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Review

Berton Hasebe originally drew Review for Patrick


Li and his team at T: The New York Times Style
Magazine. In 2018, new editor in chief Hanya
Yanigahara pushed for a complete reimagining of
the magazine. What had primarily been an image-
driven publication evolved into a text-focused one,
with the squarish, commanding Review doing much
of the heavy lifting at all sizes.
PUBLISHED Previously known as Kippenberger, Review draws from an eclectic
2020
pool of references ranging from the programmatic precision of
DESIGNED BY
Karl Gerstner to underground zines urgently slapped together with
BERTON HASEBE
dry transfer lettering and paste-up strips of phototype. Hasebe
PRODUCTION ASSISTANCE
TIM RIPPER
also tapped precursors like Phil Martin’s Helvetica-Eurostile hybrid
Heldustry from 1978; Fred Lambert’s 1963 Compacta; and Folio
14 STYLES
7 WEIGHTS W/ ITALICS
Extra Bold (a squared-off, oddball style bearing a loose relationship
to the rest of the Folio family, released by Bauer in the late 1950s).
FEATURES
SMALL CAPS (ROMAN) The versatile normal width of Review can be used both small
PROPORTIONAL/TABULAR LINING FIGURES and large. Open counters and a strong horizontal rhythm foster
FRACTIONS (PREBUILT AND ARBITRARY)
SUPERSCRIPT/SUBSCRIPT readability, even at small sizes. All three widths of Review come
with an array of useful alternates like round dots, which temper the
typeface’s overarching squareness with a softer element. Upright
styles in the normal width also include small caps.

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Review Thin
Review Thin Italic
Review Light
Review Light Italic
Review Regular
Review Regular Italic
Review Medium
Review Medium Italic
Review Bold
Review Bold Italic
Review Heavy
Review Heavy Italic
Review Black
Review Black Italic

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HOUSEHOLD
Overshadows
REVIEW THIN, 70 PT

UNKNOWING
Selvstændige
REVIEW THIN ITALIC, 70 PT

GEOGRAPHY
Remarquable
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DESEMPEÑA
Effectiveness
REVIEW LIGHT ITALIC, 70 PT

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CENTRALIZE
Reorganizing
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MOMENTUM
International
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DISAVOWED
Außenpolitik
REVIEW MEDIUM, 70 PT

ATMOSFĒRA
Costituzione
REVIEW MEDIUM ITALIC, 70 PT [ALTERNATE M R]

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STATEMENT
Background
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EKONOMIYA
Gyártásával
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GUTHEIẞEN
Conference
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WORKLOAD
Jaċċettawx
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MIEHISTÖN
Honokōhau
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AUTHORED
Tänapäeval
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Fringes of political talent


FINAL INVESTIGATIONS
Med ovärderliga insikter
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Phát sóng trực tiếp trên


427.518 METER LANGE
Early 20th century films
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An extensive presence
INDIGENOUS DIALECT
Yhä monikansallisempi
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Après près de 170 ans


LOCAL MAGISTRATES
Glazed terracotta roof
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Większość gatunków
CHEMICAL ANALYSIS
1720 volunteer divers
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7 global market units


AVANT GARDE FILMS
Věcmi členů posádky
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Modern rediscovery
FYRIR 37.000 ÁRUM
Lunar surface bases
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Zij in latere eeuwen door hun gebieden


A VAST, MONOLITHIC ORGANIZATION
The conclusion of the Napoleonic Wars
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Cities in the league enjoyed autonomy


LONG-PRIVILEGED CIVIC POSITIONS
Gallischer Kopfschutz abgebildet wird
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A population of 58,493 consisting of


SDRUŽUJÍCÍ ÚZEMÍ TŘÍ DOTČENÝCH
A 15th century public health calamity
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Al segle xiii, de remarcar el caràcter


174 POTENTIAL IMPLEMENTATIONS
Makes up 23.8% of Chile’s total area
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Government reactions to covid-19


KEISARI OTTO I OLI ENSIMMÄINEN
Revolutionary machine technology
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The more reactive hydroxyl group


17 NEWLY APPOINTED MINISTERS
Tal-Kunsill f’kull qasam ta’ politika
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Bheith ina mbaill de Dháil Éireann


CONSENSUS-DRIVEN ASSEMBLY
An annual expense of €1,285,471
REVIEW BLACK, BLACK ITALIC, 25 PT

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A POTENTIAL TO MEET 3 – 5% OF GLOBAL DEMAND


Dangosir yr esbonydd, fel arfer, ar ffurf is-sgript i’r dde
MYRIAD FACTORS CONTRIBUTED TO ITS SEVERITY
The movement starts with “an aggressive call to arms”
REVIEW THIN, THIN ITALIC, 18 PT [TRACKING +4]

NOONG HULYO 2011 NAPAKALIWANAG NITO PARA


Globular cluster M70 within constellation Sagittarius
HIS LEGITIMATE EXPRESSIONS OF EXASPERATION
Hij was gedurende het voorjaar van 1971 gemakkelijk
REVIEW LIGHT, LIGHT ITALIC, 18 PT [TRACKING +4]

VOM REST DES KONTINENTS ABGESPALTEN SEIN


10 breezy chicken dishes from a high-brow kitchen
INFORMATION & COMMUNICATION TECHNOLOGY
The Cenozoic is also known as the Age of Mammals
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A ROYAL CHARTER WAS SIGNED ON 11 JULY 1664


Limnológia vizsgálati tárgyai az álló- és folyóvizek
THỜI KỲ ĐÓ CÒN GỌI LÀ “THỜI KỲ ĐEN TỐI” THEO
Ohio voter turnout 7% lower than national average
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L’ISTMO DI SUEZ UNISCE L’EURASIA ALL’AFRICA


5 standout seasonal looks filled with substance
THE COUNTRY’S LARGEST GEOTHERMAL FIELDS
Hän ei ilmeisesti kuitenkaan missään vaiheessa
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THE FIRST TEXT ON WAPPO GRAMMAR IN 1921


Praktiskt val av logaritmbas vid användning av
A MORE USEFUL METRIC OF TESTS PER CAPITA
Unique & rigorous process of testing the casks
REVIEW HEAVY, HEAVY ITALIC, 18 PT [TRACKING +4]

A OD ROKU 2020 JEST MIASTEM LITERATURY


The “lackadaisical” strategy in many regions
FEATURING SEVERAL OFF-CAMBER CORNERS
Les étapes et objectifs de la critique textuelle
REVIEW BLACK, BLACK ITALIC, 18 PT [TRACKING +4, ROUND DOTS]

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K-mesons are bound of a strange quark and an up or down antiquark


POETIC VOICE PAIRED WITH AN INDIVIDUALIST, AUSTERE BEAUTY
Azonos tömeggel, de ellenkező elektromos, gyenge és erős töltéssel
REVIEW THIN, THIN ITALIC, 14 PT [TRACKING +6]

Diese Region existiert offiziell seit dem Geographie-Kongress 1942


THE 1917 CANDIDATES FOR THE SHEFFIELD SCIENTIFIC SCHOOL
Each verb root takes at least two forms to which suffixes are added
REVIEW LIGHT, LIGHT ITALIC, 14 PT [TRACKING +6, ALTERNATE K R k]

The discipline of international relations became a scholarly focus


CHÂU ÂU CÓ QUÁ TRÌNH LỊCH SỬ XÂY DỰNG VĂN HÓA VÀ KINH
The Dutch guilder (symbol: ƒ) was the currency of the Netherlands
REVIEW REGULAR, REGULAR ITALIC, 14 PT [TRACKING +6]

Son iki yüzyıldır çöküntü kuşaklarındaki en uzun süreli yanardağ


POLLS REFLECT VOTERS’ VIEWS SINCE THE AUGUST DEBATES
Widened United States sovereignty across the Mississippi River
REVIEW MEDIUM, MEDIUM ITALIC, 14 PT [TRACKING +6, ALTERNATE g]

Hurricane Alpha strengthened speedily to a Category 4 event


STRATEGIST SEES INTENSE VOLATILITY AHEAD OF ELECTION
Stvaranje druge francuske kolonijalne imperije počelo je 1830
REVIEW BOLD, BOLD ITALIC, 14 PT [TRACKING +6]

Güneydoğu is spoken in the southeast, to the east of Mersin


DE REPREZENTARE COMPLETĂ LA NIVEL NAȚIONAL CA ȘI DE
Obtaining peace with Austria through the Treaty of Luneville
REVIEW HEAVY, HEAVY ITALIC, 14 PT [TRACKING +6]

