Registered Script - Asurahakula

(Printed withScreenplay-Asurahakula 1/59
: The
the demonstration version of Fadebeginning
In) of the end.
Asurahakula : The beginning of the end.
Written by
Siddhesh Shinde
Durgesh Harawade
Hrutuja vasaikar
Copyright (c) 2021
Draft
Penultimate revision : 09/07/2021
Contact
Siddhesh: +91-9167713253
Durgesh: +91-8828732878
Hrutuja: +91-9834129634
Registered@www.swaindia.org ©Siddhesh Santosh Shinde

2021-07-09 22:32:12 SWA Membership Number:52363
: The
In) of the end.
SCENE 1 : GRANDMOTHER TELLING STORY TO HER GRANDCHILDREN

BLACKOUT -
The starting credits are rolling and we hear a conversation.

It's in reverb effect.
GRANDCHILD
Dadi Dadi, kahaani sunao na.
GRAND MOTHER
Kaisi kahaani baccho?
GRANDCHILD 2
Bhoot ki khaani.
GRAND MOTHER
Raja rani ki khaani sunau?
GRANDCHILD
(Both) Nahi dadi, Bhoot ki sunao na.
GRAND MOTHER
Tum dono darr jaaoge.
GRANDCHILD
(both) Nahi darenge .. promise.. Aap
sunao na .. please dadi.
GRAND MOTHER
Thik hai.. Sunati hu. (Pause)(Music
kicks in) Sahyadri ki ghani vadiyon
mein basa ek chotasa gaon tha ...
Asurapur... Shayad hi koi iss gaon ke
baare mein jaanta ho ... kyuki pehle
iska naam Tiwade tha ... Magar kehte
hai ki asuri shaktiyon ka raja, iss
gaon ke samandar ki gehraiyon mein
kahin sadiyon se intezaar kar raha
hai uss din ka jis din iss dharti par
se puri manav jaati ka vinaash hoga.
Aur ek baar phir devo aur danavon ke
beech yuddh hoga iss prithvi par raaj
karne ke liye. Isse pehle jab yeh
yuddh hua tha ... Tabhi 33 koti devi
devtaon ki taakad ke saamne inn
shaitani shaktiyon ne haar maan li
thi .. lekin ab yeh danav apni taakad
badha rahe hai ... un insaanon ke
sahaare jinka devi devtaon par se
vishwas uth chuka hai.
DISSOLVE TO:
BLACKOUT

: The
In) of the end. 2.
SCENE 1 A : ASURASHASTRA PAGE READING

Doing activities as per the book.
SCENE 2 : WHO ARE THEY? - DARK ROOM
INT. DARK ROOM - NIGHT
PULL BACK SHOT UP-TO FULL SHOT
FADE IN:
A sign/symbol is seen in the frame. CAMERA pulls back slowly

to expose an Earthen water pot on which the symbol is made.
TOP ANGLE
A hand enters the frame and picks up an earthen glass kept

next to the water pot. Then, puts it in the water pot.
CLOSE
As the hand comes out of the earthen pot, we see that the
glass didn't fill with water. It's dry.
EXTREME CLOSE
The woman smiles. (A 40 year old rural woman)
CLOSE
She keeps the glass back where it was before she picked it
up.
TOP ANGLE - PULL BACK TILL FULL
The woman walks back and a man enters the frame. He picks up
the same glass and dips it back into the pot and one by one,
a few people repeat the task and go back.
WIDE
All of them, stand one by one in front of a man who's

standing in front of the woman who was shown first.
CLOSE
The man is a drunkard. With so much drinking, he's only lost

his senses. Next to where he's standing, plated food is kept
on a huge plate. Some alcohol bottles are kept. Some iron
chains, big enough to tie a man, are also kept.

: The
In) of the end. 3.
The drunkard keeps talking to himself.
DRUNKARD
Ajun daaru pahijel mala. Salya
dakhavtoch. Murdach padto
aaighalyacha. Mala gharachya baher
kadhtoy? Olkhat nahi nit mala ajun..
Dakhavnar mi tyala. Mala rastyavar
ekta sodlay... Baap mhanayla laaj
vatte salyala.
As he's uttering those words he picks up a chicken piece

kept in front of him in the plate and eats it like he's
never getting to eat again.
FULL
The 7 people who were standing there, all look at the

MUKHIYA, The woman.
MID
Mukhiya gestures with her eyes to one of them.
CLOSE
He nods and takes out a Khanjir which is tied around his

waist.
He walks past the drunkard and approaches a Murti and stands

there.
OS OF THE STATUE
He looks at the Murti, cuts his palm. The blood starts

flowing down. He screams in agony but he proceeds to do it
anyway and then, he puts that blood on the Murti.
SCENE 3 : PRITHVI AND VANSHIKA FIGHT
INT. PRITHVI HOUSE - NIGHT
WIDE
Prithvi is praying to god, near the temple.
Vanshika is irritated by the ghanti. Few moments later, the

ghanti stops.
CLOSE
Vanshika's reaction of relief.

: The
In) of the end. 4.
Prithvi walks towards her with a sweet as Prasad. Gives it

to her.
PRITHVI
Vanshika... Yeh lo.
Vanshika takes it and ignores him. Gets up and walks in her

room.
Prithvi follows her.
PRITHVI (cont'd)
Vanshika, Tum waha nahi jaa rahi.
VANSHIKA
Kya?
PRITHVI
I said, tum nahi jaa rahi.
The diya in the temple, goes out. Prithvi looks at it.
PRITHVI (cont'd)
Oh shit shit shit ...
He puts on the diya.
PRITHVI (cont'd)
Dekha? Aur isse zyada kya explain
karu main?
VANSHIKA
Mat karo.
Lights up a cigarette. Prithvi takes it out from her mouth.

VANSHIKA (cont'd)
Arey kya hai Prithvi? Ghar aate hi
kyu peeche pade ho mere?
PRITHVI
Vanshika tum aisi haalat mein
cigarette nahi pee sakti ...
VANSHIKA
Kya haalat? Kaise haalat? Mujhe
stress hai mujhe peeni hai ... tum
kon hote ho mujhe roknewale?

: The
In) of the end. 5.
PRITHVI
Aye, Pati hu tumhara... Tumhare pet
mein humara baccha hai isiliye rok
raha hu ... aur mujhe bhi takleef
hoti hai.. yeh tumhare smoking ke
wajah se.
VANSHIKA
Tumhe takleef hoti hai toh main smoke
na karu? Aur mujhe stress hai uska
kya?
PRITHVI
Meditation karo.
VANSHIKA
Stop with your bullshit. Tum jaise
mard na kabhi apni biwiyon ko freely
jeene hi nahi doge.
PRITHVI
Freely? (Chuckles) Equality ke naam
pe mujhse ghar ka saara kaam karati
ho tum ... Aur woh bhi main office se
aane ke baad aur tum kehti ho freely
jeene nahi de raha hu?
Vanshika gets angry and leaves for the bedroom.
Prithvi follows.
PRITHVI (cont'd)
Vanshika, tumhara waha jaana itna
necessary kyu hai ?
Vanshika doesn't respond.

PRITHVI (cont'd)
Bolo na.
He pours her a glass of water.
VANSHIKA
Tyagi mere sar pe baitha hai ... usko
ek hafte mein story deni hai .. ek
mahine mein publication mujhse book
maang raha hai ... aur mere paas ab
tak puri story nahi hai.
Vanshika keeps the water glass on the table.

: The
In) of the end. 6.
PRITHVI
Vanshika tum journalist nahi ho ...
kahaniyaan likhti ho. Bana lo kuch
man ghadat kahani.
VANSHIKA
Itna asaaan lagta hai tumhe? Peechle
8 mahine se wahi koshish kar rahi hu
... nahi sujh raha hai kuch...
everything sounds fake.
PRITHVI
Toh thoda aur kar lo... Tum chaho
toh, Main Tyagi se baat karu?
Vanshika gets irritated and opens her closet to take out

clothes.
Prithvi is frustrated by this point and he lashes out.
PRITHVI (cont'd)
Toh main kya karu Vanshika? Thik hai
chalo ek kaam karte hai. Main tumhare
saath aa jaata hu.
His hand hits the water glass and it spills on Vanshika's

bag. Prithvi sighs.
Vanshika grows furious.
PRITHVI (cont'd)
I'm sorry. Lekin I am coming with you
there is no other way around it.
Vanshika looks at him angrily and he gets the mop.

CUT TO:
SCENE 3A : VANSHIKA AND PRITHVI PREGNANCY MUDDA
INT. VANSHIKA'S HOUSE - LATER

WIDE
Vanshika and Prithvi are having dinner. On the dining table.

There's silence on the table.
Prithvi says -
PRITHVI
Doctor ki next appointment kab hai?

: The
In) of the end. 7.
VANSHIKA
After a week.
PRITHVI
Okay.
Pause.
PRITHVI (cont'd)
Vanshika, we need to talk about this
thing.
VANSHIKA
Listen to me, mera uss baare mein
baat karneka mood nahi hai , Main
waha se aane baad we'll talk over
this.
PRITHVI
Accha toh tumne deicde kar liya?
Vanshika doesn't react.
PRITHVI (cont'd)
Dekho Vanshika, I feel, abhi sahi
waqt hai, iss baare mein baat karne
ka.
VANSHIKA
Humne pehle bhi iss baare mein baat
ki thi ... I'm not ready for this.
PRITHVI
Ready? Seriously? 4 saal ho gaye hai
shaadi ko... Aur kitna time chahiye
tumhe?
VANSHIKA
Shaadi ko kitna time hua hai usse
mujhe koi farak nahi padta ... Mujhe
thoda aur time chahiye ... I am not
ready for this .. aur abhi sirf 6
hafte hi hue hai ... Let's see.
Prithvi breaks.
PRITHVI
let's see matlab? Mujhe clarity do.
Mummy papa ko kya bataunga main.
VANSHIKA
Mummy papa ko kya - ? What a stupid
person you are.

