SOUTHERN TAGALOG REGIONAL

ASSOCIATION OF STATE UNIVERSITIES

AND COLLEGES
(STRASUC)
●

6TH STRASUC CULTURE AND THE ARTS

FESTIVAL 2022

MANUAL OF OPERATION
Revised and Amended during the National Training and Workshop of SUC Sports and Socio-Cultural Directors in May 19-21, 2015, Crown Regency,
Cebu City and in MUST, Cagayan de Oro City during the National Adjudicators Training and Workshop in August 26-28, 2015.

Reviewed and updated during the National Adjudicators Training and Workshop held in Batangas State University, July 20-22, 2016 and during the
Regional Cultural Directors Meeting held in Negros Oriental State University, Dumaguete City, August 17 – 19, 2016

Reviewed and updated in Aklan State University, August 16-18 2017

Revised and updated in PASUC SECRETARIAT OFFICE, August 20, 2018

Revised and adopted by the STRASUC Culture and Arts Directors on July 1-2, 2019 at Romblon State University, Odiongan, Romblon

Revised and Amended during the STRASUC Culture and the Arts Directors and Coordinators Meeting in May 30-31, 2022, 2nd Flr. Lecture Room, CITE
Bldg., Batangas State University, Batangas City, Philippines

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 MANUAL OF OPERATION OF THE STRASUC
CULTURE AND THE ARTS FESTIVAL

I. RATIONALE

Legal Basis for Culture and Arts Promotions

Republic Act No. 7356 (April 3, 1992), An Act Creating the National Commission for Culture and the Arts (NCCA),
Establishing a National Endowment Fund for Culture and the Arts (NEFCA), and for Other Purposes.

The Implementing Rules and Regulations of RA 7356

Other related legal basis:

1. Executive Order No. 80 (March 5, 1999), Transferring the CCP, KWF, NM, NHI, TNL, and RMAO to the NCCA for
Policy Coordination
2. Republic Act No. 9155 (August 11, 2001), [Governance of Basic Education Act of 2001]   Section 8: Administratively
attaching the KWF, NHI, RMAO and TNL to the NCCA
3. Republic Act No. 10066 (March 26, 2010), [National Cultural Heritage Act of 2009],  An Act Providing for the
Protection and Conservation of the National Cultural Heritage, Strengthening the National Commission for Culture and the
Arts (NCCA) and its Affiliated Cultural Agencies, and for other Purposes

With Educational Institutions as the primary vehicle of socio-cultural promotion and development, the
SOUTHERN TAGALOG REGIONAL ASSOCIATION OF STATE UNIVERSITIES AND COLLEGES (STRASUC)
in Region IV is institutionalizing an annual culture and the Arts competition amongst SUCs fittingly captioned as
STRASUC Culture and the Arts Festival, in its bid to promote a comprehensive development among its member
institutions and constituents.

The STRASUC Culture and the Arts Festival has TWELVE (12) SUC Delegations participating. The events for each
division are presented in this manual. The venue and host of these STRASUC Competitions is rotated on an
equitable basis.

II. OBJECTIVES OF STRASUC CULTURE AND THE ARTS FESTIVAL

In consonance with the principle that the tertiary education culture and arts program shall be a vehicle for the
inculcation of positive Filipino and universal human values, the objectives of STRASUC Culture and the Arts
Festival are the following:

1. Provide opportunities for state colleges and universities officials to conceptualize, develop, organize and
implement project, plan, programs and activities which will complement the other components of the curriculum
aimed at developing higher level of knowledge and skills, understanding and appreciation, and positive attitudes
and values designed to optimize the full potential of tertiary level students;

2. Provides opportunities for coaches and trainers to discover, identify and select students with competitive skills
and talents to join the regional and national pool of talents and undergo further training in preparation for
higher national or international competition.

3. Provide opportunities for tertiary level students who are skilled and talented to participate in culture and the
arts competition and become carriers of our regional colors in national and international events, and in the
process of active participation emerge as our national pride.

4. Provide opportunities to develop the character of excellence and appreciation of the Filipino culture, aesthetic
values, knowledge, understanding and socially desirable traits; and

5. Promote the culture of peace through the spirit of sportsmanship, camaraderie, fair play and respect for
others.

A. III. ORGANIZATION AND MANAGEMENT

STRASUC Culture and the Arts Festival is organized by the Southern Tagalog Regional Association of State
Universities and Colleges (STRASUC) and shall be jointly managed by the STRASUC Executive Board and the
STRASUC Culture and the Arts Directors and Coordinators. The competition shall run in accordance with the
guidelines, rules and regulations recommended by the STRASUC-CADC Management Committee and approved by
the STRASUC Executive Committee.

a. EXECUTIVE COMMITTEE

Chairperson : DR. LEVY B. ARAGO Jr.

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 STRASUC Regional Chair
Members : SUC’s Presidents

Responsibilities:
1. Highest governing body in the conduct of the STRASUC Culture and the Arts Festival
2. Takes care of the highest level of coordination between the SUCs, LGUs, etc.

b. HOST UNIVERSITY EXECUTIVE COMMITTEE

Chairperson : DR. TIRSO A RONQUILLO

President, BatStateU/ PASUC President

Co-Chairperson : DR. CHARMAINE I. TRIVIÑO

Host Over-all Chairman

Members : Regional Cultural Directors and Coordinators

Responsibilities:

1.Takes care of the coordination and monitoring at the level of SUC Local Committees and Games Management
Committees especially in the playing venue and billeting preparations.
2.Prepares all reportorial requirements by PASUC Executive Committee.

c. STRASUC CULTURE AND THE ARTS FESTIVAL TECHNICAL AND WORKING COMMITTEE

Committee/Role Chair and Members Contact Number

Over-all Chair/ Festival Director Chair: Mr. Mark Emmanuel Magsino 09985611145
Co-chair: Mr. Jojo Conti 09611192792
Coordinator for Dance and Visual Arts Chair: Mr. Luther Eroa 09399191996
Co-chair: Mr. Roberto Abas 09667325597
Member: Mar Lopez
Coordinator for Musical and Performing Chair: Dr. Teejay Panganiban 09199921413
Arts Co-chair: Dr. Benedict Medina 09176337779
Member: Mr. Gomer Dimalibot
Finance Chair: Mr. Romeo L. Ramos 09194994622
Co-chair: Mr. Daniel Falo 09554321197
Communication, Documentation and Chair: Dr. Vaberlie Mandane 09177715275
Publicity Co-Chair: Dr. Robeilyn Cunanan 09084968124
Members: Ms. Jacque Intac
Facilities Preparation Chair: Engr. Antonio Gamboa
Co-chair: Engr. Emanuel L. Mendoza
Member: Engr. Rolando Ocampo
Mr. Jhude Ada 09755166016