Prijali francúzsku kultúru, dokázali rozprávať spisovne po


ASTONISHING ANNOUNCEMENTS WERE MADE AVAILABLE
Virtually every European state sent a delegation to Vienna
REVIEW BLACK, BLACK ITALIC, 14 PT [TRACKING +6, ALTERNATE a]

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Wikingersiedlungen
REVIEW THIN, 50 PT

Bathythermograph
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Menestyksellisesti
REVIEW REGULAR, 50 PT

Katathermometer
REVIEW MEDIUM, 50 PT

Dermatoglyphics
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Raggiungessero
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Counterbalance
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Sveitasönghátíðum
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Polgármesterének
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Overindustrialized
REVIEW REGULAR ITALIC, 50 PT

Mechanomorphic
REVIEW MEDIUM ITALIC, 50 PT

Establecimientos
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Discombobulate
REVIEW HEAVY ITALIC, 50 PT

Quattrocentism
REVIEW BLACK ITALIC, 50 PT

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REVIEW LIGHT, LIGHT ITALIC, MEDIUM, 16/20 PT [TRACKING +4]

LIGHT SMALL CAPS the spanish war, which began in 1739, and the
LIGHT French war which soon followed it occasioned
further increase of the debt, which, on the 31st
of December 1748, after it had been concluded
MEDIUM by the Treaty of Aix-la-Chapelle, amounted to
£78,293,313. The most profound peace of the
seventeen years of continuance had taken no
more than £8,328,354 from it. A war of less than
nine years’ continuance added £31,338,689 to
LIGHT ITALIC it (Refer to James Postlethwaite’s History of the
Public Revenue). During the administration of
Mr. Pelham, the interest of the public debt was
reduced from 4% to 3%; or at least measures
were taken for reducing it, from four to three per
cent; the sinking fund was increased, and some
MEDIUM part of the public debt was paid off. In 1755, be-
fore the breaking out of the late war, the funded
debt of Great Britain amounted to £72,289,673.
On the 5th of January 1763, at the conclusion
of the peace, the funded debt amounted to
PROPORTIONAL
LINING FIGURES £122,603,336. The unfunded debt has been
stated at £13,927,589. But the expense occa-
sioned by the war did not end with the conclu-
sion of the peace, so that though, on the 5th of
January 1764, the funded debt was increased
(partly by a new loan, and partly by funding a
part of the unfunded debt) to £129,586,782,
there still remained (according to the very well
LIGHT ITALIC informed author of Considerations on the Trade
and Finances of Great Britain) an unfunded debt
which was brought to account in that and the fol-

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REVIEW REGULAR, REGULAR ITALIC, BOLD, 16/20 PT [TRACKING +4]

REGULAR SMALL CAPS the spanish war, which began in 1739, and the
REGULAR French war which soon followed it occasioned
further increase of the debt, which, on the 31st
of December 1748, after it had been concluded
BOLD by the Treaty of Aix-la-Chapelle, amounted to
£78,293,313. The most profound peace of the
seventeen years of continuance had taken no
more than £8,328,354 from it. A war of less than
nine years’ continuance added £31,338,689 to
REGULAR ITALIC it (Refer to James Postlethwaite’s History of the
Public Revenue). During the administration of
Mr. Pelham, the interest of the public debt was
reduced from 4% to 3%; or at least measures
were taken for reducing it, from four to three per
cent; the sinking fund was increased, and some
BOLD part of the public debt was paid off. In 1755, be-
fore the breaking out of the late war, the funded
debt of Great Britain amounted to £72,289,673.
On the 5th of January 1763, at the conclusion
of the peace, the funded debt amounted to
PROPORTIONAL
LINING FIGURES £122,603,336. The unfunded debt has been
stated at £13,927,589. But the expense occa-
sioned by the war did not end with the conclu-
sion of the peace, so that though, on the 5th of
January 1764, the funded debt was increased
(partly by a new loan, and partly by funding a
part of the unfunded debt) to £129,586,782,
there still remained (according to the very well
REGULAR ITALIC informed author of Considerations on the Trade
and Finances of Great Britain) an unfunded debt
which was brought to account in that and the fol-

Commercial commercialtype.com
Review 18 of 33

REVIEW MEDIUM, MEDIUM ITALIC, HEAVY, 16/20 PT [TRACKING +4]

MEDIUM SMALL CAPS the spanish war, which began in 1739, and
MEDIUM the French war which soon followed it occa-
sioned further increase of the debt, which, on
the 31st of December 1748, after it had been
HEAVY concluded by the Treaty of Aix-la-Chapelle,
amounted to £78,293,313. The most profound
peace of the seventeen years of continu-
ance had taken no more than £8,328,354
from it. A war of less than nine years’ con-
tinuance added £31,338,689 to it (Refer to
MEDIUM ITALIC James Postlethwaite’s History of the Public
Revenue). During the administration of Mr.
Pelham, the interest of the public debt was
reduced from 4% to 3%; or at least measures
were taken for reducing it, from four to three
per cent; the sinking fund was increased, and
HEAVY some part of the public debt was paid off. In
1755, before the breaking out of the late war,
the funded debt of Great Britain amounted to
£72,289,673. On the 5th of January 1763, at
the conclusion of the peace, the funded debt
PROPORTIONAL
LINING FIGURES amounted to £122,603,336. The unfunded
debt has been stated at £13,927,589. But
the expense occasioned by the war did not
end with the conclusion of the peace, so that
though, on the 5th of January 1764, the fund-
ed debt was increased (partly by a new loan,
and partly by funding a part of the unfunded
debt) to £129,586,782, there still remained
(according to the very well informed author
MEDIUM ITALIC of Considerations on the Trade and Finances

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REVIEW LIGHT, LIGHT ITALIC, MEDIUM, 10/13 PT [TRACKING +6] REVIEW REGULAR, REGULAR ITALIC, BOLD, 10/13 PT [TRACKING +6]

Every introduction to the problems of Every introduction to the problems of


aesthetics begins by acknowledging the aesthetics begins by acknowledging the
existence and claims of two methods of at- existence and claims of two methods of at-
tack—the general, philosophical, deductive, tack—the general, philosophical, deductive,
which starts from a complete metaphysics which starts from a complete metaphysics
and installs beauty in its place among the and installs beauty in its place among the
other great concepts; and the empirical, or other great concepts; and the empirical,
inductive, which seeks to disengage a gen- or inductive, which seeks to disengage a
eral principle of beauty from the objects of general principle of beauty from the objects
aesthetic experience and the facts of aes- of aesthetic experience and the facts of aes-
thetic enjoyment: an example of Fechner’s thetic enjoyment: an example of Fechner’s
“aesthetics from above & from below.” “aesthetics from above & from below.”
Methodologies of Aesthetics Methodologies of Aesthetics
The first was the method of aesthetics par The first was the method of aesthetics par
excellence. It was indeed only through the excellence. It was indeed only through the
desire of an eighteenth-century philosopher, desire of an eighteenth-century philosopher,
Baumgarten, to round out his “architectonic” Baumgarten, to round out his “architectonic”
of metaphysics that the science received its of metaphysics that the science received its
name, as designating the theory of knowl- name, as designating the theory of knowl-
edge in the form of feeling, parallel to that of edge in the form of feeling, parallel to that of
“clear,” logical thought. Kant, Schelling, and “clear,” logical thought. Kant, Schelling, and
Hegel, again, made use of the concept of the Hegel, again, made use of the concept of the
Beautiful as a kind of keystone or cornice Beautiful as a kind of keystone or cornice
for their respective philosophical edifices. for their respective philosophical edifices.
Aesthetics, then, came into being as the phi- Aesthetics, then, came into being as the phi-
losophy of the Beautiful, and it may be asked losophy of the Beautiful, and it may be asked
why this philosophical aesthetics does not why this philosophical aesthetics does not
suffice; why beauty should need for its un- suffice; why beauty should need for its un-
derstanding also an aesthetics “von unten.” derstanding also an aesthetics “von unten.”
The State of Criticism The State of Criticism
The answer is not that no system of phi- The answer is not that no system of phi-
losophy is universally accepted, but that the losophy is universally accepted, but that
general aesthetic theories have not, as yet the general aesthetic theories have not, as
at least, succeeded in answering the plain yet at least, succeeded in answering the
questions of “the plain man” in regard to con- plain questions of “the plain man” in regard
crete beauty. Kant, indeed, frankly denied to concrete beauty. Kant, indeed, frankly
that the explanation of concrete beauty, or denied that the explanation of concrete
“Doctrine of Taste,” as he called it, was pos- beauty, or “Doctrine of Taste,” as he called
sible, while the various definers of beauty it, was possible, while the various definers
as “the union of the Real and the Ideal” “the of beauty as “the union of the Real and the
expression of the Ideal to Sense,” have done Ideal” “the expression of the Ideal to Sense,”
no more than he. No one of these aesthetic have done no more than he. No one of these
systems, in spite of volumes of so-called ap- aesthetic systems, in spite of volumes of so-
plication of their principles to works of art, called application of their principles to works