: The
In) of the end. 8.
PRITHVI
Achha... I am stupid? Yeh career ke
liye thoda aur rukna hai .. yeh tumhe
stupid nahi sound karta?
VANSHIKA
You know what? I'm done with you.
TRACK FOLLOW
Vanshika goes in her room and locks herself in.
A phone rings.
CUT TO:
SCENE 3B : CAR SCENE
INT. CAR - EVENING
CLOSE UP - PHONE
Prithvi is calling.
CLOSE UP - VANSHIKA
Vanshika is annoyed. She hangs up and starts driving ahead.
MID CLOSE
Vanshika is driving and again, her phone rings.
Prithvi is calling.
She snaps and picks up the phone via car dashboard.
VANSHIKA
Agar koi phone nahi utha raha hai ..
toh woh BUSY hai .. yeh tumhe nahi
samajhta kya Prithvi?
PRITHVI
Tum kaha ho? Tum mere saath jaanewali
thi -
VANSHIKA
Gaadi mein hu.
Vanshika says nothing.

: The
In) of the end. 9.
PRITHVI
Itni selfish, careless kabse ho gayi
tum? Agar waha jaake bacche ko aur
tumhe kuch ho gaya toh kya karunga
main?
VANSHIKA
Prithvi, I'm done with this. Bas ho
gaya baccha baccha baccha. Yeh bacche
ke wajah se pehle se zyada problems
badh rahi hai ... Main aane ke baad
hum ispe baat karenge ... my decision
is final.
Vanshika hangs up.
She looks at the phone. Then, at the car dashboard and then
bumps her head on the steering wheel. She drives her car off
and the CAMERA remains static and we see a BOARD that says
"Proceed with Caution : Asurapur 1 km".
SCENE 4 : MYSTERIOUS BEACH EVENT
EXT. ROAD - LATE EVENING
WIDE - OF THE BOARD
As we see the board, we hear few men, about 7-8 people

walking. We hear the footsteps.
Juxtaposed with the footsteps we also hear a iron chain

sound. Iron chain being dragged on the road.
The frame is still at the board and we see 7-8 people

entering the frame with a man tied to an iron chain. It's
the drunkard who's being tied to the iron chain.
CLOSE
Drunkard's expressions. He's tied to chains. His hands, legs

are all tied to the chains.
MID CLOSE
CAMERA captures the expressions of all the people that are

walking there. They are scared. We can see that clearly. One
of them has a hen held in his hand and a few of them have
mashaals. All of them are walking in one tone. One single
movement and they're reciting a mantra.

: The
In) of the end. 10.
WIDE
They all approach a well in the jungle and stop there. Just
a few yards away from the well, is a tree. One of them,
picks up a rock and keeps it below the tree. Other person,
walks towards it and washes it off. The man who had the hen
in his hand, then approaches the rock.
CLOSE
He keeps the hen on the rock and gestures the other person.
CLOSE
The other person comes towards him with a machete. Hands it

to him and the man holding the hen, takes it. Then looks at
the men who are holding the mashaal.
CLOSE
They gesture him to proceed and we see everyone starts

chanting "Ithna nighun jaa. Ithna nighun jaa. Itha
thambaycha nahi"
CLOSE
Suddenly, a machete strikes on the hen's head and it's

separated from her body. The sound echoes in the whole
jungle. They leave the hen there and they all walk away.
CUT TO:
SCENE 4A : BEACH EVENT - 2
EXT. ROAD - CONTINUOUS
POV - A TREE BRANCH - PAN
We see the men passing a road with the man in iron chains.
MID - FOLLOW
The CAMERA FOLLOWS them from behind and front and soon all
of them reach to the beach.
WIDE
They're on the beach. The mukhiya calls one man standing

next to the drunkard and tells him -

: The
In) of the end. 11.
MUKHIYA
Taat karayla ghya.
MID
The man hurries to get the thaali (plate) and they plate it
with food.
WIDE
After the platin, The Mukhiya gestures 3 people to stay

behind and rest of them to follow him along with the
drunkard in the sea.
MID SHOT
When they come very close to the sea, THE MUKHIYA hands the
plate to the drunkard.
MUKHIYA (cont'd)
Jaa... tyala bhuk laagli asal ..
tujhi vaat baghat asal ... tyala
jevan deun ye.
WIDE
Everyone let's him go and hold on to the other end of the

iron chain. The man walks in the sea.
FOLLOW
The man keeps on walking in the sea, to a point where the

water level is above waist high. Suddenly, Mukhiya screams
from behind -
MUKHIYA (cont'd)
Thamb... tithech thamb ek paul bhi
pudha taaku nakos.
CLOSE
Everyone's expression. They're all scared.
MID SHOT
The wind starts to blow wildly. The sea gets violent as if

a Tsunami is about to hit. Everyone starts chanting the
mantra with even more force.
Out of nowhere, the waves then start pulling the drunkard

inside the sea. The plate from his hand, falls in the sea.

: The
In) of the end. 12.
CLOSE - MID - FOLLOW
As soon as the plate falls in the sea, those 3 people who

were made to stand back, start dragging the man outside the
sea. When they can't pull him back, everyone else joins the
and all of them start pulling the man out of the sea.
When they are successful in pulling he man out. The sea

erupts a wild, horrifying, scream. As if the monster just
awoke..
Everyone starts running helter skelter.
WIDE (DRONE)
They all run into the jungle somewhere. The camera follows
them and they exit through the road where they see a car
passing through them on the road.
SCENE 5 : INCIDENT BEFORE MEETING SAKHEE AND SAKHEE'S MEET
POV - VANSHIKA
Suddenly, one of those men comes across Vanshika's car and

Vanshika immediately pushes brake on the car.
Accident doesn't happen.
WIDE - FROM OUTSIDE
The man falls and he is scared. He's very scared and he runs
hastily in the jungle.
Vanshika starts cussing out the man.
VANSHIKA
What the fuckkkk!
She pulls the window down.
VANSHIKA (cont'd)
Andhe ho kya? Dikhta nahi hai?
Fucking disgusting people.
She shuts the window and starts the car again.
The car revs but doesn't start.
She tries again.

: The
In) of the end. 13.
The car revs but again, it doesn't start. She gets annoyed.
Bangs her hand on the steering wheel.
CUT TO:
WIDE - OUTSIDE
The bonnet of the car is open. There is some smoke coming

from the bonnet. Vanshika looks at the bonnet, realizes
nothing can be done. Walks towards the car's window, takes
her phone and tries dialing someone.
CLOSE UP - PHONE
There is no network in the phone.
MID
She gets more annoyed and frustrated. As she stands closer

to the car, she hears a humming of a song.
FULL SHOT - POV - HISPEED
Vanshika sees a young woman walking towards her. She's

about 24 years old. She's humming the song. She has a tokree
in one hand and a lamp in another. The headlights fall
directly on her.
She walks a little away from the headlight.
MID - HISPEED
Vanshika's reaction.
FULL SHOT
Sakhee approaches Vanshika.
SAKHEE
Kon ga tai tu? Kay karte ithe itkya
raatela?
VANSHIKA
Woh meri gaadi kharab hui hai .. yaha
aas paas koi mechanic hai?
SAKHEE
(Smiles) Mechanic? He gaon hai tai.
Evdhya raatela itha kutr pan firkat
nahi.
VANSHIKA
Kutr what?

: The
In) of the end. 14.
SAKHEE
Shahrakdun alelya distay.
VANSHIKA
Mujhe samajh nahi raha hai aap kya
keh rahi hai.
SAKHEE
Jara bi nay yet marathi?
VANSHIKA
Nahi matlab thoda samajhta hai..
lekin bolne nahi aata .. Lekin - tum
mujhe bata sakti ho yaha koi aisa ho
jisse gaadi thik karne aati ho?
SAKHEE
Asa tar koni mahit nay tai ...
tumhala kutha jaaychay?
VANSHIKA
Asurapur.
SAKHEE
Aava .. mag hech gaon hay ki te.
VANSHIKA
Par yaha board pe 1 km likha hai.
SAKHEE
Aao .. tasa kay nahiye tai .. hech
gaav aahe .. Tumhi asurapur madhech
aahat.
VANSHIKA
Ohhh.
CLOSE
Vanshika's realization.
SAKHEE
Tumhi ek kaam karta ka tai, aaj
raatela majhya itha raha .. sakali
tumhi tumchya kaamala nighun jaa.
VANSHIKA
Nahi .. main idhar hi reh lungi. yaha
kahi hotel bhi nahi hai kya?
SAKHEE
Haan mag haatlet raha .. ithun 10-12
mail asel.

: The
In) of the end. 15.
VANSHIKA
Oh god. Aajka din hi manhoos hai.
POV - THIRD PERSON
SAKHEE
Ek kaam kara .. gaadi ithech asudya
.. sakalchyala yeun bagha .. aata
chala majhyabarobar .. ithe evdha
raatricha thambna bara nay.
VANSHIKA
Nahi koi baat nahi.. main gaadi ke
andar baith jaaungi..
SAKHEE
Aava .. naka thambu itha .. aika
majha.
VANSHIKA
Matlab?
SAKHEE
Chaliye.
VANSHIKA
Thank you... Main idhar hi rukti hu.
Aap ruki isiliye thank you.
SAKHEE
Thike mag. Thamba ithach. Mya
nighale.
MID
Sakhee leaves from there.

