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River Styx

Source: Reveal Digital , 01-16-1985


Stable URL: https://www.jstor.org/stable/community.28043825

Licenses: Creative Commons: Attribution-NonCommercial


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КЇУЕК ЭТҮХ

Шштреі
п һе М огпІпе

АКТНОВ ВКОМИМ

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This publication was made possible by grants from
the CAMELOT/Special Projects Fund of the Arts and
Education Council of Greater St. Louis, the National
Endowment for the Arts, the Missouri Arts Council,
and the St. Louis Arts & Humanities Commission.

missouri arts council

RIVER STYX ISSN 0149-8851

Big River Association


7420 Cornell
St. Louis, MO 63130

© 1985 The Estate of Arthur Brown

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А ТКОМРЕТ ІМ ТНЕ МОКМІМС

Апһиг Вгоут

(1947 – 1982)

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CONTENTS

a trumpet in the morning

poem for uncle buddy

what make

a bop instruction

birdness (on the ground)

callin buddy bolden

he was fast

mississippi river poem

tell 'em i was flyin

junebug

cherokee bill

message from the early worm

from plumagram 2

a two dog day

looked for you yesterday

sly mongoose as a woman

there is a man moving into my skin

the assassination of charlie parker

this makes sense

burial (sermonette)

terrablues

old time monkey grip blues

thirty

i'm inventing michelangelo

i can hear my goldfish singing

i want a memory

o when you come

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ARTHUR’S EAR: an introduction

he was the fastest ear west

of the mississippi

said Arthur Brown, about somebody else. Now it falls to me

to say something about Arthur. But, as usual, he said it so


much better than I could—the fastest ear.

moons constellated under his breath

humming birds stuttered

love pitched its tent


at his sound

And the fastest tongue. All those astonishing voices that

rolled off it, one after the other—Buddy Bolden, Charlie

Parker, Cherokee Bill, Sly Mongoose, the dog in “two dog day”
that wishes sometimes he was a bird, .

a too-large bird high up

barking but harmless

or the voice that breaks into the middle of the incredible

meditation Arthur called ‘terrablues,” that sounds as if

Doctor Donne were wailing from the throat of a preacher in

a storefront church,

. . . lawd yes like a little bitty baby make me

back pretty take me t yo breast yes again lawd


and roll me roll me roll me

in yo healin harm lawd

The fastest ear. The fastest tongue. Arthur lived fast, and

drank hard, and hung loose. Oh didn’t he ramble. And died

as he lived, fast. So fast. Didn't he show the reaper?

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o when you come

come swiftly swift reaper

(this is the way)

o when you cut

cut quickly quick reaper


(i am all here)

And wasn’t he? When Arthur was here, he was all here. Ear

and tongue, mind and heart. But when he went, when he stole

away, he wasn't all gone. Arthur Brown is still here, all


here.

you can bury me in the east you can

bury me in the west

i'm gonna rise up be a trumpet

in the morning. ..

Arthur and all his voices, our daily jive. From these bare

black bones, we can resurrect him, whenever we need.

Donald Finkel, May 1984

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a trumpet in the morning

you can bury me in the east you can

bury me in the west

i'm gonna rise up be a trumpet

in the morning cause

i been bent in the forge been struck

by the hammer been scorched by fire so

be a trumpet this morning

(o dont touch my shoes


o let 'em shine let em shine)

i been all night


in the dew

john-revelated in the marshy bottoms


lazarused in the crook of a willow whittled

a gospel-boat from a simple reed

launched that skiff in the spittle

of a mule's jaw

gouged a skysong from the black giant's thigh


and shackled it to a cotton flower

o i freighted all my sorrows (o these is florsheim shoes

all bright with dew) and i feels like noah

riding these ankle-boats on god’s stony waters

and i feels like doves in my ear-lobes fetching freedom-sound

in a single green leaf from dry land

feels like glory walking in the blues

tenfingers ten centipedal toes

trebling jubilee from an acoustic crotch

steel and catgut i say i feels

unstrung

like a broken guitar but

be a trumpet soon this morning (o dont touch my clothes

i'm gonna sit on a rainbow seat) o my wings is sprouted out


wings is sprouted

and i feels like mating bird's mother this morning


in the middle of the air

o i been over matched by salvation done broke the rock


of living waters done founded a home in that water shed

done looped the promise-harness round my shoulders


(o dont touch my clothes

cause i'm a sin-bright-standing-pat-jb-stetson-hat-initials-

carved-in-the-back-of-my-shirt-umbrellaed-in-hallelujahs-man
and jackodiamond-hard-to-play
got one eye to see and one to believe