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REVIEW MEDIUM, MEDIUM ITALIC, HEAVY, 10/13 PT [TRACKING +6] REVIEW BOLD, BOLD ITALIC, 10/13 PT [TRACKING +6]

Every introduction to the problems of Every introduction to the problems of


aesthetics begins by acknowledging the aesthetics begins by acknowledging the
existence and claims of two methods of at- existence and claims of two methods of at-
tack—the general, philosophical, deductive, tack—the general, philosophical, deductive,
which starts from a complete metaphysics which starts from a complete metaphysics
and installs beauty in its place among the and installs beauty in its place among the
other great concepts; and the empirical, or other great concepts; and the empirical, or
inductive, which seeks to disengage a gen- inductive, which seeks to disengage a gen-
eral principle of beauty from the objects of eral principle of beauty from the objects of
aesthetic experience and the facts of aes- aesthetic experience and the facts of aes-
thetic enjoyment: an example of Fechner’s thetic enjoyment: an example of Fechner’s
“aesthetics from above & from below.” “aesthetics from above & from below.”
Methodologies of Aesthetics Methodologies of Aesthetics
The first was the method of aesthetics par The first was the method of aesthetics par
excellence. It was indeed only through the excellence. It was indeed only through the
desire of an eighteenth-century philoso- desire of an eighteenth-century philoso-
pher, Baumgarten, to round out his “archi- pher, Baumgarten, to round out his “archi-
tectonic” of metaphysics that the science tectonic” of metaphysics that the science
received its name, as designating the theory received its name, as designating the
of knowledge in the form of feeling, paral- theory of knowledge in the form of feeling,
lel to that of “clear,” logical thought. Kant, parallel to that of “clear,” logical thought.
Schelling, and Hegel, again, made use of the Kant, Schelling, and Hegel, again, made use
concept of the Beautiful as a kind of key- of the concept of the Beautiful as a kind of
stone or cornice for their respective philo- keystone or cornice for their respective
sophical edifices. Aesthetics, then, came philosophical edifices. Aesthetics, then,
into being as the philosophy of the Beautiful, came into being as the philosophy of the
and it may be asked why this philosophi- Beautiful, and it may be asked why this
cal aesthetics does not suffice; why beauty philosophical aesthetics does not suffice;
should need for its understanding also an why beauty should need for its understand-
aesthetics “von unten.” ing also an aesthetics “von unten.”
The State of Criticism The State of Criticism
The answer is not that no system of phi- The answer is not that no system of phi-
losophy is universally accepted, but that losophy is universally accepted, but that
the general aesthetic theories have not, as the general aesthetic theories have not, as
yet at least, succeeded in answering the yet at least, succeeded in answering the
plain questions of “the plain man” in regard plain questions of “the plain man” in regard
to concrete beauty. Kant, indeed, frankly to concrete beauty. Kant, indeed, frankly
denied that the explanation of concrete denied that the explanation of concrete
beauty, or “Doctrine of Taste,” as he called beauty, or “Doctrine of Taste,” as he called
it, was possible, while the various definers it, was possible, while the various defin-
of beauty as “the union of the Real and the ers of beauty as “the union of the Real and
Ideal” “the expression of the Ideal to Sense,” the Ideal” “the expression of the Ideal to
have done no more than he. No one of these Sense,” have done no more than he. No
aesthetic systems, in spite of volumes of one of these aesthetic systems, in spite of

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REVIEW REGULAR, REGULAR ITALIC, BOLD, 9/12 PT [TRACKING +8] REVIEW MEDIUM, MEDIUM ITALIC, HEAVY, 9/12 PT [TRACKING +8]

Every introduction to the problems of aesthet- Every introduction to the problems of aesthet-
ics begins by acknowledging the existence and ics begins by acknowledging the existence and
claims of two methods of attack—the general, claims of two methods of attack—the general,
philosophical, deductive, which starts from a philosophical, deductive, which starts from a
complete metaphysics and installs beauty in its complete metaphysics and installs beauty in its
place among the other great concepts; and the place among the other great concepts; and the
empirical, or inductive, which seeks to disengage empirical, or inductive, which seeks to disengage
a general principle of beauty from the objects of a general principle of beauty from the objects of
aesthetic experience and the facts of aesthetic aesthetic experience and the facts of aesthetic
enjoyment: an example of Fechner’s “aesthetics enjoyment: an example of Fechner’s “aesthetics
from above & from below.” from above & from below.”
Methodologies of Aesthetics Methodologies of Aesthetics
The first was the method of aesthetics par excel- The first was the method of aesthetics par excel-
lence. It was indeed only through the desire of an lence. It was indeed only through the desire of
eighteenth-century philosopher, Baumgarten, to an eighteenth-century philosopher, Baumgarten,
round out his “architectonic” of metaphysics that to round out his “architectonic” of metaphysics
the science received its name, as designating that the science received its name, as designat-
the theory of knowledge in the form of feeling, ing the theory of knowledge in the form of feel-
parallel to that of “clear,” logical thought. Kant, ing, parallel to that of “clear,” logical thought.
Schelling, and Hegel, again, made use of the Kant, Schelling, and Hegel, again, made use of
concept of the Beautiful as a kind of keystone the concept of the Beautiful as a kind of keystone
or cornice for their respective philosophical or cornice for their respective philosophical edi-
edifices. Aesthetics, then, came into being as the fices. Aesthetics, then, came into being as the
philosophy of the Beautiful, and it may be asked philosophy of the Beautiful, and it may be asked
why this philosophical aesthetics does not suf- why this philosophical aesthetics does not suf-
fice; why beauty should need for its understand- fice; why beauty should need for its understand-
ing also an aesthetics “von unten.” ing also an aesthetics “von unten.”
The State of Criticism The State of Criticism
The answer is not that no system of philosophy The answer is not that no system of philosophy
is universally accepted, but that the general is universally accepted, but that the general aes-
aesthetic theories have not, as yet at least, suc- thetic theories have not, as yet at least, succeed-
ceeded in answering the plain questions of “the ed in answering the plain questions of “the plain
plain man” in regard to concrete beauty. Kant, man” in regard to concrete beauty. Kant, indeed,
indeed, frankly denied that the explanation of frankly denied that the explanation of concrete
concrete beauty, or “Doctrine of Taste,” as he beauty, or “Doctrine of Taste,” as he called it, was
called it, was possible, while the various definers possible, while the various definers of beauty as
of beauty as “the union of the Real and the Ideal” “the union of the Real and the Ideal” “the expres-
“the expression of the Ideal to Sense,” have done sion of the Ideal to Sense,” have done no more
no more than he. No one of these aesthetic sys- than he. No one of these aesthetic systems, in
tems, in spite of volumes of so-called application spite of volumes of so-called application of their
of their principles to works of art, has been able principles to works of art, has been able to fur-
to furnish a criterion of beauty. The criticism of nish a criterion of beauty. The criticism of the
the generations is summed up in the mild remark generations is summed up in the mild remark of
of Fechner, in his “Vorschule der Aesthetik,” to Fechner, in his “Vorschule der Aesthetik,” to the
the effect that the philosophical path leaves one effect that the philosophical path leaves one in
in conceptions that, by reason of their general- conceptions that, by reason of their generality,
ity, do not well fit the particular cases. And so it do not well fit the particular cases. And so it was
was that empirical aesthetics arose, which does that empirical aesthetics arose, which does not

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[TRACKING +8, NO ALTERNATES] [TRACKING +8, ROUND DOTS, ALTERNATE K M R a k]

