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 1. “We need house as we need clothes, architecture stimulates fashion. It’s like hunger
and thirst- you need them both” Karl Lagerfeld. Discuss this statement from your
point of view. Use more than five (05) examples with suitable imagers to prove your
ideas.

Fashion and architecture are two aesthetically driven products expression which facilitate
impermanent social and physical. These two fields are interrelated through their visual Surfaces
and tactile natures, their sensitivity towards the human body, and most dominating role of
surface perception and creation. Fashion manipulates the surfaces of our bodies by creating
illusions through layering fabric, strategically revealing and concealing. Architecture employs
various materials to generate spaces which multiple bodies inhabit through identifying their
surfaces and subsequent forms.

Both fashion design and architecture have long been used to express ideas of personal, social
and cultural identity. However, in recent years practitioners in both disciplines have moved
beyond the idea of merely signifying value, status and belonging, to express more complex and
provocative issues surrounding notions of identity.

There are some examples that can discuss this statement.

 Roman arts and architecture parallels the history of Roman dress. They inherited their
style from the Greeks, The original pattern inspired from architecture,

 When it comes to gothic clothing the Gothic style of architecture also originated in
France. Characteristic features of Gothic architecture were towering spires, pointed
 arches, strong vertical divisions, and delicate tracery. The disjointed engagement
between the heavily ornamented with exquisitely handcrafted facade of a gothic church
had no reflection towards the internal space which it enclosed because due to the scale
of the concrete or masonry load bearing walls. The interior of such buildings are
internally oriented based on program, unassociated to its exterior.
Gothic and Baroque architecture were based on heavy ornamentation of both the
exterior and interior of a building. Facades were heavily ornamented with exquisitely
handcrafted historical or religious motifs that were typically exclusive to the rich or for
religious buildings.

 Gothic and Baroque architecture were based on heavy ornamentation of both the
exterior and interior of a building. Facades were heavily ornamented with exquisitely
handcrafted historical or religious motifs which communicate its method of production,
in turn expressing the spirit and identity of a building.
 The textile technique of weaving has been adopted by architecture to connect the
spatial volumes of buildings, create complex interlaced interior spaces, and craft
unconventional surfaces. Fashion designers are responding by using weave in
increasingly architectonic ways, lacing, knitting and plaiting warp and weft together in
unorthodox combinations.

 The use of geometry to generate form is a strategy shared by both architects and
fashion designers. Simple forms such as circles, squares, and ellipses as well as more
complex forms such as the torus and the Möbius strip, with its convoluted twist and
continuous form, are used in both disciplines. In architecture, geometry is often used to
create complex interior spaces or shape the overall physical form of the building, while
 in fashion design, once a garment is draped on a body, its shape is transformed and the
geometry that generated it often becomes invisible.

2. Discuss five (05) influencing factors affected to clothing and style development in the
specific cultural gathering. Use proper examples and imagers to enrich your
discussion.

clothing is an an object worn on or around the body and refers to 3-dimensional

objects that enclose and envelop the body in some way. The wearing of clothing is
mostly restricted to human beings and is a feature of all human societies. The type
of clothing worn depends on gender, body type, social, and geographic
considerations.
Clothing serves many purposes: it can serve as protection and prickles by providing
a barrier between the skin and the environment. Clothes can insulate against cold or
hot conditions, and provide a hygienic barrier, keeping infectious away from the
body. Clothing also provides protection from ultraviolet radiation. Also modesty,
attraction and communication provide from cloths.
The clothes that people choose to wear on cultural gatherings are influenced by several
factors in any culture In any culture,:

 Climate and natural resources

 Religion, ideology, ritual
 Technology
 occasion
 Culture contact and diffusion of ideas
 Social and political organization
 History
 Aesthetic rules.
 I. Climate and natural resources- People living in cold climate need to wear
woolen clothes to keep warm. People living in very hot climates as in
desserts need to wear turbans of thick cloth to protect their heads and wear
garments made of cotton to stay cool.