10

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a hellhound on my breath

a crossroad in my breast

stone in my passway

i'm accelerating

and i feels like whiskey talkin rye) o i feels like blowing

my lonesome horn this morning

cause i woke up this morning

more than something on my mind

holy ghost shining down

i aint nothing but love nothing but love

o i feels so injected this morning so strung-out

justa justa whole saharas of loving

is what i'm talking bout

like a flaming desert flower feels like

i'm sipping in the sand

(now tell me did you ever ever ever see

a possum at rehearsal

or a raccoon steal away now watch me


steal

away)

o i got a feeling down deep i

be a trumpet soon-in-the-morning

be a trumpet soon-in-the-morning

11

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poem for uncle buddy

they say
of this wild one

it was news

to no one who'd seen him sip

a cigarette then oxygen

from a plastic cup

rattling air into his lungs

like a spoon
across a scrub-board

while playing cards


from his bed

to no one who'd seen him spit

and hack a lump of laughter

into a rag

or into the spot of sun

by the broom

the laugh they say


was in the end

his request for a peach

a slice of melon bright as memory


with seed black and scattered

and few as his teeth

pink as his spent blood

and in the wish

for a vague young ghost

who snagged a hook-blade knife


in the blues-barrelled throat

of a country tough

then left him drowning


in a stain in the road

he dreamed

of a train

caught by the coat

his cap turned backward


in the blinds

and of the snuff-jawed law

keening behind carooming hounds

and the cotton-eyed town


treed in the moon

12

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the laugh at last
was in the end

he died

where he didnt want to be

east of the mississippi river


and west

of a preaching sly backslid sister


(like a sandwich in a flood) flannelled

in a boundless wild yard

called the country

staring undetected into

a hard boiled blue eye

that connected by a garter-snake


to a socket in a room

he'd paid to build

between the garage and the rent

13

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what make

my caged brother sing why he


fertilize the air wit his sweet bile

song why he

bruise his lip wit trumpet

n rag his throat wit saxophone

why he score his arm wit biographies a

blues why he

weave the streets a these plantations

wit brilliant corners a dark harmony

make upright love on the piano bones a

his midnight mare


n his love lie fallow in the rows

why my brother

wit ear clipped t the door post

his arm cryin like a harp his blues walkin


like a man his

reed shrill hunger dancin on his


fluted rib

sing

say

my blackname like a gospel

my blackname full

a sunday summer supperbell

blackname countrywild

and deep as a well

i am

the crow in the distance i am

the distance

i am

the blacksharpwing

that cut the changes whiteboy

say caint change


i

the hungry i i

the hunger

who orchestrates pain

14

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i

am tenor madness

am the song

slipping between the ribs


i

am the tune

t the bone

am the drum i

do like

the drum do i

beat nommo nommo nommo

why he

hang out on trees

why he

hang out
on corners

why he

hang out on needles

what make him sing


who

he seek t assassinate wit his

sweet

bile song

15

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a bop instruction:

a recipe for the soul


(had from a bluesgummed ragpicker

in kansas city)
transformed with alto sauce

and served on shortwings

a shout

that benchwalked out of church

and sanctified a streetcorner

boppy prescription

for the body’s understanding;

lyrical boppy braille and vision


for the blind

boppy conversation for the mute

bop momentum for the halt

little suede shoes

bop rites

and reunions for geechee resurrection

bop telegrams

for the pulse and bloodline;

bop news

16

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errata:

change RE to BE bop. RE BE BOP.

p. 1 change st francis the sissy to st elmo hope.

p. 2 change bud to power. change bird's madness to a method

book for the young (you dont have to play). see bop run bop

come bop come bop. change parker to a directional sign. bop


can be a book to live as well as die by. change the beauty of

the dead to the beauty of the living. telephone the generations.

bop reconstruction for the unreconstructed. for the freed man.

bop mules. bop acres. bop signatures on bop votes and boplicity.
walk parker gently home. catch trane. reclaim boppy territory.

show your blues tattoo.

p. 3 change loneliness into onliness. change self to selves.

p. 4 change into. change into. swallow the gold sardine walk

parker boppily home.

