12

Cont
empor
aryPhi
l
ippi
ne
Ar
tsf
rom t
heRegi
ons
Quar
ter1–Modul
e3:
Fi
l
ipi
noAr
ti
str
yati
tsFi
nest

http:
//ri
annehil
l
soriano.com/bl
og/
young-f
il
mmaker
-s-
tal
e-about
-nat
ional
-ar
ti
st-
for
-ci
nema-
kidl
at-
tahimik/
https:
//xsi
lr
c.wordpress.com/t
ag/
fil
i
pini
ana/

0
Cont
empor
aryPhi
l
ippi
neAr
tsf
rom t
heRegi
ons–Gr
ade12

Quar
ter1–Modul
e3:
Fil
i
pinoAr
ti
str
yati
tsFi
nest

Republ
icAct8293,section176st at
est hat
:Nocopy r
ightshal
lsubsi
stinanywork
oftheGov ernmentoft
hePhi l
i
ppi nes.However,pri
orappr
ovalofthegover
nmentagencyor
offi
cewher eintheworkiscr eatedshallbenecessar yforexpl
oit
ati
onofsuchwor kfor
profi
t.Suchagencyoroffi
cemay ,amongot herthi
ngs,i
mposeasacondi ti
onthepayment
ofroyalti
es.

Borrowedmat erial
s( i
.
e.,songs,st
ori
es,poems,pict
ures,photos,brandnames,
trademar ks,etc.
)incl
udedi nthi
sbookar eownedbyt hei
rrespect
ivecopy ri
ghtholders.
Ev er
yef f
or thasbeenexertedtolocateandseekpermi
ssiontouset hesemat er
ial
sf r
om
theirrespectivecopyr
ightowners.Thepubli
sherandauthorsdonotr epresentnorclai
m
owner shi
pov ert
hem.

mm
Regi
onal
Dir
ect
or:
Gil
ber
tT.Sadsad

Assi
stantRegi
onal
Dir
ect
or:
Jessi
eL.Ami
n

Dev
elopmentTeam oft
heModul
e

Wr
it
ers:
Rey
mondAl
fr
edQ.Buñag

Edi
tor
s:Sal
vadorSamosa,
MT/Al
Bambi
noCami
no,
MT1

Rev
iewer
s:Nel
sonGomez,
EPS/Dar
cyGuyMañebo,
EPS

I
ll
ust
rat
or:
Rey
mondAl
fr
edQ.Buñag

Lay
outAr
ti
st:
Rey
mondAl
fr
edQ.Buñag

i
I
. I
ntr
oduct
ion
Fi
li
pinoart
ist
splayar ol
ei npresenti
ngandeducat i
ngusaboutourhi stor
yand
i
denti
ty.Ar
tist
smakeav i
sualrecordofthepeople,pl
acesandevent
softhei
rti
meandpl ace.
Theyhelpust oseetheworldinnew ori nnovat
ivewaysandmakef uncti
onalobject
sand
st
ruct
uresmor epl
easur
ableandelevatethem orimbuethem wi
thmeaning.

I
I. Obj
ect
ives

Expl
ains Fil
i
pino ar
tist
s’r
oles and i
dent
if
ythei
r cont
ri
but
ion t
o cont
empor
ary ar
ts
(CAR11/12CAP-0c-
e-5)

Att
heendofthismodule,thel
earnersareexpectedt o:
 Identi
fytheworksofFili
pinoArt
ists.
 DeterminetherolesofFil
ipi
noArtist
stocont empor aryart
s.
 Explai
nthesignif
icanceandimpactoft heirarti
str
yt othePhi
li
ppi
nesSoci
ety
.

I
II
. Vocabul
aryLi
st

Architect ure–t hear torsci enceofpl anni ngandbui ldingst ructures

Arti
st–onewhopr acticesanar t
;onewhocr eatesobj ect sofbeaut y 
Canv as–api eceofcl ot hprepar edasasur facef orapai nting
Composer-amusi cianwhoi sanaut horofmusi cinanyf or m
Choral -referst omusi cwhi chi ssungbyachoi rori nchor us
Dance–Anexpr essionr epresent edbyasetser i
esofbodymov ement s
Drawi ng–i scr eationofani mage,di agram oraf orm usi ngdr awi ngt ool
ssuchaspen,i nk,
brush, penci lmar kers,char coal s,crayons
Essay ist–aper sonwhowr it
esessay s, especi allyasal it
er ar ygenr e
Fashion–t omakeorf orm somet hing; apr evaili
ngcust om, usage, orstyle
Fi
lm –t omakeamot ionpi ctur e
Fi
ction– l i
ter atureint hef orm ofpr ose,especi al l
yshor tst oriesandnov els,thatdescr i
bes
i
magi nar yev ent sandpeopl e
FolkDance-adancedev elopedbyagr oupofpeopl efor mi ngat ribeornat ion
GrandCol l
ar–Ther ankandt itl
eof  Nat i
onalAr ti
st i
sconf erredbymeansofapr esi
dential
proclamat i
on 
Li
terat ure–i si magi nativewr itingwi thr ecogni zedar ti
sticv al ue
Orchest r
a–agr oupofi nstrument ali
st sor ganizedt oper for m ensembl emusi c
Painting– acr eati
v eexpr essi onusi ngpi gmentorcol oronasur f
acef oraest heticv al
ue
Poet–aper sonpossessi ngspeci alpower sofi magi nationorexpr essi
on
Sculptur e–usescar v i
ng, model i
ngf rom met als,cerami cs, woodorst one
Theat er–Anar eaf ordr amat icper f
ormancesandapl aceofenact mentofsi gnif
icantevents
VisualAr ts–t hear tst hatappeal st ot hev isualsenseandmay beconst r
uct edusi ngv ari
ed
medi umssuchas  painting, drawing, pr i
ntmaki ng, sculpture, cer ami cs,etc

Sour
ce:The Mer r
iam Webst
erDi
cti
onar
y,I
nter
nat
ionalEdi
ti
on,Mer
ri
am-
Webst
erI
ncor
por
ated Spr
ingf
iel
d,
Massachuset
ts,
2014

1
I
V. Pr
e-Test

I
denti
fi
cat
ion.I
dent
if
ythenameoft
heFi
l
ipi
noar
ti
str
efer
redt
oineachi
tem.Wr
it
eyour
answeronyournot
ebook.

1.____
_____
___He/Shei st heNat i
onalArti
stfortheat erwhowasbor ninRoxasCi t
y,
CapizonJanuary26,1917.
2.____
_____
___He/Shei stheNat i
onalArti
stwhoisat eacherandt heat
erart
istwith35
yearsofdevot
edprofessor shi
pinPhili
ppineperf
ormi ngar ts.
3.____
_____
___He/Shet heNat i
onalArt
isttaggedast heQueenofKundi man.
4.____
_____
___He/Shet henat i
onalart
istwhomadei ttot heGuinnessBookofWor ld
Recordsastheonlypersonabl etomakemusi cusingj ustaleaf
.
5.____
_____
___He/Shei st heNat i
onalArti
stforVisualar twhoemer gedasthe“ Father
ofModernPhili
ppi
nePai nting”

V. Lear
ningAct
ivi
ti
es

Bel
owar
ethenamesoft hePhi
li
ppi
neNat
ionalArti
sts.Di
stingui
shsomeofthef
aces
oft
heFi
l
ipi
noart
istt
hroughchoosi
ngont
hef ol
lowingchoicegivenbel
ow.