Vanshika is standing close to the car. Suddenly, there is a
disturbance in the nearby bushes.
POV - FROM THE BUSHES
We see Vanshika getting scared.
CLOSE - VANSHIKA
Vanshika fearfully looking there.
Suddenly vanshika turns towards Sakhee and calls her.
VANSHIKA
Ruko.
Sakhee stops. Turns around.

: The
In) of the end. 16.
VANSHIKA (cont'd)
Tumhara ghar yaha se kitna door hai?
SAKHEE
Jasta nahi tai.. javalach hay..
chala.
Vanshika catches upto Sakhee after locking her car doors.

They start walking.
SCENE 6 : JUNGLE JOURNEY

WIDE
Sakhee and Vanshika walking towards the CAMERA.
VANSHIKA
Waise, tumhara naam kya hai?
SAKHEE
Mya Sakhee. Ani tumhi?
VANSHIKA
Main Vanshika.
SAKHEE
Changlay .. pan tai ek vicharu ka?
VANSHIKA
Hmm? (nods)
SAKHEE
gaavat kay bara kaam kaadhlat tumhi
tai?
VANSHIKA
Main actually ek writer hu... Matlab
lekhika.
SAKHEE
Haan itna pata hai tai ... shalela
geliye mi bii.
VANSHIKA
Oh Nice. Waise ... main yaha isiliye
aayi thi kyuki maine suna hai yeh
gaav mein bhoot vagera hai..
CLOSE - SAKHEE
Sakhee gives a sharp look to Vanshika and seems angry.

Suddenly, she bursts into laughter.

: The
In) of the end. 17.
SAKHEE
Bhoot? Aisa idhar kuch nahi hai ..
Hya ugach afwa udvun thevlyat bagha.
VANSHIKA
Toh tum keh rahi ho, yaha bhoot
vagera nahi hai?
SAKHEE
Aisa kuch nahi hai. Itha gaavat ek 7-
8 lokanchi toli aahe.. te hya
saglyachya maaga hayt.
VANSHIKA
Ohhhh! Par kyu? Yeh sab kyu kar rahe
hai iske baare mein kuch pata hai
tumhe?
SAKHEE
Mahitye ki - Tumhala sangte -
MID
As Sakhee is talking to Vanshika, we hear footsteps of a few

people. About 7-8 people. They're scared and also chanting a
mantra.
Suddenly, Sakhee's attention diverts towards them and

Vanshika also looks at them.
Sakhee holds Vanshika and drags her aside in the bushes next
to the road.
SCENE 7 : INTERACTION WITH MYSTERIOUS PEOPLE
The men keep on approaching the CAMERA and on that road.
CLOSE
Vanshika and Sakhee looking at them through the bushes.
WIDE
The men walking with the mantra chants.
POV - THIRD PERSON
They walk past Sakhee and Vanshika who're in the bushes.

: The
In) of the end. 18.
MID - SAKHEE AND VANSHIKA
Sakhee and Vanshika are hiding in the bushes. Both of them

watch those people walk away from there. The light from
their mashaals also falls on Sakhee and Vanshika's faces.
CLOSE
Sakhee's scared. Vanshika notices her fear and gets worried

too.
WIDE
Those men walk away.
Sakhee peeks to see if they're gone and they come out of the
bushes.
SAKHEE
Yahi woh log hai tai jinke baare mein
main aapko bata rahi thi. Accha hua
in log ne hume dekha nahi.
CLOSE - SAKHEE
Sakhee looks at them but hides herself from the mashaals.
CLOSE - REACTION
Vanshika keeps looking at them. The mantras slowly fade out.
CUT TO:
SCENE 8 : INTRODUCTION TO SAKHEE'S HOUSE, BABA AND BHAJAN
EXT. ROAD - NEAR HOUSE - CONTINUOUS
FRONTAL FOLLOW
They're walking on the road. As they're moving forward we

hear a slightly faint BHAJAN sound kicking in. It's coming
from a distance.
SAKHEE
He bagha ... Itha palikda majhya
mamachi waadi hay. Mya roz jaate
phula khudayla ... Apan sakali jaauya
.. tumhala bi avdal titha -
Vanshika says nothing. We can see she's thinking about

something.

: The
In) of the end. 19.
Vanshika takes out a cigarette from her bag and a lighter.

She puts the cigarette in her mouth as she's speaking.
VANSHIKA
Hmmm. (Gives a half hearted smile)
Mujhe batao woh log jo the -
Vanshika triggers the lighter.
Suddenly, Sakhee gasps for breath. She gets scared. She

loses her mind. Vanshika immediately puts the lighter flame
out.
Looking at Sakhee, Vanshika gets scared too.
VANSHIKA (cont'd)
Arey kya hua?
SAKHEE
yeh rakh dijiye tai ... Yeh nahi
chalega .. Majhe ajoba ghari hayt ..
tyana nay chalnar he samda
VANSHIKA
Lekin - abhi hum bahar hai.
SAKHEE
Mala bhi traas hoto tyacha ... naka
laau te.
VANSHIKA
Thik hai.
Vanshika keeps the lighter back in the pocket and also the
cigarette. They continue walking.
CLOSE
Vanshika is trying to break the ice between her and Sakhee.

She asks
VANSHIKA (cont'd)
Aur kon rehta hai tumhare gharpe?
SAKHEE
Koni nay .. sirf main aur mere
dadaji.
VANSHIKA
Acchaa.
SAKHEE
Haan bhajnacha awaaz yetoy tumhala?

: The
In) of the end. 20.
VANSHIKA
Haan.
SAKHEE
Haa ajobanchach hay. Taalim kartayt
- kay te Riyaz riyaz suru hay
tyancha.
VANSHIKA
Wow. Accha hai. Tum kya karti ho?
By this time, Vanshika and Sakhee have reached the house

gate.
Sakhee is trying to open the gate. She hands the lantern to

Vanshika.
SAKHEE
He dharta ka tai.
Vanshika takes the lantern.
Sakhee opens the gate. Vanshika looks at the house.
VANSHIKA
(to herself) WOW!
SAKHEE
Ya na tai.
Sakhee is at the main door of the house. Vanshika keeps

looking at the house.
WIDE
House establishing shots.

POV - THIRD PERSON
CAMERA looks at Vanshika, looking from a third person POV

from the well. Vanshika approaches the main door. She clicks
a few pictures before entering the house.
CUT TO:
SCENE 9 : INTRODUCTION TO FIRST ELEMENT - DARKNESS

: The
In) of the end. 21.
INT. HOUSE - NIGHT
MID
Sakhee enters the house. Vanshika enters it following

Sakhee.
As soon as they enter, the BHAJAN stops and her ajoba starts
coughing.
PAN
The whole house has no electricity. Just a few (2-3) lamps

placed.
SAKHEE
Mya aale baba.
VANSHIKA
Light laga do na.
SAKHEE
Light nahiye tai.
VANSHIKA
Kyu?
SAKHEE
Te 7-8 lok tumhala bolli na ...
tyanni gaavtli vij kapliye .. aakhya
gaavat vij nahiye. Tumhala saangte
hyancha traas tar evdha vadhla hota
ki gaavtna lok nighun geli - aata
aamhi tar jau nahi shakat .. mhanun
amhi thamblo. Pan laay traas detayt
bagha.
VANSHIKA
Lekin yeh log aisa kar kyu rahe hai?
Kuch toh reason hoga.
As Vanshika asks this, Something falls on the upper floor.

Both, Vanshika and Sakhee abruptly look up.
Sakhee says -
SAKHEE
Thamba aale. Tumhi ek kaam kara tai,
itha ya.
Sakhee drags her to the room(VANSHIKA ROOM).
SAKHEE (cont'd)
Tumhi itha basa. Mya aale zara varna.

: The
In) of the end. 22.
SCENE 10 : VANSHIKA'S FIRST INCIDENT
INT. HOUSE - VANSHIKA'S ROOM - CONTINUOUS
MID
Vanshika sits there. She opens the window. Looks out and
sees there's a cyclone that's come outside. She turns back,
Looks around in the room. Opens her diary from the bag and
starts noting down stuff.
OS
Diary in which she's writing.
POV - THIRD PERSON
She's writing.
SLIDE
She's noting down everything that happened until now, in

bullet points.
Eerie music kicks in.
When the music peaks, Vanshika hears something fall outside.

A loud sound. A loud thump.
CLOSE
She looks at the window. Closely noticing if anything is

wrong.
MID - HISPEED
She walks towards the window.
POV - THIRD PERSON
Watching her approach the window.
MID
Suddenly, She is called from behind.
SAKHEE
Tai.
Vanshika gets scared. She gasps for breath.