p. 5 change into. you know

we could call it ornithology

17

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birdness (on the ground)

a note from bird’s throat say

parker
been here and

been gone say

hang ya hang ya head whenyaseewhenya


seeseesee

see

this cold cold white mule

pullin me

put my little suede shoes

on my feet

put a silver twenty cent piece in my hand

(o one foot up

toenail draggin draggin draggin)

o sing me a blues to hip the world


bird aint free

goina

o.d. citycitycitycity
I

wontago
too

wontagotoo i wantago
too

but babe i love you

and i caint take you cause


there’s nothin in that

screamlSdreamlSmeanEST town
a funky honey jumpin monkey like you wont do

so baby

so long so long so long


so low down so low down solo down

solo down slow slow down so low low

solo down solo down slow low down

and blue

18

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CALLIN BUDDY
BOLDEN

callin buddy bolden callin


sweet

calls to and fo plumblack

shimmy

hipted congo loves


callin

CALLIN

(tongueless tunes)

big leg woman

why u be so mean

got plenty
hamfat woman

but u cut so lean

big leg woman

why u

cut yo meat so lean

CALLIN

cutta cuttin bolden

dap black buddy bolden

who play new orleans


lousianna blues f real

who say

SHAKE YO ASS

TO THE BRASS

BUDDY BOLDEN WHO TALK BAD


who play f pimps n them

who say

i'm buddy bolden

n i'm king

in lincoln park
its me that come to see

play f happy

play f sad

birth death day

n boogie
in the dark

19

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CALLIN BUDDY BOLDEN
HORN RISING LIKE

A SPECIAL RISING SUN

BUDDY WHOSE NOTES DANCE N


WRING WITH THE YOUNG FINE ONES
LIKE WIND IN THE CANE

man say play clean

lawyers doctors

teachers things
inside

i play f them
dont wonta hide

play f hannah

play f rain

CALLIN BUDDY BOLDEN


CALLIN BUDDY BOLDEN
CALLIN BUDDY BOLDEN
WHO'S GONE INSANE

20

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he was fast

he was fast

he was the fastest ear west

faster than k.c. kansas k.c. mo. line

faster

than new york city

he was faster than the horizon

he was the fastest ear west

of the mississippi
faster than crawdad

faster than lightnin’s conk

he was fast

faster than bellyrub could

slowdrag
faster than heroin excitement could

drug

faster faster than yo baby’s love


could come

down

is

good

yeah

even faster

than his

own

fingers

could

widow harmony orphan melody

so fast.

jitterbugs waltzed
moons constellated under his breath

humming birds stuttered

love pitched its tent


at his sound

when he played
unlonesome

unlonesome

unlonesome

blues

21

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cause

he was faster than money could buy

and junebugs knew

yes junebugs knew

22

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mississippi river poem

the river stumped down

from your house

from your hump of country heaven

past east st louis

stumped down its flowing foot

from your house

all the way to town

before you mama's mama

before your daddy's

before the whole generation ever

thought to be born
or bear

or be at home

it stepped out the kitchen door

with shells quivering in its footprint

like a long wet dog

it slow loped

down past the grapevine

past the shed

past the coop


under the clothesline

past your mama's garden

past where you girlscouted

past where you poked your knife in the ground

past where you tomboyed alone

and learned to be hurt by your own good down

past the drainage and the creek

when it appeared into the woods

nobody heard the splash of its dirt red grin

nobody saw it

you didnt laugh at the catfish in its teeth

you didnt hunt mushrooms

you didnt drown

the river left home

before your mama put the jellies in

before the generation

got a toe hold

23

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before they sunk your basement
like a ark

into the hill before

the turtles crawled in before

the fossil of your girlhood’s ghost


went to bed

it didnt go by the road

it travelled light

(this was before

it joined the circus before

it learned to pack houses on its back

or snail tugs or trains


or catch divers

from a bridge
before

it ran here from chicago

sang the blues in como

then disappeared into its suitcase

down at the gulf of mexico)

it kissed moonwhite’s titty

shook night's black thigh

took frank and jesse for its wives


hid a storm in the hollow of its tooth

stung the bee

played its laughter close to its cheeks

and mailed a note in your backyard

(it said

i dont know what

it said

something like) if you was a butterfly

i would press you between pages


of a book

if you was a water rat i

wouldnt let you run away with the rest but

since you a woman i just press

you between covers and puddle in your navel and

make your backbone moan and like that (you know how
it could talk

serve shit on the halfshell) would

open all your doors woman and windows let your love flow

out and leave the flesh just

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singing on the bone

get drunk on your tippling titties undo your notions

roll you with my river roll motion till you was river hipped
stain your clothes

then ooze out through the keyhole in your door

it blowed

once in the ear of a girl in memphis


a beale street rill

(something

i thought i heard buddy bolden say)


