, engage Shift mode and
MIDI OUT & USB Port
MIDI OUT Jack Only

press the BANK 1, BANK 4, and PATCH 4 buttons.

Pressing the low C key will turn MIDI transmission off.
Pressing C# will cause the Sub Phatty to send data
through the MIDI OUT jack only. Pressing D will cause
MIDI Transmission OFF

it to send data through the USB port only. Pressing D#

will cause it to send data through both the MIDI OUT
USB Port Only

jack and the USB port, which is the default setting.

MIDI MERGE USB

To set the MIDI Merge parameters for the USB port,
MIDI Out & USB Port
USB Port In To DIN
DIN MIDI Out Only

engage Shift mode and press BANK 1, BANK 4, PATCH

USB Port In To

3, and PATCH 4. Pressing the low C key will turn off

USB Port To USB Port Only

MIDI merging. Pressing C# will cause data received by

the USB port to pass through to the MIDI OUT jack only.
Pressing D will cause data received by the USB port
MIDI Merging OFF

jack to pass through to the USB port only. Pressing D#

will cause data received by the USB port jack to pass
through to both the MIDI OUT jack and the USB port.

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 MIDI MERGE DIN
The Sub Phatty can merge MIDI data it receives with the

MIDI Out & USB Port

DIN MIDI Out Only

DIN MIDI In To DIN

MIDI data it transmits. You can specify the path of the
merged data so that data received at either the MIDI IN

DIN MIDI In To

DIN MIDI In To USB Port Only

jack or the USB port is passed through to the MIDI OUT
jack or the USB port.

MIDI Merging OFF

To set the MIDI Merge parameters for the MIDI IN jack,
engage Shift mode and press BANK 1, BANK 4, PATCH
1, and PATCH 2. Pressing the low C key will turn off MIDI
merging. Pressing C# will cause data received by the
MIDI IN jack to pass through to the MIDI OUT jack only.
Pressing D will cause data received by the MIDI IN jack
to pass through to the USB port only. Pressing D# will
cause data received by the MIDI IN jack to pass through
to both the MIDI OUT jack and the USB port.

MIDI CC RESOLUTION
7-bit Coarse Resolution

Most MIDI commands allow a range of values from 0

to 127, a number limited by the 7-bit words that make
up standard MIDI messages. For Control Change (CC)
commands that require greater resolution, it’s possible
to use 14-bit words that allow a much finer-resolution
14-bit Fine Resolution

range of values, from 0 to 16,384.

To enable the Sub Phatty to send MIDI CCs with 14-bit

fine resolution, engage Shift mode, press BANK 4 and
PATCH 4, and press the low C key. To return to standard
7-bit coarse resolution, engage Shift mode, press BANK
4 and PATCH 4, and press the low C# key.

LOCAL CONTROL
Sometimes it’s useful to disable the keyboard when
you’re using it as a MIDI controller for other instruments
Local Control ON

or when you’re recording tracks into a DAW. With

Local Control turned on, you can use the keyboard and
the front-panel controls to play and program the Sub
Phatty. With Local Control turned off, any keys you
Local Control OFF

press or control settings you change send data directly

to the instrument’s MIDI Out or USB, without affecting
the Sub Phatty.

To turn Local Control off, engage Shift mode, press

BANK 2, BANK 4, and PATCH 1, and then press the
low C key. To turn Local Control back on, engage Shift
mode, press BANK 2, BANK 4, and PATCH 1, and then
press the low C# key.

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 MIDI OUTPUT FILTER

Send Data From KB, MOD & PITCH Only

Send Note Data Only

Send All Data Except
It is possible to filter the MIDI data that the Sub Phatty
sends so that certain data isn’t received by external
MIDI devices. To turn on the MIDI output filter, engage

Volume Data
Filter OFF (Sends All Data)
Shift mode and press the BANK 2, BANK 4, and PATCH
2 buttons. Press the C# key to send everything except
volume data. Press the D key to send data from the
keyboard, MOD wheel, and PITCH wheel only, filtering
out everything else. Press the D# key to send only note
data when you play the keyboard. Pressing the C key
turns off the filter, ensuring that the Sub Phatty sends
all MIDI data (default).