Billeting & Transportation Chair: Mr. Jhude Ada 09755166016

Co-chair: Dr. Francisco V. Aguirre
Members: Engr. Emanuel L.
Mendoza

Reception, Accommodation and Chair: Dr. Bendalyn Landicho

Reservations (Welcome dinner and Co-chair: Dr. Elroy VAldez
arrival of participants and guests) Members: Angelo Panilagan
Mr. Elvic Sanches
Food Services Chair: Dr. Teodorica Ani
Co-chair: Dr. Anna Rivera
Members: Engr. Mariellie Katherine
Untalan
Mr. Mark Louie Javier
Secretariat Chair: Dr. Daryl Magpantay
(opening and closing programs, Co-chair: Mr. Angelo Panilagan
invitations, programs, briefing kits, IDs, Cuanan
supplies and materials, news letter, Members:
posting of results and evaluation, Dr. Kristina Geron
layout/design STRASUC uniform and Dr. Heidi Gonzales
tarpaulin) USC/SSC Officers
The Lathe
Peace and Security Chair: Dr. Romeo M. Guillo Jr.
Co-chair: Mr. Cristaldino B. Torino
Security Officers
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Awards (certificates, medals, plaques,
trophies, tokens, leis)
Stage and venue
preparation/decorations
Parade
Lights and Sounds and Video Streaming
Health And Safety Protocols
Chair: Mr. Joseph Mendoza
Co-chair: John Carlo V. Agarri
Member: Katherine Arellano
Mar Lopez
Chair: Arch. Rodora Roma R. Lacap
Co-Chair: Arch. Jesus T. Caraig
Members: Culture and Arts
Coordinator- Pablo Borbon
Chair:Dr. Realiza Mame
Co-chair: Dr. Romeo M. Guillo Jr.
Members: Mr. Philip Oropeza
Culture and arts Coordinator-Pablo
Borbon
ROTC Officers
Chair: Engr. Joselito K. Santos
Co-chair: Mr. John Richard Esguerra
Members: Lloyd Baquirquir
ICT Personnel
Chair: Dr. Leila Manalo
Co-chair: Dr. Ailyn N. Borbon
Member: University Nurses

Incident Command System Chair: Dr. Nickie Boy Manalo

EVENT CONTEST HEADMASTER

VISUAL ARTS STRASUC BATSTATEU
Pencil Drawing Mr. Joro Valencia
Dr. Mary Jane Arboleda
Charcoal Rendering Mr. Joseph Melo
On the Spot Poster Making
Dir. Ruby Ann Lantita Arch. Joe Mark Banaag
Painting
Photography Dir. Jose Filomeno Fernandez Dr. Diane Arnette A. Bacong
PERFORMING ARTS
Short and Sweet Play (standard) Dir. Mark Emmanuel Magsino Dr. Benedict Medina
DANCE
Folk Dance Dir. Lloyd S. Bancairen Ms. Guianne Maralit
Hiphop/Street Dance Dir. Rowena DC. Cardenas Mr. Gomer Dimalibot
Contemporary Dance Dr. Angelito V. Quinones Jr. Mr. Gomer Dimalibot
MUSIC
Pop Solo Asst. Prof. Maria Theresa
Dir. Sharon M. Isip
Vocal Duet Hernandez
Kundiman Dir. Edward L. Andrecio Dr. Pelita Panganiban
Banduria
Dir. El Doulos B. Chua Dr. Jeniffer B. Atienza
Guitar
Violin
Dir. Roselie T. Gonzales Dr. Mary Grace Marimla
Piano
STRASUC Festival King and Queen Dr. Elaine M. Francisco Dr. Eleonor E. Sepillo
Mr. Joseph Mendoza
Dr. Daryl Magpantay
Mr. Angelo Panilagan
USC/SSC

D. STRASUC CULTURE AND THE ARTS FESTIVAL TECHNICAL DIRECTORS AND SECRETARIAT

Committee/Role Chair and Members Contact Number

Over-all Chair Dr. Elaine M. Francisco 0929-693-3144
Co-Chair, Host SUC Dir. Mark Emmanuel Magsino 0998-561-1145
Members Dir. Edward L. Andrecio 0905-692-4405
Dr. Mary Jane R. Arboleda 0998-722-0175
Dir. Ruby Ann T. Lantita 0908-698-7773
Dir. Angelito V. Quiñones Jr. 0998-356-7441
Dir. Jose Felomino Fernandez 0915-235-1711

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 Dir. El Doulos B. Chua 0909-661-0752
Dir. Roselie T. Gonzales 0977-801-7571
Dir. Sharon M. Isip 0905-518-8824
Dir. Llyod S. Bancairen 0945-251-7853
Dir. Rowena C. Cardenas 0917-115-8597
Dir. Federico A. Ceribo 0933-850-8012

Responsibilities:
1. Takes care of the records and documents of the games results, budget use, manpower requirements,
and the like.
2. Serves as the Administrator of the STRASUC Culture and the Arts Festival Facebook Page.

E. JURY OF APPEALS

Chairperson : DR. LEVY B. ARAGO Jr.

Members : Dr. Elaine Francisco

Regional Culture and the Arts Director and Coordinators
Contest Headmaster of Concerned Category
Responsibilities:
1.This is the highest court of arbitration for any disputes not solved at the TM & Referee level.
2.Decides with finality on the penalties due to the charged and guilty party.

IV. PARTICIPATING STATE UNIVERSITIES AND COLLEGES

Participation in the STRASUC Culture and the Arts Festival shall be by SUC. Listed below are the schools & their
delegation colors.

SUC INITIAL
BATANGAS STATE UNIVERSITY BatStateU
CAVITE STATE UNIVERSITY CvSU
LAGUNA STATE POLYTECHNIC UNIVERSITY LSPU
SOUTHERN LUZON STATE UNIVERSITY SLSU
UNIVERSITY OF THE PHILIPPINES LOS BANOS UPLB
UNIVERSITY OF RIZAL SYSTEM URS
MARINDUQUE STATE COLLEGE MSC
MINDORO STATE UNIVERSITY MinSU
OCCIDENTAL MINDORO STATE COLLEGE OMSC
PALAWAN STATE UNIVERSITY PSU
ROMBLON STATE UNIVERSITY RSU
WESTERN PHILIPPINES UNIVERSITY WPU

V. SCHEDULE AND VENUE OF COMPETITION

Bidding to be host of the STRASUC Culture and the Arts Festival should be done during the closing ceremonies
of these competitions and must be confirmed during the 3 rd quarter STRASUC Executive Board Meeting.