RamonValer
a JoseMar i
aZar
agoza
Fer
nandoPoeJr. LeviCel
eri
o
Fer
nandoAmorsol
o Benedi
ctoCabr
era

1._
___
___
_ 2._
___
___
_ 3._
___
___
_
(
Visual
Art
s) (
Fil
m) (
Fashi
onDesi
gn)

4._
___
___
_ 5._
___
___
_
(
Musi
c) (
Visual
Art
s)

Sour
ce:htt
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
li
ppi
nes/

2
 Nat
ional
Art
istofMusi
c

JoseMaceda,wasaFi l
ipinocomposer ,teacher,
performerandmusi cologist,Hisresear cheswer e
taken f r
om t he remotestmount ai nv il
l
age and
fart
hesti slandcommuni tieswhi chr esult
edi nthe
massi venumberofr ecordedmusi c.Maceda' slif
e
-l
ong dedi cati
on t o t he under standing and Nati
onalAr
ti
stforMusi
c(1997)
(Januar
y31,1917–May5, 2004)
popul ari
zationt otheFil
ipinot r
aditionalmusi c.He
wrot epaper saboutt henat ureofPhi l
ippinet r
adit
ionalandet hni cmusi ct hatenli
ght
ened,
both Fi l
ipino and f oreign schol ars.Hi s experi
ment ation al so f reed Fi l
ipi
no musical
expr essi
onsf rom ast ri
ctlyEur ocent r
icmol d.Ugma- ugma( 1963) ,Pagsamba( 1968)
,and
Udlot -
udlot( 1975)composi tionswer eusual l
yper f
ormedcommunalr i
t ual ,othersomemaj or
wor ksinclude:
 Pagsamba
 Kubi ng,Ugnay an
 Ar odi ng

Lucresia R. Kasi lag, per forming ar t

ist,
composer ,educator,administ
ratorandcul t
ur al
entr
epreneur of nat i
onal and i nternati
onal
cal
iber,hadr equi
reher sel
ftohonet heFil
ipino
appreciat
ion ofmusi c.Kasilag dev elop the
Fi
li
pinor ootst hr
oughf usi
ngt heet hicsmusi c
Nati
onalArt
istf
orMusi
c(1989)
(August31,1918–August16, wit
h west erni nfl
uences,who had l ed many
Fi
li
pinocomposer stoexper i
mentwi thsuchan
appr
oach.Heror
chest
ral
musicincl
udes
 LoveSongs
 AngPamana
 LegendoftheSar
imanok

LeviCel er
iowasbor ninTondo,Mani la.
Anexempl arylyr
icistandcomposerwho
receivedhisschol arshi
patt heAcademy
ofMusi cinMani l
awhi chal l
owedhi mt o
j
oin Mani l
a Sy mphonyas t he y oungest
member .Cel er
io also included i nt he
GuinnessBookofWor l
dRecor dsast he Nat
ional
Arti
stf
orLit
erat
ure/Musi
c
onlypersonabl etomakemusi cthrougha (
1997)

l
eaf .Hewasabl et ocomposeov er4,000
songs.Someofhi swor kmadef orlocalmovi
eswhi lesomebecamepopul arsongswhi
ch
i
ncluded
 SaanKaManNar oon?
 Kahi tKontingPagtingin

3
  I kaw
There was al ready Jov i
ta Fuent es
portr
ay ofCi o-Cio San i n Gi acome
Pucceni'
sMadameBut terf
lyatI t
aly'
s
TeatroMuni cipalediPi acenza,bef ore
Lea Salonga's br eak i nto Br oadway .
Herpor t
rayalwashai ledast he" most
subli
me i nterpretation of t he part".
This i s r emar kable because i t Nati
onalArt
istforMusi
c(1976)
(
Februar
y15,1895–August7,
happened at a t ime when Fi l
i
pino
people wer e scar cely hear d of i n
Europe,beforeleav ingf orMi l
ani n1924f orfur
therv oi cest udi es, shewast eachi
ngatt heUP
ConservatoryofMusi c( 1917) .Shemadeherst agedebutatt hePi acenza,afterei ght
mont hsofar duousoft rai
ning,Sgeembar kedonast ri
ngofmusi cper formancesi nEur ope
wit
h t he r oles of r oles of  Li
u Yu  in Pucci ni ’s Tur andot , Mimi i
n Puccini’
s La
Boheme,  
Ir
is i
n Pietro Mascagni ’ I
s ri
s,the tit
lerol e of  
Sal ome  (whi ch composerRi chard
Str
aussper sonal l
yof f
eredt oheri ncludi
ngt hespeci alr ol eofPr incess  YangGuiFe  in LiTai
Pe).Shewasgi vent heunpr ecedentedawar dof"Embahador adeFi lipinosasuMadr ePat ri
a"
bySpain.

Honor ata" At ang"Del aRama"Queen

ofkundi man i n 1979,Atageof74
singingt hesamesong( nabasagna
banga)t hatshesangasaf i
fteen-year -
oldgi r
linthesar aueladal agangbuki d.
Thev er
yf irstact ressint hev eryfirst
Nat
ionalArt
istf
orTheaterandMusic(1987) locall
y pr oduced Fi li
pino f i
lm when
(
January11,1902–July11,1991)
she essay ed t he same r ol
ei nt he
zarzuela'sf il
mv ersion,Atagesev en,
shewasalreadybei ngcasti nSpani shzar zuel assuchinMar i
na, Mascot a,SueñodeunVal s,
ther
oleofanor phani nPangar api nRosawashermostsat isfyingandr ewar dingr olet hat
she pl
ayed withr ealism,t he st age spar kling with sil
vercoi nst ossed bya t eary-ey ed
audi
ence,Atangf i
rml ybel iev est hatt hekundi manandsar swel aexpr essesbestFi l
i
pinosoul
and even perf
ormed kundi man and ot herFi l
ipi
no songsf ort he Aet asorNegr i
tosof
Zambalesandt heSi erraMadr e, theBagobosofDav aoandot herLumadofMi ndanao.

Sour
ce:htt
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
li
ppi
nes/

4
 Nat
ional
Art
istofDance

FranciscaRey esAqui noi sknownasFol k

Dance Pi oneer.In 1920’ s,she began her
researchonf olkdancesar rangedf oruseby
teachers and pl ayground i nstructors in
publi
candpr i
vateschool s.Sheser vedas
supervisor of phy sicaleducat ion at t he
Nati
onalArti
stforDance(1973) Bureau ofEducat i
on thatdi st
ributed her
(March9,1899–Nov ember21,
wor k and adapt ed t he t eachi
ng of f ol k
danci
ngasamedi um ofmaki ngy oungFi li
pinosawar eoft hei
rcul t
uralher i
tage,in1940’ s.
Sherecei
vedtheRepubl icAwar dofMer i
tgivenbyt hel at
ePr esi
dentRamonMagsay sayfor
outst
andi
ngcont ri
but i
ont owar dt headv ancementofFi li
pinoculture,oneamongt hemany
awardsandrecogniti
ongi v ent oher ,in1954.Someofherbooksi ncludethef oll
owi ng:
 Gy mnasticsforDaces( 1947)
 StepsandMusi c( 1948)
 Forei
gnFol kDances( 1949)
 Dancesf orall Occasi on( 1950)

Ramon Obusan was an ar ti

sti
c
director,dancer ,st age designerand
chor eogr apher.He i s except i
onalin
Phi l
i
ppi ne dance and cul turalwor k.
Also acknowl edged asar esearcher,
archiv i
st,anddocument aryfil
mmaker
who br oadened and deepened t he
Nati
onalArt
istf
orDance(2006) 
(June16,1938–December21, Fi
lipino under standing of hi s own
culturall ifeandexpr essi
ons.Hehad
aff
ectedculturalanddi plomat icexchangesusi ngthemul tif
ar i
ousaspect sanddi mensions
oftheartofdancet hrought heRamonObusanFol kl
ori
cGr oup( ROFG).
Someoft hef ul
l-
lengthpr oduct i
onshechor eogr aphedar et hef oll
owing:
 “ ObraMaest ra,
”acol lect ionofRamonObusan’ sdancemast erpi
eces
 “ Unpubl
ishedDancesoft hePhi li
ppi nes, ”Ser iesI
-I
V
 “ VamosaBel en!Series”( 1998- 2004)Phi lippineDancesTr adi t
ion
 “ NoonPosaAmi n,”tabl eauxofPhi lippi neHi stor
yinsong, dramaanddance

Ali
ceRey esisagr eatcontri
butorinthe
promotion and dev el
opment of
contempor arydancei nthePhi li
ppi
neas
dancer, chor eographer
,t eacher, and
dir
ector.Hergr eatestcontri
bution was
the dev elopment of uni quely Fil
ipi
no
moder n dance usi ng Fi
li
pino mat eri
als Nat
ionalAr
ti
stforDance(2014)
 
(Oct
ober14,1942)

5
i
deasexpr essed thr
ough movementsand st
ylesemanat
ing f
rom Phil
ippi
nei
ndi
genous
dance,
moder ndanceandclassi
calbal
let
.Someofhermast
erpi
eceincl
udes
 Amada  (1969),
 
 AtaMar anawGatheri
ng 
(1970)
 