GLOBAL PARAMETERS

USE PRESET VOLUME

Use Preset Volume Level

When you load a preset, you can specify whether

its loudness is controlled by the MASTER VOLUME’s
current setting or by the volume level that was saved
Ignore Preset Volume Level

as part of the preset. Engage Shift mode and press the

BANK 2, BANK 4, and PATCH 3 buttons. Then, press
C if you want the current patch to ignore its preset
volume level, or press C# if you want it to use its preset
volume level (default).

Use preset mod wheel

When you load a preset, you can specify whether its
Use Current MOD Wheel Position

modulation depth is controlled by the MOD wheel

Use Preset MOD
Wheel Position

setting that was current when you saved the patch.

Engage Shift mode and press the BANK 2, BANK 4,
and PATCH 4 buttons. Press C# to use the preset MOD
wheel setting (default), and press C to use the current
MOD wheel position.

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 Global NOTE PRIORITY
Because the Sub Phatty is monophonic, it will play

High-Note Priority
only one note at a time. What happens when you
press two keys at the same time? By default, it plays a
note in response to the most recent key you pressed,
regardless of its position. This is called last-note priority.
You can change that behavior, however, so that it will

Last-Note Priortiy
Low-Note Priority
play either the lowest or the highest note when you
press more than one key.

Engage Shift mode and press the BANK 2, BANK 4,

PATCH 1, and PATCH 2 buttons. Pressing the low C key
engages low-note priority, so that only the lowest note
plays when you hold down more than one key. Pressing
C# engages high-note priority, so that only the highest
note plays when you hold down more than one key.
Pressing D engages the default, last-note priority.

KNOB MODE
When you change presets, it’s unlikely that the
Pass-Through Mode

positions of the knobs will match the values of the

preset’s parameters. When you turn a knob to make
changes, how it responds will depend on its mode.

To enter Knob mode, engage Shift mode and press

BANK 2, BANK 4, PATCH 3, and PATCH 4. Press the
Relative Mode

low C to engage Snap mode, in which the value jumps

Snap Mode

to the knob’s current position as soon as you begin

turning it. Press C# to engage Pass-Through mode, in
which turning the knob has no effect until it reaches its
preset value and then takes effect. Press D to engage
Relative mode (the default), in which turning the knob
up or down slightly causes a minor change in value, and
turning it further causes a increasingly greater change
in value. This allows the value to “catch up” with the
knob’s position and prevents any sudden jumps.

SYSTEM COMMANDS
Whenever you invoke a system command, you cause some kind of irreversible change. For this reason,
each command requires that you press a key twice to confirm your choice. Once you’ve selected a
command, press the C# key twice to invoke it, or press the C key to cancel it.

INITIALIZE PRESET
Engage Shift mode and press BANK 3, BANK 4, and PATCH 1. Press C# twice to
reset all the Shift-mode parameters to their default settings.

36
initialize global parameters
Engage Shift mode and press BANK 3, BANK 4, and PATCH 2. Press C# twice to
reset the global parameters (Local Control, MIDI Output Filter, Use Preset Volume,
Use Preset MOD Wheel, Note Priority, Knob Wheel) to their default setting.

restore factory presets

Engage Shift mode and press BANK 3, BANK 4, and PATCH 3. Press C# twice to
reload the Sub Phatty’s 16 factory presets.

NOTE: Invoking this command will delete any user presets.

NOTE CALIBRATION
Engage Shift mode and press BANK 3, BANK 4, and PATCH 4. Press C# twice to
run a full-range note calibration routine for the two oscillators. This will ensure that
the oscillators remain in tune in every octave throughout their entire pitch range.

send current preset

Engage Shift mode and press the BANK 3, BANK 4, PATCH 1, and PATCH 2
buttons. Press C# twice to send all the settings for the current preset to your
computer as MIDI system exclusive data. If you record this data on your computer
and then send it back to the Sub Phatty, it will replace the patch that’s currently
loaded into the panel buffer. Once it’s in the buffer, you must manually save the
data to a preset location if you don’t want to lose it.

