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  • Coisas Reais-Contrabaixo

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    Alinson Alaniz
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    The document contains musical notation for a contrabass piece consisting of three sections (A, B, C) played repeatedly (A', B', etc.). Section A introduces the main melody line. Section B has a secondary melody and section C contains arpeggiated chords. The piece is written for contrabass and involves repeated melodic and rhythmic motifs across its different sections.

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    Coisas_Reais-Contrabaixo

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    The document contains musical notation for a contrabass piece consisting of three sections (A, B, C) played repeatedly (A', B', etc.). Section A introduces the main melody line. Section B has a secondary melody and section C contains arpeggiated chords. The piece is written for contrabass and involves repeated melodic and rhythmic motifs across its different sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    10 views2 pages

    Coisas Reais-Contrabaixo

    Uploaded by

    Alinson Alaniz
    The document contains musical notation for a contrabass piece consisting of three sections (A, B, C) played repeatedly (A', B', etc.). Section A introduces the main melody line. Section B has a secondary melody and section C contains arpeggiated chords. The piece is written for contrabass and involves repeated melodic and rhythmic motifs across its different sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Contrabaixo Coisas

    Reais
    Alex Araújo/Luis Fernando Scarano
    Intro

                     
    A

          
     = 70

    
    pizz.

       
                               
    8

         
                            
    B

     
    16

                     
                     
    24

                                   
    A'


    30

                   
                   
    36

     
                                  
    44
    B'


                                 

    52

                 
                    
    58

        
    C

          
               
    arco


    64
       
    2

                   
    B

        
    73
    pizz.

                                   

    79

                                   

    85

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