II. Religion, ideology, ritual- Serengeti, in the Sahara, a Scottish tartan. White
beads symbolize milk; red, blood; black, skin; and orange, generosity. Blue
symbolizes God, because it shares the color of the sky, and green beads are
said to represent vegetation after rainfall, a symbol of peace.
III. Culture contact and diffusion of ideas- The characteristics of a culture and
people within that culture to find out what their dress means, Something as
simple as color may have very different meanings in dress in different
cultures. Red is a common funeral color in Zambia, Africa, and a wedding
dress color in traditional China. it means if someone wear a bright red dress
to a close relative’s funeral or a bride wore a bright red dress to her
wedding in the United States.
IV. Occasion- Many professions have a specific dress code which gives them a
special identity. As an example in now a days People working in the hotel
industry, airlines, traffic policemen, security guards, etc. Certain specialized
activities require special apparel. In history there were like For going out, a
cloak or mantle was worn, which was typically made from a roughly circular
or rectangular piece of cloth which might, too, be fur-lined. Nightwear was
not much of a social indicator and did not take a whole lot of forethought as
most people slept naked. Gloves were worn outdoors and might go almost
up to the elbow.

V. History- Every society has its traditional clothing, as a honor to their

ancestors, family tradition or culture. Different societies around the world
are distinguished less by different clothes than by subtle local differences in
the styles, cuts, colors, tones and combinations they wear. Clothes play a
 significant cultural role in creating a sense of belonging, unity and collective
identity.

3. Discuss the Early stages of clothing development related to Stone age, Bronze age,
and Iron age with five (05) suitable examples. Use proper imagers to enrich your
discussion.

 Stone age- The Stone Age is the long period during which humans and their hominid
precursors used stone tools, before they learned how to work with metals. This long
era of our earliest history lasted for roughly 3.4 million years. The climates of the
world are different and early people had to adapt to their surroundings. It is almost
Stone Age man prefer nudity. They were certainly naked in their time. Due to
climate changes and other conditions they started doing agriculture and hunting.
They are the first people who used needle and thread, weaving, wooden tools. By
using needle and thread they stitched leather, animal skin, fur and other materials
to protect themselves from cold.
 After discovering of use of thick furry hides clothing was born. They developed
more specialized tools, processed hides, and perfected sewing. Moss, flax, fibers,
tree bark, and grass were all used besides hides and fur. Early man developed snow
shoes for traversing deep snow, and made ropes and nets from plant fiber.

 Bronze age- early Bronze Age female clothing in Denmark was made from fine wool,
and the yarn that stitched wool was colored wool. The colors were like off white,
white, brown and grey. Female garments came as two parts like skirt and bodice.
 As an example Otzi ” is the preserved Bronze Age ice man in the Ö tztal Alps between
Italy and Austria. His clothes were made solely from leather, hide and braided grass.
His garments, practical and functional, afforded protection from the cold and wet.
His outfit completed with a hide coat and grass matt, a legging and a belt, underwear
and a pouch.

 Iron age- most clothing was made of wool. The cloth was woven using looms and
decorated by weaving checks and stripes into the material. Most clothing sewn by
using needle and wool or linen thread. Leather and skin use for clothes was water
proofing. Except cloak there ere every clothing item were sewn. Men’s outfit
includes tunic, braecci, belts, pouch, shoes and cloak. Women’s outfit includes tunic,
dress, peplum, skirt, belt, pouch, shoes and cloak.
 4. “The drape of the saree creates magic with fluid geometry and bold lines along with,
strong contrasting colors giving way to seamless flow”. Discuss the above statement
with five (05) different types of sari draping’s practiced in south Asian countries.
Discuss the way of sari draping technique, appropriate fabric type, accessories, jacket
designs and colours related to each type of sari designs in detail. Use imagers and
sketchers for enrich your discussion.