37
 send all presets
Engage Shift mode and press the BANK 3, BANK 4, PATCH 3, and PATCH 4
buttons. Press C# twice to send all 16 presets to your computer as a single Preset
Bank file. If you record this MIDI system exclusive data on your computer and
then send it back to the Sub Phatty, it will replace all 16 presets stored in the Sub
Phatty’s memory.

For additional hidden parameters and updates visit www.moogmusic.com/subphatty.

MIDI OPERATIONS

MIDI CHANNEL
By default, the Sub Phatty is set to receive and send MIDI on Channel 1, but it can be configured to
send and receive to MIDI Channel (1-16).

MIDI CONTROL CHANGE (CC) MESSAGES

The tables on the following pages list all MIDI CC messages for the Sub Phatty.

MIDI CC VALUES FOR THE LFO CLOCK DIVIDER (CC #3)

TIME VALUE DIVISION VALUE

1/64 Note Triplet 1/64 T 122-127
1/32 Note Triplet 1/32 T 116-121
1/32 Note 1/32 110-115
1/16 Note Triplet 1/16 T 104-109
1/16 Note 1/16 98-103
1/8 Note Triplet 1/8 T 92-97
Dotted 1/16 Note 1/16 DOT 86-91
1/8 Note 1/8 80-85
1/4 Note Triplet 1/4 T 74-79
Dotted 1/8 Note 1/8 DOT 68-73
1/4 Note 1/4 61-67
1/2 Note Triplet 1/2 T 55-60
Dotted 1/4 Note Triplet 1/4 DOT 49-54
1/2 Note 1/2 43-48
Whole Note Triplet WH T 37-42
Dotted 1/2 Note 1/2 DOT 31-36
Whole Note WH 25-30
Whole Note + Half Note WH + 1/2 19-24
2 Whole Notes 2 Whole 13-18
3 Whole Notes 3 Whole 7-12
4 Whole Notes 4 Whole 0-6