: The
In) of the end. 23.
SAKHEE (cont'd)
Main khidki laga deti hu ... Baarish
ka paani andar aajayega.
Sakhee approaches Vanshika and she shuts the window.
POV - THIRD PERSON
Window is being shut. He sees it partially and again tries

to take a peek. By then, we see that the window is shut.
MID - INSIDE THE HOUSE
Sakhee looks at Vanshika and says -
SAKHEE (cont'd)
Tai .. main khane ka dekhti hu. 5
minute dijiye ... Aaiye.
Sakhee goess on. Vanshika gives a look to the window and

then follows Sakhee into darkness.
SCENE 11 : THE POV MAN TELLS IT TO THE MUKHIYA
EXT. ROAD - NEAR HOUSE
FOLLOW - GROUND - MID - WIDE
A man is seen running somewhere.
INT. DARK ROOM - CONTINUOUS - MONTAGE

He enters the dark room. Gasping for breath. He's run a lot.
He comes closer to the Mukhiya and tells it to everyone.
CLOSE
Everyone's reaction.
CLOSE
Mukhiya's reaction.
CUT TO:
SCENE 12 : DINNER SCENE - ASATYA

: The
In) of the end. 24.
INT. KITCHEN - NIGHT
CLOSE - TOP
Dal is being poured on the rice in a plate.
TWO SHOT
Vanshika is sitting and Sakhee is offering her food.
VANSHIKA
Bas bas bas.
SAKHEE
Lagla tar ghya ajun tai.
VANSHIKA
Haan.
They start eating.
VANSHIKA (cont'd)
Toh tum mujhe batane wali thi -
SAKHEE
Kya tai? (sharp)
VANSHIKA
Woh jo log hai .. woh yeh sab kyu kar
rahe hai?
CLOSE - SAKHEE
SAKHEE
Baat yeh hai ki yeh log bhooton ke
naam pe apne kale karam chhupa rahe
hai .. yaha gaon ke samandar mein ..
ek keemti khazana hai ... kehte hai
woh khazana itna hai ki agar kisi ke
haath laga toh uski 7 peedhiyan baith
ke khana kha sakti hai... aur yeh
khazana kaha hai yeh baat sirf unhe
pata hai ...
VANSHIKA
Wow! kaisa khazana? Aur yeh hai
kiska?
SAKHEE
Angrez jab bharat se unke desh laut
rahe the .. tab unki ek naav yahake
kuch logon ne duba di ... woh naav
dubb gayi ... uss naav pe jo bhi the
unme se koi zinda nahi bacha ...
(MORE)

: The
In) of the end. 25.
SAKHEE (cont'd)
Logo ne kaafi sadiyon tak uss dube
naav ko aur uss khazane ko dhudne ki
koshish ki .. Lekin kisi ke haath
kuch nahi aaya... Kuch saal pehle
kuch machvaron ko unke chaare mein ek
sone ki murti mili ... Aur yeh baat
inn logo ko pata chali .. inhone
saare machvaron ko khazana dhunde ke
kaam pe laga diya ... Woh murti ke
alawa aaj tak kisi ko koi khazana
nahi mila ... Lekin kahi machvare
apne aap se khazana dhundke chura na
le .. isiliye in logo ne gaon se unhe
hi bhaga diya.
Vanshika listens to it carefully.
VANSHIKA
Toh isiliye mujhe gaon mein koi nahi
dikha -
SAKHEE
Haan. Ani he tevdhach nay ... he lok
amhala bhi gaavatna haklyala
baghtayt.
VANSHIKA
Par unhe tumse kya takleef hai?
SAKHEE
Mujhse nahi .. aajoba se hai.
Vanshika is confused.
SAKHEE (cont'd)
Abhi gaon mein sirf ek hi aadmi bacha
hai jisko khazane ke baare mein pata
hai .. aur woh hai ajoba.
VANSHIKA
Dadaji ko kabhi chah nahi hui khazana
dhundne ki?
SAKHEE
Hui thi na ... Koshish ki thi ..
lekin ab nahi dhundh sakte woh.
VANSHIKA
Toh phir tumne kabhi unse khazane ke
baare mein pucha nahi?

: The
In) of the end. 26.
SAKHEE
Pucha na ... lekin itne log milke bhi
nahi dhund paaye toh main akeli kya
hi kar lungi. Waise toh jeena bhi inn
chaar dewaaron ke bheetar hi hai.
Itna khazana leke kya karungi?
Zindagi bhi kamaal hoti hai .. bade
ajeebogarib khel dikhati hai ...
FADE OUT -
DIALOGUE
SCENE 13 : DREAM SEQUENCE
WIDE - TOP ANGLE
Vanshika is barely seen with the lantern light. Sleeping on

the Cot or floor.
MID - CLOSE
Vanshika's reaction as she's looking upwards on the ceiling.

She gets up and walks near the window. Looks outside. There
is no rain or anything. Everything seems calm. She holds the
window. Tries to search for network. She gets the network.
She calls Prithvi.
He picks up.
Vanshika sits in the window talking to him.
PRITHVI
Hello.
VANSHIKA
Tumhe ek good news du?
PRITHVI
Abhi aur kya baaaki hai? Mujhpe chid
ke toh hogaya rahega tumhara?
VANSHIKA
Arey jaane do na Prithvi .. Maine
kaha tha na tumhe .. Mujhe yaha
aanepe zarur kuch milega ... Mil
gaya.
PRITHVI
Ohh

: The
In) of the end. 27.
VANSHIKA
Aur yeh book jab chapegi na, tab tum
dekhna, Bestseller banegi yeh. It's a
story like you've never heard before.
It's literally a scam going on here.
So much so that you can never
imagine.
PRITHVI
Wow! Tum itne confidently bol rahi ho
matlab zarur tumhare haath sona laga
hai -
OS - VANSHIKA
Suddenly, out of nowhere a MAN comes into the window and

holds vanshika's hand. It's the same man that we saw escape
the accident in the beginning.
He says -
MAN
Tu itha khazana lootayla aale na?
PRITHVI
(on phone) vanshika, vanshika can you
hear me?
Vanshika is scared. She drops the phone. She's screaming

Prithvi's name.
VANSHIKA
Prithvi save me! Prithvi bachao.
Prithvi. Please mujhe bachao.
MAN
Tula koni sangitla khazanya baddal?
VANSHIKA
Prithvi ... Prithvi.
SCENE 14 : VANSHIKA AND SAKHEE SEE 4 PEOPLE OUT
TOP ANGLE
She gets up.

: The
In) of the end. 28.
CLOSE
She's drenched with sweat. Breathing heavily. She looks at

the window. It's closed.
Out of fear and curiosity, she slowly gets up and approaches

the window and slowly opens the window a little.
Out of that gap, she sees 7-8 people outside standing with
mashaals and staring towards that house.
CLOSE
She realizes that these people are the same people she saw
with Sakhee when they were outside.
She immediately rushes and goes outside.
INT. HOUSE - LIVING ROOM - CONTINUOUS
Sakhee is sitting in the padwi and she's making a gajra.

Vanshika rushes towards her and says -
VANSHIKA
Sakhee .. Sakhee andar aao.
FOLLOW
Sakhee and Vanshika go inside. Vanshika points to the

window. Sakhee takes a look outside. She sees the people and
she panics a little.
CUT TO:
EXT. HOUSE - CONTINUOUS
POV
Those people are standing outside.
MID
The man who was in Vanshika's dream, tells the Mukhiya
MAN
Sangitla hota na sarkar .. Tya doghi
bi aat hayt.
CLOSE
Reaction - Mukhiya.

: The
In) of the end. 29.
CUT TO:
MID
Sakhee gets a little angry too and she shuts the window.
FOLLOW
Sakhee drags Vanshika in the living room as they walk

outside.
SAKHEE
Tumhala bolle na tai, tumhi navin
aalayt na tumchya jeevavar uthlet he
.. tumhi kay bi kalji karu naka. Ek
ek - ek kaam kara itha basa... Sakali
ti loka nighun jaatil. Ghabru naka
koni bi aat yenar nahi .. pan tumhi
baher jau naka.. tyancha haathat
koyta vagere hay .. baghitlayt na
tumhi .. Tumhi ithach thamba.
Vanshika sits in the chair.
FOLLOW
Sakhee closes all the doors and windows in the house and
comes back to where Vanshika was sitting. Sakhee is still
panicking.
Vanshika seems a little calm comparatively.

VANSHIKA
Sakhee, tum ek kaam karo .. Tum baith
jao. Main tumhare liye paani laati
hu.
FOLLOW
We follow Vanshika in the kitchen. She sees around to see if

there's anything. Her eyes fall on an earthen pot. She
approaches it. There is no glass around her except that
earthen glass. She takes the glass. Puts it in the pot.
There is a huge lightning outside.
The light causes the exposure of the symbol on the pot.
She takes out the glass and there is no water in it.

: The
In) of the end. 30.
She gets a little perplexed and then she sees Sakhee coming
in the kitchen. Sakhee witnesses everything. She comes
ccloser, takes the glass and puts it in the pot.
SAKHEE
Laaiye tai.. main nikalti hu.
Sakhee takes the same glass and puts it in the pot and water
comes from it.
Sakhee smiles at Vanshika.
Vanshika keeps oddly looking at Sakhee.
MID
Sakhee drinks water. Vanshika keeps looking at her.
SAKHEE (cont'd)
Tasa tai, tumhaas ek vicharu?
Vanshika nods.
SAKHEE (cont'd)
Tumhi magashi kay tari te Prithvi
prithvi kinchalat hotya? Mala
samjhnach kay jhala te -
VANSHIKA
Prithvi mera pati hai.
SAKHEE
Pati? Lagna jhalay tumcha?
VANSHIKA
Haan.
Activities till gajra seating.
SCENE 15 : SAKHEE AND VANSHIKA CONVERSATION OVER GAJRA.
INT. HOUSE - LIVING ROOM - LATER
CLOSE
Sakhee's face.
SAKHEE
Tumchyakda baghun vatat nahi tumcha
lagna jhala asal.
Bhajan sound starts to amplify.

