Mission Manual

Year 5
2019

lovepopcards.com/missionmanual | Version 0
Version10
 Our mission:

Create one billion magical moments.

2 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 3

 Hey there!
We’re so excited you’re joining us on the
Lovepop journey. Our mission began applying
our unique art meets science approach to
create the most intricate laser-cut 3D pop-up
cards in the world.

We don’t know exactly where the next phase of

our mission will take us, but we know that we’ll
be making it easier for people to make every
occasion and every day magical!

Buckle up! It’s time to take off! Let’s create one

billion magical moments.

4 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 5

 Captains’ log
Our quest for magical moments began when
two ship designers discovered an incredible
new way to apply their engineering skills.

8 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 9

 J ohn and I met in 2005 at Webb Institute,
a 130-year old school focused on the art
and engineering behind ship design and a
deep legacy of giving. Webb has provided
full tuition scholarships to every student
since it was founded in 1889. We learned
to build anything that floats, from sailing
yachts to cruise ships. We also became best
friends, living in the same beautiful mansion
for four years and going on many adventures
including once gracefully failing to drive to
Panama. We always talked about starting a
business together, and knew someday we
would do it.
After Webb, John joined the startup aluminum
boat builder Metal Shark Boats in Louisiana.
There, 2005 Webb graduate Chris Allard
had set up shop to build patrol boats for the
Coast Guard and Navy, teaming up with a
local aluminum fishing boat maker Jimmy
Gravois. John immersed himself in 3D design
tools, aluminum construction, and eventually
designed the Coast Guard Response Boat—
Small, winning a 500-boat, $193 million
contract with the U.S. Coast Guard.
In late 2012, I got a call from John. He had
been accepted into Harvard Business
School. I was working in Australia, building
financial models for liquefied natural gas
plant construction. I applied in the next
10 Version 0 | lovepopcards.com/missionmanual
round of applications, with the intent to move
to Boston and start a business with John. In
late 2013, we entered school, and started
looking for opportunities in heavy industry,
shipbuilding, and energy.
John and I found ourselves on a 10-day field
trip to Vietnam as part of the HBS curriculum
in winter 2014. I was working on an online
dating app and John at a radio station. One
evening in Ho Chi Minh City, we came across
a vendor in the night market selling intricate
paper crafts. We were already dazzled by the
amazing art throughout the markets, from
eggshell paintings to lanterns, but this was
something else.
There was a small design of a paper ship!
As ship designers, we couldn’t resist. We
both wanted them for our own personal
“thank you” notes. The way the sliceform
kirigami was constructed reminded us of
the way a ship’s line plan is drawn, and the
construction method, a miniature version of
John’s former life in aluminum boat design.
We recognized that we could apply our naval
architecture tools and skills to create anything
in sliceform. The possibilities were limitless!
When you design a ship, you take a complex
3D shape and you slice it into planes. Where
those planes intersect the ship’s hull, you
draw a line. Those lines become a lines plan.
That plan defines the entire shape. The lines
plan is drawn onto large pieces of steel and
cut with torches and large industrial cutting
machines. Those pieces are hoisted into
place and welded together. We use the
same process to make our paper art, only
in miniature. The pieces are cut on a laser
cutter, and assembled by hand, interlocking
through special tabs and the occasional dab
of glue.
It’s a piece of art!
I love trying to make art. As a kid, I had always
made things for family presents on holidays.
In high school, I took three study halls,
and snuck down to art classroom to make
sculptures, costumes, and masks. I’m a very
slow artist, but it’s so much fun! John, on the
other hand, grew up in South Carolina to the
most thoughtful family I have ever met.
And so, two hardcore engineers started
dreaming up ways to build a new kind of
social expressions business. One where
engineering and art would work together to
create magical moments of wonder and awe.
Upon returning to school, we tested the
concept on our friends and family, and found
incredible demand for something special.
We sold from our backpacks at local fairs and
markets, and interviewed customers in the
Boston Public Gardens. One day, we met a
woman named Kyle in the Public Gardens.
We asked her what she might do with the
Lovepop floral bouquet we handed her.
She said: “I know exactly who I will give it to. I
will give it to my mom, and I will give it to her
today. It’s the fifth anniversary of my father
passing away, and this will make her day.
It’s like a tree of life, it’s so beautiful.” With
that one moment, we knew we were onto
something bigger. That we weren’t selling
paper, we were selling magical moments.
We started doing our homework on the
market, and found that U.S. giants like
Hallmark and American Greetings were
selling over $7b in greeting cards, and
the global market was four times as big.
Invitations and flowers held equally large
markets. But we knew we had something
special to offer.
So in 2015, we decided to make Lovepop
our business—a quickly all-consuming
business. We knew we couldn’t rely on
contract manufacturers for production. We
only wanted the most awesome quality for
Lovepop, so in January 2015, John convinced
a 23-year-old architecture student named
Bao to join Lovepop and start Lovepop
Vietnam. Bao was 23 years old and four and
a half years into a 5-year-degree in Ho Chi
Minh City. He moved back to his hometown
of Da Nang and opened a five-person
production facility with a single laser cutter.
At the same time, we opened our first kiosk in
Boston’s South Station, a major train station
connecting the commuter rails and the
subway. Our first Valentine’s Day saw record
sales and we expanded our retail business.
In May of 2015, John and I graduated from
HBS, and we won admission to the Techstars
Accelerator program. We moved the
company from the Harvard Innovation Lab,
where we had been working during all our
non-class hours, into 179 Lincoln Street in
downtown Boston.
In 2015, we got the opportunity of a lifetime
to pitch on Shark Tank. We appeared on
Shark Tank on December 11, 2015, and won
a deal from the most particular of investors
Mr. Wonderful Kevin O’Leary. Lovepop was
becoming our American Dream.
For every design we make, we start with a
sketch. That sketch is often hand-drawn and
represents the look and feel of the design,
the color palette, and also the basic 3D
structural shape of the sculpture. We then
build everything in 3D design software, using
the same tools that John used at Metal Shark
Boats for designing aluminum patrol boats.
Each piece of paper is cut on a laser cutter,
and then assembled, with attention to every
detail, by hand. Our design team spans
continents, our US designers working hand
in hand with the team in Vietnam to make sure
every detail is perfect.
When I visit our workshop, I always interview
our assemblers and I ask them why they
are at Lovepop. Invariably, I get the same
two responses: I love the people and the
work environment, and I love the fact that
everything I make is such a beautiful piece of
art that someone is going to give to someone
else to make them feel special.
Since 2015, Lovepop has grown faster than
we could have ever imagined. We employ
hundreds of people across the globe, all
connected by our mission to create one
billion magical moments and the best place
in the world for hungry, creative problem-
solvers. We recently shipped our one-
millionth online order, and have designed
and launched over 400 Lovepop designs.
The world needs more magical moments,
and our goal is to make and deliver them.
lovepopcards.com/missionmanual | Version 0 11
 Codewords
We value connection, so we’ve broken
down our Lovepop lingo. These are some
fun words and phrases you should know
when talking about Lovepop.