Every introduction to the problems of aesthet- Every introduction to the problems of aesthet-
ics begins by acknowledging the existence and ics begins by acknowledging the existence and
claims of two methods of attack—the general, claims of two methods of attack—the general,
philosophical, deductive, which starts from a philosophical, deductive, which starts from a
complete metaphysics and installs beauty in its complete metaphysics and installs beauty in its
place among the other great concepts; and the place among the other great concepts; and the
empirical, or inductive, which seeks to disengage empirical, or inductive, which seeks to disengage
a general principle of beauty from the objects of a general principle of beauty from the objects of
aesthetic experience and the facts of aesthetic aesthetic experience and the facts of aesthetic
enjoyment: an example of Fechner’s “aesthetics enjoyment: an example of Fechner’s “aesthetics
from above & from below.” from above & from below.”
Methodologies of Aesthetics Methodologies of Aesthetics
The first was the method of aesthetics par excel- The first was the method of aesthetics par excel-
lence. It was indeed only through the desire of an lence. It was indeed only through the desire of an
eighteenth-century philosopher, Baumgarten, to eighteenth-century philosopher, Baumgarten, to
round out his “architectonic” of metaphysics that round out his “architectonic” of metaphysics that
the science received its name, as designating the science received its name, as designating
the theory of knowledge in the form of feeling, the theory of knowledge in the form of feeling,
parallel to that of “clear,” logical thought. Kant, parallel to that of “clear,” logical thought. Kant,
Schelling, and Hegel, again, made use of the Schelling, and Hegel, again, made use of the
concept of the Beautiful as a kind of keystone concept of the Beautiful as a kind of keystone
or cornice for their respective philosophical or cornice for their respective philosophical
edifices. Aesthetics, then, came into being as the edifices. Aesthetics, then, came into being as the
philosophy of the Beautiful, and it may be asked philosophy of the Beautiful, and it may be asked
why this philosophical aesthetics does not suf- why this philosophical aesthetics does not suf-
fice; why beauty should need for its understand- fice; why beauty should need for its understand-
ing also an aesthetics “von unten.” ing also an aesthetics “von unten.”
The State of Criticism The State of Criticism
The answer is not that no system of philosophy The answer is not that no system of philosophy
is universally accepted, but that the general is universally accepted, but that the general
aesthetic theories have not, as yet at least, suc- aesthetic theories have not, as yet at least, suc-
ceeded in answering the plain questions of “the ceeded in answering the plain questions of “the
plain man” in regard to concrete beauty. Kant, plain man” in regard to concrete beauty. Kant,
indeed, frankly denied that the explanation of indeed, frankly denied that the explanation of
concrete beauty, or “Doctrine of Taste,” as he concrete beauty, or “Doctrine of Taste,” as he
called it, was possible, while the various definers called it, was possible, while the various definers
of beauty as “the union of the Real and the Ideal” of beauty as “the union of the Real and the Ideal”
“the expression of the Ideal to Sense,” have done “the expression of the Ideal to Sense,” have done
no more than he. No one of these aesthetic sys- no more than he. No one of these aesthetic sys-
tems, in spite of volumes of so-called application tems, in spite of volumes of so-called application
of their principles to works of art, has been able of their principles to works of art, has been able
to furnish a criterion of beauty. The criticism of to furnish a criterion of beauty. The criticism of
the generations is summed up in the mild remark the generations is summed up in the mild remark
of Fechner, in his “Vorschule der Aesthetik,” to of Fechner, in his “Vorschule der Aesthetik,” to
the effect that the philosophical path leaves one the effect that the philosophical path leaves one
in conceptions that, by reason of their general- in conceptions that, by reason of their generality,
ity, do not well fit the particular cases. And so it do not well fit the particular cases. And so it was
was that empirical aesthetics arose, which does that empirical aesthetics arose, which does not

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Every introduction to the problems of aesthet- Every introduction to the problems of aesthet-
ics begins by acknowledging the existence and ics begins by acknowledging the existence and
claims of two methods of attack—the general, claims of two methods of attack—the general,
philosophical, deductive, which starts from a philosophical, deductive, which starts from a
complete metaphysics and installs beauty in its complete metaphysics and installs beauty in its
place among the other great concepts; and the place among the other great concepts; and the
empirical, or inductive, which seeks to disengage empirical, or inductive, which seeks to disengage
a general principle of beauty from the objects of a general principle of beauty from the objects of
aesthetic experience and the facts of aesthetic aesthetic experience and the facts of aesthetic
enjoyment: an example of Fechner’s “aesthetics enjoyment: an example of Fechner’s “aesthetics
from above & from below.” from above & from below.”

Methodologies of Aesthetics Methodologies of Aesthetics


The first was the method of aesthetics par excel- The first was the method of aesthetics par excel-
lence. It was indeed only through the desire of an lence. It was indeed only through the desire of
eighteenth-century philosopher, Baumgarten, to an eighteenth-century philosopher, Baumgarten,
round out his “architectonic” of metaphysics that to round out his “architectonic” of metaphysics
the science received its name, as designating that the science received its name, as designat-
the theory of knowledge in the form of feeling, ing the theory of knowledge in the form of feel-
parallel to that of “clear,” logical thought. Kant, ing, parallel to that of “clear,” logical thought.
Schelling, and Hegel, again, made use of the Kant, Schelling, and Hegel, again, made use of
concept of the Beautiful as a kind of keystone the concept of the Beautiful as a kind of key-
or cornice for their respective philosophical stone or cornice for their respective philosophi-
edifices. Aesthetics, then, came into being as the cal edifices. Aesthetics, then, came into being
philosophy of the Beautiful, and it may be asked as the philosophy of the Beautiful, and it may be
why this philosophical aesthetics does not suf- asked why this philosophical aesthetics does not
fice; why beauty should need for its understand- suffice; why beauty should need for its under-
ing also an aesthetics “von unten.” standing also an aesthetics “von unten.”

The State of Criticism The State of Criticism


The answer is not that no system of philosophy The answer is not that no system of philosophy
is universally accepted, but that the general is universally accepted, but that the general
aesthetic theories have not, as yet at least, suc- aesthetic theories have not, as yet at least, suc-
ceeded in answering the plain questions of “the ceeded in answering the plain questions of “the
plain man” in regard to concrete beauty. Kant, plain man” in regard to concrete beauty. Kant,
indeed, frankly denied that the explanation of indeed, frankly denied that the explanation of
concrete beauty, or “Doctrine of Taste,” as he concrete beauty, or “Doctrine of Taste,” as he
called it, was possible, while the various definers called it, was possible, while the various definers
of beauty as “the union of the Real and the Ideal” of beauty as “the union of the Real and the Ideal”
“the expression of the Ideal to Sense,” have done “the expression of the Ideal to Sense,” have done
no more than he. No one of these aesthetic sys- no more than he. No one of these aesthetic sys-
tems, in spite of volumes of so-called application tems, in spite of volumes of so-called application
of their principles to works of art, has been able of their principles to works of art, has been able
to furnish a criterion of beauty. The criticism of to furnish a criterion of beauty. The criticism of
the generations is summed up in the mild remark the generations is summed up in the mild remark
of Fechner, in his “Vorschule der Aesthetik,” to of Fechner, in his “Vorschule der Aesthetik,” to
the effect that the philosophical path leaves one the effect that the philosophical path leaves one
in conceptions that, by reason of their general- in conceptions that, by reason of their general-
ity, do not well fit the particular cases. And so ity, do not well fit the particular cases. And so it
it was that empirical aesthetics arose, which was that empirical aesthetics arose, which does
does not seek to answer those plain questions not seek to answer those plain questions as to
as to the enjoyment of concrete beauty down the enjoyment of concrete beauty down to its
to its simplest forms, to which philosophical simplest forms, to which philosophical aesthet-
aesthetics had been inadequate. But it is clear ics had been inadequate. But it is clear that nei-
that neither has empirical aesthetics said the ther has empirical aesthetics said the last word

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SITUATIONIST INTERNATIONAL (SI) was a SITUATIONIST INTERNATIONAL (SI) was SITUATIONIST INTERNATIONAL (SI)
group of international revolutionaries a group of international revolutionar- was a group of international revo-
founded in 1957. With their ideas root- ies founded in 1957. With their ideas lutionaries founded in 1957. With
ed in Marxism and the 20th century rooted in Marxism and the 20th their ideas rooted in Marxism and
European artistic avantgarde, they ad- century European artistic avantgarde, the 20th century European artistic
vocated experiences of life being alter- they advocated experiences of life avantgarde, they advocated experi-
native to those admitted by the capital- being alternative to those admitted ences of life being alternative to
ist order, for the fulfillment of human by the capitalist order, for the fulfill- those admitted by the capitalist
primitive desires and the pursuing of a ment of human primitive desires and order, for the fulfillment of human
superior passional quality. For this pur- the pursuing of a superior passional primitive desires and the pursuing
pose they suggested and experiment- quality. For this purpose they sug- of a superior passional quality. For
ed with the construction of situations; gested and experimented with the this purpose they suggested and
the setting up of environments favor- construction of situations; the setting experimented with the construc-
able for the fulfillment of such desires. up of environments favorable for tion of situations; the setting up
Using methods drawn from the arts, the fulfillment of such desires. Using of environments favorable for the
they developed a series of experimen- methods drawn from the arts, they fulfillment of such desires. Using
tal fields of study for the construc- developed a series of experimental methods drawn from the arts, they
tion of such, like unitary urbanism. fields of study for the construc- developed a series of experimental
The sense of constructing situations tion of such, like unitary urbanism. fields of study for the construc-
is to fulfill human primitive desires and The sense of constructing tion of such, like unitary urbanism.
pursue a superior passional quality. situations is to fulfill human primi- The sense of constructing situ-
From Internationale Situationiste #1: tive desires and pursue a superior ations is to fulfill human primitive
“This alone can lead to the further passional quality. From Internationale desires and pursue a superior pas-
clarification of these simple basic Situationiste #1: “This alone can lead sional quality. From Internationale
desires, and to the confused emer- to the further clarification of these Situationiste #1: “This alone can
gence of new desires whose material simple basic desires, and to the lead to the further clarification of
roots will be precisely the new reality confused emergence of new desires these simple basic desires, and to
engendered by situationist construc- whose material roots will be pre- the confused emergence of new