: The
In) of the end. 31.
MID
Sakhee is making the gajra and Vanshika is sitting next to

her. Vanshika smiles at that comment and continues.
Suddenly, something takes their attention. They both look at

the door and open the window. Outside, they see a few people
leaving from there.
EXT. HOUSE - NIGHT
Mukhiya and a few people talk.
MUKHIYA
12 vajayla aalet. Apan nighuya.
Vachayche vel jhale.
MUKHIYA turns around, along with him 3-4 people leave.
OS
We see Sakhee and Vanshika peeping this from the window.
INT. HOUSE - LIVING ROOM - NIGHT
Sakhee closes the window and says to Vanshika -
SAKHEE
Aata kay te yet nahit .. Ajobanchya
bhajnane nighun geli ti dushta lok.
VANSHIKA
Matlab?
SAKHEE
Matlab maine aapko kaha tha na ...
gaon mein abhi sirf ajoba hai jisko
sab pata hai ... Un logo ke darr ke
baare mein bhi ... Aapko batati hu
.. (goes near her).. yeh log saiba se
darte hai.
VANSHIKA
Saiba kaun?
SAKHEE
Batati hu lekin ... kal subah. Abhi
bohot raat ho gayi hai. Abhi aap so
jaaiye.

: The
In) of the end. 32.
VANSHIKA
Actually, mujhe neend nahi aarahi.
Tum kab soogi?
SAKHEE
Mya kay evdhyat jhopat nahi .. Mala
he gajre pahat vhyachya aadhi
malaychet ... lay ushir jhalay bagha.
VANSHIKA
Tum yeh bechti ho?
SAKHEE
Nahi tai... Majhyasathich banavte mi.
Tumhala avdal shikayla?
VANSHIKA
Haan sure.
MONATGE : ON Sakhee's tune.
Sakhee gives her some flowers and starts making gajras. She
teaches her how to make it. Vanshika tries making them. Both
have a warm moment. BONDING MOMENT over gajras.
DISSOLVE TO:
SCENE 16 : PERSONAL CONVERSATIONS.
INT. HOUSE - VANSHIKA'S ROOM - LATER
TOP ANGLE
Sakhee is singing her song.

Vanshika is sleeping on the COT and below Sakhee is sitting
on the floor besides the COT. Sakhee is turning on a
lantern.
CLOSE
Sakhee's hand close ups as she tries to turn that lantern

on.
MID
She gets up and keeps the lantern on the table next to

Vanshika.
SAKHEE
Main bahar hi hu tai. Kuch lage toh
awaaz dijiye.

: The
In) of the end. 33.
VANSHIKA
Sakhee -
Vanshika nods.
Sakhee sits on the COT.
VANSHIKA (cont'd)
Sab kuch itna jaldi mein hua ki mujhe
tumhe thank you bolne ka mauka nahi
mila.
SAKHEE
Tyat kay evdha tai ..
VANSHIKA
(Smiles) Waisa gaand accha gaa leti
ho.
CLOSE - SAKHEE
VANSHIKA (cont'd)
Arey jo tum kabse gaa rahi thi.
SAKHEE
Woh ... Woh lori hai tai.
VANSHIKA
Tum itne der se lori gaaa rahi thi?
SAKHEE
Haan.. maine banayi hai.. Acchi hai
na?
VANSHIKA
Haan bilkul.
SAKHEE
Main mere bacchi ke liye gaati thi.
MID CLOSE - VANSHIKA
Her reaction to listening this. She immediately gets up and

sits on the COT. Her eyes widen as she asks Sakhee - ]
VANSHIKA
Tumhari bacchi?
SAKHEE
Haan.

: The
In) of the end. 34.
VANSHIKA
Toh woh kaha hai abhi? Aur Tumhari
shaadi hui hai toh yaha kya kar rahi
ho tum?
SAKHEE
Yaha matlab?
VANSHIKA
Tumhare dadaji ke ghar.
SAKHEE
Chhodiye na tai.
VANSHIKA
Sakhee batao.
Vanshika extends her arm and keeps it on Sakhee's hand and

nods to make sure that it's safe to tell her.
CLOSEUP
Sakhee's closeup.
FADE TO:
SCENE 17 : FLASHBACK OF SAKHEE
INT. SAKHEE'S HUSBAND'S HOUSE - DAY
MUSIC
CLOSE UP
Sakhee kicks the MAAP.
CUT TO:
MID
Sakhee and Rajan are taking a stroll and Rajan puts a gajra
on her head.
CUT TO:
WIDE
Sakhee gets pregnant. Rajan taking care of Sakhee.
CUT TO:

: The
In) of the end. 35.
SAKHEE (VO)
Pata nahi unhone aisa kya jaadu kar
diya mere pati pe ki meri bacchi ko
hi mujhse usne cheen liya. Woh baba
ne inko yeh kaha ki agar yeh LADKI ki
bali denge toh hi agla ladka hoga.
Pata nahi unhone mere bacchi ke saath
kya kiya. Woh zinda hai ya kaha hai
kuch pata nahi.
VANSHIKA (VO)
Tumne police complaint kyu nahi ki?
SAKHEE (VO)
Yeh gaon hai tai. Yaha police station
sirf naam ke hote hai. Uske baad
maine jaise taise khud ko sambhal
liya lekin kuch mahino baad main
waapas pet se rahi ... 9 mahine
unhone mera bohot khayal rakha...
Phool ki tarah rakha kyuki unhe abhi
meri kokh mein unka faida dikh raha
tha ... Unke parivar ka waaris.
VANSHIKA
Phir woh - ?
SAKHEE
Mujhe waapas ladki hui... Sab itne
niraash the ki unhe vishwas nahi ho
raha tha ... Phir unhone mujhe aur
mera bacchi ko waapas dur kar diya ..
mujhe maar maar ke yaha leke aaye.
WIDE
Sakhee is playing with the baby at their home. RAJAN is
standing on the door of the house, tensed. His mother and
father are standing there angrily.
CUT TO:
CLOSE - HYPERSPEED
Sakhee's mother in law snatches the kid from Sakhee's hand.
Sakhee pleading to her.
RAJAN then takes his mother outside.
RAJAN's father slaps Sakhee and asks her to sit inside and
locks the door.
CUT TO:

: The
In) of the end. 36.
CLOSE - HYPERSPEED
MUSIC + SFX - Sakhee's crying is juxtaposed with Baby's

crying.
Sakhee is crying. Pleading to them. Screaming. But there is

no one in the house.
CUT TO:
EXT. A DUG UP PLACE IN THE VILLAGE - CONTINUOUS
WIDE - HYPERSPEED
Rajan puts the baby inside the dig.
The sound of the baby crying intensifies.
CUT TO:
They walk away from there.
CUT TO:
INT. SAKHEE'S HUSBAND'S HOUSE - DAY
MID
Sakhee is making food. She has dark circles and she looks
drained out.
CUT TO:
MID
Rajan's mother and his father both take care of Sakhee and
so does her husband.
Rajan taking care of Sakhee. Putting gajra in her hair.

Kissing her on the forehead.
CUT TO:
MID
Rajan comes home and sits outside. He's devastated. He then

walks in, we see Sakhee playing with her second child.
Rajan's mother comes out of the room. She looks at Rajan and
looks at the baby and Sakhee.
Rajan's father comes out by then. He's watching all this.

: The
In) of the end. 37.
Sakhee goes closer to Rajan.
SAKHEE
Kay jhala? Asa ka baghtayt sagle?
Rajan immediately slaps her.
Sakhee falls.
CLOSE
RAJAN
Ek porga magitla hota tujhyakde
phakta...
WIDE - HYPERSPEED
Sakhee tries to run but Rajan keeps hitting her. Bangs her
head on the wall. Pushes her.
Ties a scarf around her neck and starts dragging her out.
CUT TO:
EXT. HOUSE - LATER
WIDE
Rajan drags her to the house.
CLOSE
Sakhee is bruised badly. Her lips are bleeding. She has an

injury on the head and her clothes are halfway torn.
Rajan is followed by a few people from the village.
SAKHEE
Baba ... baba. (with her drained out
energy)
MID
Sakhee's father opens the door to this horrific site.
He looks at his daughter and his son-in-law, he starts

crying.
SLIDE FOLLOW
He runs towards his daughter and holds her head pleading for
help.

: The
In) of the end. 38.
SAKHEE'S FATHER
Maru naka tila .. tumchya paaya
padto.
Sakhee's father is on his son-in-laws feet.
RAJAN
Pathavtana pan rikamya haathi
pathavlas na hila ... Ek porga
magitla hota phakta toh pan deta nahi
yet ... aakhya gaavat majhi nalasti..
SAKHEE'S FATHER
(to Sakhee's mother
in law)
Tai tumhi samjhava na hyanna.
MOTHER
Kay samjhavaycha? Chukicha kay boltoy
toh? Amhi lokanna tond kasa dakhavnar
... Ek vanshacha diva zar deta yet
nasel tar amhi kashala hila posu?
Nusta natta thatta karayla pahije ..
gajre lavayla pahijet... Aata tech
karat bas.
Rajan kicks Sakhee.
RAJAN
Rastyat loka mala boltat te baghun
tula maja yete na? Mhanun hila
bandhlas na majhya galyat?
Rajan again hits Sakhee.
Sakhee's father tries to shield her.

