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  • Oliver Zrinyi - Amaranthine

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    Oliver Zrínyi
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    The document appears to be a musical composition titled "Amaranthine" composed by Oliver Zrinyi. It consists of musical notation spread across 37 lines with symbols representing notes, rhythms, and other musical elements. The composition has an adagio tempo marking at the beginning and includes indications of dynamics, articulation, and phrasing throughout the lines of music.

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    The document appears to be a musical composition titled "Amaranthine" composed by Oliver Zrinyi. It consists of musical notation spread across 37 lines with symbols representing notes, rhythms, and other musical elements. The composition has an adagio tempo marking at the beginning and includes indications of dynamics, articulation, and phrasing throughout the lines of music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    26 views4 pages

    Oliver Zrinyi - Amaranthine

    Uploaded by

    Oliver Zrínyi
    The document appears to be a musical composition titled "Amaranthine" composed by Oliver Zrinyi. It consists of musical notation spread across 37 lines with symbols representing notes, rhythms, and other musical elements. The composition has an adagio tempo marking at the beginning and includes indications of dynamics, articulation, and phrasing throughout the lines of music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 4

    Amaranthine


    Oliver Zrinyi

                     
    1 Adagio

           
         



                
                    
    5

           
        


       
                    
    9

           
        



           
                   
    13

           
        
     


           
           
             
    17

           
           
        


                  
            
    2

                
    21

       
         
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      


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    25

           
        
            


       
                    
    29

           
      
          


             
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    33

           
            


           
                    
    37

           

            


                           
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    41

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     
    3

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    43

       
         
    


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                   
     
              
    46

       
        
          



            
                   
    49

           
           
    


            
          
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    53

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    57

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          

    60

        


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        
    4

      

    62

        


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           
     
    64

        
            
     


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         
    68

      
         


    
                    
    72

           
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    76

          
       

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