 Iti
m- Asu 
(1971)
 Talesoft heManuvu (
1977)

LeonorOr osa Goqui ngco the “Trai

lbl
azer,
”
“MotherofPhi li
ppineTheat reDance”and
“Dean ofFi li
pino Performing Arts Cr
it
ics”,
pioneerFi l
ipi
no chor eographeri n bal
leti
c
folkl
ori
c,andAsi anstyles,producedforover
50y ear
shi ghlyori
ginal,fi
rst–of–a–ki nd
choreographies,most lyt o herown st ory
l
ines.Someoft heseinclude: Nati
onalArt
istf
orDance
(
July24,1917–July15,2005)

 “
TREND:ReturntoNat i
ve”
 “
InaJavaneseGar den”
 “
VINTA!
”
 “
InaConcentr
at i
onCamp”
 “
TheMagicGar den,”“

Lucreci
a Rey es-
Ur t
ula, chor eographer,
dance educat orand r esearcher ,spent
almostfourdecadesi nt hediscov eryand
study of Phi li
ppine f ol
k and et hnic
dances.Topr ojectanewexampl eofan
ethnicdancecul turet hatgoesbey ond
Nati
onal
Ar t
istf
orDance(
1988)
simple preservati
on and i nto cr eative
(June29,1929–August4,1999) growth,she appl i
ed herf indings.Ov er
thi
rtyy ears.
,she had chor eographed
suit
esofmount ai
ndances,Spani sh- influenced dances,Musl i
m pageant sand f estival
s,
regi
onalv ari
ati
onsand dancesoft he count rysi
de forthe Bay anihan Phi l
ippi ne Dance
Companyofwhi chshewas  thedancedi rect or.Thesedanceshav eal learnedcr i
ticalacclaim
andraver evi
ewsf r
om audi encesi nt hei rwor l
dtoursinAmer icas,Europe, Asia,Aust r
aliaand
Afri
ca.Someoft hewi
del yaccl ai meddancesshehadst agedwer ethef ol
lowi ng:
 Si ngkil
,
 ABay anihansi
gnat urenumberbasedonaMar anaoepicpoem;  
 Vi nta,adancehonor ingFi l
ipinosai lingpr owess
 Tagabi li
 Pagdi wat a

Sour
ce:ht
tps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
li
ppi
nes/

6
 Nat
ional
Art
istofTheat
er

DaisyH.Av el l
ana,i sanact or,director
andwr it
er.Bor ni nRoxasCi ty,Capi zon
Januar y 26, 1917, she el ev ated
l
egitimat etheat eranddr amat icar t
st oa
new l evelofexcel lencebyst agingand
performi nginbr eakthroughpr oduct ions
ofcl assicFilipinoandf oreignpl aysand
by encour aging t he est ablishmentof
Nat
(
i
onal
Januar
Art
i
y26,
stf
orTheat
er(
1917–May12,
1999)
2013)
pe r
fo r
mi ng group s and the
professionalizat i
on ofFi li
pino t heat er
.
Toget her wi th her husband,Nat ional
Arti
stLamber t
oAv el
lanaandot herar tist s,sheco- foundedt heBar angayTheat r
eGui l
di n
1939whi chpavedt hewayf ort hepopul ar izat i
onoft heat reanddr amat icartsint hecount ry
,
uti
li
zing r adi
o and t el
ev isi on. She st ar red in pl ays l i
ke Ot hell
o (1953), 
Macbet h i n
Black (
1959) ,
 
Casa de Ber nar da Al ba  (1967) ,
 Tatarin.She i s bestr emember ed forher
portr
ay alof 
Candi daMar asi gan  int hest ageandf i
lmv ersionsofNi ckJoaqui n’s Portraitof
theAr t
istasFili
pino.Someofherdi rect or ial credit
si nclude:
 Di egoSilang  (
1968)
 Wal angSugat  (1971)
 Sakay  (
1939)
 Por tr
aitoft heAr t
istasFi lipino  (
1955) .

Rol ando S.Ti nio,poet ,t eacher ,cr it

ic,
play wr i
ght ,thespian, andt ransl atormar ked
hiscar eerwi t
hpr oli
ficar tisticpr oductions.
Tinio’s chi ef disti
nct ion i s as a st age
direct orwhose or iginali nsi ght sintot he
script s he handl ed br ought f or th
product ion’snotablef ort hei rv isualimpact
Nat
ional
Art
istforTheaterandLi
ter
atur
e
and i nt ell
ectualcogency . Subsequent ly,
(1997) afterst agingpr oduct ionsf ort heAt eneo
Exper i
ment alTheat er( i
ts or ganizerand
administratoraswel l),het ookonTeat r oPili
pino.I twast oTeat roPi l
ipinowhi chhel ef ta
considerableamountofwor kr ev ivingt radi
tionalFi l
ipinodr amabyr e-stagi ngol dt heat er
for
msl i
ket hesar swel aandopeni ngat reasure-houseofcont empor aryWest erndr ama.I t
wast heexcel l
enceandbeaut yofhi spr acti
cet hatcl aimedf ortheat erapl aceamongt he
art
sint hePhi li
ppinesi nt he1960s.Asi def rom hi scol lectionsofpoet ry( Sitsi tsaKul iglig,
Dunung–Dunungan,Kr i
st alnaUni ber so,ATr i
ckofMi r
rors)amonghi swor kswer et he
fol
lowing:
 Fi lm script
sf orNowandFor ev er
 Gami t
inMoAko
 Bay adPur iandMi l
agr os
 sar swelasAngMest isa
 Ako
 AngKi r
i
 Ana
 Mar i
a

7
 Wilf
ri
doMa.Guer r
erowasbor ninErmi t
a,
Manila.He was a pl aywrightwr it
er,a
dir
ector
,teacherandarti
st.Hewr otemor e
than100playswi t
halmosthal fpubli
shed.
Somehi splaysi
nclude:

Nati
onalAr
ti
stforTheat
er(1997)
(
Januar
y22,1910–Apr i
l28,1995)

 13Plays(1947)
 8OtherPlays(1952)
 Hal
fanHouri naConv ent
 Wanted:AChaper on
 For
ever

SalvadorF.Ber nal designedmor et han300

product i
onsdi sti
nguishedf orthei
ror i
ginali
ty.
Sensiti
v etot hebudgetl imitati
onsofl ocal
product i
ons, he har nessed t he desi gn
potential of i nexpensi vel ocal mat erials,
pioneeringormaxi mizingt heuseofbamboo,
raw abaca,and abaca f iber,hemp t wine,
Nati
onalArt
istforTheaterDesi
gn(2003)
(Januar
y7, 1945–Oct ober26,2011)
ratt
anc hainl i
nksa ndg au zec acha. Ast he
acknowl edgedgur uofcont empor aryFili
pino
theaterdesign,Ber nalshar edhi sski ll
swi t
hy oungerdesi gner sthroughhi sclassesatt he
Universi
tyofthePhi lippi nesandt heAt eneodeMani laUni versit
y.
Someoft hemaj orcont ribut i
ons:
 Thepr ogramshecr eat edf ort heCCPPr oductionDesi gnCent er
 He or gani zed t he PATDAT ( Phili
ppi
ne Associ at i
on ofTheat re Desi gners and
Technici
ans)
 OI STAT( Or gani zat ionI nt ernat ional edesScenogr aphes,Techni ci
ensetAr chitectes
duTheatre

Lamber to V. Av ell
ana,di rector for
theat erandf i
lm,hast hedistincti
onof
being cal led “The Boy Wonder of
Phili
ppi neMov i
es”asear l
yas1939.
Hewast hef ir
stt o uset hemot i
on
picturecamer at oestabli
shapoi nt-
of-
Nat
ional
Arti
stforTheat
erandFi
l
m view , amo v
et ha trevol
uti
o nizedth e
(
1976)
techni quesoffil
m narrati
on.Inhi sfi
rst
fi
lm  Sakay,Av ell
ana demonst rat
ed a
ki
ndofv isualr hy thm t hatestabli
shedanew f i
l
miclanguage.Av ell
anawasal sot hef i
rst
fi
l
mmakert ohav ehi sf il
m  Kandel
erongPi
lak 
shownattheCannesI nternat
ionalFil
m Fest i
val.
Amongthef ilmshedi rectedforworldwi
derel
easewere:
 Ser geantHasan  (1967)
 Dest inat ionVi etnam  (1969)
 TheEv il Wi thin  (1970).