Rajan finally kicks him for the last time and they all walk
away.
Sakhee's father tries walking her up. She's bleeding from

down there, head and even some cuts on her body.
Her father cries.
FADE OUT:
SCENE 18 : VANSHIKA PERSONAL LIFE

: The
In) of the end. 39.
INT. HOUSE - VANSHIKA'S ROOM - NIGHT
CLOSE - SAKHEE
Sakhee is shedding some tears.
Vanshika is sitting right in front of her. She gets up and

hugs her.
VANSHIKA
I am sorry sakhee...Main samajh sakti
hu tumpe kya beet rahi hogi ...
SAKHEE
Aap nahi samjha sakogi tai. Ek maa ke
dard ko sirf ek maa hi samjh sakti
hai...
VANSHIKA
Mai samjh sakti hun... (She touches
her stomach)
Sakhee looks at her hand and wipes all the tears and
immediately turns her expression from sad to excited.
SAKHEE
Sach mein? Arey tai aapne pehle kyu
nahi bataya. Aap ek kaam kjjiye aaap
let jaaiye. Rukiye main acha wala
takiya deti hu -
VANSHIKA
Sakhee, It's okay.
SAKHEE
Arey nahi tai aap so jaaiye..
Sakhee tucks Vanshika in the bed and says -
SAKHEE (cont'd)
Tai, mya aale.
Sakhee goes near the door and opens it.
MATCH CUT TO:
SCENE 19 : DARK ROOM - PROCESS
INT. DARK ROOM - NIGHT
Door opens and those people come and stand in front of the
FEMALE MUKHIYA.

: The
In) of the end. 40.
MUKHIYA
Tya doghi aat hayt. 12 vajayla aalet
... vel faar kami hay..kay karaycha?
FEMALE MUKHIYA gets up from her chair and walks towards that
Asur murti and a book is kept in front of that Murti. It is
a half book.
FEMALE MUKHIYA
Kay karaychay? Tyacha banaychay tari
tyala pujavva laagtay ani
tyachyapasna vachaychay tari bi tyala
pujavach lagta...
TOP ANGLE - MID
WE SEE THE COVER OF THE BOOK.. "ASURAHA SHASTRA". THE

Mukhiya opens the book and a lightning strikes outside.
We see the first page on which there is a sketch of fight

between the gods and the demons. There is a mantra on the
first page. The female mukhiya reads it out loud and
everyone starts chanting behind her.
TOP ANGLE - MID
She turns the page and we see the sketch of the DEFEATED
DEMON who is sent back into waters. Gods rule the world now.
And another mantra is written on the second page the MUKHIYA
reads it out loud and everyone starts chanting behind her.
FADE OUT
SCENE 20 : VANSHIKA AND SAKHEE LATER CONVERSATION
INT. HOUSE - VANSHIKA'S ROOM - LATER
Vanshika is on the COT. She's laying down and discussing her

personal life with Sakhee.
VANSHIKA
Mujhe pregnancy se koi takleef nahi
hai ... bas iss wajah se mera career
affect kar raha hai... Isiliye mujhe
itne jaldi baccha nahi chahiye tha.
CLOSE - SAKHEE
SAKHEE
(hesitates) Jab yeh baccha aajayega
na .. tab aapke zindagi mein bohot
khushi laayega.
(MORE)

: The
In) of the end. 41.
SAKHEE (cont'd)
Sab kuch accha ho jaayega tai. Abhi
aap so jaaiye... Waise Ek baat puchu
tai?
VANSHIKA
Haan.
SAKHEE
Main aapke aur aapke bacche ke liye
meri lori gaau?
Vanshika hesitates a little and then says -
VANSHIKA
Haan sure.
MID - BED - FRONTAL - CHARGE
Vanshika sleeps and Sakhee sits next to her. She taps on her
head and starts singing lori.
THE FRAME CHARGES On vanshika's face.
After a point, The frame becomes CLOSEUP and Sakhee's hand

gets vanished from the frame.
As the frame is getting charged, Sakhee's tune slowly fades

out as if it's going in the distance.
EXTREME CLOSE UP - VANSHIKA
The tune now sounds very distant and Suddenly Sakhee's hand
again comes in the frame and pats vanshika's head.
Vanshika gets scared and she gets up.

SAKHEE
Kay jhala tai?
VANSHIKA
Tum abhi bahar gayi thi na?
SAKHEE
Nahi tai.. main yahi thi. Aap so
jaaiye.
CLOSE
Vanshika's reaction. She's scared.
CUT TO:

: The
In) of the end. 42.
SCENE 21 : 12 AM ACTIVITIES
INT. DARK ROOM - LATER
TOP ANGLE
We see the book's last page on which there is a diagram of

process of 3 A.M. activities is shown. They are also
chanting the mantra written on that page.
CLOSE
After the mantra, mukhiya closes the book and ask those
people to follow the process.
FEMALE MUKHIYA
Kahihi zal tari bi. Tya porila ghara
bahetr padun deu naka. tumhi pudhe
vha. Me yete.
As she says this, she handsover the book to male mukhiya. He

takes it, bows before her, he looks at those men and asks
them to follow him.
MUKHIYA
Chala.
CUT TO:
SCENE 22 : INTRODUCTION TO FOURTH ELEMENT (DEATH)
INT. HOUSE - VANSHIKA'S ROOM - NIGHT

CLOSE
Vanshika opens her eyes. She gets up, sits on the cot. The
room is completely dark. She is looking around for sakhee.
Sakhee is no where in that room. She is feeling suffocated.
She gets up and opens the window. There is nobody outside.
She feels relaxed as she is about to turn, somebody falls
from the first floor outside and Vanshika turns around to
see what happened. She sees that there is no one outside.
And it's just raining. She approaches the window and tries
to look outside to see what was that sound about.
She takes a nice look and she then turns back.
Suddenly, she stops and again turns towards the window and
she sees that there is someone standing near the well. From
his attire he seems to be an old man around 65-70 years old.

: The
In) of the end. 43.
He's wearing white sadra and white lenga. He's completely

drenched.
He gets up on the well barricade and stands there.
CLOSE
Vanshika's reaction.
MID
That man is now standing on the well and he turns around to

look at Vanshika and he smiles.
CLOSE
Vanshika is stunned and blank. She can't process what's

happening around her.
MID
Out of nowhere, that man suddenly jumps in the well and we

hear a lightning.
CLOSE
Vanshika gets scared. She gasps for breath. She turns around
and starts running in search of Sakhee.
VANSHIKA
Sakhee ... Sakhheeee.
She comes in the living room.

There is no response from anyone in the house. Vanshika
gets more scared. She takes a lantern in the hand and walks
across the living room to find her.
CUT TO:
SCENE 23 : PROCESS OF 12 AM - OUTSIDE PEOPLE
LOW ANGLE
4 - 5 people enter the frame. They all stand in a circle.

: The
In) of the end. 44.
CLOSE
A man touches his mashaal to the ground and it catches fire

in a circle and it forms a symbol.
TOP ANGLE
The symbol can be seen.
MUSIC KICKS IN
MID
They start chanting the mantra.
CUT TO:
SCENE 24 : INSIDE THE HOUSE
Vanshika is searching for Sakhee with the lantern in her

hand.
She comes closer to a wall and looks at a painting. She gets

scared.
Gasps for breath.
Exactly at that moment, THE BHAJAN starts from upstairs.

Everyone stops chanting the mantra and they look at the
house. THE MUKHIYA asks them to speed up the process.
The start chanting the mantra even faster and louder.
Vanshika takes the lantern and walks upstairs. She climbs

the stairs one by one. As she reaches the penultimate step.
THE BHAJAN stops.
INT. UPPER ROOM - CONTINUOUS
She enters the upper room. And finds no one there. In the
middle of the room she sees a book kept on the vyaspith.

: The
In) of the end. 45.
She approaches the book. The book is lit because of the

lantern kept next to it.
TOP ANGLE
WE read the title of the book "ASURAH SHASTRA".
And she starts flipping pages over. As she flips a page,

thundering strikes.
MONATAGE : She reads the pages. (ASATYA, DUKHHA, DEATH,

DARKNESS)
SCENE 25 : MONTAGES
INT. DARK ROOM - CONTINUOUS
FEMALE MUKHIYA tells her peers about this whole PISHACHYA

scene.
FEMALE MUKHIYA
He je aasurik lok aahet te 4
tatvanvar jagtat ... Pahila Andhar ..
INT. HOUSE - UPPER ROOM - CONTINUOUS
(Sakhee and Vanshika's conversation about DARKNESS in the

house, Vanshika recalls.)
FEMALE MUKHIYA
Dusra Astya.
(Vanshika recalls her conversation with Sakhee about SHIP

sinking.)
FEMALE MUKHIYA
Teesra Dukhha.
(Vanshika recalls her conversation with Sakhee about her

child.)
CUT TO:
SCENE 26 : UPPER ROOM - SAKHEE DRAGS VANSHIKA OUT

: The
In) of the end. 46.
CLOSE
Vanshika's reaction to all of this. Sakhee comes from

behind.
SAKHEE
Tai aap yaha kya kar rahi hai? Maine
mana kiya tha na aapko yaha aanese.
VANSHIKA
Main bas .. actually tum kahi dikhi
nahi isiliye main upar aagayi.
tumahre dadaji kaha hai?
SAKHEE
Dadaji toh niche hai tai.
VANSHIKA
Kya?
SAKHEE
Haan. Aaiye.
Vanshika hesitates.
SAKHEE (cont'd)
Aaiye.
Vanshika follows Sakhee downstairs.
WIDE
The door of that room is open. There is a fog like white
smoke coming out of it and there is a little light in the
room. Stench is coming from that room.
Sakhee approaches the door.
SAKHEE
Aaiye na.
FRONTAL FOLLOW - VANSHIKA
Vanshika walks towards the door and we see her reaction. She
blankly looks at something. Suddenly, tears start coming
from her eyes. She gasps for breath.