tennessee mama

you aint

the only lovin little chevy lovin woman in the world

you aint the only shimmy lovin woman in my world

just six sweet teen years old

with childish ways

but you already sittin on the petty cashbox

hear

i was the first circling copper sound blown round

the circling sun

the first sea-shaped drop in the earth spinning earth

the first seed-tided whisper through the plaited

granary door

the yeasty word purled and droned in the loamy womb

i was the first potter's spittle mixed in the mud

the dew on the foot in the wheeling heavens


and the first drum drummed

on the palms of her quickening ears


and i drummed and i drummed

from her sun up till her moon down


then i

spumed
from her full anthill

i took stone for shoulders

stone for elbows

stone for hipjoints


stone for knees and ankles

and i danced

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and my bones beat and sounded
and clattered

like plow-shares on an anvil


and i bounded

wailed

laughed

i was a jackal
i was the first earth man i know

i left home

this was before your father rowed

his first old scuttling chevrolet

up the hill
before the snailshell forgot
its address

before you held your breath

in your backyard woods


and wondered

if you could bank or stand


the river left home

and you drowned on dry land

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tell em i was flyin

our hearts were snared like rabbits

but some the bravest and some from fear

flung heart against caged breast

like wild enraged things

besting courage and fear

against persistent flesh

there was a unity in that

they died a happy death

some leaped singing into the water


some held their breath

some turned their wrists


in their chains

till the dark blood poured

of those who would live but died

some strangled on the cries


of their families

some sighed off asleep


with hearts dismembered

some were killed outright

some were later taken by disease

we who clung to death

hoping for life


after the faces of our kin

and fellowship of our villages

missed first our deep skies


and forests

then the conversation

of our ancestors

we learned to hate our bodies

and the workings of our bodies

for we lay daily


in our filth

many with rectum plugged against the flux

to prevent spilling the intestine


next

we hated ourselves

for we were made strangers

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we were made children

no we were made that thing before children


that becomes children

and when they'd come down to feed us


we looked on them with a hatred

that could only be called love and a love

that could only be called horror

cradling seaward to a bastard’s birth

our breath planked down on us

like steamy haints


and our hearts could not see god

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junebug

he come skinnin down the steps

puffin and blowin

thru cut lips bout how

we turned the joint out

me and billy and kenneth


takin off his clothes fallin

onto the rollaway bed tumblin

off to sleep us kids

stooped between his dreamin


and the couch wonderin

what he use his mouth? poppin


firecrackers under his head

n he dont move a nerve

dreamin i s'pose bout something


he knew or

somethin that he heard

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cherokee bill

i gave up ricocheting for getaways

aint at home on the range


aint never met the man’s horse

the lone prairie aint got no lien my bones

i got a great-grandmother one hundred percent indian

guaranteed
outa natchez or somewhere mississippi
another one at least a half and an aunt

with cheekbones like a moose

i cant stand buffalo snoring and cows

dropping yodels

git my goat
besides who'd own up
to an indian who looked like monk

i mean

play country music

it’s your birthright


wanta dance mae belle who taught sidewinders how
i wonder how

you can still think and drink that stuff

nah

dont wanta whirl at your great divide

last time my gatling jammed

got confused

in your ellery queen never

picked up the scent


i mean

arrest that motion

who’s the proprietor

saddle the town and hag ride out

by noon

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i didnt come to make a speech
the innocent dont need alibis

hey kid gimme a shot

of that roy bean

it’s just these riddling times

haha i didnt mean a thing

got a split personality

you know
schizo

phrenic

(i gota note from my doctor)

i was tryina commit suicide

a simple case
of mistaken identity

i thought he was me

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message from the early worm

you said it was a whiff


of dark music

that drew you down

you even kept it


secret

from your belly

your heat moved in mine

i'm empty

the length of my body

when you come again


to love me

pack a lunch

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from plumagram 2

Fireplugs dont look nothin like seahorses and lookin down into concrete you

can't see th sky or your own face or imagine that it is endless deep You can’t
wonder Sometimes you be with somebody you argue what's th differ- ence

between cement and concrete But you be walkin down Easton Avenue
sometime and it be so hot you can watch th street heat shimmy You think

sometime you second sighted You feel like you got skim over your eyes and

th world was born with a caul and it be dingy fords and cruiser cadillacs tug

busses and whatever it be be drowning men lappin over the liqour store step

and th sky be so low and so sullen you think it gone crush th backs of th

waves Be sendin women’s hair back and undoing doos It’s another kind of

see and you don't know that it’s damn near a miracle that you can barely
walk th water