12 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 13

 Words unique to us
Magical Moments
A magical moment is a moment of connection,
surprise, and delight. Something just enough
out of the ordinary that it’s remembered.
How we count Magical Moments
We count two magical moments for every
Lovepop card that is given. One for the giver,
and one for the receiver.
Our goal is to add the extraordinary to the
everyday. Every moment is special—do not
round off. Always use the full number down to
the ones digit.
14 Version 0 | lovepopcards.com/missionmanual
Slicegami™
Slicegami is the art meets science approach to
design, incorporating the sliceform structure
traditionally used in ship design, as well as the
beautiful paper folding traditionally used in
Japanese kirigami and origami.
We made up this word to capture the essence
of our paper art method.
The Awesome Bar™
The Awesome Bar is an invisible (but very
important) measure by which we hold
ourselves accountable. Everything we do,
sell, and say must meet The Awesome Bar.
As we continue to evolve, The Awesome
Bar grows with us and gets higher and
higher. Always strive to be awesome!
The Kathie Test
The Kathie Test is a quality control method
performed by our longtime designer,
Kathie Zhang. It involves an aggressive
shake, rattle, and roll of the paper art
sculpture and panels. Every new card
prototype is subject to The Kathie Test to
ensure the design will deliver its magical
moment flawlessly every time. Yeah, that’s
right. The Kathie Test is literally built into a
our QA docs.
lovepopcards.com/missionmanual | Version 0 15
 Our values
At the core of our mission are our four values.
These values—hunger, engineering, magic,
and connection—guide everything we do.
They are what make every Lovepop product a
special experience and are the characteristics
we look for when adding new members to our
team. Our values are meant to last for a long
time—the duration of this mission.

16 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 17

 Engineering
We apply curiosity, imagination, and teamwork
to make real, useful things that work.
What is engineering?
• T he curiosity and persistence to truly understand how something works.
• The creativity to come up with practical solutions that make sense and
achieve the goal.
• T he persistence and grit to keep building until it’s done.
• Anyone can be a great engineer, no matter what your formal training is.