: The
In) of the end. 47.
POV - PAN
Vanshika looks at a MURTI. It's an ancient murti of ASUR.
We tilt the camera down to see AJOBA's swollen up and rotten

body.
Vanshika tries to scream. She just cries. She can't say

anything. The body is covered with flowers Sakhee got from
the tokree.
SAKHEE (cont'd)
Bagha kiti shant jhoplet.
Vanshiks tries to run away from there but Sakhee is in the

door.
SAKHEE (cont'd)
Bolle hote na mi tai .. ajoba khali
hayt. mag kashapai tumhi var gelat.
Tumhi majha aikatch nahi tai.
VANSHIKA
Kaun ho tum? Tum yeh mere saath kya
kar rahi ho?
SAKHEE
Arra ... aata evdha vel tumhala
majhya aayushatla sagala sangitla
aani tumhi aata vichartay vhay.
VANSHIKA
Main hi kyu?
SAKHEE
Maine nahi chuna aapko .. Saiba ne
chuna hai .. aap khud chalke aayi thi
mere paas.
VANSHIKA
Mujhe yahase jaana hai. Mujhe jaane
do. (Screams)
SAKHEE
Ayeeeee! Ordu nakos.. Kuthe nahi jaau
denar mi tula. (screams)
VANSHIKA
Main jaake rahungi -
Sakhee comes closer to her and slaps her hard. Vanshika

screams and falls on the ground, unconscious.

: The
In) of the end. 48.
Those people hear Vanshika's scream and they stop their

process. Look at the house. Look at each other.
MAN
Suru jhalay hyancha.
MUKHIYA
Shevatcha ek taas urlay aaplyakda...
lavkar kara.
Vanshika gets scared and she slowly and slowly faints on the
ground.
SCENE 27 : SAKHEE'S PROCESS
CLOSE / MID SHOTS - MONTAGES
BHAJAN STARTS - Music in the background: song - ,saayba

paave (without fast track)
Sakhee opens a box. Takes out a Saree. Looks at herself in

the mirror. Puts on the gajra. Keeps her head on Ajoba's
corpse's chest and laughs. She then worships the MURTI.
Laughs maniacally. Takes out the knife. CUTS her hand and
puts blood on the ASURA'S IDOL (MURTI) and gets up near
Vanshika and sits besides her looks at her in a very fond
and ecstatic way. As she proceeds to tell Vanshika about
the ASUR she puts blood on her face.
SAKHEE
Aaj majha saayba lai khush hoil bgh
tai. Aaj majhya saaybachi takad
vadhel na. Lavkarch tu ani tujh baal
amchya kutumbat yaal. Me khup kush
ahe tai. Aaj mala mothi bahin milel.
Mag apan doghi milun aapla kutumb
vadhvu. Mag me tula saayba la
bhetvin. Saaybach roop baghun tu
bharavun jashil. Me jevha pahilyanda
baghitla hota na saayba la. Baghatch
basle. Tyach roop. Tyachi shakti. Me
vaat baghtey. Jevha majha saayba tya
nishthoor devan var maat karun aapla
swatahcha samrajya ubha karel.

: The
In) of the end. 49.
She then takes Vanshika's hand and cuts it, takes it closer
to her nose. Sniffs it. And puts it all over her own face.
She smiles.
In that moment, something catches her attention near the

window. A strong warm light enters the house.
Sakhee gets up and rushes near the window and opens the
window.
She sees that there is a fire being put around the house in
a circle.
DRONE
Fire surrounding the house.
MID
Sakhee gets scared.
SAKHEE (cont'd)
Aye kutryanno. Majhya vatet yaycha
nahi ha ... nighun jaaycha ithna.
MUKHIYA
Jato. Tya mulila sodun de.
SAKHEE
(smiles) Khup vaat baghitli aahe mi
hya divsachi. Ani tu boltoys sodun
deu hila?
MUKHIYA
Tila maarun tula kay bhetnar?
SAKHEE
Marnar nahi tila. Ek navin ayushya
denar aahe.
MUKHIYA
Tujhya asurala saang kitihi pryatna
kele tari amchya deva samor kahi
chalnar nahi tyach.
SAKHEE
Naav nako gheu majhya saibacha. Tujhi
layki nahi. Konachi ch nahi. Tujhya
devachi bi nai.
MUKHIYA
Sodun de tila. Tujhya saibacha jeevan
amhi deun aalo tujhya saibala.

: The
In) of the end. 50.
SAKHEE
(smile) Baghitli majhya saibachi
bhiti. Asech ghabrun raha tumhi. Hich
tumchi laayki.
MUKHIYA
Ek nishpaap jiv gheun kay bhetnar hay
tula ani tujhya saibala.
SAKHEE
Hya nishpaap jeevanich tar majhya
saibachi takad vadhtey.
MUKHIYA
Shevatcha sangtoy tila sodun de .. Ti
pahuni hay hya gaavchi. Tujhya
saibacha jevan bhi deun aaloy amhi.
SAKHEE
Arr... hya gaavatlya lokanmadhe ti
baat nahiye ji hya mulimadhe hay...
Kiti divas amhi hya gaavat adkun
rahaycha .. Hya mulila maarun amhi
amcha kutumb ...
Suddenly, Vanshika hits Sakhee on her head with a lantern.
Sakhee falls down on the ground. Vanshika tries to move out

of the house. But the door doesn't open. She smacks hard at
the door. She suddenly realizes something and she goes up
running.
She reaches on the top floor and she realizes she was right.
There is a door open but it leads out to the roof. Vanshika
goes running to the door and as she stands in the door, she
sees those men standing outside.
OS
All of them look at Vanshika.
Vanshika is on the roof. As she's about to come down. The

MUKHIYA screams.
MUKHIYA
Thamb pori. Tithna udi nako maaru.
VANSHIKA
Mujhe please jaane dijiye .. Main
kisiko kuch nahi karungi.

: The
In) of the end. 51.
Vanshika is searching for a spot to jump off from.
MUKHIYA
Pori thamb. Tya gharachya baher
aalis tar anarth hoil.
HI SPEED
Before Vanshika could say anything, Vanshika jumps off from

the roof. She lands feet first on the ground but her leg
gets hurt.
Everything becomes calm for a moment.
She somehow manages to get up and she dusts herself off and
starts walking towards them.
MUKHIYA (cont'd)
Pudhe yeu naka. Nahitar amhala tula
marava laagel.
VANSHIKA
Mujhe please bach lo. Woh mujhe aur
mere baache ko maar daalegi... please
bacha lo.
MUKHIYA
Tu pudha aalis tar amhala tula
marava laagal.
VANSHIKA
Main aapke haath jodti hu mujhe bacha
lo. Please. (she starts crying)
MUKHIYA
Tu angnachya baher aalis tar tila
koni bi nahi maaru shaknar. Tila
phakta tuch maaru shaktes... Ti kriya
tulach karavi lagnar aahe sashtra
vachun.
The man alongside MUKHIYA notices that Vanshika's hand is

cut.
MAN
Ticha haath bagha.
MUKHIYA looks at her hand and then looks at him.
MAN (cont'd)
Hila marava laagal.

: The
In) of the end. 52.
Mukhiya seems helpless but he nods at that man to proceed.

The man takes out the knife and walks towards Vanshika. As
that man enters the house premise, he faints and falls.
Everyone keep looking at him and then out of nowhere,

SAKHEE's scream can be heard coming from inside the house.
CUT TO:
SCENE 28 : CLIMAX
Everyone look at the house. Door opens.
Sakhee comes out of the house. Stands there and sits down in
the verandah, looks at Vanshika, looks at those people, then
glances at that man who's fallen down and she says -
SAKHEE
Baghitlas tai. Maine kaha tha na
aapko ... yeh log aapke jaan ke
peeche hai. Mujhe toh bas aapke praan
chahiye.
MUKHIYA
Pori ticha kahi aiku nakos. Tula nahi
mahiti hya lokanbaddal kahi.
SAKHEE
Aye kutrya.. pathavlatas na aata tila
marayla aata kay jhala? Dekha aapne
inka dogala pan. Main keh rahi hu
aapse... Yeh seema jaise hi aap paar
karengi yeh log aapko maar daalenge.
MUKHIYA
Asurala pujnari loka hayt hi. Ticha
kay bi aiku nakos. Tujha kaplela
haath baghun amhala vatla tu suddha
sankramitha jhaliyes ... Mhanun
amhala vatla ki paryay nahiye.
SAKHEE
Ho kelay na mi sankramit... jaa aata
gheun.
MAN
Apan hichyavar ishwas nahi theu
shakat ... hini zar sankramit kela
asta tar evdha thambvun thevla nasta
hya porila.

