Traditional Craft CHUNARI

ABSTRACT:

Just like Ajrak from Sindh, Chunri is a tie and dye technique from Punjab that has its own share in the
local market. Mostly used in the form of a stole (Dupatta), chunri has vibrant colors and is also a mark of
teamwork. Chunri-making is an elaborate process and is dependent on a number of factors. These
factors vary from suitable weather conditions to the availability of natural dyes. 

The chunri-making process starts with making small knots in different areas of the fabric that is
supposed to be dyed. These knots vary in number and size depending on the design. The knots are
meant to create a negative space in the areas that are not supposed to absorb the dye. After the knots
are done, the fabric is dipped in to a dye and is absorbed in the fabric.

The fabric is then left to dry and during this process, the knots remain on the fabric. After the fabric is
fully dried, this is when the knots are untied and the negative spaces create beautiful designs. 

INTRODUCTION:

Craft is the product of hand creativity, which we called handicraft. The job that is being
done by hand or the utmost ratio of hand involvement is there. Craft is always made for a particular
meaning, particular message, specific identity, and expressly for symbol of status. Craft can be the
symbol itself but the craft always represent the meaning in social terms, cultural terms, political terms,
economic terms, ritual and custom attributes as well. Craft as a symbol of representation of nation can
represent the whole nation. Chunari is a handicraft especially made by the Khatti community since one
and half centuries, it creates the identity of the Khatti community as a maker of Chunari, it is unique in
its appearance and looks, especially the colors of Chunari.

Historical Background
The earliest evidence of Bandhani dates back to Indus Valley Civilization suggesting that dyeing was
done as early as 4000 B.C. An example of the most pervasive type of Bandhani dots can be seen in the
6th-century paintings depicting the life of Buddha found on the wall of Cave I at Ajanta(Ref 1). This
art also finds its mentions in the Alexander the great time texts about the beautiful printed fabrics of
India.