Professional Documents
Culture Documents
Index: Anak Seribu Pulau (Documentary), 245n58 Anchorage, 109-10
Index: Anak Seribu Pulau (Documentary), 245n58 Anchorage, 109-10
Adam, Jeroen, 272n40 others in, 46–47, 55–56; Laskar Jihad, 34;
Adorno, Theodor W., 277n28 legal vacuum, 63–64; media coverage of,
aesthetics, 9, 19, 182, 244n51 8, 18–19, 34, 38, 47–48, 57–58; migration
Ahuru neighborhood, 159, 167 during, 40; outbreak of, 33, 43–44; peace-
Al Fatah mosque, 174 making attempts, 64; phases of, 33, 34–35,
Aliansi Jurnalis Independen (AJI), 253n41 249n11; public perception of, 34; reciprocity
Ambon City: churches, 175; growth of, 11; in, 44; religious divide and, 46, 47, 128, 178;
map of, 2; markets, 4, 39–40, 41; migrants, sense of audience, 55; studies of, 36, 45;
40; mosques, 174, 175; motorbike-taxi surge in faith during, 68–69; thick of things
stand, 139, 140; origin of, 11; painted land- implicated in, 45–52; victims of, 34, 44; vio-
scapes, 136–37; Pattimura Raya Avenue, 2; lence during, 8, 27, 47, 61; visualization of
population profile, 11, 116, 159–60; postwar difference, 62–63
urban environment, 27, 113–14; property Amirrachman, Alpha, 254n53
and land disputes, 168; Protestant Chris- amulets, 164, 179
tian hegemony in, 7, 11, 12, 130, 136; reli- Anak Seribu Pulau (documentary), 245n58
gious division of, 3–4, 6, 51–52; reputation anchorage, 109–10
of, 46; September 11 violence, 222; sketches Anderson, Benedict, 54
of, 225–26; transportation, 3; unemploy- anticipatory practices, 61
ment, 95; Victoria Fort, 226; wartime Appadurai, Arjun, 260n121
conditions, 4 appearance, 8, 19. See also work of appear-
Ambon Ekspres (Muslim newspaper), 44 ances; work on appearances
Ambon Island: Christian dominance on, 13– Aragon, Lorraine V., 249n7, 254n48, 258n89
15; Dutch power on, 11–12; map of, 2; popu-
lation profile, 13; spice trade, 11–12, 240n16 baku baik (being on good terms), 198
Ambon’s Christian University, 116 Bali bombings (2002), 123
Ambon’s conflict: aftermath of, 2–3, 35, 64–65; bang (younger men), 52, 257n73
amplifications of, 56–57; anticipatory prac- Bartels, Dieter, 89
tices and, 61; atmosphere of uncertainty, 38, Barthes, Roland, 109
182; causes of, 15, 26, 36, 40, 42, 47, 51, 52; Batu Gajah minority, 168
comparative perspective, 54, 56, 128, Batu Merah Mosque, 175, 194
254n50, 261n128; conspiracy theories about, BBM (Buginese, Butonese, and Makassarese
64; criminal activities during, 39, 62; geog- or Muslim migrants), 40, 272n40
raphy of, 128; God’s presence during, 43, Belakang Soya district: Christian pictures in,
68–69, 70, 72, 106, 252n34; imagination of 80, 119, 120
299
300 INDEX
Peace and Love Forum of the Jesuit Refugee Qur’an, pocket-size: protective qualities of, 178
Service, 191
peace initiatives, 193 Radar Ternate (a.k.a. Radar Kieraha) (newspa-
peace journalism: challenges of, 218; focus on per), 216, 217, 220, 278n42
numbers, 214, 215, 218; language of, 220–21, radical cohabitation, 162
259n100; limitations of, 217; mission of, 216, Rais, Amien, 34
217–18; partisan stereotypes and, 221–22; Rancière, Jacques, 8, 9
professional dedication to, 218–19; promo- reconciliation: aesthetic artifacts of, 212; cele-
tion of, 27, 253n41; religious identities in, brations of, 194, 195; concept of, 276n10;
216; reporting style, 215–16, 218, 219, 220, 221; drawing contest, 191, 192, 193, 200; genre of,
training in, 216 49, 50, 192; media coverage of, 199, 214; pro-
Peace Provocateurs: emergence of, 222; influ- motion of, 192, 197–99, 204; spectacles of,
ence of, 223–24; network, 193, 223; photo- 193–99; women and, 198
graphs of, 224–25; prevention of violence, refocalization, 171–72
