Professional Documents
Culture Documents
Character Sketch
Character Sketch
If analyzing a fictional character, you can also go into the person's conflicts, how the person
changes, his or her attitude toward others, and role in the story. You can list the person's likes
and dislikes and how you feel about the character. If the character is the narrator, you can
discuss whether the person is an unreliable narrator.
A character sketch can also be satiric, as in work by authors such as Evelyn Waugh (1903–1966)
and Thomas Pynchon (1933–) or modern-day television sit-coms. As a composition, a satiric
sketch would likely need to be written in the character's voice and point of view to work.
In nonfiction writing, character sketches can be useful for biographers or feature article writers
as a prewriting tool and as descriptive material to mine for the finished work.
Examples
Annie Dillard's Sketch of Her Childhood Friend Judy Schoyer
"My friend Judy Schoyer was a thin, messy, shy girl whose thick blond curls lapped over her
glasses. Her cheeks, chin, nose, and blue eyes were round; the lenses and frames of her glasses
were round, and so were her heavy curls. Her long spine was supple; her legs were long and thin
so her knee socks fell down. She did not care if her knee socks fell down. When I first knew her,
as my classmate at the Ellis School, she sometimes forgot to comb her hair. She was so shy she
tended not to move her head, but only let her eyes rove about. If my mother addressed her, or a
teacher, she held her long-legged posture lightly, alert, like a fawn ready to bolt but hoping its
camouflage will work a little longer." ("An American Childhood." Harper & Row, 1987.)
"The publican, Peter Keith Page, lives with his family in a flat on the second floor. Page is a
fiftyish man, slender and well-tailored, whose manner might be described as studiously
charming. His mustache and hair are tinged with auburn, and this, along with a sharp nose and
chin, makes him look a bit like a fox. He enjoys jokes, subtle conversations, double entendres.
When he takes one of his turns behind the bar, he works at a measured pace, often pausing to
ask after his patrons' health and well-being." ("At the Fountain." In "Traveling Light." Viking,
1984.)
Sources
David F. Venturo, "The Satiric Character Sketch." In "A Companion to Satire: Ancient and
Modern," ed. by Ruben Quintero. Blackwell, 2007.