Why do we value engineering?

• We can make better decisions when we understand the way things work
and can communicate better with data and analysis.
• Putting in more energy now to understand something saves us a lot of
work and headaches in the future.
• We are more effective and get more done when we measure our progress.

How to apply engineering at Lovepop:

• Our people identify and communicate good reasons for why they’re
doing what they’re doing. When we do this, we aren’t afraid to measure
the impact of our work and embrace thinking outside the box to
solve problems.
• W e create products that make people want to understand how they work.
• We are not afraid to acknowledge the possibility that something we are
doing isn’t working.

18 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 19

 Hunger
We do more than is expected, and strive to
raise the The Awesome Bar™ across the earth.

What makes someone hungry?

• A desire to take on big goals and own them 100%.
• Extreme creativity to make the most of any resource.
• Raising The Awesome Bar™ across the Earth.
• Unstoppable inner desire and motivation to learn and achieve.

Why do we value hunger?

• We are inspired by the people around us.
• A community of hungry people motivates us each individually to be
better. Growing a business is really hard, and we can only achieve our
full potential with a full team of hungry people.
• Hunger is not about the sheer number of hours you put in. It’s about
thinking hard and creatively about how to get the job done. It’s about
not avoiding the hard decisions, but instead facing them head on.

How to apply hunger at Lovepop:

• Ensure everyone on the team loves what they do, and is always trying
to learn how to do it better. It’s easy to be hungry when you are doing
something you love.
• W hen we have a goal, we hit it, and a little extra.
• Go above and beyond your daily role and look out for others.
• Push yourself not to just do more but to learn how to do it.

20 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 21

 Magic
We create unexpected experiences for those
around us that are delightfully out of the ordinary.

What makes something magical?

• Something slightly out of the ordinary. It could be fleeting,
beautiful, colorful, unexpected, meaningful, or seemingly
impossible.
• Something that is remembered.

Why do we value magic?

• The world can be gray—monotonous. Not for us. We create
the sparks of colors, fun, and joy that take you out of your day
to day world. It’s something you remember.

How to apply magic at Lovepop:

• Find opportunities to create meaningful experiences for the
people around you.
• Ensure everything we make has an unexpected element that
creates joy.
• For decisions you make. Think to yourself: “Well this create a
magical experience for someone down the line?” Whether
that’s a teammate, customer, or partner, or any other being.
• Bring people onto the team who always add a little
something special.

22 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 23

 Connection
We inspire people to connect with others.

What is connection?
• Connection is authentic engagement with another person.
Relationships are the most important thing in our lives and
moments of connection build our relationships.

Why do we value connection?

• T he world needs to be more connected.
• Relationships have the biggest impact on your happiness
every day.
• It can be really hard to find the time or a good way to express
yourself.
• We believe human empathy and connection are critical to
building a happier and healthier world.

How we apply connection at Lovepop:

• Focus on your connection to those closest around you, and it
will permeate to others.
• F ind ways to create connection where it is not expected.
• We create products and experiences that encourage people
to be creative in expressing appreciation and empathy.
• We value building deep relationships with our team,
our customers, our partners, and our community.
• We value people who put others first.

24 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 25

 Voice & tone
We believe the world is a better place to live in
when you’re happy. Our words should radiate
warmth and excitement for a future full of
possibilities.

Our voice should be positive and explorative,

while also being tactful and transparent in our
process and everything we do.

We avoid salesy copy, and prefer straightforward

and informative copy. We always talk and write like
we would to a close friend.

26 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 27

 Voice Tone

The voice of Lovepop is unique. Our voice is Additional notes Energetic Loving
how we build connection with our community,
as well as between our community and the Use sentence case. Enthusiastic Warm
people they love the most. When we talk to our URLS are always lowercase. We love just about everything. We have a We care about our relationship with you
community, we are inviting them to be a part of www.lovepop.com tad too much energy sometimes. and your relationships with other people.
our colorful, creative, caring world. It’s a little Silly Human
You get one ! at a time. Use it wisely.
silly, a lot sincere, and always genuine. Some might even say goofy. We tell our story in a familiar, concise
Yes, you can use a ?!
Fun conversational voice.
How we engage
Emojis = Good Encouraging
We make you laugh, we make you smile,
Our community is full of busy, thoughtful, We share your passion to do more for
Oxford commas, please. we make you ask: “How did they do that?!”
curious characters. When we communicate those you care about. We talk to you like a
with them, we need to have a good reason to Always Lovepop. Never LovePop. Ever.
person that we like.
Also not Lovepop Creative
do so. Each connection should be intimate,
purposeful, and clear. (e.g., for examples) Imaginative
We love the intersection of art, design, and
How to use our voice (i.e., for generalization, “in essense”)
technology.
Our voice and tone define our writing style Gray with an “a”, not grey
Practical
and the way we consistently engage with our We say it how it is.
Avoid semicolons.
customers, team, and partners through our
Never use ALL CAPS if you need to highlight something. Original
social media, marketing materials, products,
Use bold or underline. We see things more differently than most.
and communications.