The date of the 6th STRASUC Culture and the Arts Festival is on November 7-11, 2022.

The venue is at BATANGAS STATE UNIVERSITY, BATANGAS CITY.

VI. RESPONSIBILITIES OF STRASUC AND THE HOST.

STRASUC shall undertake the following in relation to the STRASUC Culture and the Arts Festival.
⮚ send out advisory to STRASUC member schools informing them of the competition.
⮚ invite judges, officiating officials and other personalities who will serve in the competition.
⮚ send out letters of invitation to personalities who will grace the opening and closing ceremonies, and
other events in the competition, in coordination with the Host region/school.
⮚ Draft programs of the competition such as; opening and closing ceremonies, solidarity meeting,
pageant and other special events, in coordination with the host region/school.
⮚ purchase the necessary culture and arts equipment and supplies needed in the competition.
⮚ conduct coordination meetings with the host region/school working committee.
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 The HOST SUC shall undertake the following in relation to the festival.

⮚ coordinate with the local government officials of the city.

⮚ organize a local working committee who will coordinate with the STRASUC Culture and Arts Festival and
the Co-Host LGU ManCom.
⮚ provide billeting areas for all contestants, coaches, officials and Non-SUC officiating officials.
⮚ improve playing venues of the festival in coordination with Co-Host LGU.
⮚ coordinate with the city/provincial sports office and local sports association for the use of playing
venues, other sports equipment which STRASUC cannot procure.
⮚ provide coordinated security with LGU on all playing venues and billeting areas.
⮚ provide a room for the STRASUC National Cultural and the Arts Festival and with at least 2 computer
units and 1 printer.
⮚ tap corporate sponsors in coordination with Host SUC and Co-Host LGU.

The HOST LGU shall undertake the following in relation to the festival.

⮚ coordinate with the SUC officials of the Co-Host SUC.

⮚ organize a local working committee who will coordinate with the STRASUC Culture and the Arts Festival
Management Committee and the SUC officials of the Co-Host SUC.
⮚ provide billeting areas for all contestants, coaches, officials and Non-SUC officiating officials in
coordination with SUC officials of the Co-Host SUC.
⮚ improve performance venues of the festival in coordination with SUC officials of the Co-Host SUC.
⮚ make available all city/provincial cultural offices and local culture and arts associations for use of
performance venues, other culture and arts equipment which STRASUC and Co-Host SUC cannot
procure.
⮚ provide security on all festival venues and billeting areas.
⮚ tap corporate sponsors in coordination with Host SUC and Co-Host LGU.

VII. GENERAL RULES:

The STRASUC Culture and the Arts Festival shall be run in accordance with following guidelines, rules and
regulations as promulgated.

B. GOVERNING COMPOSITION OF DELEGATION

A.1.0. As a general policy, and in consonance with the principle of providing maximum participation and
experience for STUDENTS to gain the benefits derived from joyful participation in well – organized
STRASUC Culture and the Arts Festival, the number of participants in the delegation shall be equal to
that which is maximally allowed in each discipline.
However all school officials concern should see to it that only those students who have undergone the
proper and adequate training and preparation for their respective events, shall be part of the
delegation.

A.1.1. All SUC member institution President shall observe the following suggested composition of
delegations.
Head of Delegation …… SUC President
Vice Head of Delegation …… Vice Presidents
Cultural Manager …… Cultural Director
Screening Committee ----
Delegation Physician ……
Delegation Nurse ……
Coaches, Asst. Coaches/Trainers or Chaperons ……
Other members of the delegation may be added …...

C. List of Culture and the Arts Events and Number of participants per event

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 COACHES Chaperon
EVENTS (17) PERFORMERS TRAINERS
SUB- TOTAL
TOTAL
VISUAL ARTS
ON THE SPOT POSTER MAKING 1 1 2 2
PENCIL DRAWING 1 1 2 2
CHARCOAL RENDERING 1 1 2 2
PAINTING 1 1 2 2
PHOTOGRAPHY 1 1 2 2
MUSIC
INSTRUMENTAL SOLO
PIANO 1 1 2 2
VIOLIN 1 1 2 2
CLASSICAL GUITAR 1 1 2 2
BANDURIA 1 1 2 2
VOCAL SOLO (KUNDIMAN) 1 1 1 3 3
VOCAL DUET 2 1 1 4 4
POP SOLO 1 1 1 3 2
DANCE
FOLK DANCE 6 -10 1 1 8- 12 8-12
CONTEMPORARY DANCE 4 –6 1 1 6-8 6-8
STREET DANCE 6 –8 1 1 8 - 10 8 - 10
PERFORMING ARTS
SHORT AND SWEET PLAYS
3–6 1 1 5-8 5–8
(DIALOGUE)
SPECIAL CATEGORY
STRASUC FESTIVAL KING AND
2 1 2 5 4
QUEEN
OTHER UNIVERSITY OFFICIALS 10-20 10-20

Total
32-45 17 9 68 - 89 68 -89

D. Provisions of Eligibility

1. Eligibility/Qualification of Athletes/Performers

1.1 Must be a bona fide college student of the school he/she is representing, Filipino citizen and officially
enrolled in the first and second semester of the current academic year.

1.2 Must carry a minimum academic load of twelve (12) units in the first and second semester or term of
the current school year and must have passed the required percentage as follows:

Academic Load Passing Percentage

12 units 100%
13-18 units 70%
19-30 units 60%

1.3 High School graduates enrolled in at least one (1) year vocational/technical course, carrying the
required regular load for the course and complying with the required passing percentage thereof are
qualified to participate in the STRASUC National Culture and the Arts Festival.

1.4 Graduating college students with less than twelve (12) academic units in the current semester or term
are eligible to participate in the STRASUC Culture and the Arts Festival, provided they fall within seven
(7) years maximum playing/ performing period, after graduating from high school and passed all the
subjects enrolled in the previous semester as required in his/her curriculum.

1.5 College graduates or baccalaureate degree holders are disqualified to participate in the competition,
both sports and culture and the arts festival.

1.6 Performers can participate in the STRASUC Culture and the Arts Festival for a maximum of seven (7)
years from graduation in high school provided they must be below twenty – six (26) years of age at the
start of the competition.

1.7 Performers transferring from another school must satisfy the one (1) year residency requirement which
shall be counted as performing years.

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 1.8 Performers classified as foreign students are disqualified to participate in the STRASUC Culture and
Arts Festival.