8
Sour
ce:ht
tps:
//ncca.
gov
.ph/
about-
cult
ure-
and-ar
ts/
cult
ure-
prof
il
e/nat
ional
-ar
ti
sts-
of-
the-
phi
li
ppi
nes/
Nati
onalArt
istofVi
sualArt
s

ThePhi l
ippinesf i
rstNat i
onalAr ti
st .When
theMani l
aHi l
toni naugur atedi t
sar tcent er
onJanuar y23,1969,wi t
hanexhi bitofa
selecti
on ofhi s wor ks,t he of f
icialt i
tle
“Grand Ol d Man ofPhi lippine Ar t”was
bestowed on Amor solo.I
n 1920’ s upon
returni
ng f rom hi s st udies abr oad,
Nati
onalArt
istf
orPaint
ing(1972)
(May30,1892–Apr i
l24,1972) A mo rsol
o deve l
o ped the backlighti
ng
techniquet hatbecamehi st rademar kwer e
fi
gures, acl ust
erofleav es, aspi llofhai r,theswel lofbr east,areseenagl owoncanv as.Thi s
l
ight,NickJoaqui nopi nes, ist her apt ur eofasensual i
stut terl
yi nlov ewi t
ht heear t
h, withthe
Phil
ippinesun,andi sanaccur at eexpr essi onofAmor solo’sownexuber ance.Hi sci tati
on
underscor esal lhisyear sofcr eat i
v eact ivitywhi chhav e“ definedand
perpetuated a di sti
nctel ementoft he nat ion’s arti
stic and cul tural
heri
tage” .
Amor solo’smaj orworksi ncl udet hef ol lowi ng:
 Mai deninaSt ream ( 1921) -GSI Scol lection
 El Ci ego(1928)-Cent ral Bankoft hePhi l
ippinescol l
ect i
on
 Dal agangBuki d( 1936)–Cl ubFi li
pinocol l
ect i
on
 The Mest i
za ( 1943)– Nat ionalMuseum oft he Phi l
i
ppi nes
collecti
on
 Pl ant i
ngRice( 1946) -UCPBcol lect ion;SundayMor ningGoi ngt o
Town( 1958)-
Ay alaMuseum Col l
ect ion.

ht
tps:
//t
l.
wiki
pedi
a.or
g/wi
ki
/Fer
nando_
Amor
sol
o

Abdulmar i Asi a I mao  i

s a, cer amist,
document aryf i
lmmaker ,scul ptor ,pai
nter,
photographercultural resear cher ,wr it
er,
and arti
culatorofPhi li
ppi neMusl i
m ar t
and cul t
ure, a nat i
ve of Sul u. The
i
ndigenous ukki l,sar imanok and naga
mot i
fshavebeenpopul arizedandi nsti
ll
ed
i
nt heconsciousnessoft heFi l
ipinonat i
on Nati
onal
Arti
stforVi
sual
Art
s(2006)
and otherpeopl es as or iginalFi l
i
pino (
Januar
y14,1936–December16,2014)
creat
ions,throughhi swor ks.Hi sU.P.ar t
educati
oni ntroducedhi mt oFi lipinomast ersl
i
keNapol eonAbuev a, andGui l
l
ermoTol
ent
ino
whower eamonghi sment ors.

Sel
ect
edwor ks:
 Industri
alMural,
Cent ral
Bankoft hePhil
i
ppines,SanFernando,LaUni
on
 IndustryBrassMur al,
Phili
ppineNati
onalBank,SanFernando,LaUni
on
 SuluWar ri
ors 
(statuesofPanglimaUnaidandCapt ai
nAbdur ahi
mImao)
 6f t
.,SuluProvi
ncialCapitol
 Mur alReli
efonFi l
mmaki ng,Manil
aCityHall

9
 I
n1925,Gui l
lermoEst r
ellaTolent
ino
wasappoi ntedaspr ofessoratt he
UP SchoolofFi neArtswher ethe
i
deaal soofexecut i
ngamonument
fornat i
onalheroes struck him,a
productoft he Revivalperiod in
Phil
ippi
ne Ar t
. Ret urning f r
om
Europe( wherehewasenr oll
ed at
Nat
ional
Arti
stf
orSculpt
ure(1973) the RoyalAcademy ofFi ne Arts,
(Jul
y24,1890–July12,1976)
Rome) . The r esul
t was t he UP
Oblati
on thatbecamet hesy mboloff reedom att hecampus.The
BonifacioMonument  
i
nCal oocanst andsasanendur i
ngsy mbolof
theFi l
ipi
nos’cr yf orf reedom.Heal so designed t hegol d and
bronzemedal sf ort he RamonMagsay sayAwar d anddidt heseal
ofthe Republi
coft hePhi l
ippines.Otherwor ksincl
ude:
 The br onze f igur es of  Pr
esi
dent Quezon at Quez on
Memor i
al
 Li fe-si
zebust sof  JoseRi zal 
atUPandUE
ht
tps:
//en.
wiki
pedi
a.or
g/wi
ki
/Gui
ll
ermo_
To
 Mar blestatueof  RamonMagsay say inGSISBui l
ding l
enti
no
 Gr anol
ithi
cofher oicst atuesrepr esentingeducat i
on,medici
ne,f orest ry ,v eterinar y
sci
ence, f
inear t
sandmusi catUP.

 
Vi ctor i
o C.Edades  emer ged as t he
“FatherofModer nPhi li
ppinePai nti
ng”,
paint i
ng di st ort
ed human f igur
es in
rough, bol d i mpast o st rokes, and
standi ng t all and si ngul ar in his
adv ocacy and pr act ice of whathe
believ es ist he cr eat ive art.Edades’
color s wer e dar k and somberwi t
h
Nati
onalAr
ti
stforPai
nti
ng(1976)
subj ectmat terort hemes depi cti
ng (
December23,1895–Mar ch7,1985)
l
abor ers,fact orywor kersort hesimple
folki n al lt heirdi rt,sweatand gr i
me,unl i
ke Amor sol o’sbr ight ,sunny,cheerfulhues.
Toget herwi th Car los “ Bot ong”Fr anci
sco and Gal o B.Ocampo t hey were known as
“Triumv i
rate”, l
edthegr owthofmur alpaint
ingint hecount ry.Fi nal lyr et
ir
ingfr
om teachi
ngat
age70, t
heuni versityconf er redonEdadest hedegr eeofDoct orofFi neArts,
honoriscausa,
forbei nganout st
andi ng“ visionary
,teacherandar tist.”.”
Amonghi swor ksar e:

 JapaneseGi r
l
 Mot herandTheSket ch
 TheAr tistandtheModel
 Portrai
toft heProf
essorDaught
er
 TheWr estl
ers
 PoinsettiaGir
l.

ht
tps:
//en.
wiki
pedi
a.or
g/wi
ki
/Vi
ctor
io_
Eda
des

10
VicenteManansal a’st al entwasr evealed
through the copi es he made of t he
SagradaFami li
aandhi smot her ’
spor trait
thathecopi edf r
om aphot ogr aph,asa
youngboy .Hi spai nt ingsar edescr ibedas
visi
onsofr eal i
tyt eet eringont heedgeof
abstract
ion.Hebel ievest hatt hebeaut y
ofar ti
sint hepr ocess,i nt hemomentof
Nat
ionalArt
istf
orPai
nti
ng(1981)
doing a par ti
cular pai nting, cl osel y (
January22,1910–August22,1981))
associati
ngi twi tht heactofmaki nglov e.
“Theclimaxi sj ustwheni t
’sreal l
yf i
nished.”
Someofhi swor ksi nclude:
 Stil
lLi fewi thGr eenGui tar
 ViaCr ucis ht
tps:
//www.
wiki
art
.or
g/en/
vicent
e-
manansal
a
 Whi rr
 Nude

