Glimpse

Of Us
Joji arr. Daniel Almaraz

 
           
Slowly
Vocals

 
                               

 
   
               

Piano





           
     
9

    
Vox.



   
              
She'd take the world off my should ers if it was e ver hard to move.


        
     

Pno.





    
    
13

             
Vox.


                   
She'd turn the rain to a rain bow when I was li ving in the blue.

      
            

Pno.


      
2

              
  
17

Vox.


                   
Why then, if she's so per fect, do I still wish that it was you?

        
     

Pno.


  
       
21

         
Vox.


                   
Per fect don't mean that it's work ing so what can I do? When you're

      
            

Pno.

   
       
25

    
 
Vox.


         
out of sight in my mind. 'Cause some times I look in her

   



              

 
Pno.






 

        
         
30

  
Vox.


                   
eyes and that's where I find a glimpse of us. And I try to fall for her touch

 
                    
  
Pno.


         
3

                
 
34

Vox.


                  
but I'm think ing of the way it was. Said, "I'm fine" and said, "I moved

 
                
  
Pno.


                      

38

Vox.


           
on" I'm on ly here pass ing time in her arms ho ping I find a gli mpse

       


       
   
Pno.

  
 

         
 
43

           
Vox.




             
of us. Tell me he sa vors your glo ry. Does he

     

 
    
  
  
Pno.





           

47

          
Vox.


                       
laugh the way I did? Is this a part of your sto ry? One that

     
   
         

Pno.


 
4

        
            
51

Vox.


              
I had ne ver lived? May be one day you'll feel lone ly and in his

       
 
        
     

Pno.

     
    
55

     
Vox.

         
          
eyes, you'll see a glimpse. May be you'll start sli ppin'

      
   
       

Pno.


  
      
58

        
Vox.


                    
slow ly and find me a gain. When you're out of sight in my

    
                 
 
Pno.








     
       
64

    
Vox.


           
mind. 'Cause some times I look in her eyes and that's where I


               

 
Pno.



    
5

      
           
67


Vox.


                   
find a glimpse of us. And I try to fall for her touch but I'm think ing

                    
  
Pno.

    
                 
71

Vox.

 
                
of the way it was. Said, "I'm fine" and said, "I moved on" I'm on ly

 
                 
  
Pno.


                     
 
75

Vox.


     
here pass ing time in her arms ho ping I find a gli mpse of us.

 
Ooh

            

  
  
    
Pno.

  
 

      

             
80


Vox.


                                
ooh Ooh ooh 'Cause some

     
     
     
Pno.

  
    
6

       
         
87

   
Vox.

 
                
times I look in her eyes and that's where I find a glimpse of us. And I

                  
 
Pno.

       
               
  
91


Vox.


                   
try to fall for her touch but I'm think ing of the way it was. Said, "I'm


                   
 
Pno.

 
                    
95

Vox.


               
fine" and said, "I moved on" I'm on ly here pass ing time in her arms ho ping I

    
          
  
Pno.

     
  



                  

99
rit... Rubato
Vox.

 

 
             
find a gli mpse of us.

        

  
               
 
Pno.

  