28 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 29

 Words we use Words we don’t use

When talking about our products When talking about our products
Hurry Gratis Complimentary On sale Free*
Only 500 made On us Limited supply available BOGO Deal
Limited edition Ends soon Discounted Bargain

When talking about our company When talking about our company

Creative Silly Savvy Stylish

Hungry Unique Ethos Trendy
Curious Altruistic Sophisticated

When talking about our process When talking about our process

Gift 3D card Factory Assembly line

Pop-up card Workshop Greeting card Production facility
Paper art Slicegami™
Handcrafted

*Requires CEO permission to use in external facing marketing copy.

30 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 31

 Logo treatment
The Lovepop logos should only be used
in Lovepop red or pure white. Red should
be used against blank, light-colored
backgrounds, and white should be used
against dark-colored backgrounds or
against photographs.

32 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 33

 Master logos Spacing & legal usage
*Horizontal and *Logomark are special use case only.
Do not use without permission from the Marketing Creative Art Director.
Contact brandquestions@lovepopcards.com for inquiries.
Spacing
The minimum space around the Lovepop
logos is equal to the height of the letter "v" in
the same size as the logo's text. In the case
of the logomark, the minimum space around
it should equal the height of the inner heart.
It's preferred to have more than the minimum
amount of space around the logo.

Full lock up

Logomark usage
Lovepop’s logomark can appear on its own
only if the full logo (including the logotype)
appears elsewhere in the design. For
example, the Lovepop Note may feature the
Horizontal* Logomark* logomark on the pull tab because the full
logo is included on the back of the card.

34 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 35

 Sizing Physical logos

Minimum size
The minimum size of the logo is measured by the
width, and changes depending on the medium.
The logo should be bigger than the minimum
size whenever possible.
The Lovepop logo can also exist in physical
mediums. It is commonly featured on the back
of Lovepop cards as a laser-cut design, and as
physical signage.

In general, these logos should follow the

Masters
same guidelines as normal Lovepop logos Example of physical logo sign
Print: 0.75 inches wide concerning their usage and treatment.
Screen: 72 pixels wide However, they must also follow any special
Laser-cut (based on paper): 25.25 mm wide restriction placed upon their medium which
Physical cut (based on acrylic): 2.25 inches wide can change depending on size, material, and
placement in a physical space.
Logomark
Details about their specific treatments are
Print: 0.28 inches wide available from the design teams that handle
Screen: 17 pixels wide Physical Experience and Card Design.
Laser-cut (based on paper): 25.2mm wide
Please contact brandquestions@ Example of laser-cut logo
lovepopcards.com for any inquiries.

36 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 37

 Correct usage Incorrect usage
Please consult brandquestions@lovepopcards.com for inquiries regarding logo changes. Please consult brandquestions@lovepopcards.com for inquiries regarding logo changes.

ACIO NORE CERUM TU QUIDE-

MENDIUS ELLATUM OMNOSTA
NONITAS TAMPL. C. EROPTIE
HORAEQUEMUS. H

Distortion Rotation Overlapping text Cutting off

Red logo against Red logo against White logo against

white background light-colored background red background

Red logo over dark Red logo over busy or Black logo used in a Using effects
colored background dark photograph colored production

LOVEPOP
White logo against White logo against photograph Black logo on light background
colored background (darken image for contrast) for a B&W production
Not enough contrast Any outdated logo Change to or use of We are open to logo color
unapproved logo design changes, consult brandquestions@
lovepopcards.com

38 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 39

 Legal
Lovepop’s trademarks are how our company
identifies ourselves, our products, and our services
to the public. It’s also how the public gets to
recognize and know us.

These guidelines outline how our trademarks

should be used to maximize their commercial
benefit and legal protection. They apply to our
own use of our marks—as well as any partner,
licensee, or otherwise, who has permission to use
our marks.