199, 223, 224; reporting tactics of, 223; use of Reformasi movement, 15, 16, 17, 18, 21, 111
social media, 223, 224 refraction, 263n25
Peace Song (documentary), 21, 245n58 refugees, 5, 51, 178, 212
pemuda (male youth), 88–89 religion: as alternative to the state, 144; con-
Pentecostal church, 172–73 flict and, 26; identity and, 167; vs. magic,
people without history, 110, 111–12 157; mediation and, 85; pagan, 164; posses-
photographs: of Indonesia, 224, 242n41; of tor- sions as threat to, 160; under the sign of cri-
ture, 153; of traces of violence, 225; as “wit- sis, 163, 185; simplification of, 173–74;
nesses of history,” 245n57 transformation of, 160; visualization of dif-
Pinney, Christopher, 262n12 ference in, 62–63
pocket bible: protective qualities of, 179 representational redress, 78
Portraits of Maluku series, 50 Representatives of Christ’s Kingdom church
Poso, town of: conflict in, 61, 249n7, 252n39, (ROCK), 171, 172
254n48, 261n129 Republic of the South Moluccas (RMS) sepa-
possessions, 159–60, 166 ratist movement, 12, 248n1
prayer booklets, 178 Republika (newspaper), 220
praying: as response to violence, 172 Riis, Jacob, 12
present of warfare, 25 Rumphius, Georg Eberhard, 2–3
production of religion, 37–38 Rumphius Library, 2
proselytization, 161
Protestant Ambonese: Catholics and, 174, 175, Sacred Pancasila Monument, 20
178; color of clothes, 62; during Japanese Saint Franciscus cathedral, 226
occupation, 153–54; neighborhoods of, 3; Salamism, 271n28
production of Christian images, 15, 22, 23– Sallman, Warner, 82
24, 76–77; religious mobility, 176; self-per- “sandfly troops” (pasukan agas), 49, 255n57
ception of, 26, 146, 153, 154; social and SARA (“Suku, Agama, Ras, Antar-Golon-
political status of, 3, 7, 11–14, 27, 77, 79, 153; gan”), 57
visibility of, 3, 13 Schmitt, Carl, 181
Protestant Church of the Moluccas (GPM): scrolling, 226–27
abandonment of, 162; competitive pressure sensory perception, 8–9
on, 170–71, 172; loss of prestige, 167, 173; mis- September 30, 1965, Movement/Communist
sionaries of, 262n23; origin of, 2, 263n24; Treason, The (film), 20
Pentecostalization of, 176; visibility of, September 30 Movement, 15
267n31 Seram’s indigenous culture museum, 116, 125
Protestant mentality, 130 Sholeh, Badrus, 249n9
Protestant women’s group, 198 Sidel, John, 253n46
public Islam, 130, 266n29 Siegel, James T., 254n50
public service announcements (PSA): aes- Silo Church, 43, 60, 66, 86, 223
thetic of, 212; children’s input into, 210–12, simplification, 168, 169
213; impact of, 51, 188; portrayal of children social media, 226
in, 50–51, 212; production of, 18, 210; promo- Sol, Andreas, 179
tion of reconciliation, 204, 208; television Steedly, Mary, 39, 242n42
broadcast of, 48–49 Strassler, Karen, 242n41, 247n93, 263n25
304 INDEX
street pictures: aim of, 78; Christian icono- 249n7; genre of, 58; labels, 59; language of,
graphic canon and, 79; discontinuities of, 258n89; mass appeal of, 18, 59; as news plat-
77; diversity of, 114; effect of, 69–70, 136, 137, form, 34; production of, 56, 58–59, 258n89,
168, 229, 230, 231; evolution of, 26, 68, 117; as 260n114; types of, 58, 60
expression of faith, 68, 69, 72; financing of, violence: as an adult problem, 51; audience
93; God’s presence in, 72, 76; importance of, and, 55; causes of, 167–68, 260n121; against
70; innovation of, 78; inspiration for, 72; children, 18–19, 20; descriptors of, 220; do-
openness of, 137; opposition to, 69; popular- mestic, 95; effects of, 52; imagination and,
ity of, 79, 108; reproduction of, 231–32 45, 61; in Indonesia, perspectives on, 38–39;
street renaming, 185 in media production, 20; against migrants,