38
 CONTROL/ CC CC VALUE RANGE 14 BIT MSB / LSB
PARAMETER
AMPLIFIER EG ATTACK 28 0-16383 14 BIT: CC 28 / CC 60

AMPLIFIER EG DECAY 29 0-16383 14 BIT: CC 29 / CC 61

AMPLIFIER EG SUSTAIN 30 0-16383 14 BIT: CC 30 / CC 62

AMPLIFIER EG RELEASE 31 0-16383 14 BIT: CC 31 / CC 63

FILTER EG ATTACK 23 0-16383 14 BIT: CC 23 / CC 55

FILTER EG DECAY 24 0-16383 14 BIT: CC 24 / CC 56

FILTER EG SUSTAIN 25 0-16383 14 BIT: CC 25 / CC 57

FILTER EG RELEASE 26 0-16383 14 BIT: CC 26 / CC 58

VCO 1 LEVEL 15 0-16383 14 BIT: CC 15 / CC 47

VCO 2 LEVEL 16 0-16383 14 BIT: CC 16 / CC 48

NOISE LEVEL 8 0-16383 14 BIT: CC 8 / CC 40

VCO 1 SUB LEVEL 17 0-16383 14 BIT: CC 17 / CC 49

VCO 1 WAVE 9 0-16383 14 BIT: CC 9 / CC 41

VCO 2 WAVE 14 0-16383 14 BIT: CC 14 / CC 46

VCO 2 FREQUENCY 12 0-16383 14 BIT: CC 12 / CC 44

VCO 2 BEAT FREQUENCY 13 0-16383 14 BIT: CC 13 / CC 45

VCO 2 HARD SYNC 77 0 = OFF, 64 = 0N

VCO GATE RESET 81 0 = OFF, 64 = ON

FILTER CUTOFF
FREQUENCY 19 0-16383 14 BIT: CC 19 / CC 51

FILTER RESONANCE 21 0-16383 14 BIT: CC 21 / CC 53

FILTER KB
TRACKING AMOUNT 27 0-16383 14 BIT: CC 27 / CC 59

FILTER EG AMOUNT 22 0-16383 14 BIT: CC 22 / CC 54

MULTIDRIVE AMOUNT 18 0-16383 14 BIT: CC 18 / CC 50

FILTER EG VELOCITY 110 0-127

TO AMPLITUDE

AMPLIFIER EG VELOCITY 92 0-127

TO AMPLITUDE

39
 CONTROL/
PARAMETER CC CC VALUE RANGE 14 BIT MSB / LSB

NOTE PRIORITY 111 0 = Global, 32 = Low Note, 64 = High

Note, 96 = Last Note

RELEASE ON / OFF 88 0 = OFF, 64 = ON

0 = Triangle LFO, 16 = Square LFO,

MODULATION SOURCE 71 32 = Saw LFO, 48 = Ramp LFO,
64 = S&H, 80 = Filter Envelope

LFO RATE 3 0 - 16383 14 BIT: CC 3 / CC 35

LFO MIDI SYNC 102 0 = OFF, 64 = ON

LFO GATE RESET 93 0 = OFF, 64 = ON

FILTER MOD AMOUNT 2 0 - 16383 14 BIT: CC 2 / CC 34

PITCH MOD AMOUNT 4 0 - 16383 14 BIT: CC 4 / CC 36

WAVE MOD AMOUNT 20 0 - 16383 14 BIT: CC 20 / CC 52

PITCH BEND UP 107 0 - 25

PITCH BEND DOWN 108 0 - 25

GLIDE ON / OFF 65 0 = OFF, 64 = ON

GLIDE LEGATO 94 0 = OFF, 64 = ON

GLIDE RATE 5 0 - 16383 14 BIT: CC 5 / CC 37

0 = Linear Constant Rate, 43 = Linear

GLIDE TYPE 85 Constant Time, 86 = Exponential

LFO KB TRACKING AMT. 78 0 - 127

AMPLIFIER EG RESET 83 0 = OFF, 64 = 0N

FILTER EG RESET 82 0 = OFF, 64 = ON

OUTPUT LEVEL 7 0 - 16383 14 BIT: CC 7 / CC 39

0 = -2 Oct, 16 = -1 Oct, 32 = +0 Oct

KEYBOARD OCTAVE 89 48 = +1 Oct, 64 = +2 Oct

EXTERNAL INPUT LVL. 116 0 - 127

AMPLIFIER EG DELAY 104 0 - 127

AMPLIFIER EG HOLD 106 0 - 127

FILTER EG DELAY 103 0 - 127

FILTER EG HOLD 105 0 - 127

40
 CONTROL/
PARAMETER CC CC VALUE RANGE 14 BIT MSB / LSB

PITCH MOD. OSC 2 ONLY 70 0 = OFF, 64 = ON

MODULATION WHEEL 1 0 - 16383

0 = OSC 1 Only, 43 = OSC 2 Only,

WAVE MOD DESTINATION 72
86 = Both OSC 1 & 2

VCO 1 OCTAVE 74 16 = 16’, 32 = 8’, 48 = 4’, 64 = 2’

VCO 2 OCTAVE 75 16 = 16’, 32 = 8’, 48 = 4’, 64 = 2’

FILTER POLES 109 0 = 1 POLE, 32 = 2 POLES,

64 = 3 POLES, 96 = 4 POLES

0 = Low (.01 Hz - 10Hz)

LFO RANGE 76 43 = Mid (.1Hz - 100Hz)
86 = High (1Hz - 1kHz)

LEGATO 68 0 = OFF, 64 = ON

0 = 12 Semitones, 1 = -11 Semitones...