Sour ht
ce: t
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
l
ippi
nes/

Nat
ional
Art
istofLi
ter
atur
e

 
Edith L.Ti empo i s one oft he f inest
Fil
ipi
no wr i
tersi n Engl ish,a t eacher ,
poet,f i
cti
oni st
,and l iterarycr iti
c.Her
poems are i
nt r
icate verbal
tr
ansfigurations of significant
experi
encesasr eveal ed,i ntwoofher
much- anthologized pi eces,“ The Li ttl
e
Nati
onalArti
stf
orLi
ter
atur
e(1999)
(Apri
l22,1919–August21,2011) Mar moset ”and“ Bonsai ”.Herwor ksar e
characteri
zedbyar emar kablefusi onof
st
yleandsubstance,ofcr af tsmanshi pandi nsight.Shei sani nfl
uent i
altraditi
oni nPhi l
ippine
l
it
erat
ureinEngli
sh.Sheandherhusbandf oundedanddi rectedt heSi l
l
imanNat ionalWr i
ters
WorkshopinDumaguet eCi ty ,whi chhaspr oducedsomeoft hecount ry’sbestwr iters.Her
l
anguagehasbeenmar kedas“ descr iptiv ebutunbur dened
byscrupul
ousdetail
ing.Ti empo’ spubl ishedwor ksinclude:
 Thenov el
 ABl adeofFer n (1978)
 TheNat i
veCoast  
(1979)
 TheAl i
enCor n (1992)

11
 He i ntroduced t o Tagal og l i
terature
whati snow knownasBagaypoet r
y ,a
l
andmar kaest heti
ct endencyt hathas
helpedt ochanget hev ernacularpoet i
c
tradit
ion. The authoroft he f oll
owi ng
wor ks: Likhang Di
la,
 Likhang
Diwa  (poems i n Fili
pino and Engl i
sh) ,
Nati
onal
Arti
stforLi
ter
ature(
2006) 1993;  Balaybay,
 Mga Tul ang Lunotat
Mani bal ang, 2002; 
Sa Sari
ling
Bayan, 
ApatnaDul angMayMusi ka, 2004; “Aguny assaHaci endaLui si
ta,
” Pakikir
amay ,
2004.
Asal i
brett
istfort he Tal esoft heManuv uandRamaHar i,hepi oneeredthecr eativ
ef usionof
fi
near t
sandpopul ari magi nat ion.Hepi oneer edt hecr eativef usi
onoff inear tsandpopul ar
i
magi nati
on, asliberist.Asaschol ar ,hi smaj orbooksi ncludet hefol
lowing:
 Tagal ogPoet ry
 1570- 1898: Tr aditionandI nf l
uencesi ni t
sDev elopment
 Phi li
ppi neLi t
er ature: AHi st or yandAnt hology
 Rev aluation:Essay sonPhi lippi neLi terature
 Wr i
tingt heNat ion/ Pag- akdangBansa

Better known as N. V.M. Gonzal ez,

fi
ctionist,essay i
st,poet,and t eacher,
arti
culated t he Fili
pino spiritinr ural
,
urban l andscapes.He won t he First
Commonweal th Li t
erary Cont est i n
1940,r eceived t he Republ ic Cult
ural
HeritageAwar di n1960andt heGawad
Nati
onalArt
istf
orLi
ter
ature(
1997)
CCPPar asaSi ningin1990.Hebecame (
September8,1915–Nov ember28,

U.P.’sI nternational-
Wr i
ter-I
n-Resi
dence
andamemberoft heBoar dofAdv isersoftheU. P.Cr eativeWr i
tingCenter.I
n1987,U.P.
conf er
red on hi m theDoct orofHumaneLet ter s,honor iscausa,i t
shighestacademic
recogni t
ion.Someofhi sMaj orworksofN. V.
M Gonzal ezi ncl udet hef ol
l
owi
ng:
 TheBr eadofSal tandOt herStories
 Wor kont heMount ai
n
 TheNov elofJustice.

Cir
il
oF.Baut i
sta i
saf icti
onist,poetand
essay i
stwit
hexcept ionalachi evement s
and si gni
fi
cant cont ributi
ons t o t he
developmentoft hecount ry’
sliteraryarts.
Throughouthiscar eer,heest abli
sheda
reputati
onforfineandpr ofoundar ti
stry;
hisbooks,lectures,poet r
yr eadingsand
Nat
ionalAr
ti
stf
orLi
ter
ature(2014)
creati
vewr i
ti
ngwor kshopscont inuet o (Jul
y9,1941–May6, 2018)
i
nf l
uencehispeer sandgener ationsof

12
youngwr it
ers.Bauti
stacont ri
but edt othedev el
opmentofPhi l
ippineli
ter
atur
e:asawr i
ter
,
thr
ough hi s signi
fi
cant body of wor ks;as a t eacher,through his discovery and
encouragementofy oungwr i
tersi nwor kshopsandl ectur
es;andasacr i
ti
c,throughhis
essaysthatpr ovi
dedi nsight
si nt othecr af
tofwr i
ti
ngandcor recti
vestomi sconcept
ions
aboutart.Majorworks: 
 SummerSuns  (
1963)
 Wor dsandBat tl
efiel
ds (1998)
 TheTr i
logyofSaintLazar us (2001)
 Gal awngAsoge  (2003)

Car l
osP.Romul o‘scar eerspanned 50
yearsofpubl i
cser vi
ceasaneducat or,
soldier
,uni versit
y pr esident,j ournal
ist,
and di pl
omat .He was t he f i
rstAsi an
presidentoft heUni tedNat i
onsGener al
Assembl y ,then Phi lippi
ne Ambassador
toWashi ngt on, D.C.,andl atermi ni
sterof Nati
onalAr
ti
stforLi
ter
atur
e(1982)
forei
gnaf fair
s.Romul owasv erymuch (Januar
y14,1899–December15,

i
ntowr it
ing:hewasar epor terat16,a
newspaperedi torbyt heageof20, andapubl isherat32.Hi sot herbooksi ncl
ude:
 Memoi rsofhi smanyy ears’aff
il
iat
ionswi thUni t
edNat i
ons( UN)
 For tyYear s: AThi rdWor ldSoldierattheUN
 ThePhi l
ippinePr esidents

Car l
osQui ri
no,abi ographer,hast he
disti
nctionofhav ingwr i
tt
enoneof
theear l
iestbiographiesofJoseRi zal
ti
tledTheGr eatMal ayan.Hi sbooks
andar ti
clesspant hewhol egamutof
Phi l
i
ppine history and cul t
ur e–from
Boni f
acio’
s t ri
al t o Agui naldo’s
biography, f
rom Phi l
ippine
Nati
onalArti
stforHist
ori
cal
Lit
erat
ure cartography to cul inary arts,f rom
(1997) cash cr ops t o t ycoons and
(Januar
y 14,1910–May20, 1999)
president’
sl ives,among so many
subj
ect
s.
Hisbook 
MapsandVi ewsofOl dMani la 
i
sconsi
der
edast
hebestbookont
hesubj
ect
.
Someofhisbooksinclude 
 Quezon
 ManofDest i
ny
 Magsaysayoft hePhil
i
ppines
 Liv
esoft hePhil
ippi
nePresident
s
 Phil
ippi
neCartography

Sour ht
ce: t
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
l
ippi
nes/

13
 Nat
ional
Art
istoff
orAr
chi
tect
ureandAl
l
iedAr
ts

Bor natt het ur noft hecent ury,Nat i

onal
Ar t
ist f or Ar chit
ect ure Pablo Seber o
Ant onio 
pioneer ed moder n Phi li
ppine
architecture. Hi s basi c desi gn i s
grounded on si mpl icity,no clutter.The
li
nesar ecl eanandsmoot h,andwher e
therear ecur v es,thesear emadei nt
egr al
Nati
onal
Art
istf
orArchi
tect
ure(1976) tot hestructur e.Pabl oJr .pointsout,“For
(
Januar
y25,1902–June14, 1975)
our f ather ,ev eryl ine must hav e a
meani ng,a pur pose.Forhi m,f unction
comesf i
rstbef oreel eganceorf or m “ .Theot hert hing thatchar act er
izesan Ant onio
struct
ureist hemaxi mum useofnat ur all ightandcr ossv ent i
lat i
on.Ant oniobel i
evest hat
buildi
ngs“shoul dbepl annedwi thaust erityi nmi ndandi t
sst abilityforev erast heai m oftrue
archit
ecture,t hatbuildingsmustbepr ogr essi ve,simpl eindesi gnbutdi gnif
ied,truet oa
purposewi thoutr esortingt oanappl i
edsetofaest heti
csandshoul deter nallyrecreatetruth.”
SomeofAnt onio’smaj orwor ksi ncludet hef ol l
owing:  
 FarEast ernUni ver sityAdmi nist rationandSci encebui ldi
ngs;  
 Mani laPol oClub;  Ideal Theat er ;
 
