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  • Bone 4

    Uploaded by

    Leo Sandoval
    11 views2 pages
    This document contains musical notation for a trombone solo piece titled "El Paso de la Bailerina". It includes various sections labeled with letters (A, B, etc.) along with tempo, dynamic, and expression markings. The piece transitions between the labeled sections and contains elements such as introductions, interludes, and solos.

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    Original Title

    Bone 4 (1)

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    This document contains musical notation for a trombone solo piece titled "El Paso de la Bailerina". It includes various sections labeled with letters (A, B, etc.) along with tempo, dynamic, and expression markings. The piece transitions between the labeled sections and contains elements such as introductions, interludes, and solos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    11 views2 pages

    Bone 4

    Uploaded by

    Leo Sandoval
    This document contains musical notation for a trombone solo piece titled "El Paso de la Bailerina". It includes various sections labeled with letters (A, B, etc.) along with tempo, dynamic, and expression markings. The piece transitions between the labeled sections and contains elements such as introductions, interludes, and solos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Trombone 4 El Paso de la Bailerina

    
                   
    Alexander Abreu


     
      
     = 90

      
    Intro

             


                     


      
    A


    4

                 
            
       
    B


    14

       
        
     
    21

                         
    A2

           
               
    22

     
     
          
    A3

       
    Interlude

     
          
    27

    
    
                     
       
    Soli

        
        
    42

          
                
        
       
       

    44

    
                        
        
        
    46
                         
    2

      
    Interlude 2

        
    48

                    
              
    D2

    
    D E F


    54

              
                
    F2 G


    82

              


    H

     
    G2

       
    94

      
         

    104

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