 Saree is the principal garment of a Hindu woman and most o Asian counties. It
consists of a long piece of cloth, which is wrapped round the middle of the body. It
consists of several yards of light material that is draped around the body. There are
many kinds of saries in the market in different fabrics, colors and details. It doesn’t
need seams or stitches to get the desired final look.
So the basic saree draping technique should do as following,
i. Take the saree cease from the top edge, tuck it with inside the petticoat beginning
from the proper aspect of your waist throughout your left waist
ii. From the left hand bring the drape around your waist from the back to the center
front tucking it in.
iii. Now you will need to make some of 5-6 inches pleats of the remaining drape and
tuck it in the petticoat, facing pleats to the left.
iv. Bring the open drape across your back to your front from the right side. Pin up the
pleats at the center for it to be in the center position and tuck the drape edge till left
side waist.
 v. Now hold up the width section and make pleats incomplete width in 5-6 inches,
making sure the border falls on the first pleat to drape it on the shoulder.
vi. Hold the pleats vertical and convey the drape fall from underneath the proper
armhole, pulling it up toward and throughout your left shoulder.
vii. Place the pleats properly on your left shoulder by keeping at least a meter length fall
from the shoulder point, and pin it in place to fix it.

Fabric types of these sarees are like cotton, chiffon, georgette, crape..
Accessories can be depend on the event that we wear saree, if it’s a wedding we can
use heavy necklaces, earrings, bracelets, hand clutch..
If it’s a simple event we can wear simple necklace, earrings, and ring.
Jacket design for basic saree can wear with long sleeve, short sleeve, and sleeveless
jackets with matching colors. Such as

 Gujarati saree draping technique-

i. Follow the basic steps of draping till the pleats and tucked into the center
petticoat facing left.
ii. Then take the width section of the end drape and make pleats. Gathering
them firmly with the top border as the first pleat.
iii. Hold the pleats vertically and bring them around back waist from the left to
the top right back shoulder.
iv. Putting the pleats from the right shoulder back to fall front in a way where
the pleats open to the left-hand side.
v. Tuck the pleats at the shoulder point with a pin to fix it. Pick up the first
border edge and pull it across your left side under the left armhole and tuck
it.
Fabric types of these sarees are mostly like cotton, chiffon, handloom..

Accessories can be depend on the event that we wear saree, if it’s a wedding we can use
heavy necklaces, earrings, bracelets, hand clutch..

If it’s a simple event we can wear simple necklace, earrings, and ring.

Jacket design for basic saree can wear with long sleeve, short sleeve, and sleeveless jackets
with v neck, round neck, deep cut neck, high neck with matching colors. Such as

 Open pallu style saree-

i. Follow the basic saree draping style.
ii. Do not make pleats, and just wrap it up covering the front bodice. Also
pinning the top edge at the left shoulder, to allow the other edge to just hang
down.
Fabric types of these sarees are like silk, cotton, chiffon, georgette, crape, organsa, muslin
any type of fabric.

Accessories can be depend on the event that we wear saree, if it’s a wedding we can use
heavy necklaces, earrings, bracelets, hand clutch..

If it’s a simple event we can wear simple necklace, earrings, and ring.

Jacket design for basic saree can wear with long sleeve, short sleeve, and sleeveless jackets
with strapless, off shoulder, high neck, deep cut neck.. matching colors. Such as

 Belt style-
i. Drape the saree the normal way and just add a belt that cinches your pallu
at the waist.
ii. A statement blouse like an off-shoulder would definitely add some zing to
your outfit.
iii. Fabric types of these sarees are like silk, cotton, chiffon, georgette, crape,
organsa, muslin any type of fabric.
iv. Accessories can be depend on the event that we wear saree, if it’s a wedding
we can use heavy necklaces, earrings, bracelets, hand clutch..
v. If it’s a simple event we can wear simple necklace, earrings, and ring.
vi. Jacket design for basic saree can wear with long sleeve, short sleeve, and
sleeveless jackets with strapless, off shoulder, high neck, deep cut neck..
matching colors. Such as
 Lehenga style-

i. Take the other end of the saree and tuck it at the back, right at the center
and bring it to the right-hand side. Keep tucking in as you bring it to the right
side of the waist.

ii. . The first pleat can be formed at a width of 4 to 5 inches. The second and the
following pleats will have to be of the same width and as you go along to
tuck make sure there is no gap between the pleats. Continue pleating till you
reach the other end of the waist on the left and tuck the last pleat there.
iii. Now continue tucking in the saree neatly as you approach the back and cross
the already tucked in the first layer and cover that and continue moving on
to the right side of the back waist.
iv. Take the rest of the fabric and make pleats and allow it to drop. You may
take one corner and tuck it at the waist on the left side.