 Ly r
icTheat er
; 
 GalaxyTheat er;

Leandr o V. Locsi n reshaped t he

urban l andscape wi th a di sti
nct
ive
archi t
ecturer efl
ective ofPhi li
ppine
Ar tandCul t
ure.Hebel ievest hatthe
true Phi l
ippine Architecturei s“ the
productoft wo gr eatst reams of
cul t
ure, t he or iental and t he
occi dental…t oproduceanewobj ect
of pr ofound har mony .”I ti st his Nati
onalArti
stforAr
chi
tectur
e,1990
(August15,1928–Nov ember15,
sy nthesisthatunder l
iesal lhisworks,
wi th his achievement si n concr ete
reflecti
nghi smast eryofspaceandscal e.Someofhi
swor
ksi
ncl
ude:

 Locsin’sl argestsinglewor ki sthe I

stanaNur ul
Iman,t hepal aceoft heSul t
anofBr unei
,which
hasaf loorar eaof2. 2mill
i
onsquar efeet.
 The CCP Compl ex 
it
selfi sa v i
rtual Locsi
n
Compl exwi thallfivebuil
dingsdesignedbyhi m
— t
heCul turalCenterofthePhi l
i
ppines
 Fol
kAr t
sTheat er
 Phil
ippineI nternat
ionalConventionCenter
 Phil
cite and The West in Hot el (now Sof i
tel
Byt
heSunKi
ng(Ownwor
k)v
iaWi
ki
medi
a
Phil
ippinePl aza).
Commons

14
 Foral lofhi smor et han60y earsof
architecturelif
e,Ar .BobbyMañosa
designedFi li
pino.Fr om the1960s
i
nhi slandmar kdesi gnoft heSul o
Hot elunt ilhi sr etirement about
2015, he cour ageousl y and
passi onately cr eat ed or iginal
Fi
lipinof orms, spaceswi t
hintricate
Nat
ionalAr
ti
stf
orAr
chit
ect
ureandAl
l
iedArt
s
and r ef
ined detai
ls.B u tw hati s
(
2018) mostv aluablei sthatMañosawas
i
nt hehear tandsoulofaPhi li
ppi ne
archi
tectur
almov ement .Hehasdev elopedal egacyofPhi li
ppinear chit
ect ure,whi chi s
essenti
altoourFi l
i
pinoident it
yandatt hesamet ime,deepl yappr eciatedandshar edi nour
worldtoday.
Somehi sMaj orWorks:
 Sa nMi guelBuil
ding, Or tigasCent er, Pasi gCi ty(designedwi ththeMañosaBr other s)
 OurL adyofPeaceShr i
ne, EDSA, QuezonCi ty
 Me trorail
TransitSy stem St ationsf orLRT1, cir
ca 1980s
 Que zonMemor ialCi rcleDev elopmentPl an
 L anaodel NorteProv i
nci al Capi tol,Tubod, Lanaodel Nor te
 Ama npuloResor t
,Pal awan

JoséMar í
aV.Zar agoza’ spl acein
Phil
ippine ar chit
ecture hi st
or yis
defined bya si gnif
icantbodyof
moder n edi fi
ces t hat addr ess
spir
itualandsecul arr equirement s.
Zaragoza’ snamei ssy nony mous
to moder n ecclesiastical
architecture.
Zaragoza i s a pil
larofmoder n
architecture in t he Phi li
ppines Nati
onalAr
tistf
orAr
chi
tect
ure(
2014)
buttressedbyahal f-
cent urycareer (
December6,1912–November26,1994)

thatpr oducedeccl esiasticaledifi

cesandstruct ur esofmoder nityi ntheser
viceofGodand
humani t
y.
 

Maj
orWorks:
 Mer alcoBuildi
ng(PasigCty)
 Sto.Domi ngoChur chandConv ent(
QuezonCi
ty)
 Met ropol
it
anCat hedralofCebuCity
 Vil
laSanMi guel,
Mandal uy
oung

St
o.DomingoChurch,QuezonCi
ty(
Imagecr
edi
t:
ElmerDomingoviaWikimedi
aCommons)

Sour ht
ce: t
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
l
ippi
nes/

15
 Nat
ional
Art
istoff
orFi
l
m andBr
oadcastAr
ts

Catali
no“ Li
no”Or t
izBr ocka, dir
ector
for f il
m and br oadcast ar ts,
espoused t he term “ f
reedom of
expression” i n t he Phi l
ippine
Const i
tuti
on.Brockat ookhi ssoci al
acti
vistspiri
ttot hescr eenl eaving
behind66f i
l
mswhi chbr eathedl i
fe
Nat
ional
Art
istf
orFi
lm andBr
oadcastAr
ts and hope f or t he mar gi
nal i
zed
(
1997)
sectorsofsoci et
y— sl um- dwel l
ers,
prosti
tutes, construct i
on wor kers,
et
c.
Tonameafew,Brocka’sfi
l
msi ncludethefol
lowi
ng:
 “
Santi
ago”(1970)
 “
Wanted:PerfectMother”(1970)
 “
TubogsaGi nto”(
1971)
 “
Tini
mbangKaNguni tKulang”(1974)

IshmaelBer nal 
wasaf il
mmakerof
thef i
rstorderandoneoft hev ery
few who can be t ruly cal
led a
maest ro.Cri
ti
cshav ehai l
edhim as
“thegeniusofPhi l
i
ppi necinema.”
Hei sr ecognizedasadi r
ectorof
fil
ms t hat ser ve as soci al
comment ari
esandbol drefl
ecti
ons
Nat
ional
Art
istf
orCi
nema(2001)
(
Sept
ember30,1938–June2,1996) on t he existi
ng realiti
es of the
struggle oft he Fil
ipino.Hi s art
ext
endsbeyondtheconfi
nesofaest het
ics.
Amonghisnotablef
il
msar e
 “Pahir
am ngIsangUmaga”( 1989)
 “BrokenMarri
age”(1983)
,“Himala”(1982)
 “Ci
tyAfterDark”(
1980)

Ronald Al l
an K. Poe,  
popularl
y
knownas  FernandoPoe,Jr .
,was
a culturalicon of t r
emendous
audience impact and ci nema
art
ist and cr af
tsman–as act or,
dir
ector,wri
terandpr oducer.Poe
wasbor ninMani laonAugust20,
Nati
onalAr
ti
stf
orCi
nema(2006) 1939.Af t
erthedeathofhisfather,
(
August20,
1939–December14,2004) hedr oppedoutoft heUni v
ersit
y

16
oft
heEastinhissophomor eyeart
osuppor thi
sfami
ly.
Theimageoftheunder dogwaspr oj
ectedinsomehisfi
lmssuchas;
 Apoll
oRobles( 1961)
 BatangMay nil
a (1962),
 MgaAlaboksaLupa (
1967)
 BatangMat adorandBat angEsti
bador (
1969)
 AkoangKat arungan (1974)
 Panday ser
ies(1980, 1981,
1982,1984)

Born on Oct ober 9, 1915 and

christened Manuel Pabustan
Urbano,  
ManuelConde  gr ew up and
studiedi nDaet ,CamarinesNor te.
 In
thedecadesbef or
eandaf terWor ld
WarI Iwhen Phi li
ppi
nesoci etywas
beingi nundatedbyAmer icanpopul ar
(
Nat
Oct
i
onalAr
ober9,
ti
stf
orCi
nema( 2009)
1915–August11,1985)
cu l
ture,Cond einvest
edl o calci
n ema
withadi sti
nctcultur
alhi storyofi ts
ownt hroughmov i
est hatt ransl
atedontot hesil
verscreent heage-oldstori
est hatFi l
i
pinos
hadtoldandr et oldf rom gener ati
ont ogenerat
ionforatleastthepastonehundr edy ears.
Somemaj orwor ks:  
 I bongAdar na (1941)
 Si JuanTamad  (
1947)
 Si et eI nf antesdeLar a (
1950)
 JuanTamadGoest oCongr ess 
(1959)

Sour ht
ce: t
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
l
ippi
nes/

Nat
ional
Art
istoff
orFashi
onDesi
gn

Thecont ri
but i
onof  RamonVal era,
whosef ami l
yhai lsf rom Abr a,l i
es
i
nt het radi
tionofexcel l
enceofhi s
wor ks,andhi scommi tmentt ohi s
profession,per f
or minghi smagi cal
semi nal i nnov at i
ons on t he
Phili
ppineter no.Val eraconst ructed
thet erno’
sbut t
erflysl eeves,gi vi
ng Nat
ionalArt
istf
orFashi
onDesi
gn(2006)
(August31,1912–May25,1972)
them a sol i
d,bui l
t-in buthi dden
suppor t.Tot hewor ld,thebut terfly
sleevesbecamet het erno’sdef iningfeat
ur e.Ev ent oday ,Fi l
ipinof ashiondesi
gner
sst udy
Valera’sternos:itsconst r
uction,beadwor ks,appl ique,et c.* Val er ahel pedmoldgenerati
ons
ofar ti
stsandhel pedf ashiont obecomenol esst hananat i
on’ ssenseofaest het
ics.But
mor ei mportantt hant hese,hehel pedfor
m asenseoft heFi lipinonat ionbyhi
spur sui
tof
excellence.