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SITUATIONIST INTERNATIONAL (SI) was a SITUATIONIST INTERNATIONAL (SI) was a SITUATIONIST INTERNATIONAL (SI) was a
group of international revolutionaries group of international revolutionaries group of international revolutionaries
founded in 1957. With their ideas rooted in founded in 1957. With their ideas rooted in founded in 1957. With their ideas rooted in
Marxism and the 20th century European Marxism and the 20th century European Marxism and the 20th century European
artistic avantgarde, they advocated experi- artistic avantgarde, they advocated artistic avantgarde, they advocated
ences of life being alternative to those experiences of life being alternative to experiences of life being alternative to
admitted by the capitalist order, for the those admitted by the capitalist order, for those admitted by the capitalist order, for
fulfillment of human primitive desires and the fulfillment of human primitive desires the fulfillment of human primitive desires
the pursuing of a superior passional quality. and the pursuing of a superior passional and the pursuing of a superior passional
For this purpose they suggested and experi- quality. For this purpose they suggested quality. For this purpose they suggested
mented with the construction of situations; and experimented with the construction and experimented with the construction
the setting up of environments favorable for of situations; the setting up of environ- of situations; the setting up of environ-
the fulfillment of such desires. Using meth- ments favorable for the fulfillment of such ments favorable for the fulfillment of
ods drawn from the arts, they developed a desires. Using methods drawn from the such desires. Using methods drawn
series of experimental fields of study for the arts, they developed a series of experi- from the arts, they developed a series of
construction of such, like unitary urbanism. mental fields of study for the construc- experimental fields of study for the con-
The sense of constructing situa- tion of such, like unitary urbanism. struction of such, like unitary urbanism.
tions is to fulfill human primitive desires The sense of constructing situations The sense of constructing situations
and pursue a superior passional quality. is to fulfill human primitive desires and is to fulfill human primitive desires and
From Internationale Situationiste #1: “This pursue a superior passional quality. From pursue a superior passional quality. From
alone can lead to the further clarifica- Internationale Situationiste #1: “This alone Internationale Situationiste #1: “This
tion of these simple basic desires, and to can lead to the further clarification of alone can lead to the further clarifica-
the confused emergence of new desires these simple basic desires, and to the con- tion of these simple basic desires, and to
whose material roots will be precisely the fused emergence of new desires whose the confused emergence of new desires
new reality engendered by situationist material roots will be precisely the new whose material roots will be precisely the
constructions. We must thus envisage a reality engendered by situationist con- new reality engendered by situationist
sort of situationist-oriented psychoanalysis structions. We must thus envisage a sort constructions. We must thus envisage
in which, in contrast to the goals pursued of situationist-oriented psychoanalysis a sort of situationist-oriented psycho-
by the various currents stemming from in which, in contrast to the goals pursued analysis in which, in contrast to the
Freudianism, each of the participants in by the various currents stemming from goals pursued by the various currents
this adventure would discover desires for Freudianism, each of the participants in stemming from Freudianism, each of

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The Spanish War, which began in 1739, and the The Spanish War, which began in 1739, and the
French war which soon followed it occasioned French war which soon followed it occasioned
further increase of the debt, which, on the 31st of further increase of the debt, which, on the 31st of
December 1748, after the war had been concluded December 1748, after the war had been concluded
by the Treaty of Aix-la-Chapelle, amounted to by the Treaty of Aix-la-Chapelle, amounted to
£78,293,313. The most profound peace of seven-
£78,293,313. The most profound peace of seven-
teen years continuance had taken no more than
teen years continuance had taken no more than
£8,328,354 from it. A war of less than nine years’
continuance added £31,338,689 to it. (Refer to £8,328,354 from it. A war of less than nine years’
James Postlethwaite’s The History of the Public continuance added £31,338,689 to it. (Refer to
Revenue.) During the administration of Mr. Pel- James Postlethwaite’s The History of the Public
ham, the interest of the public debt was reduced, Revenue.) During the administration of Mr. Pel-
or at least measures were taken for reducing it, ham, the interest of the public debt was reduced,
from four to three per cent; the sinking fund was or at least measures were taken for reducing it,
increased, and some part of the public debt was from four to three per cent; the sinking fund was
paid off. In 1755, before the breaking out of the late increased, and some part of the public debt was
war, the funded debt of Great Britain amounted to paid off. In 1755, before the breaking out of the late
£72,289,673. On the 5th of January 1763, at the
war, the funded debt of Great Britain amounted to
conclusion of the peace, the funded debt amount-
£72,289,673. On the 5th of January 1763, at the
ed to £122,603,336. The unfunded debt has been
stated at £13,927,589. conclusion of the peace, the funded debt amount-
ed to £122,603,336. The unfunded debt has been
stated at £13,927,589.

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The Spanish War, which began in 1739, and the The Spanish War, which began in 1739, and the
French war which soon followed it occasioned French war which soon followed it occasioned
further increase of the debt, which, on the 31st of further increase of the debt, which, on the 31st of
December 1748, after the war had been concluded December 1748, after the war had been concluded
by the Treaty of Aix-la-Chapelle, amounted to by the Treaty of Aix-la-Chapelle, amounted to
£78,293,313. The most profound peace of seven-
£78,293,313. The most profound peace of seven-
teen years continuance had taken no more than
teen years continuance had taken no more than
£8,328,354 from it. A war of less than nine years’
£8,328,354 from it. A war of less than nine years’
continuance added £31,338,689 to it. (Refer to
continuance added £31,338,689 to it. (Refer to
James Postlethwaite’s The History of the Public
Revenue.) During the administration of Mr. Pel- James Postlethwaite’s The History of the Public
ham, the interest of the public debt was reduced, Revenue.) During the administration of Mr. Pel-
or at least measures were taken for reducing it, ham, the interest of the public debt was reduced,
from four to three per cent; the sinking fund was or at least measures were taken for reducing it,
increased, and some part of the public debt was from four to three per cent; the sinking fund was
paid off. In 1755, before the breaking out of the late increased, and some part of the public debt was
war, the funded debt of Great Britain amounted to paid off. In 1755, before the breaking out of the late
£72,289,673. On the 5th of January 1763, at the war, the funded debt of Great Britain amounted to
conclusion of the peace, the funded debt amount- £72,289,673. On the 5th of January 1763, at the
ed to £122,603,336. The unfunded debt has been
conclusion of the peace, the funded debt amount-
stated at £13,927,589.
ed to £122,603,336. The unfunded debt has been
stated at £13,927,589.

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ČESKÝ (CZECH) DANSK (DANISH)


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Ačkoli klimšova nenapsala knih mnoho, přece Der var en lille havfisk af god familie, navnet hu-
zná ji ta naše četbychtivá mládež tuze dobře. Zná sker jeg ikke, det må de lærde sige dig. Den lille fisk
ji zejména z knih: Z jara do léta, Kniha báchorek, havde attenhundrede søskende, alle lige gamle;
Paleček a Malenka, Z ráje, Rodinná skřínka a j., a de kendte ikke deres fader eller moder, de måtte
pak z různých časopisů pro mládež, do nichž velice straks skøtte sig selv og svømme om, men det var
pilně přispívá. Její práce vesměs děti naše rády en stor fornøjelse; vand havde de nok at drikke,
čítají, poněvadž skutečně vynikají vším, čeho se hele verdenshavet, føden tænkte de ikke på, den
na dobré četbě žádá. Však Klimšova také pracuje kom nok; hver ville følge sin lyst, hver ville få sin
s láskou, pracuje opravdově vážně a nevydá nic na egen historie, ja det tænkte heller ingen af dem på.
světlo, co by důkladně nepodrobila soudu svému Solen skinnede ned i vandet, det lyste om dem, det
i soudu jiných. A to právě dodává jejím prácem té var så klart, det var en verden med de forunder-
pravé ceny. Nuže seznammež se se životem této ligste skabninger, og nogle så gruelig store, med
tiché a skromné pracovnice, seznammež se i s voldsomme gab, de kunne sluge de attenhundrede
jejími pěknými spisy. Klimšova narodila se 7. dne søskende, men det tænkte de heller ikke på, for
měsíce prosince roku 1851. v Poličce. Otec její byl ingen af dem var endnu blevet slugt. De små svøm-
dosti zámožným a váženým měšťanem, měltě v mede sammen, tæt op til hverandre, som sildene
Poličce dům a byl dlouhá léta členem obecního og makrellerne svømmer; men som de allerbedst
zastupitelstva, ba i městským radním. Při domě svømmede i vandet og tænkte på ingenting, sank,
měli Klimšovi zahrádku. Něžná matka Bohumilčina med forfærdelig lyd, ovenfra, midt ned imellem
milovala totiž velice květiny a při tom lnula také dem, en lang, tung ting, der slet ikke ville holde op;
velikou láskou ku zvířatům. Byla dobra, o vše, ale længere og længere strakte den sig, og hver af
zvláště o děti své starostliva, při tom pilna, šetrna småfiskene, som den ramte, blev kvast eller fik et