3. NSTP (ROTC, CWTS, LTS) - is not considered academic subjects.

4. Residency – a transferee shall be allowed to play or perform after having established one (1) year residency
prior to the current school year. A freshman college student need not establish one year residency.
5. Returnee – the residency rule does not apply to a returning student. A returning student is one who re-
enrolled after a leave and did not enroll in other institutions in that semester or year of leave. Provided he
has satisfied all other eligibility requirements. Furthermore, the last semester attended of the returning
student shall be the basis of the passing percentage for eligibility.

E. GOVERNING SCREENING OF PERFORMERS AND OTHER OFFICIALS:

1. The Screening Committee will be composed of the following:

Chairman : Ms. Jeanfel Casiño

Co-Chairman : Ms. Sharmaine Balut
Members : Mr. Joshua Lapera
Ms. Leila Quijano
SUC Screening Representative
2. A two-day screening of documents will be scheduled at least 10 days prior to the opening
ceremony of the STRASUC Culture and the Arts Festival, if the date falls on a weekend, the
screening will be rescheduled on a Monday and Tuesday the following week. Final screening will
also be scheduled 1 day before the Solidarity Meeting however this will only be for the
compliance/submission of lacking requirements such as photocopy of birth certificates,
certifications and STRASUC Forms 1-3 only. No screening of new performer will be done on this
date, except it is a replacement of a performer disqualified during the previous screening date.

3. It is the responsibility of the delegation to be updated on the requirements for eligibility, official
forms needed, date and venue of screening which will be posted on the STRASUC Culture
and the Arts Festival MESSENGER CHAT GROUP. No special date for screening will be
scheduled for a delegation, simply because the delegation is not aware of this information

4. Venue for screening will be at the Host School, the screening of documents will also serve as
ocular inspection of performing venues and billeting quarters, and to give delegation officials
the opportunity to make necessary preparations prior to the arrival of the delegation.

5. The duties and function of the Documentation and Screening Committee are as follows:

5.1. Conducts the necessary examination of records and interviews to verify and authenticate
the eligibility of participating athletes and delegation personnel concerned.

5.2. Exercise its prerogative to accredit or disqualify any performer, by a majority vote of the
members;

5.3. Keeps and maintains the STRASUC Form 2 (Team Gallery) containing the picture and
other pertinent data of all participating performers and makes this available whenever
necessary to verify the identity of athletes prior to the start of the scheduled games; and

5.4. Performs all other functions necessary to insure that only those performers and
concerned delegation officials who meet the eligibility requirements are allowed to
participate.

6. Requires the participating schools to submit the necessary documents and pictures during the
scheduled date for screening, consisting of:

Documents Required for Eligibility

6.1. Official Transcript of Records with scanned picture of the student performers. (All
grades and subjects from 1st year to current status should appear in the TOR to verify
number of years in the tertiary level)
6.2. STRASUC Form 1 (Eligibility Checklist)
6.3. STRASUC Form 2 (Team Gallery)
6.4. STRASUC Form 3 (3 in 1 eligibility form, form-waiver and medical form)
6.5. Copy of PSA/NSO Birth Certificate.
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 Additional requirements: (no need to submit to the screening committee)
6.6. Vaccination Card (At least Fully Vaccinated)
6.7. Health Insurance with COVID 19 Coverage
Note: Only the Official STRASUC Forms will be accepted by the
screening committee.

7. Disqualification-only the screening committee have the authority to recommend performers on the
following grounds;
1. Performers who were banned during the previous STRASUC Competitions.
2. Performers who were disqualified by the Screening Committee, and
3. Students at the graduate program.

F. GOVERNING TREATMENT OF PROTESTS, OBSERVATIONS AND APPLICATION OF PENALTIES

AND SANCTIONS

1. When a performer is certified eligible to play by the screening committee, no protest on

eligibility shall be entertained unless otherwise it is an impersonation . A protest will
be only entertained if filed in writing within an hour by the coach endorsed and duly signed by
the cultural director accompanied by a protest bond of Php5,000.00. The burden of proof lies
on the protestee. If the protest is won, the bond shall be returned to the protestee. However if
the protest is lost, the bond shall be forfeited which shall form part of the STRASUC Cultural
and the Arts Festival operational expenses. The team losing the protest shall pay the Php
5,000.00 instead. This is to avoid nuisance protest.

2. On the result of Judgment, the coach can submit an Observation Report to the Contest Head
Master, with attached evidence. This report will be deliberated during the officiating officials
meeting of the concerned event.

3. The corresponding sanctions for violation of the regulations are as follows:

3.1. ON ELIGIBILITY RULES –

3.1.1. One year suspension on performers and coaches who will be found guilty,
without prejudice to the filing of administrative charges. The decision of the
Jury of Appeals is final.

3.2. ON TECHNICAL AND FESTIVAL RULES –

3.2.1. In the case of group performance, the category where the guilty contestant or
official is involved will be forfeited in favor of the opposing team(s). In the case
of the individual category, the result will be nullified in favor of the contestant
who placed runner-up to the guilty performer.

3.2.2. It should be noted by all concerned that undesirable behavior exhibited by a

contestant, coach, official or spectator are punishable under the technical rules
of the festival, and that such behavior/s which are deemed contrary to such
rules shall merit the corresponding appropriate sanction. Such behavior could
include, but not limited, to roughness, use of indecent or profane language and
gesture, participation in a game while under the influence of alcoholic drinks,
and other boisterous and unsportsmanlike conduct contrary to the values being
promoted in the competition. Suspension or permanent disqualification from
further participation in the contests shall be applied to offenders as it may
deem proper.

3.2.3. The STRASUC President and other officials of the SUC Member Institutions shall
have the primary responsibility of maintaining discipline, proper decorum and
good manners and conduct on the part of festival delegations. The Contest
Headmaster for each category and the Chairman of the STRASUC Cultural and
the Arts Festival Management Committee shall likewise be responsible for the
behavior of technical officials.

G. GOVERNING TECHNICAL MANAGEMENT OF THE FESTIVAL AND OFFICIATING OFFICIALS

1. The National rules of each culture and arts discipline shall be applied in the conduct of the different
events. However, ground rules which are formulated and upon to be applied, through a signed
manifesto of all coaches, team managers and contest headmasters concerned, shall supersede
international rules. Such ground rules, however, should be approved by the Chairman, STRASUC
Culture and the Arts Festival Management Committee and Festival Director.