Any use of our marks and their visual characteristics

(font, size, colors, etc.) that deviates from these
guidelines must be approved by both the Lovepop
Creative Team and Legal.

Contact legal@lovepopcards.com for inquiries.

40 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 41

 How to use Lovepop & Slicegami Trademark symbols
Only use wordmarks as adjectives Usage
Lovepop word marks are not a substitute for the name of the product or service Proper trademark attribution through trademark symbols helps notify the
itself. Lovepop word marks are adjectives and should not be used as nouns or public of our rights and that the word marks belong to Lovepop.
verbs, or in the possessive or plural form. We make Lovepop® cards. We do not
make Lovepops. That means you must use a generic term, e.g. greeting card or
paper art, when using the word marks in reference to a product or service. ® Use this symbol with the most
prominent appearance of the ™ Use this symbol with the most
prominent appearance of the
"Lovepop®" word mark on products, "Slicegami ™" word mark on products,
Correct Usage Incorrect Usage
packaging, manuals, advertisements, packaging, manuals, advertisements,
Lovepop® cards Lovepops / lovepopcards promotional materials and Web pages promotional materials and Web pages
Buy your loved one a Lovepop® card Buy your loved one a Lovepop (for example, in the headline of an (for example, in the headline of an
We use Slicegami™ card design We use Slicegami™ advertisement), and the first use of the advertisement), and the first use of the
mark in text or body copy. mark in text or body copy.
Distinguish the mark
Lovepop as the name of our company
When a Lovepop word mark is used in a non-stylized form, such as in the body text
Lovepop serves as both a trademark and the name of our company. It is okay
of an advertisement, it should be set apart and distinguished from the other words
to use Lovepop as a noun when referring to the company itself. When
in the text. In order to do this, the word mark may be rendered in boldface type,
using Lovepop in this way, it can be used in the possessive, does not require a
italics, capitalized, in capital letters, underscored, or set in quotation marks.
generic term, and you do not need to use the ® symbol.
Avoid variations
e.g.: Lovepop was founded by two naval engineers named John Wise and Wombi
Do not vary the Lovepop or Slicegami word marks by changing their spelling, Rose. They are on a mission to make 1 billion magical moments with you and
abbreviating them, or creating new words from them. Lovepop® cards.

42 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 43

 Typography
We picked these fonts to visually interpret
our communication style to the outside
world. Our voice is clear, precise, personal,
and always a lot of fun. The fonts we chose
reflect these characteristics and help
translate our message around the world.

44 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 45

 Gibson
Web-approved fonts
Gibson Light
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_
Create one billion magical moments.
Gibson Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_
Create one billion magical moments.
46 Version 0 | lovepopcards.com/missionmanual
Caveat
Do not use as body copy!
Gibson Light Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_
Create one billion magical moments.
Gibson Semibold
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_
Create one billion magical moments.
Caveat Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_
Create one billion magical moments.
Caveat Bold
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_
Create one billion magical moments.
lovepopcards.com/missionmanual | Version 0 47
 Lato
Do not use Lato unless Gibson is unavailable. Handlettered/handdrawn typography is allowed with special permission from
the creative team. Contact brandquestions@lovepopcards.com for inquiries.

Lato Light

ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_

Create one billion magical moments.

Lato Bold

ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 !?@$#&*[]_

Create one billion magical moments.

48 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 49

 Color
The Lovepop color palette is designed to
enhance and not compete with Lovepop
products when they are on display. It includes a
wide array of colors to help you add fun to the
many occasions we celebrate!

50 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 51

 Primary color palette Secondary color palette

H E X F78D28 HEX 5BBA47 HEX 3BC1CC

C M YK 0 54 95 0 CMY K 67 0 100 0 CMY K 66 0 22 0
R G B 247 141 40 R G B 91 186 71 R G B 59 193 204
PA N TO N E 1495 C PANTO NE 802 C PANTO NE 319 C

HEX CE2333 HEX FFFFFF

CMYK 17 100 90 0 C M YK 0 0 0 0
RGB 206 35 52 RG B 255 255 255
PA NTONE 1795 C PAN TO N E 11-0601 TCX

Note
When a paper texture is placed within an object,
the color becomes desaturated. HEX 814C9E HEX D564A6
C MY K 58 83 0 0 CMY K 12 75 0 0
R G B 129 76 158 R G B 213 100 166
PANTONE 2587 C PANTONE 238 C

52 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 53

 Let’s go

70 Version 0 | lovepopcards.com/missionmanual lovepopcards.com/missionmanual | Version 0 71