streets and squares: political significance of, 27; praying as response to, 172; psychosocial
110–12 damage of, 95; in religion’s name, 27, 42; ru-
Suara Maluku (newspaper), 44 mors and, 217; spread of, 58; state, 39; visual-
Suharto, Tien: ascendance to power, 12; ity of, 243n50, 244nn53,56
downfall of, 5, 7, 15; economic policy of, 16; Virgin Mary: statue of, 104–5, 105
foreign policy of, 38; Islamization policy of, visibility: aesthetics of, 19–20; inequality and,
10, 14; political regime of, 15–16, 23, 30, 144, 12–13; sociopolitical order and, 8–9, 14–15,
244n53, 251n19; state propaganda, 20, 85–86; 267n31; studies of, 8; Oscar Wilde on, 8
use of magical objects, 270n18 visuality: of politics, 30; powers of, 18; of vio-
Sukarnoputri, Megawati, 93 lence, 243n50, 244nn53,56
symptomatology of crisis, 28–29, 163 Viva Indonesia! An Anthology of Letters to
God (film), 21–22, 23, 51, 199
talismanic jackets, 197, 260n116 VOC. See Dutch East India Company
talismans, 164, 166 “Voice of the Heart-Acang and Obet” video,
Tamaela, Christian: career of, 116, 124; educa- 48, 48–49, 50, 51, 200
tion of, 124; paintings of, 132, 133, 134, 136, Vries, Hent de, 85
144; on relations of Christ and children, 135
Tamaela, Nus: artistic work of, 125, 126, 144; Waai, village of, 117
career of, 116; crisis of faith of, 179; passion Wahid, Abdurrahman, 34
for painting, 123, 124; promotion of Malu- Wakano, Abidin, 222
kan culture, 125; Seram collections, 125 war: definition of, 37; frames of, 153; language
Telkom Graphics Department, 117 as causality of, 52; politics of numbers, 214,
Ternate City: media coverage of events in, 216, 215; production of images of, 30–31;
217 soundtracks of, 52–54; uncertainty of,
Thalib, Ja’far Umar, 53–54, 248n5, 271n28 250n17. See also fog of war
thingification: trope of, 254n49 wartime graffiti. See graffiti
Tiahahu, Martha, 14 Wattimena, Agus, 91
Titaley, Sammy, 68, 69, 70, 71, 76 Wilde, Oscar, 8
Topatimasang, Roem, 261n128 women: as civil servants, 187; demonic posses-
transparency, 16–17, 19 sion, 186–87; everyday life of, 158; religious
triptych of the apocalypse: creation of, 146, displacement of, 158, 161; standoff between
148; depiction of salvation, 151; fragments of, Muslim and Christian, 167
149–50; Jericho’s fortifications collapsing Women and Children Exchange drawing
under siege, 151; panoply of sins, 151; storage competition, 276n15
of, 148, 150; view of, 149 work of appearances, 9, 10, 47
work on appearances, 9, 10, 27, 83, 226
“Unity in Diversity” motto, 208, 210
usi (“older sister”), 52, 257n73 Yesayas, Jhon: artistic career of, 81, 118, 128,
140–41; “Bloody Christmas,” 66; Christ in
victimization, 252n39 Gethsemane, 80; employment of, 117; identi-
victim of violence: denial of humanity of, fication with ROCK, 176; on image of Jesus,
254n49 140–41, 143, 144, 146; on portrayals of Chris-
Victory (painter): paintings of, 119, 120; studio tian scenes, 119; reflection on his work, 67,
of, 116, 120, 121; thematic range of, 120, 122 69–70, 86–87, 94; religious motivation of,
“Victory ’72 Gallery,” 120 118–19; reputation of, 116
video compact discs (VCDs): authorizing dis- Yudhoyono, Kristiani, 119, 120
courses of, 59–60; effect of, 59, 60–61, Yudhoyono, Susilo Bambang, 119
Patricia Spyer is Professor of Anthropology at the Graduate Institute, Geneva.
She is the author of The Memory of Trade: Modernity’s Entanglements on an
Eastern Indonesian Island (Duke, 2000). She has also edited and co- edited a
number of books, including Images That Move (SAR Press, 2013), Handbook
of Material Culture (Sage, 2006, pbk 2013), and Border Fetishisms: Material
Objects in Unstable Spaces (Routledge, 1998).