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 2. All official forms, supplies and culture and arts equipment shall be provided by the STRASUC Culture
and the Arts Festival Management Committee. No other forms, supplies or athletic equipment shall
be used in the games without the permission and approval of the Secretary General of the
Technical Secretariat. The Contest Headmaster for each category event shall be responsible for the
observance of this regulation.

3. The utilization of local officiating officials in the host city/province is likewise encouraged. All
Officiating Officials and Judges must be officially invited by the STRASUC Culture and the Arts
Festival Management Committee.

4. It is a general policy in the STRASUC Culture and the Arts Festival that Officiating Officials and
Judges coming from the member SUC, transportation cost to and from the venue of the competition
will be shouldered by the SUC where the official is from. STRASUC will only shoulder the
transportation cost of Non-SUC personnel officiating officials.

5. For purpose of economy, the required number of officiating officials is hereby recommended for
each event;

CULTURE AND THE ARTS FESTIVAL 2022

Events Judges
VISUAL ARTS
ON THE SPOT POSTER MAKING 3
PENCIL DRAWING 3
CHARCOAL RENDERING 3
PAINTING 3
PHOTO CONTEST 3
MUSIC
PIANO 3
VIOLIN 3
CLASSICAL GUITAR 3
BANDURIA 3
VOCAL SOLO (KUNDIMAN) 3
VOCAL DUET 3
POP SOLO 3
DANCE
FOLK DANCE 3
CONTEMPORARY DANCE 3
HIP-HOP DANCE 3
PERFORMING ARTS
SHORT AND SWEET PLAYS (DIALOGUE) 3
SPECIAL CATEGORY
FESTIVAL KING AND QUEEN 5
GRAND TOTAL 53

6. Due to the limited financial resources of the STRASUC Culture and the Arts Festival, the following rates
for Officiating Officials and Judges are hereby proposed.

Contest Judge P 5,000.00 per event

Contest Headmaster 2,000.00
Event Coordinator 1,500.00 per event

VIII. GUIDING PRINCIPLE OF THE STRASUC Culture and the Arts Festival

The STRASUC Culture and the Arts Festival are avenue for every individual in the academe to promote the
culture of PEACE and UNITY, may every participant in this competition will remember and take into heart the meaning
of these words of a famous scholar;
“Cultural differences should not separate us from each other, but rather cultural diversity brings a collective strength that can
benefit all of humanity!”

IX. EFFECTIVITY

This STRASUC Culture and the Arts Festival Manual of Operations shall be effective in the 2022 STRASUC
Culture and the Arts Festival and onwards.

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11
 STRASUC CULTURE AND THE ARTS FESTIVAL
General House Rules and Regulations/Guidelines

1. Each contest category is open to all bona fide UNDERGRADUATE STUDENTS (not more than 25 years
old/cut off year is 1997) who are SUC official representatives. Graduate students of degree programs or
those taking post baccalaureate studies are disqualified from the contest. All names listed as contestants must be
duly certified by the school/college/university registrar.
2. Delegations are required to adhere to the guidelines and rules of the contest as provided.
3. Every contest category is presented with guidelines, contest rules and regulations, criteria for judging and contest
proceedings. The contest Headmaster shall meet all coaches, trainers, and judges prior to the contest.
4. All competitions requiring original pieces must be accompanied with an Artistic Intellectual Terms of
Reference and Ownership signed by the author/coach/ choreographer attested by the SUC/Regional
Cultural Director. Sanction for violation shall be a disqualification of the SUC (Suspension for one
year) on the specific event in the next STRASUC Culture and the Arts Festival.
5. Each contest category will have its own programming and shall be directed by the Contest Head Master.
6. All competitions will use the Ranking System in computing the scores of the contestants.
7. Winners shall be declared/ announced immediately in the contest venue. The winners shall receive a medal, trophy
and certificate of participation for 1 st place (Gold Medal), 2nd place (Silver Medal), and 3 rd place (Bronze Medal). All
non-winners will receive certificates of participation. Trainers, coaches and coordinators shall receive Certificates of
Recognition provided they are officially certified by the Delegation Head.
8. Over-all winners in all categories shall be declared as follows:
Grand Champion and Trophy
First Runner-Up and Trophy
Second Runner-Up and Trophy
Third Runner-Up and Trophy
Fourth Runner-Up and Trophy

A point system shall be used in all contest categories:

10 points - 1st Place
7 points- 2nd Place
5 points- 3rd Place
3 points- 4th Place
1 point - 5th Place
9. The awarding ceremony for the Over-all winners shall be announced and declared during the Closing Ceremonies.
10. All contestants must not wear any mark that will identify the school where they are from during the actual
competition.
11. All manuscripts, contest pieces, materials and other proceedings shall be collected and filed at the HOST SUC for
reference.
12. The decision of the Board of Judges is final.
13. All regional delegates shall make a master list of names of participants, coaches/trainers and official delegates.
14. Violation of any of the rules and regulations shall be subjected for disqualification in the contest.
15. No protest or complaint shall be entertained as judgment is done with finality. Only queries and suggestions shall
be entertained for future competitions.
16. All communications and contest requirements shall be coursed through the STRASUC Culture and the Arts
Directors. Copies of which shall be immediately furnished to the host institution for appropriate action. The
STRASUC CADC shall act as secretariat and shall be the official office tasked to transmit communications and
documents to avoid miscommunications and inattention to transactions and other business.

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 VISUAL ARTS

Charcoal Rendering

Mechanics and Rules of the Contest:

1. Materials will be provided by the contestants except for the illustration board with the size of 15”x20”.
2. Pantograph, air brush, ruler, and the like are not allowed.
3. The board of Judges will decide for the subject (portrait picture).
4. All contestants will be given a portrait picture individually by the headmaster during the contest proper.
5. The contest duration is for a period of four (4) hours.
6. Only the contestants are allowed in the contest venue.
7. No distinguishing mark or name of the contestant shall appear in the entry.
8. Contest output (artworks) will be the property of HOST SUC and proper labeling for recognition will be given
(Artist, SUC, Coach).
9. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA Points
Concept
● Objective/Intent
10
● Knowledge of the Subject Matter
● Similarity or Likeness
Techniques
10
● Mastery of Specific Skills and Utilization of Media
Composition
10
● Organization of Visual space
Total 30

PENCIL DRAWING

Mechanics and Rules of the Contest:

1. Materials will be provided by the contestants except for the illustration board with the size of 15”x20”.
2. The contestants must use a Steadler/Rotring pencil from 2H/3H, B/2B and/or 5B/6B.
3. Charcoal Pencil, art gunner or equivalent, brush, cotton, tissue paper, sand paper, pantograph and air brush are
not allowed.
4. Smudging is also not allowed.
5. The board of Judges will decide for the Still life subject.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the constant shall appear in the entry.
9. Contest output (artworks) will be the property of HOST SUC and proper labeling for recognition will be given
(Artist, SUC, Coach).
10. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA Points
Concept
● Objective/Intent
10
● Knowledge of the Subject Matter
● Similarity or Likeness
Techniques
10
● Mastery of Specific Skills and Utilization of Media
Composition
10
● Organization of Visual space
Total 30

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 PAINTING

Mechanics and Rules of the Contest:

1. The board of Judges will decide for the subject (realism-scenery).
2. The contestant must bring his/her own painting brushes, easel, mixing plate/palette and rugs. Any kind of brush
will be allowed. All other competition materials will be provided by the host institution.
3. The contestant will use water-based paint (acrylic). Materials will be provided by the organizers. Only the three
primary colors (red, blue and yellow) and two neutral colors (black and white) shall be allowed.
4. Mixing of colors is allowed.
5. The contestants will use the 17” x 20” canvas which will be provided by the host institution.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the contest shall appear in the entry.
9. Contest output (artworks) will be the property of the host institution and proper labeling for recognition will be
given(Artist, SUC, Coach).
10. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA Points
Concept
● Objective/Intent
10
● Knowledge of the Subject Matter
● Similarity or Likeness
Techniques
10
● Mastery of Specific Skills and Utilization of Media
Composition
10
● Organization of Visual space and over-all impact
Total 30

ON-THE-SPOT POSTER MAKING CONTEST

Mechanics and Rules of the Contest:

1. The poster must be based on the theme provided by the judges.
2. The contestant must bring his/her own painting brushes, easel, mixing plate, palette and rugs. Any kind of
brush will be allowed. All other competition materials will be provided by the host institution.
3. The contestant will use water-based paint (acrylic). Materials will be provided by the organizers. Only the three
primary colors (red, blue and yellow) and two neutral colors (black and white) shall be allowed.
4. Mixing of colors is allowed.
5. The contestants will use the 17” x 20” canvas which will be provided by the host institution.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the constant shall appear in the entry.
9. Contest output (artworks) will be the property of HOST SUC and proper labeling for recognition will be given
(Artist, SUC, Coach).
10. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA Points
Concept
● Objective/Intent
10
● Knowledge of the Subject Matter
● Relevance to the theme
Techniques
10
● Mastery of Specific Skills and Utilization of Media
Composition
10
● Organization of Visual space and over-all impact
Total 30

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 PHOTOGRAPHY

Mechanics and Rules of the Contest:

1. The contestant will provide and use digital camera (DSLR/Mirrorless).
2. The setting of the camera will be decided by the board of judges.
3. The photo subject will be decided by the board of judges.
4. Editing of photo/picture is not allowed, edited photo will be disqualified.
5. The picture/photo must be taken/shot by the contestant.
6. The contestants will submit a raw + jpeg file of his/her entry together with an entry form together
with a title.
7. The contestant may use any aperture (F stop), shutter speed & ISO.
8. The STRASUC secretariat will print the pictures/photo upon verification of entry.
9. The contest duration is for a period of one (1) hour.
10. Only the contestants are allowed in the contest venue.
11. The contestants may take as many shots as he/she can however will only submit his/her BEST shot
as an official entry. The contestants will be given a maximum of 15 minutes to select his best shot
before submitting to the head master or contest facilitators.
12. Contest output (photo) will be the property of host institution and proper labeling for recognition will
be given(Artist, SUC, Coach).
13. Ranking system will be used to determine the winners.
14. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA Points
Concept
∙ Creativity/Uniqueness
10
∙ Originality
∙ Expression
Techniques
∙ Clarity of the Subject 10
∙ Artistic merit
Composition
10
● Organization of Visual space and over-all impact
Total 30

MUSICAL ARTS

Instrumental Solo (2022 – PIANO)

1. The music piece shall be one straight OPM piece.

2. Standard or upright piano will be used for the competition. If no upright piano is available, an electronic
piano/keyboard with 88 keys in piano mood setting can be used.
3. Time starts on the first note produced. Performance shall be 3-5 minutes. Beyond this limit, a total of five
(5) points will be deducted from the total score of each judge by the tabulator.
4. Non-compliance to the guidelines will mean disqualification.
5. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA %
Technique
Intonation 15 30
Dexterity 15
Mastery (Fidelity of the score) 30
Artistic Quality
Expression 15 30
Interpretation 15
Stage Deportment 10
Total 100

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 Instrumental Solo (BANDURIA)

1. The music piece shall be one straight piece of any Filipino FOLK SONG/MUSIC.
2. The contestant shall play the instrument with the accompaniment of classical guitar.
3. Arrangement of pieces is allowed.
4. The title of the piece must be given to the Board of Judges before the performance. The master of
ceremonies shall announce the title of the piece.
5. Non-compliance to the guidelines will mean disqualification.
6. Judges’ decision is final and irrevocable.
7. Copy of the chosen piece should be submitted in the screening schedule. *

Criteria for Judging:

CRITERIA %
Technique 30
Intonation 15
Clarity of Tone 15
Mastery (Fidelity of the score) 30
Artistic Quality 30
Expression 15
Interpretation 15
Stage Deportment 10
Total 100

Instrumental Solo (CLASSICAL GUITAR)

1. Classic Guitar (nylon string) will be used.

2. The music piece shall be any of classic Filipino love songs.
3. The contestant shall play the instrument without any back-up, accompaniment or background music. No
electronic device/pitch up.
4. The title of the piece must be given to the Board of Judges before the performance. The master of
ceremonies shall announce the title of the piece.
5. Performance shall be 3-5 minutes.
6. Non-compliance to the guidelines will mean disqualification.
7. Judges’ decision is final and irrevocable.
8. Copy of the chosen piece should be submitted in the screening schedule. *

Criteria for Judging:

CRITERIA %
Technique
Intonation 15 30
Clarity of Tone 15
Mastery (Fidelity of the score) 30
Artistic Quality
Expression 15 30
Interpretation 15
Stage Deportment 10
Total 100

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 Instrumental Solo (VIOLIN)

1. The music piece shall be one straight piece of any OPM music.
2. The contestant shall play the instrument with the live or recorded piano accompaniment.
3. The title of the piece must be given to the board of Judges before the performance.
4. The master of ceremonies shall announce the title of the piece.
5. Time starts on the first note produced using the solo instrument or accompaniment.
6. Performance shall be 3-5 minutes. Beyond this limit, a total of five (5) points will be deducted by the
tabulator from the total score of each judge.
7. Copy of the chosen piece should be submitted in the screening schedule. *
8. Judges’ decision is final and irrevocable.
Criteria for Judging