DEUTSCH (GERMAN) ESPAÑOL (SPANISH)


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Sehen wir das Gesamtbild unseres heutigen En esta conferencia no pretendo, como en
Lebens nur mit unseren Augen an, so können wir anteriores, definir, sino subrayar; no quiero dibujar,
die Folgerung ziehen, daß dieses Gebilde einen sino sugerir. Animar, en su exacto sentido. Herir
chaotischen Charakter trägt, und es kann uns nicht pájaros soñolientos. Donde haya un rincón oscuro,
wundern, daß diejenigen, welche sich in diesem poner un reflejo de nube alargada y regalar unos
scheinbaren Chaos unwohl fühlen, der Welt entflie- cuantos espejos de bolsillo a las señoras que
hen oder sich in geistigen Abstraktionen verlieren asisten. He querido bajar a la ribera de los juncos.
wollen. Doch jedenfalls muß es uns klar sein, daß Por debajo de las tejas amarillas. A la salida de
diese Flucht vor der Wirklichkeit ein ebenso großer las aldeas, donde el tigre se come a los niños.
Irrtum ist wie jene Anlehnung an den reinsten Estoy en este momento lejos del poeta que mira
Materialismus. Weder die Flucht in das Mittelalter, el reloj, lejos del poeta que lucha con la estatua,
noch der von verschiedenen Kunsthistorikern que lucha con el sueño, que lucha con la anato-
empfohlene Wiederaufbau des Olympos kann und mía; he huido de todos mis amigos y me voy con
die Lösung bringen. Unsere Zeit hat eine andere aquel muchacho que se come la fruta verde y mira
Mission zu erfüllen als die des Mittelalters und des cómo las hormigas devoran al pájaro aplastado
Hellenismus. Um die Aufgabe unserer Zeit richtig por el automóvil. Por las calles más puras del
zu verstehen, ist es notwendig, daß wir nicht nur pueblo me encontraréis; por el aire viajero y la luz
mit unseren Augen, sondern vielmehr mit unseren tendida de las melodías que Rodrigo Caro llamó
innerlichen Sinnesorganen die Lebensstruktur er- “reverendas madres de todos los cantares”. Por
fassen. Haben wir einmal die Synthese des Lebens todos los sitios donde se abre la tierna orejita rosa
aus der Tiefe unseres Wesens gewonnen und als del niño o la blanca orejita de la niña que espera,
Inhalt von Kultur und Kunst anerkannt, so wird es llena de miedo, el alfiler que abra el agujero para

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FRANÇAIS (FRENCH) BAHASA INDONESIA (INDONESIAN)


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Dada a son origine dans le dictionnaire. C’est Hari yang panas itu berangsur-angsur menjadi
terriblement simple. En français cela signifie «che- dingin, karena matahari, raja siang itu, akan masuk
val de bois». En allemand «va te faire, au revoir, ke dalam peraduannya, ke balik Gunung Sibual-
à la prochaine». En roumain «oui en effet, vous buali, yang menjadi watas dataran tinggi Sipirok
avez raison, c’est ça, d’accord, vraiment, on s’en yang bagus itu. Langit di sebelah barat pun merah
occupe», etc. C’est un mot international. Seulement kuning rupanya, dan sinar matahari yang turun itu
un mot et ce mot comme mouvement. Très facile nampaklah di atas puncak kayu yang tinggi-tinggi,
à comprendre. Lorsqu’on en fait une tendance indah rupanya, sebagai disepuh dengan emas
artistique, cela revient à vouloir supprimer les juwita. Angin gunung yang lemah-lembut itu pun
complications. Psychologie Dada. Allemagne Dada berembuslah, sedap dan nyaman rasanya bagi
y compris indigestions et crampes brouillardeuses, orang-orang kampung yang sedang di perjalanan
littérature Dada, bourgeoisie Dada et vous, très vé- kembali dari kebun kopi, yang terletak di lereng gu-
nérés poètes, vous qui avez toujours fait de la poé- nung dan bukit-bukit yang subur itu. Maka angin itu
sie avec des mots, mais qui n’en faites jamais du pun bertambahlah sedikit kerasnya, sehingga daun
mot lui-même, vous qui tournez autour d’un simple dan cabang-cabang kayu itu bergoyang-goyang
point en poétisant. Guerre mondiale Dada et pas perlahan-lahan sebagai menunjukkan kegirangan-
de fin, révolution Dada et pas de commencement. nya, karena cahaya yang panas itu sudah bertukar
Dada, amis et soi-disant poètes, très estimés fabri- dengan hawa yang sejuk dan nyaman rasanya.
cateurs et évangélistes Dada Tzara, Dada Huelsen- Batang padi yang tumbuh di sawah yang luas itu
beck, Dada m’dada, Dada m’dada, Dada mhm, pun dibuai-buaikan angin, sebagai ombak yang
dada dera dada, Dada Hue, Dada Tza. Comment berpalu-paluan di atas laut yang lebar; sawah yang
obtenir la béatitude ? En disant Dada. Comment seluas itu pun tiadalah ubahnya dengan lautan, se-

ITALIANO (ITALIAN) MAGYAR (HUNGARIAN)


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Dapprima, ripetendendo l’errore commesso in Hajnali két órakor a segédtiszt belépett a


gioventù, scrisse di animali che conosceva poco, tábornok szobájába és jelentette, hogy a járőrök
e le sue favole risonarono di ruggiti e barriti. Poi si elindultak a hodricsi úton. Az asztalra állított
fece più umano, se così si può dire, scrivendo degli petróleumlámpa körül szétteregetett tereprajzok
animali che credeva di conoscere. Così la mosca gli és jelentések hevertek, rajtuk keresztbe dobva egy
regalò una gran quantità di favole dimostrandosi un ezüstgombos lovaglópálca. A tábornok a szoba
animale più utile di quanto si creda. In una di quelle közepén állt és hideg arccal hallgatta a segédtiszt
favole ammirava la velocità del dittero, velocità szavait. Kurtára nyírt szakála rőtesen csillogott a
sprecata perchè non gli serviva nè a raggiunge- lámpafényben. Aranykeretes szemüvege mögül
re la preda nè a garantire la sua incolumità. Qui jeges nyugalommal csillámlottak elő kék szemei.
faceva la morale una testuggine. Un’altra favola Csupa energia volt ez a hat láb magas, karcsú
esaltava la mosca che distruggeva le cose sozze ember, aki egy hónap előtt vette át a feldunai
da essa tanto amate. Una terza si meravigliava che hadtest parancsnokságát. De most mégis, mintha
la mosca, l’animale più ricco d’occhi, veda tanto valami fáradtságot vagy inkább fásultságot árultak
imperfettamente. Infine una raccontava di un uomo volna el mozdulatai. Némán bólintott s mikor a
che, dopo di aver schiacciato una mosca noiosa, segédtiszt mögött becsukódott az ajtó, kimerülten
le gridò: “Ti ho beneficata; ecco che non sei più dobta magát a kopott díványra. Két nap óta mindig
una mosca”. Con tale sistema era facile di avere talpon volt s egyik izgalom a másik után érte. A
ogni giorno la favola pronta col caffè del mattino. Szélakna irányában fekvő főcsapat felé haladó
Doveva venire la guerra ad insegnargli che la favola ellenség már egy napi előnyt nyert a Zsarnócra
poteva divenire un’espressione del proprio animo, kirendelt zászlóalj parancsnokának ügyetlensége
il quale così inseriva la mummietta nella macchi- folytán. Első felindulásában maga vette át a