17
Sour ht
ce: t
ps:
//ncca.
gov
.ph/
about
-cul
tur
e-and-
art
s/cul
tur
e-pr
ofi
l
e/nat
ional
-ar
ti
sts-
of-
the-
phi
l
ippi
nes/
VI
. Pr
act
iceTaskNo.1:Inal
ong bond paper
,answert
he
pr
act
icet
askAandB.
A.Readeachstat
ementbel
owcaref
ull
y.Wr
it
eTi
fyout
hinkast
atementi
sTRUEandF
i
fyouthi
nkthestat
ementi
sFALSE.

1.FernandoAmor soloisthef ir
stnationalart
istinthePhilippi
neswitht
heoff
icialt
it
le
“GrandOldManofPhi l
i
ppi neAr t
”.
2.CarlosQuir
inoisthenat ionalart
istforhist
orical
lit
erature(1998).
3.Jov i
taFuentesisnationalar t
istwhopor t
rayedther oleofcio-ci
osani
nGi acomo
Puccini’
sMadameBut t
erflyatItaly.
4.RamonVal era,whosef ami l
yhailsfrom Bohol.
5.Manuel Conde gr
ewupandst udiedinDaet ,CamarinesNor te.

B.Copythet
abl
ebelowandgivet
heNat
ional
Art
istwhower
eident
if
iedf
ori
ts
majorwor
korcontr
ibut
ion.

Nat
ional
Art
ist MajorWor k/Cont ri
buti
on
RamaHar i1980
OdeFr eedom
BatoSabuhangi n
Sankamannar oon?
“
Pahi r
am ngI sangUmaga”( 1989)
MeralcoBui ldi
ng( PasigCty)
Mai deni naSt ream (1921)
Li
fe-
sizebust sof  
JoseRi zal 
atUPandUE
OI STAT
Terno’ sbut t
erfl
ysleeves

Pract
iceTaskNo.2:Inlongbondpaper,di heor
scusst der(y
ear
awarded)ofNati
onalArt
ist
softhePhil
ippi
nesusingt
het abl
e
belowandguidequesti
onseit
herhandwrit
tenorcomputer
generat
ed.

ArtForm Year Ar
ti
st Maj
orWor
k/Cont
ri
but
ions
Music
Dance
Theater
VisualArts
Li
teratur
e
Archit
ecture
Fi
lm
FashionDesign

Pr
act
iceTaskNo.3:
18
 Directi
on:
Step1:ChooseaspecificNati
onalArt
ist
Step2:Analyzehi
s/hercraf
tandartworks.
Step3:Respondtothequestionsbel
owi n3sentences.
Inl
ongbondpaper ,
answerthefoll
owingquestons.I
i tcoul
dbehandwr
it
tenor
computergenerated.

Quest
ionst
haty ouneedtoanswer.
1.Whati stheexpert
iseofyourchosenNationalAr
ti
sts?
2.DescribetheartworksofsuchNat i
onalArt
ist
.
3.Whydoy oufindhi
s/herartworks/craf
tinter
est
ing?

Sour
ce:
 Cont
emporar
yPhili
ppi
neAr
tsf
rom t
heRegi
onsf
orSeni
orHi
ghSchool
,Mi
ndshaper
s
Co.
,I
nc.
,2017,77

Rubr
ic
4 3 2 1
Al
ldi
recti
onswer
e 2di
recti
onswer
e 1di
recti
onwas Noneoft he
foll
owed fol
l
owed f
ollowed di
recti
onsis
foll
owed
Your estat
edthe Your est
at edmost Your estatedsome Youdidnotrest
ates
questi
onsinan partsoft he partoft he thequesti
ons.
ori
ginalway. quest i
ons. quest i
ons.
Youanswer sallt
he Youanswer smost Youanswer ssome Youdidnotanswer
questi
onscor r
ectl
y ofthequest ions ofthequest i
ons thequesti
ons
correctly correctl
y corr
ectl
y
Youlooky ourt
ime Youusedy ourtime Youworkedhar df
or Youshowedl ess
andworkedhardon andwor kedhar din mostoft heti
me. eff
orti
ntothe
theacti
vi
tytask. preparingt he act
ivi
ty
acti
v it
y

VI
I. PostTest
:

Essay
:In½ sheetofpaper(
crosswi
se)
,answert
heessayquest
ionsi
n
fi
vesent
ences.

Whodoy outhinkamongourpr
esentar
ti
stscanbecompar
edt
oour
Nat
ional
Ar t
ist
sandwhy?
Rubr
ic
Cri
teri
a 10poi nts 6points 4pt
s
Content Showconci sebutcorrect Somei deasarenot Fewi deasaboutt he
i
deaaboutt hetopicbeing relatedwi t
hthet opi
c topicarebeingshown
discuss i
nthepar agraph.
Or
gani
zat
ion Canexpr essowni deas OwnI deasar eclearl
y Owni deasar enot
clear
lyusi ngcor r
ect st
atedbutwi t
hfew cl
earlystatedanduse
grammar er
rorsi ngrammar moreer rorsi
n
(Owni deasar eclearl
y grammar

19
 st
atedusi
ngcor
rect
gr
ammar )

Mechani
cs Fol
lowsproperformati
n Fol
lowspr operformati
n Notfollowingproper
wri
tingaparagraphusi
ng wri
tingapar agr
aphbut for
mati nwr i
ti
nga
cor
rectpunctuati
on wit
hf ewerrorsinusi
ng paragraphanddi dnot
marks punctuat
ionsmar ks usecor rect
punctuat i
onsmarks

VI
II
. Assi
gnment /Addi
ti
onalAct i
vi
ti
es:Watch the fol
lowi
ng
vi
deoclipsinwww. yout
ube.
com andinalongbondpaper,
expl
ain how theNat i
onalArti
stswereport
rayed i
nthe
vi
deos?.Itcoul
dbehandwr i
tt
enorcomput
ergenerat
ed.

 SagisagKul
tur
aTV: LeonorOr
osa-Goqui
nco
(ht
tps:/
/www.yout
ube.com/watch?
v=z8FVY_
CsMpk)

 DaisyAvel
lana-Ar
t2ar
tJune30,2013Episode
(ht
tps:
//www.yout
ube.
com/watch?v=VhMJ3JWR3v
0)

Rubr
ic
Cri
teri
a 5points 3point
s 1pt
Content Showconci sebutcorrect Somei deasarenot Fewi deasaboutt he
i
deaaboutt hetopicbeing r
elat
edwi t
hthetopi
c topicarebeingshown
discuss i
nthepar agraph.
Or
gani
zat
ion Canexpr essowni deas OwnI deasar
ecl
earl
y Owni deasar enot
clearlyusingcor r
ect st
atedbutwithf
ew cl
earlystatedanduse
grammar er
rorsingrammar moreer rorsi
n
(Owni deasareclearl
y grammar
statedusi ngcorrect
grammar )
Mechani
cs Followspr operformati n Fol
lowspr operformati
n Notfollowingproper
wr i
tingapar agraphusing wri
tingapar agr
aphbut for
mati nwr i
ti
nga
correctpunct uati
on wit
hf ewerrorsinusi
ng paragraphanddi dnot
mar ks punctuat
ionsmar ks usecor rect
punctuat i
onsmarks