CRITERIA %
Tone Quality 20
Musicality (Rhythm, Intonation, Techniques) 60
Performance Factor (Interpretation, Stage Deportment) 20
Total 100

Vocal Solo (Kundiman)

1. The song shall be one straight KUNDIMAN of any choice.

2. Transposition is NOT allowed.
3. Electronic keyboard or piano should be the accompaniment.
4. Delivery should not be more than five (5) minutes.
5. Filipiniana attire is required but should avoid shining and shimmering costumes.
6. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA %
Tone quality (Vocal Technique/Intonation) 45
Musicianship (dynamic nuances, interpretation, diction) 45
Deportment 10
Total 100

Pop Solo

1. The contestant shall sing straight published Original Pilipino Music (OPM) songs in any language (prepare
translations as needed). Rearrangement or revival of an OPM song is allowed. Revival or adaptations from
foreign compositions is disallowed.
2. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live accompaniment shall not be
allowed. Soft/electronic copy (MP3/MP4 format) shall be provided to the host institution prior to the contest for
compilation.
3. Delivery of each piece is for 3-5 minutes.
4. Judges’ decision is final and irrevocable.

Criteria for judging are as follows:

CRITERIA %
Tone quality (Vocal Technique/Intonation) 45
Musicianship (dynamic nuances, interpretation, intonation, diction) 45
Deportment 10
Total 100

17
 Vocal Duet

1. The contestants shall sing straight published Original Pilipino Music (OPM) songs, either English or Filipino.
Rearrangement into a duet of an OPM song is allowed. Revival or adaptations from foreign compositions is
disallowed.
2. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live accompaniment shall
not be allowed. Soft/electronic copy (MP3/MP4 format) shall be provided to the host institution prior to the
contests for compilation.
3. Delivery of each piece is for 3-5 minutes.
4. Non-compliance to the guidelines will mean disqualification.
5. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA %
Tone quality/Vocal technique 25
Blending/Harmony 40
Musicianship (Interpretation, Dynamic Nuances, Diction) 25
Deportment 10
Total 100

DANCES

PHILIPPINE FOLK DANCE

1. The dance category for this competition is a Maria Clara dance with implements entitled “LA JOTA
MONCADEñA” authored by known dance-researcher-writer published in the book.
2. No combination of dances is allowed. Host institution will provide the official music accompaniment and
literature for the dance.
3. Dancers should be composed of a minimum of 3 pairs and a maximum of 5 pairs.
4. An ocular inspection or checking of costume and props prior to contest proper will be done.
5. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA %
Performance Skill and mastery of the dance.
(Stage projection, grace and poise. Showmanship, unity, expression and 30
precision)
Interpretation
20
(Correct interpretation of the dance literature. No arrangement of figures.)
Costume, Music, Accessories and Equipment
Costume approximates the original. Music is authentic. Equipment is 20
required of and relevant to the dance)
Staging
20
(Use of space, level, pathways, design, time)
Over-All Impact 10
Total 100

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 Contemporary Dance

1. The contest piece must be a minimum of four (4) minutes and a maximum of five (5) minutes
INCLUDING ENTRANCE AND EXIT with a theme HEALING.
2. A maximum of six (6) and a minimum of four (4) dancers are allowed to participate.
3. The dance piece should be an original choreography in contemporary form, it should not copy
any movement found in any media source.
4. Soft ballet shoes or pointed shoes may be worn. (optional)
5. Sets are not allowed (e.g. risers, back drop, tables, etc.). Hand props may be used (e.g. stick,
fan, ring, umbrella, etc.). Bamboo, wood, steel or plastic pole may be used but must not be
more than 3 meters long.
The following are strictly not allowed in the performance:

a.) The use of real fighting armor (e.g. sword, knife, guns, arrow, spears, etc…)
b) The use of any form of liquid (e.g. blood, oil, water, etc.)
c.) The use of fire, candles and any pyrotechnic materials.
d.) The use of confetti either drop or bomb.
e.) Breaking of glass, pots, etc…
f.) Audio visual presentation or screen projection.
g.) Body paint

6. Costume must be appropriate to the concept of the dance. Skin toned cycling, leggings, or leotards are
allowed. Nudity or toplessness for both male and female is strictly prohibited.

7. Obscene choreography/indecent movements and killing of animals are strictly prohibited. Tossing will not be
allowed.

8. Violation of any of these contest guidelines will result to disqualification of the participating SUC’s
9. Judges’ decision is final and irrevocable.

Criteria for judging:

CRITERIA %
Choreography/composition
Theme and Variation
Structure 40
Organization of Movement
Use of Movement Space
Performance/ Artistry
Expression 20
Characterization
Concept
Ideas 20
Content
Technique
Movement Skills
Precision of Movement
20
Synchronization and Coordination
Clarity of Movement and Lines
Timing
Total 100

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 STREET DANCE

The Street Dance is a fusion of dance disciplines and cultural interpretations from around the country.
The dance routine incorporates the look, music, attitude, posture and street dance style. The most real routine
showcase is a variety of hip hop dance styles, signature moves and choreography conveying the character and
energy of the street.

Specific Guidelines:

1. Groups are permitted to mix and bring music of their choice on a standard CD/MP3 FILE (Original Pilipino
Music).
2. The contest piece must be three (3) minutes but not more than five (5) minutes
3. A maximum of eight (8) and a minimum of six (6) dancers are allowed to participate.
4. Groups should include in their performance a broad selection of street dance styles (locking, popping,
bboying/bgirling (breaking), watching/punking, vogueing, house dance, party dances or club –popular or
trendy dances- hip hop dance/choreography, krumping, steeping/gumboots, dancehall) without excessive
use of the same move or pattern. A varied range of styles should be shown in the choreography of arm, leg
and body movement. No body drop is allowed and all lifting should be supported.
5. Attire may include accessories such hats, caps, gloves, scarves, jewelries, etc. Removing pieces of clothing
during the performance is allowed provided it is not offensive or out of character. Appropriate clothing
should be observed in the competition.
6. Any move where the competitors’ weight is solely on the neck/ head i.e. head spins, head stands, tumbling
and tossing, etc. is not allowed.
7. Lifting is allowed up to the second level.
8. Music should not contain obscene lyrics or words (OPM remix).
9. Performers should not wear any identifying marks of their institution.
10. A violation of any of the ground rules will be subjected to disqualification.
11. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA %
Performance
Creativity 10
Staging, Spacing, Formations, and Level Changes 10
50
Showmanship: Intensity, Confidence, Projection and Presence 10
Street Presence/ Attire 10
Entertainment Value/ Audience Appeal 10
Skill
Musicality 10
Synchronization/Timing 10
50
Execution / Controlled Mobility and Stabilization 10
Difficulty of Execution of Authentic Street Dance Styles 10
Variety of Street Dance Styles 10
Total 100