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BAHASA MELAYU (MALAY) POLSKI (POLISH)


REVIEW REGULAR, REGULAR ITALIC, 9/12 PT [TRACKING +8] REVIEW REGULAR, REGULAR ITALIC, 9/12 PT [TRACKING +8]

Malam merangkak dari senja ke maghrib dan Od wczoraj jakiś niepokój panuje w uliczce. Stary
terns masuk waktu isyak. Lahuma sedang bert- Mendel dziwi się i częściej niż zwykle nakłada
impuh di atas tikar mengkuang sambil kedua-dua krótką łajkę patrząc w okno. Tych ludzi nie widział
belah tangannya tercantum menadah langit. Jeha on tu jeszcze. Gdzie idą? Po co przystają z robotni-
yang berada di belakangnya dalam keadaan serba kami, śpieszącymi do kopania fundamentów pod
putih bertimpuh dengan kemas sekali. Mukanya di- nowy dom niciarza Greulicha? Skąd się tu wzięły te
tutup rapat dengan kedua-dua belah tapak tangan. obszarpane wyrostki? Dlaczego patrzą tak po
Masingmasing bermohon doa kepada Allah S.W.T. sieniach? Skąd mają pieniądze, że idą w pięciu do
Esok akan berjuanglah mereka selama beberapa szynku? Stary Mendel kręci głową, smokcząc mały,
bulan. Selagi padi tidak masuk jelapang dengan silnie wygięty wiśniowy cybuszek. On zna tak
selamat, selagi itulah perjuangan belum selesai. dobrze tę uliczkę cichą. Jej fizjonomię, jej ruch. jej
Hal ini disedari oleh Lahuma, juga turut disedari głosy, jej tętno. Wie, kiedy zza którego węgła wyjrzy
oleh Jeha. Azam Lahuma tidak mahu melangkah tu- w dzień pogodny słońce; ile dzieci przebiegnie
run esok pagi-pagi tanpa keizinan Yang Maha Esa. rankiem, drepcąc do ochronki, do szkoły; ile
Kedua-dua belah tangannya ditadah. Sudut hatinya zwiędłych dziewcząt w ciemnych chustkach, z
melupakan segala kerumitan, hanya tertumpu małymi blaszeczkami w ręku przejdzie po trzy, po
pada Allah. “Ya Allah, Yang Maha Besar, Yang Maha cztery, do fabryki cygar na robotę; ile kobiet
Agung, benarkanlah aku mula bekerj a esok dan przystanie z koszami na starym, wytartym chodni-
biarlah selama itu aku dilindungi oleh-MU. Jauh- ku, pokazując sobie zakupione jarzyny, skarżąc się
kan aku daripada segala bencana alam, daripada na drogość jaj, mięsa i masła; ilu wyrobników
segala peny akit, daripada lipan-lipan dan ular-ular przecłapie środkiem bruku, ciężkim chodem nóg
dan kala jengking yang bisa-bisa. Singkirkan segala obutych w trepy, niosąc pod pachą węzełki, a w

PORTUGUÊS (PORTUGUESE) SUOMI (FINNISH)


REVIEW REGULAR, REGULAR ITALIC, 9/12 PT [TRACKING +8] REVIEW REGULAR, REGULAR ITALIC, 9/12 PT [TRACKING +8]

D. Benedita levantou-se, no dia seguinte, com a He olivat ystäviä ystävyydessä, joka oli lähei-
idéia de escrever uma carta ao marido, uma longa sempää kuin veljeys. Nello oli pieni Ardennelainen
carta em que lhe narrasse a festa da véspera, — Patras suuri Flamandilainen. He olivat saman
nomeasse os convivas e os pratos, descrevesse a ikäisiä vuosilla mitattuna, mutta kuitenkin toinen
recepção noturna, e, principalmente, desse notícia oli vielä nuori, toinen oli jo vanha. He olivat asuneet
das novas relações com D. Maria dos Anjos. A mala yhdessä koko ikänsä; molemmat he olivat orpoja
fechava-se às duas horas da tarde, D. Benedita ja kurjia sekä saivat leipänsä samasta kädestä. Se
acordara às nove, e, não morando longe (morava oli ollut heidän siteensä alku, heidän ensimmäinen
no Campo da Aclamação), um escravo levaria a sympatian säikeensä; se oli vahvistunut päivä
carta ao correio muito a tempo. Demais, chovia; D. päivältä ja kasvanut heidän mukanaan kiinteänä
Benedita arredou a cortina da janela, deu com os ja erottamattomana niin, että he alkoivat rakastaa
vidros molhados; era uma chuvinha teimosa, o céu toisiansa erittäin paljon. Heidän kotinsa oli pieni
estava todo brochado de uma cor pardo-escura, mökki pienen Flamandilaisen kylän reunalla, penin-
malhada de grossas nuvens negras. Ao longe, kulman päässä Antverpenistä. Kylä sijaitsi leveiden
viu flutuar e voar o pano que cobria o balaio que laidunkaistaleiden ja viljavainioiden välissä, ja sen
uma preta levava à cabeça: concluiu que ventava. läpi virtaavan suuren kanavan reunamilla kasvoi
Magnífico dia para não sair, e, portanto, escrever pitkät rivit tuulessa taipuvia poppeleita ja tervalep-
uma carta, duas cartas, todas as cartas de uma piä. Siinä oli parikymmentä maatilaa ja taloa, joiden
esposa ao marido ausente. Ninguém viria tentá- ikkunaluukut olivat kirkkaan vihreät tai taivaansini-
-la. Enquanto ela compõe os babadinhos e rendas set ja katot ruusunpunaiset tai mustavalkoiset sekä
do roupão branco, um roupão de cambraia que o seinät niin valkoisiksi maalatut, että ne loistivat
desembargador lhe dera em 1862, no mesmo dia auringossa kuin puhdas lumi. Kylän keskustassa oli

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SVENSKA (SWEDISH) WIKANG TAGALOG (TAGALOG)


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Klockan var mellan åtta och nio den vackra Nag-anyaya ng pagpapacain nang isáng hapunan,
majmorgonen, då Arvid Falk efter scenen hos ng magtátapos ang Octubre, si Guinoong Santiago
brodern vandrade gatorna framåt, missnöjd med de los Santos, na lalong nakikilala ng bayan sa
sig själv, missnöjd med brodern och missnöjd med pamagát na Capitang Tiago, anyayang bagá man
det hela. Han önskade att det vore mulet och att niyón lamang hapong iyón canyang inihayág, laban
han hade dåligt sällskap. Att han var en skurk, det sa dati niyang caugalìan, gayón ma’y siyang dahil
trodde han icke fullt på, men han var icke nöjd med na ng lahát ng mga usap-usapan sa Binundóc,
sig själv, han var så van att ställa höga fordringar sa iba’t ibang mga nayon at hanggang sa loob ng
på sig, och han var inlärd att i brodern se ett slags Maynílà. Ng panahóng yao’y lumalagay si Capitang
styvfar, för vilken han hyste stor aktning, nästan Tiagong isáng lalaking siyang lalong maguilas, at
vördnad. Men även andra tankar döko upp och talastas ng ang canyang bahay at ang canyang
gjorde honom bekymrad. Han var utan pengar och kinamulatang bayan ay hindî nagsásara ng pintô
utan sysselsättning. Detta senare var kanske det canino man, liban na lamang sa mga calacal ó sa
värsta ty sysslolösheten var honom en svår fiende, anó mang isip na bago ó pangahás. Cawangis ng
begåvad med en aldrig vilande fantasi som han kisláp ng lintíc ang cadalîan ng pagcalaganap ng
var. Under ganska obehagliga funderingar hade balítà sa daigdigan ng mga dápò, mga langaw
han kommit ner på Lilla Trädgårdsgatan; han följde ó mga “colado”, na kinapal ng Dios sa canyang
vänstra trottoaren utanför Dramatiska Teatern och waláng hanggang cabaitan, at canyang pinararami
befann sig snart inne på Norrlandsgatan; han vand- ng boong pag-irog sa Maynílà. Nangagsihanap ang
rade utan mål och gick rätt fram; snart började ibá nang “betún” sa caniláng zapatos, mga botón at
stenläggningen bli ojämn, träkåkar efterträdde corbata naman ang ibá, nguni’t siláng lahát ay nan-
stenhusen, illa klädda människor kastade miss- gag iisip cung paano cayâ ang mabuting paraang

TIẾNG VIỆT (VIETNAMESE) TÜRKÇE (TURKISH)


REVIEW REGULAR, REGULAR ITALIC, 9/12 PT [TRACKING +8] REVIEW REGULAR, REGULAR ITALIC, 9/12 PT [TRACKING +8]

