Reading Reflection/Insights # 4

Name: Maria Jeaness B. Evarle Date: October 7, 2021

GENERAL INSTRUCTIONS
      
BEFORE DO NOT
COMPLETING THIS REVIEW PLAGIARIZE!
ANSWER IN
ASSESSMENT, RESPOND TO YOUR
ESSAY TNR, 12
PLEASE READ ALL FOLLOW THE THE WORK PLAGIARISM IS
FORM. D- SPACE
OF THE INSTRUCTIONS. REQUIREMENTS BEFORE A MAJOR
COMPLETE L&R JUSTIFY
INSTRUCTIONS OF THE TASK. SUBMITTING OFFENSE THAT
SENTENCES.
THOROUGHLY IT. LEADS TO
AND CAREFULLY. EXPULSION.

Contemporary Displays of Modern Art

RR4/Insights 4
Topic/Lesson

1. Difficult Concepts (What concepts did you find difficult to understand?)

i. I had a hard time understanding modern searches for the exhibition of less hierarchical

material are frequently radically combined, yet it was an important element of a modern

endeavor to devise methods of framing Modern Art against the status quo.

ii. I had difficulty in understanding how Johanne Lamoureux believes that "originality and

novelty are no longer undisturbed for a fervent believer in stable art lexicology".

iii. It was hard to understand how ahistoric exhibits that supposed conversation as a context

may need to go beyond good presentation: the growth and decrease of modernism is

not self-explaining. Works discarded from art history need to be heard.

2. Insights (What new insights or learnings did you gain in discussion/ activity?)

i. Before reading the article/understanding the lesson, I thought

That curators are just managing art galleries.

However, reading the article/understanding the lesson, I now think/realize

 that it is much deeper, the duty of curator in the participatory laboratory is to make the

finest work available to everybody.

ii. Before reading the article/understanding the lesson, I thought

That Modern Art started during the late 1990s.

However, reading the article/understanding the lesson, I now think/realize

That Modern Art has several chronological lines, but these spans were noted around

the end of the 1900s to about 1970 most of the exhibits.

iii. Before reading the article/understanding the lesson, I thought

that English Art was very popular ever since before.

However, reading the article/understanding the lesson, I now think/realize

that yes, it is popular, for English art likewise retrospectively embraced Global

Modernism in the early twentieth century and caused comparable concerns over the

limited size of local art.

3. Questions (What questions would you want answers for? Or vague areas you
want more explanations about?
i. More explanations about canonical change.

ii. How come there were no claims for either “comprehensive survey or tidy

summation”?

iii. Why is the contemporary quests for less-hierarchical display is often couched in

radical terms?

References:
Fraser, Andrea. 2005. Museum Highlights. Cambridge, MA: MIT Press.

Greenberg, Clement. 1960. Modernist Painting. Washington, DC: Voice of America.

Lowry, Glenn. 2004. “Foreword.” Modern Contemporary: Art at MOMA since 1980. New
York: MoMA.

Rosenberg, Harold. 1952. “The American Action Painters,” Art News, Vol. 51, No. 8: 22.

Williams, Raymond. 1989. “When was Modernism?” In The Politics of Modernism: Against
the New Conformists, 31–35. London: Verso.