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 PERFORMING ARTS

Short and Sweet Plays (STANDARD)

(One Act Play that runs for ten (10) minutes)

1. The category is a presentation of a short play with limited time and number of characters
2. Performers will be limited to a minimum of three (3) and a maximum of six (6). No multiple character roles for
an actor will be allowed.
3. Language to be used may be pure or a combination of English, Filipino, or any Philippine language with
English/Filipino translation.
4. Technicians, musicians, and all personnel needed for production will be counted in the six- contestant limit.
5. The writer is NOT required to be a part of the cast.
6. Lines must be live. The competition will use the dialogue form of delivery and not to be sung.
7. Handprops and a maximum of two movable set pieces (EXAMPLE: One Table= 1 Set, One Chair = 1 Set) will be
allowed on stage for the duration of the play. Backdrops are not allowed. Performers must wear appropriate
costumes. The available space light will be used.
8. Performance time is ten (10) minutes maximum. For an over time, the contestant will receive a 0.5-point
deduction by the tabulator for any portion of thirty (30) second increments outside the allotted time. (For
example, a performance timed at 10:01 would receive a half-point deduction from the total score per judge. A
performance of 10:31 would receive a deduction of a full point from the total score per judge.)
9. Plays must be originally written for the competition. A notarized and five (5) photocopies must be submitted to
the organizers a week before the STRASUC Competition. The play should depict or illustrate the theme of family
unity, values and youth issues.
10. Violation of the guidelines except for #8 will be disqualified.
11. Judges’ decision is final and irrevocable.

Criteria for Judging

CRITERIA %
A. ACTING
●Use of voice - 10
●Use of body - 5 25
●Use of imagination - 5
●Use of feelings/emotions - 5
B. DIRECTING
● Interpretation of materials - 10
25
● Use of space - 8
● Approaches/Styles - 7
C. TECHNICAL DESIGNS
Costume - 5
● Appropriateness to the character
Makeup - 5
● Appropriateness to the character
Sounds - 8 25
● Appropriateness to the text/narrative - 4
● Signification of meaning of text - 4
Set and Props - 7
●Functionality - 4
● Symbolic Relevance - 3
D. PLAY
D. Relevance to the theme - 10
E. Dramatic structure (linear and nonlinear) - 5 25
F. Dialogue (appropriate to the character) - 5
G. Unity of action – 5
Total 100

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 SPECIAL CATEGORY

Search for STRASUC FESTIVAL KING AND QUEEN

1. The search is open to all member institutions of the Southern Tagalog Regional Association of State Universities
and Colleges. (STRASUC)
2. Each institution will send only one (1) male and one (1) female contestant to compete.
3. Height requirements are at least 5’2” for females and at least 5' 5’’ for male.
4. The competition night will be held at the venue to be decided by the host institution.
5. The competition will be divided into four (4) categories:
a. Production Attire (PROVIDED BY THE SPONSOR)
b. Swimwear (PROVIDED BY THE SPONSOR)
c. Long Gown and Formal Wear (PROVIDED BY THE SPONSOR)
d. Question and Answer Portion
6. For Official Pageant Attire and Swimwear will be provided by the sponsor or as prescribed by the pageant
committee.
7. For Long Gown and Formal Wear
a. Male candidates must wear appropriate Formal Wear in their gentleness and elegance
b. Female candidates must wear appropriate Long Gown in their loveliness and elegance.
8. For the Question and Answer Portion.
a. The ability to answer questions will be based on the depth, meaning and substance of the answer given
by the candidates.
b. The candidates may respond to the question either in English or Filipino.
9. The criteria for judging production Attire, swimwear, Long Gown and Formal Wear are the following:

Beauty, poise and personal bearing 35%

Projection of womanhood and manhood 25%
Appropriateness of the attire (color/cut of the fabric and accessories 20%
worn must suit the individual).
Stage deportment 10%
Overall impact 10%
TOTAL 100%

QUESTION AND ANSWER

Wit (depth, meaning, substance, delivery and relevance 60%
of the answer given by the candidates)
Poise (manner of answer and level of confidence) 40%
TOTAL 100%

10. Determination of winners will be based on a ranking system. In cases where a tie occurs, deliberation among
the members of the board of judges will be done.
11. Candidates, coaches who violate rules, regulations and guidelines of the competition will be declared as non-
competing candidates subject to the approval of the majority of the Technical Secretariat.
12. Make-up artists are not allowed during the pictorial and pageant night.
13. One coach/chaperon for each candidate is allowed backstage.
14. Judges’ decision is final and irrevocable.

OVER-ALL RANKING: %
Production attire 20
Swimwear 20
Long Gown and Formal Wear 20
Question and Answer 40
Total 100

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REVISED AND ADOPTED ON SEPTEMBER 27, 2022 AT PLAYA IGNACIO, BRGY. PACHOCA,
CALAPAN CITY, ORIENTAL MINDORO BY THE STRASUC CULTURE AND THE ARTS
DIRECTORS/COORDINATORS:

Dr. ELAINE M. FRANCISCO Dir. MARK EMMANUEL S. MAGSINO

President, STRASUC-ACADC Region IV VP, STRASUC-ACADC Region IV

Dr. ANGELITO V. QUIŇONES JR. Dir. RUBY ANN T. LANTITA

Secretary, STRASUC-ACADC Region IV Treasurer, STRASUC-ACADC Region IV

Dir. EL DOULOS B. CHUA Dir. EDWARD L. ANDRECIO

Auditor, STRASUC-ACADC Region IV PRO, STRASUC-ACADC Region IV

Dr. MARY JANE R. ARBOLEDA Dir. ROSELIE T. GONZALES

Business Manager, STRASUC-ACADC Region IV Member

Dir. ROWENA C. CARDENAS Ms. MYRA LUZMINDA G. ABUEL

Member Representative, UPLB

Dir. SHARON M. ISIP Ms. KRISTINE JOY E. SIERRA

Member Representative, CvSU

Dir. JOSE FILOMENO FERNANDEZ Dir. LLOYD S. BANCAIREN

Member Member

DR. LEVY B. ARAGO JR.

STRASUC Regional Chair

23