20
I
X. AnswerKey

Pr
eTest Learni
ngActiv
ity
1.DaisyAv el
l
ana 1.FernandoAmor solo
2.Wilfri
doMa.Guerer
o 2.FernandoPoeJr .
3.Honor at
aDelaRama 3.RamonVal er
a
4.Levi Cel
eri
o 4.LeviCeler
io
5.Victori
oC.Edades 5.JoseMar iaZaragoza

Pr
act
iceTaskNo.1:
A. B.
6.True Nat ionalArt
ist MajorWor k/Cont r
ibuti
on
7.False AliceRey es RamaHar i1980
8.True
Ant oninoBuenavent
ura OdeFr eedom
9.False
10.Tr
ue ErnaniCuenco BatoSabuhangi n
Lev iCeleri
o Sankamannar oon?
IshmaelBer nal  “Pahir
am ngI sangUmaga”
(1989)
JoséMar í
aV.Zaragoza Mer al
coBui l
ding(PasigCt y)
FernandoAmorsolo Maideni naSt ream (1921)
Guill
ermoEst
rel
laTolent
ino Lif
e-si
zebust sof  
JoseRi zal
 
at
UPandUE
Sal
vadorBer
nal OISTAT
RamonValer
a Terno’sbutter
flysleeves

Pr
act
iceTaskNo.2:

ArtFor
m Year Arti
st Maj orWor k/ Cont r
ibuti
ons
Music 1976 Jovit
aFuent es Li
uYu  i
n Puccini’s 
Turandot
1987 Honor at
aDel aRama PuriatBuhay
1989 LucreciaKasil
ag Legendoft heSar i
manok
LeviCeleri
o SanKaManNar oon?
JoseMaceda Uldot-
Ul dot
Dance 1973 Franci
scaAqui no National Dances1946
1976 LeonorGogui ngco TREND: Returnt oNat iv
e
1988 LucreciaUrtul
a Sali
dsid
2006 RamonObusan Unpubl i
shed Dances of t he
Phil
ippines
2014 Al
i
ceRey
es RamaHar i1980

21
Theat
er 1976 Lambert
oAvell
ana Ser geantHasan1967
1997 Wil
fr
idoMa.Guerr
ero Want ed: AChaper on
1997 Rol
andoTini
o Sar swel a and openi ng a
tr
easur e-house of
cont empor aryWest erndr ama
1999 Dai
syAv
ell
ana Othel lo (1953) ,
 Macbet h in
Black  (1959) , 
Casa de
Ber nar daAl ba (1967), Tatarin
2003 Sal
vadorBer
nal CCPPr oduct ionDesi gnCent er
PATDAT
OISTAT
Vi
sual
Art
s 1972 Fer
nandoAmor
sol
o Mai deni naSt r
eam ( 1921) -
GSI Scol l
ect i
on
ElCi ego( 1928) -
Cent ralBank
oft hePhi li
ppinescol lection
Dal agangBuki d(1936)–Cl ub
Fi
lipi nocol lecti
on
1973 Gui
l
ler
moTol
ent
ino Thebr onzef igures
of Pr esidentQuezonatQuezon
Memor ial
Li
f e-sizebust sof  
JoseRi zal 
at
UPandUE
1976 Vi
ctor
ioEdades JapaneseGi rl
Mot herandTheSket ch
TheAr ti
standt heModel

1981 Vi
cent
eManansal
a Stil
lLifewi thGr eenGui tar
ViaCr ucis
Whi r
r
Nude
2006 Abdul
mar
iImao IndustrialMur al,CentralBank
ofthePhi l
ippines,San
Fernando, LaUni on
IndustryBr assMur al,
Phili
ppineNat ional Bank,San
Fernando, LaUni on
SuluWar ri
ors (statuesof
Pangl i
maUnai dandCapt ain
Abdur ahimI mao)
Li
ter
atur
e 1982 Car
losRomul
o Memoi rsofhi smanyy ears’
affi
li
ationswi thUni tedNat i
ons
(UN)
FortyYear s: AThi r
dWor ld
Soldieratt heUN
ThePhi lippinePr esidents
1997 N.
V.M.Gonzal
ez TheBr eadofSal tandOt her
Stori
es
Wor kont heMount ain

22
 TheNov elofJust ice.
1997 Car
losQui
ri
no Quezon
ManofDest iny
Magsay sayoft hePhi li
ppines
1999 Edi
thTi
empo Thenov el ABl adeof
Fern (
1978)
TheNat iveCoast  (1979)
TheAl i
enCor n (1992)
2006 Bi
env
eni
doLumber
a TagalogPoet r y
1570-1898: Tr adi ti
on and
Inf
luencesi nitsDev el
opment
Phil
ippineLiterat ur e:AHistory
andAnt hology
2014 Ci
ri
loBaut
ist
a SummerSuns  (1963)
Wor dsandBat tlefields (
1998)
TheTr i
logyofSai nt
Lazarus (2001)

Ar
chi
tect
ure 1976 Pabl
oS.Ant
oni
o FarEast ernUni ver sity
Admi nist r
at i
onandSci ence
buil
di ngs;  
Mani laPol oCl ub;  I
deal
Theat er ; 
Lyri
cTheat er; 
GalaxyTheat er;
1990 Leandr
oV.Locsi
n FolkAr tsTheat er
Phil
ippi neI nternat i
onal
Conv ent i
onCent er
Phil
ci te and  TheWest inHot el
(nowSof i
tel Philippi nePl aza)
2014 JoseMar
iaV.Zar
agoza Mer alcoBui ldi
ng( Pasi gCt y
)
Sto.Domi ngoChur chand
Conv ent( QuezonCi ty)
Metr opol i
tanCat hedr al of
CebuCi ty
Vil
laSanMi guel ,
Mandal uyoung.
2018 Fr
anci
scoMañosa SanMi guel Buildi ng, Ortigas
Cent er ,Pasi gCi t y
OurLadyofPeaceShr i
ne,
EDSA, QuezonCi ty
Metr or ailTr ansi tSy stem
Stationsf orLRT1, circa 1980s
QuezonMemor ial Ci r
cle
Devel opmentPl an
Fi
l
m 1997 Li
noBr
ocka  “Sant i
ago”( 1970)
“Want ed: Per fectMot her ”
(1970)
“TubogsaGi nto”( 1971)

23
 2001 I
shmael
Ber
nal
  “Pahiram ngI sangUmaga”
(1989)
“BrokenMar r
iage”( 1983) ,
“Himal a”(1982)
“Cit
yAf t
erDar k”(1980)
2006 Fer
nandoPoeJr
. BatangMat adorandBat ang
Estibador (1969)
AkoangKat ar ungan (1974)
Panday  
series( 1980, 1981,
1982, 1984)
2009 Manuel
Conde I
bongAdar na (1941)
SiJuanTamad  (1947)
SieteInfantesdeLar a (1950)
Fashi
onDesi
gn 2006 RamonO.Val
era Terno’sbut terf l
ysleev es

PostTest
:
(Answer
smayv
ary
)

Assignment
:
(Answersmayv
ary
)

24
REFERENCES:

RianneHil
lSori
ano - 
Oct
ober26,2018,AYoungFi l
mmaker’
sTaleAboutNat
ionalArt
istf
or
Cinema Kidl
at Tahi mi
k, htt
p://r
iannehi
l
lsor
iano.
com/
blog/y
oung-
fi
lmmaker-
s-t
ale-
about
-
nati
onal
-ar
ti
st-
for-
cinema-
kidl
at-
tahi
mi k/

PostedonJanuar
y30,2012bysapot,Fil
i
pini
anaBookoft heWeek:TheNat
ionalAr
ti
stsof
thePhil
i
ppi
nes,ht
tps:
//xsi
l
rc.
wor
dpr
ess.com/tag/
fil
i
pini
ana/

The Merri
am Webst erDicti
onary
,Int
ernat
ionalEdi
ti
on,Mer
ri
am-
Webst
erI
ncor
por
ated
Spr
ingf
iel
d,Massachuset
ts,2014

Contempor
aryPhi
l
ippi
neAr
tsf
rom t
heRegi
onsf
orSeni
orHi
ghSchool
,Mi
ndshaper
sCo.
,
I
nc.,
2017,71

The Order of Nat

ionalAr
ti
sts,ht
tps:
//www.
off
ici
algazet
te.
gov
.ph/
the-
order
-of
-nat
ional
-
art
ist
s/

Or
derofNationalArt
ists:JoseMaceda,https:/
/ncca.
gov
.ph/
about
-cul
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