: The
In) of the end. 53.
SAKHEE
Hushar hays. Kalla tar tula. Pan tu
advu nahi shaknar. Tai, andar aajao
hume apna karya pura karna hai.
Bharosa rakho, aapko takleef nahi
hogi .. maine kaha na.. aap ek baar
saiba ko dekh to lijiye ... aapka
vishwas baith jaayega ... Saiba ke
wajah se main aaj zinda hu ... Aapne
andar dadaji ko dekha na .. mere
saiba ne maut ke baad bhi unko zinda
rakha hai ... Lekin woh marte hi nahi
agar unka vishwas pehle se saiba pe
hota ... Bhagwan ko poojte the ... in
logo ki tarah ... Kya diya bhagwan
ne? Dukh. Maut. Jhoot aur yeh
andhera. Toh bas ab isi mein rehna
hai .. yeh humare saiba ki taakad
hai.
VANSHIKA
(crying)Bhaad mein jaao tum aur
tumhara saiba -
Sakhee comes running towards her and grabs her by the neck.
SAKHEE
Majhya saiba la kay bi bolaycha nahi
.. Laayki hay ka tujhi? Tu ashi nahi
aiknar. Chal.
She drags vanshika by her leg inside the house. While she's
coming inside, People standing outside the premise start
throwing rocks on Sakhee. Sakhee is unaffected.
Sakhee drags her inside and shuts the door.

SAKHEE (cont'd)
Aata kutha palnar?
Sakhee makes her sit in the living room.
CLOSE - VANSHIKA
VANSHIKA
Main tumhari baat manungi lekin meri
ek shart hai..
SAKHEE
Ara waah ... Evdhya lavkar
parivartan.. Bol kay at hay.

: The
In) of the end. 54.
VANSHIKA
Main tumhe jo chahiye woh dungi lekin
tum sirf mere bacche ko kuch mat
karna.
CLOSE - SAKHEE
Sakhee looks at her angrily and then laughs out loud.
SAKHEE
Tyachi nako ga bai kalji karu tu.
Sagla thik hoil. Ishwas thev. Aata
shanya balasarkhi ithaa basun raha
... palnyacha prayatna karu nakos
nahitar lay mahagat padal .. Kay?
Sakhee gets up and walks in the room where Saiba's Murti is

kept.
Vanshika looks at her go and suddenly rushes upstairs.
She goes towards the Asura shastra book and starts flipping
pages manually. As she reaches the last page we see a
graphic that states "In order to kill Aasurik people, She
will have to put on fire."
Suddenly, she hears Sakhee from behind.
SAKHEE (cont'd)
Tai. Maine kaha tha na bhagiye mat.
Vanshika turns around, looks at her.
Gets scared and she lifts the Asura shastra book and tears
the last page off.
Sakhee screams loudly.
People react to the scream.
Vanshika takes the lighter from her pocket and burns that
page and throws it on Sakhee.
Sakhee gets extremely scared and she calls out her AJOBA and
as she screams his name, Sakhee falls unconscious.
SAKHEE
Ajobaaaaaaaaa.

: The
In) of the end. 55.
Vanshika takes the lantern and smashes it on the floor and

tries to run away from there.
She gets down. She screams in pain because her leg is

already troubled.
Just then a gust of wind blows and Everyone's attention goes

towards the well.
CLOSE - WELL
A hand comes in the frame from inside the well.
Then another hand and soon Ajoba emerges from inside the
well.
Everyone gets scared.
The tension on MUKHIYA's face can be clearly seen. He

immediately asks his men to again light up that circle
around the house.
Vanshika hastily tries to approach the men. Suddenly, a man

lights up the premise.
Vanshika is again, stuck in the middle.
CLOSE - AJOBA
AJOBA
Nako jaus Mau. Mala sodun nako jaus.
Vanshika looks at him.
MUKHIYA
Baher ye pori. Ithna baher ye.
As MUKHIYA says that, every person along with him start to
look at him in a confused way.
MUKHIYA (cont'd)
Ye ithna.
Vanshika starts to rush towards them.
HI - SPEED SHOTS
Vanshika approaching the line / the fire.
Ajoba approaching Vanshika trying to catch her.
People waiting outside the line.
MUSIC PEAKS

: The
In) of the end. 56.
In a moment, Somehow, Vanshika comes out of the fire and

Ajoba's hand gets burnt in it.
She falls down as she comes out.
People surround her and pour water on her.
Ajoba screams loudly as his soul burns.
CLOSE - VANSHIKA
Vanshika's face lit up with the light coming from the house
fire and this circle of fire.
CUT TO:
SCENE 29 : DARK ROOM - VANSHIKA TEST
INT. DARK ROOM - CONTINUOUS
Vanshika is sitting in a chair. She has a mark on her head.

She's sitting in front of the MURTI and THE FEMALE MUKHIYA.
The female mukhiya gestures Vanshika to follow her.
FEMALE MUKHIYA
(to her people) Jar hya ghadyatna
paani aala tar hya porila maarun
takava laagel.
CLOSE - VANSHIKA
Vanshika gets scared.

Female Mukhiya asks her to put the glass in the Matka. The
Matka has a symbol on it.
CLOSE
Vanshika puts her hand inside the matka. She looks at the
FEMALE MUKHIYA and takes the glass out and turns it upside
down. There is no water.
Vanshika feels relaxed.
The MALE MUKHIYA seems relaxed.
FEMALE MUKHIYA (cont'd)

Jaa pori .. hya gaavatna nighun jaa
.. Ani parat kadhi hya gaavi yeu
nakos.

: The
In) of the end. 57.
FADE TO BLACK
SCENE 30 : GRANDMOTHER AND HER GRANDCHILDRENS ENDING SCENE
INT. GRANDMOTHER HOUSE - NIGHT
GRAND MOTHER
Aur iss tarah woh ladki apne shehar
waapas chali gayi ...
FADE IN:
FOCUS SHIFT
A grandmother is sitting on a sofa. Her two grandchildren

are fast asleep by now. She slowly keeps the heads of the
children down as she gets up and walks towards the MATKA. It
has a symbol on it.
She takes the glass and puts in the matka. Drinks water.
Starts humming her song and looks at the children and walks
out of the frame.
MUSIC CONTINUES - CREDIT ROLL.
THE END.

59/59
CERTIFICATE OF REGISTRATION
This is to certify that I have registered this creation and as a proof thereof is placed below my digital signature and seal of the Association with
relevant details in the QR code.
ZAMAN HABIB
Hon. General Secretary
SWA
Author:
Siddhesh Santosh Shinde
SWA Membership Number:
52363 (Digitally Signed)
Type of Creation:
Screenplay
Title of Creation:
Asurahakula : The beginning of the end.
Date and Time
Friday 2021-07-09 22:32:12
Transaction ID:
1625850002-1930665263
Reference Number
110209155311
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(Printed withScreenplay-Asurahakula 1/59

Asurahakula : The beginning of the end.

Copyright (c) 2021

Registered@www.swaindia.org ©Siddhesh Santosh Shinde

SCENE 1 : GRANDMOTHER TELLING STORY TO HER GRANDCHILDREN

The starting credits are rolling and we hear a conversation.

Registered@www.swaindia.org ©Siddhesh Santosh Shinde

SCENE 1 A : ASURASHASTRA PAGE READING

SCENE 2 : WHO ARE THEY? - DARK ROOM

INT. DARK ROOM - NIGHT

PULL BACK SHOT UP-TO FULL SHOT

A sign/symbol is seen in the frame. CAMERA pulls back slowly

A hand enters the frame and picks up an earthen glass kept

The woman smiles. (A 40 year old rural woman)

All of them, stand one by one in front of a man who's

The man is a drunkard. With so much drinking, he's only lost

Registered@www.swaindia.org ©Siddhesh Santosh Shinde

The drunkard keeps talking to himself.

As he's uttering those words he picks up a chicken piece

The 7 people who were standing there, all look at the

Mukhiya gestures with her eyes to one of them.

He nods and takes out a Khanjir which is tied around his

He walks past the drunkard and approaches a Murti and stands

He looks at the Murti, cuts his palm. The blood starts

SCENE 3 : PRITHVI AND VANSHIKA FIGHT

INT. PRITHVI HOUSE - NIGHT

Prithvi is praying to god, near the temple.

Vanshika is irritated by the ghanti. Few moments later, the

Vanshika's reaction of relief.

Registered@www.swaindia.org ©Siddhesh Santosh Shinde

Prithvi walks towards her with a sweet as Prasad. Gives it

Vanshika takes it and ignores him. Gets up and walks in her

Prithvi follows her.

The diya in the temple, goes out. Prithvi looks at it.

He puts on the diya.

Lights up a cigarette. Prithvi takes it out from her mouth.

Registered@www.swaindia.org ©Siddhesh Santosh Shinde

Vanshika gets angry and leaves for the bedroom.

Vanshika doesn't respond.

He pours her a glass of water.

Vanshika keeps the water glass on the table.

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Vanshika gets irritated and opens her closet to take out

Prithvi is frustrated by this point and he lashes out.

His hand hits the water glass and it spills on Vanshika's

Vanshika grows furious.

Vanshika looks at him angrily and he gets the mop.

SCENE 3A : VANSHIKA AND PRITHVI PREGNANCY MUDDA

INT. VANSHIKA'S HOUSE - LATER

Vanshika and Prithvi are having dinner. On the dining table.

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Vanshika doesn't react.

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Vanshika goes in her room and locks herself in.

SCENE 3B : CAR SCENE

INT. CAR - EVENING

Vanshika is annoyed. She hangs up and starts driving ahead.

Vanshika is driving and again, her phone rings.

Vanshika says nothing.

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Vanshika hangs up.

SCENE 4 : MYSTERIOUS BEACH EVENT

EXT. ROAD - LATE EVENING

WIDE - OF THE BOARD