KEYBOARD TRANSPOSE 119
12 = +0 Semitones... 24 = +12 Semitones

GATED GLIDE 73 0 = OFF, 64 = ON

FILTER EG REPEAT 112 0 = OFF, 64 = ON

FILTER EG VELOCITY 86 0 - 127

TO TIME

FILTER EG KB AMOUNT 79 0 - 127

0 = Gate On, 32 = Keys Only, 64 =

FILTER EG GATE SOURCE 90
Gate Only, 96 = Keys Or Gate Input

AMPLIFIER EG REPEAT 113 0 = OFF, 64 = ON

AMPLIFIER EG 87 0 - 127
VELOCITY TO TIME

AMPLIFIER EG
KB AMOUNT 80 0 - 127

VOLUME EG 0 = Gate On, 32 = Keys Only, 64 =

GATE SOURCE 91 Gate Only, 96 = Keys Or Gate Input

FILTER EG 114 0 = OFF, 64 = ON

TRIGGER MODE

AMPLIFIER EG
TRIGGER MODE 115 0 = OFF, 64 = ON

41
SERVICE AND SUPPORT INFORMATION

MOOG LIMITED WARRANTY

Moog Music warrants its products to be free of defects in materials and workmanship for a period
of one year from the date of purchase. During the warranty period, any defective products will be
repaired or replaced, at Moog Music’s option, on a return-to-factory basis. This warranty covers
defects that Moog Music determines are no fault of the user. In countries outside of the USA, contact a
Moog authorized distributor listed on our web site (www.moogmusic.com) for service.

RETURNING YOUR PRODUCT TO MOOG MUSIC

You must obtain prior approval in the form of an RMA (Return Material Authorization) number from
Moog Music before returning any product. To request an RMA number call us at (828) 251-0090 or
email techsupport@moogmusic.com. The Sub Phatty must be returned in its original packing. The
warranty will not be honored if the product is not properly packed. Send the product to Moog Music
Inc. with transportation and insurance charges paid.

MOOG MUSIC
160 Broadway St.
Asheville NC, 28801

WHAT WE WILL DO
Once received, we will examine the product for any obvious signs of user abuse or damage as a result
of transport. If the product has been abused, damaged in transit, or is out of warranty, we will contact
you with an estimate of the repair cost.

HOW TO INITIATE YOUR WARRANTY

Please initiate your warranty online at www.moogmusic.com/register. If you do not have web access
please call (828) 251-0090 to register your instrument. Registering your instrument initiates your
warranty, ensures you receive the latest software updates, gets you the free editor/librarian, and gets
you a nifty sticker!

CARING FOR THE sub phatty

Clean the Sub Phatty with a soft, slightly moist cloth only – do not use solvents or abrasive detergents.
Heed the safety warnings at the beginning of the manual. Don’t drop the unit. If you are shipping your
Sub Phatty to the factory for servicing, we recommend using the original shipping carton, or an ATA
approved Road Case.

AN IMPORTANT NOTE ABOUT SAFETY: Do not open the chassis. There are no user serviceable parts
in the Sub Phatty. Maintenance of the Sub Phatty synthesizer should be referred to qualified service
personnel only.

42
SPECIFICATIONS

TYPE: Programmable Monophonic Analog Synthesizer

SOUND ENGINE: Analog

NUMBER OF KEYS: 25

TYPE OF KEYS: Semi-Weighted

OTHER CONTROLLERS: Pitch Bend, Mod Wheel

POLYPHONY: Monophonic

SOUND SOURCES: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Noise Generator

OSCILLATOR CALIBRATION RANGE: 22Hz-6.8kHz. Guaranteed note range at 8’ of Note 18 to 116

MOD SOURCES: Triangle, Square, Saw, Ramp, SH, Filter Envelope

MOD DESTINATIONS: Pitch, Osc 2 Pitch Only, Filter, Waveshape

FILTER: Moog Ladder Filter 20Hz-20kHz

AUDIO INPUT: 1xTS

AUDIO OUTPUT: 1xTS, 1xTRS Headphone

PRESETS: 4 Banks, 4 Patches per Bank

MIDI I/O: DIN In, Out, and MIDI over USB

CV/GATE INPUTS: Filter CV, Pitch CV, Volume CV, KB Gate

TRANSPOSITION: +/- 2 Octaves

LFO: 0.01Hz - 1000Hz

Specifications Subject To Change Without Notice

©2013 MOOG MUSIC Inc. 160 Broadway St. Asheville, NC 28801

Phone: 828.251.0090 Email: info@moogmusic.com
Website: www.moogmusic.com

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