Ông ấy nói thế một cách sốt sắng chẳng kém Sadık genç, araladığı kapıyı çekince, yine birden
những người gầy gò ốm yếu không hề tập thể thao kararan sanduka sükunu içinde, İskender Paşa,
bao giờ và chỉ xui giục kẻ khác. Nguyên do ông ấy là galeyansız ibadetine başlardı. Artık dünyaya dair
một du học sinh quay về tổ quốc mà không có một hiçbir ümidi kalmamıştı. İstediği yalnız bir iman
mảnh văn bằng nào cả. Hình như ở bên Pháp, ông selametiydi. Vâkıa korkak bir adam değildi. Ama,
là bạn thân của những nhà chính trị đã từng làm thứ muhakkak bir ölümü her gün, her saat, her dakika,
trưởng, thượng thư, văn hào, vân vân, những vị có hatta her saniye beklemek… Onun cesaretini kırmış,
danh tiếng mà báo chí Việt Nam cũng nhắc nhỏm sinirlerini zayıflatmıştı. Düşündükçe, ensesinde
tới. Sở Liêm Phóng Securité đã cắt hai viên thám tử soğuk bir satırın sarih temasını duyar gibi oluyordu.
đi dò ông. Sau ba tháng ròng rã hai viên thám tử chỉ Bu sarih temas silinirken karşısına kendi boğuk
thấy những hành tung bí mật của ông là: hút thuốc hayali gelirdi; gözleri patlamış, kavuğu bir tarafa
lá Camel. Về sau ông lấy vợ giàu. Có vợ rồi, ông đặt yuvarlanmış, boynu yağlı bir kement ile sıkılmış,
là Văn Minh. Sở Liên Phóng Securité lại phải một ayağından pabuçları çıkmış, ipek kuşağı çözülmüş,
phen lo sợ. Dò mãi mới biết rằng tên của vợ ông là karanlık, köpüklü ağzından siyah dili sarkmış bir
Văn, của ông là Minh thì ông đặt ngay là Văn Minh, naaş… İskender Paşa’nın yerde sürünen ölüsü!
tên vợ ở trên tên ông, tên ông đội dưới, cho nó có vẻ Titrer, gözlerini oğuşturur, yine salât-ü selamlarını
nịnh đầm. Thế thôi, chứ ông chẳng phản đối, cũng çekmeye başlardı. Yakın akıbetinin bu uzvî hatırası
chẳng cải cách, quốc gia, quốc tế chi chi, cũng o kadar bariz, o kadar kuvvetliydi ki… Çocukluğunun
không cả. Từ độ được nhiều người gọi là Văn Minh, saf muhayyilesini süsleyen cennet bahçelerini, hûri,
ông ta thấy cần phải chủ trương cuộc Âu hoá thì cái gılman alaylarını, Tûba ağacını, Sırat köprüsünü
tên mới khỏi vô nghĩa. Một cái linh hồn khoẻ trong şimdi düşünemiyordu bile… Zihni durmuştu.
một xác thịt khoè! Phát minh được chân lý ấy rồi, Sinirleri, beyni pek yorgundu. Yemek yiyemiyordu.

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Review 30 of 33

UPPERCASE

LOWERCASE

SMALL CAPS

STANDARD PUNCTUATION

ALL CAP PUNCTUATION

SMALL CAP PUNCTUATION

LIGATURES

PROPORTIONAL LINING
default figures

TABULAR LINING

SMALL CAP
PROPORTIONAL LINING

SMALL CAP
TABULAR LINING

PREBUILT FRACTIONS

NUMERATORS &
DENOMINATORS

SUPERSCRIPT &
SUBSCRIPT

STYLISTIC ALTERNATES

ARROWS

ACCENTED UPPERCASE

ACCENTED LOWER CASE

ACCENTED SMALL CAPS

Commercial commercialtype.com
Review 31 of 33

UPPERCASE

LOWERCASE

STANDARD PUNCTUATION

LIGATURES

PROPORTIONAL LINING
default figures

TABULAR LINING

PREBUILT FRACTIONS

NUMERATORS &
DENOMINATORS

SUPERSCRIPT &
SUBSCRIPT

STYLISTIC ALTERNATES

ARROWS

ACCENTED UPPERCASE

ACCENTED LOWER CASE

Commercial commercialtype.com
Review 32 of 33

OPENTYPE FEATURES DEACTIVATED ACTIVATED


FAMILY WIDE

SMALL CAPS
¿¡Fish & ‘Chips’ for £2 / $5!? ¿¡Fish & ‘Chips’ for £2 / $5!?
ALL SMALL CAPS
includes punctuation & figures ¿¡Fish & ‘Chips’ for £2 / $5!? ¿¡Fish & ‘Chips’ for £2 / $5!?
ALL CAPS
opens up spacing, moves ¿¡Fish & ‘Chips’ for £2 / $5!? ¿¡FISH & ‘CHIPS’ FOR £2 / $5!?
punctuation up

PROPORTIONAL LINING
default figures Sale Price: $3,460 €1,895 Sale Price: $3,460 €1,895
Originally: ¥7,031 £9,215 Originally: ¥7,031 £9,215
TABULAR LINING
Sale Price: $3,460 €1,895 Sale Price: $3,460 €1,895
Originally: ¥7,031 £9,215 Originally: ¥7,031 £9,215
SMALL CAP
PROPORTIONAL LINING Sale Price: $3,460 €1,895 Sale Price: $3,460 €1,895
Originally: ¥7,031 £9,215 Originally: ¥7,031 £9,215
SMALL CAP
TABULAR LINING Sale Price: $3,460 €1,895 Sale Price: $3,460 €1,895
Originally: ¥7,031 £9,215 Originally: ¥7,031 £9,215

FRACTIONS
ignores numeric date format 21/03/10 and 2 1/18 460/920 21/03/10 and 2 1/18 460/920
SUPERSCRIPT/SUPERIOR
x158 + y23 × z18 − a4260 x158 + y23 × z18 − a4260
SUBSCRIPT/INFERIOR
x158 ÷ y23 × z18 − a4260 x158 ÷ y23 × z18 − a4260
DENOMINATOR
for making arbitrary fractions 0123456789 0123456789 0123456789 0123456789
NUMERATOR
for making arbitrary fractions 0123456789 0123456789 0123456789 0123456789

LANGUAGE FEATURE
Català (Catalan) ŀ glyph SÍL·LABA col·lecció cal·ligrafia SÍL·LABA col·lecció cal·ligrafia
LANGUAGE FEATURE
Română (Romanian) s accent CONŞTIINŢA însuşi ştiinţifice CONŞTIINŢA însuşi ştiinţifice

OPENTYPE FEATURES DEACTIVATED ACTIVATED


ROMAN & ITALIC

STYLISTIC SET 01
alternate a Made an average of £712,450 Made an average of £712,450
STYLISTIC SET 02
alternate g Regularizing storage regimens Regularizing storage regimens
STYLISTIC SET 03
alternate M Modifying 12-Cylinder Motors Modifying 12-Cylinder Motors
STYLISTIC SET 04
alternate K k Knowingly risky line of attack Knowingly risky line of attack
STYLISTIC SET 05
alternate R Bridges span the Rhine River Bridges span the Rhine River
STYLISTIC SET 06
alternate W Weathered from World War 2 Weathered from World War 2
STYLISTIC SET 12
round punctuation and accents Their witty reëlection “jingle!” Their witty reëlection “jingle!”

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Review 33 of 33

STYLES INCLUDED IN COMPLETE FAMILY ABOUT THE DESIGNER

Review Thin Berton Hasebe (born 1982) moved from Hawaii to


Review Thin Italic study and work in Los Angeles, obtaining a BFA from
Review Light Otis College of Art and Design in 2005. In 2007 he
Review Light Italic moved to the Netherlands to study type design through
Review Regular the Type and Media masters course at the Royal
Review Regular Italic Academy of Art (KABK) in The Hague. Berton has re-
Review Medium sided in New York since 2008, and was a staff designer
Review Medium Italic with Commercial Type from 2008 to 2013, when he left
Review Bold to start his own studio.
Review Bold Italic Berton’s typefaces have been awarded by the New
Review Heavy York and Tokyo Type Directors Club, the ATypI, and the
Review Heavy Italic Brno Biennial. In 2012 he was awarded Print Magazine’s
Review Black 20 Under 30 Award. Berton has previously taught at
Review Black Italic Parsons School of Design, the Type@Cooper Extended
Program at The Cooper Union, and the University of the
Arts in Philadelphia.
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trademark of Schwartzco Inc., dba Commercial Type.

This file may be used for evaluation purposes only.

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