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a two dog day

it was like this from the beginning


or should have been

(there were times on the road

when rain drowned out the sky


like its throat had been cut and

even big birds swam down the drenched air


like wounded subs and the earth were no bottom

there were fine days full of light

when they hung high up motionless on their backs


tacked to the clear blue pool by wind
and little birds frittered aimless

as bits of crepe paper


or watched out for their lives

i wished sometimes i was one

a too-large bird high up

barking but harmless)

through it all
even under suns hot as skillets

i sustained him

i was his dog

when his mind unkennelled

we travelled heedless as two loose beads

tilted to and fro along a web of string

between the coasts’ broad palms

i used my tail to mark the place

and unrolled a map of fidelity

in flatbed and in ditches

we traded bedbugs for fleas


i soothed and warmed him

with my belly’s own

provender
of heat

34

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one day the ground began to speed
under his feet

like a surging film


he knew then he was a shadow

projected by some other ego’s image


he cooed

a broken prose that purpled deserts

the skyways jammed with captions

excerpted sermons in the voice


of the universe

ballooned preachments bounced his senses


and he scooted into a blue cartoon

looking lecherously at the trees

bumped the earth with his hipbones

testifying an unruly zoo

had homesteaded his groin

his lice were a posse tracking yahoo chromosomes

that history wears a white hat

on saturday mornings

that columbus sailed from disney


that rentex holds deed to the ranch

and at last

that he would go forth and teach

trauma to barnyard fowl

and metallurgy to the early worm

he frequently pitched
for salvation

and began to seek high places

we were surrounded by stars


when he made me swear

my man love and his authority


he drooled

a sudden hunger

the voice required an offering


which he'd not offend

with tilled or vegetable thing

o it was good by the fire

in the dancing light

it was good when he bent

and whooped his prayers

it was good that night

of my slaughter

35

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i dreamed sail-shaped birds

gliding the arc of sky


and i wished i was one

a too-hairy bird peering down

through the streams of air

with my back to terrible blank heaven

i squealed when he struck


and the blood bubbled out

and my head flapped back on a grin

i squealed and raced my feet in the air

he held me by the scruff

(and i thought myself again a flea-ish dot

on the arc of the sky's underskin)

i squealed then gave a long high howl

like my brothers coyote and wolf


(but i knew myself a circus dog

who'd chased a painted ball


like the moon)

i whimpered and my fire went out


and i knew

there was no death past this

but life compacting


on its radiance

like a star sweeping up its dust

and going home to eternity

(a cherry pit)

i heard the fat and gristle sizzle


he ate a haunch a bit of breast

and i knew

he was a man

or more

a dog can go on four legs or two

there are good dogs


but few

36

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looked for you yesterday

i saved your footsteps

i keep them in a plate

i picked them up outside the door

took the broom and swept

the wander dust away

thought i'd buy a pistol

and shoot it through the mail

but match-box was your suitcase

bluebirds couldnt find you

so i knew my shot would fail

now brooks run to the ocean

took a train to see the sea

i dont run into stone pony

set the setting sun on me

once we were giddy

happy as a photograph

but you complained

your skimpy breast

till beauty slipped your face

i got your footsteps


and i've learned to trace the taste

can tell your neighborhood

by the flavor of the grass

i got a rocket ship


but i'm much too weak to ride

got a rocket ship


most too weak to ride

wanta do like the horizon

wanta lay down side by side

37

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sly mongoose as a woman

because i want you from wichita

because i want you beneath house-leaping trees


in columbia missouri

because i want you chesterfield riverside


and tramline

because i want you suspended

in fits and hesitations because i want you

in every high place because i want you


mountainous at one sixteenth inch per year

because i want you jostled upstream

in slippery fish futures

because i want you darkling on lightyears’ memory

because i want you improvised in ebony and ivory

because i want you melisma in micro tones


from out of and back into from-out-of-nowhere

polymetric glissando uptempo dexterity

in cycles of fifths because

i want you come-out-of-the blues because

i want you between a rock and a hard place

because i want you in sheets of rain

because i want you tear-drenched in smiles

because i want you famous muslim bean pie

because i want you pork chop and pork pie hat

because i want you in multiples of zucchini

and potassium rich


whole kernel cracked raw and ciabbered

because i want you perishable because i want you

indigestible mummified and shelf-life improved because

i want you color-added red dye no. 3

caffeine and crackerjack empty calories with

a surprise inside

because i want you soul-omnivore refreshing spring

redemption center because i want you eagle stamp

chocolate and acne’s prayer house

because i want you in your twenty-first step to heaven

because i want you new found love and top of the harp

celestial equator earth bound bending eastward

to wake gonave

38

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because i want you sacred and yellow-backed
just one necromancer from now

animated and bridled by ambiguous spirits

and a lathered syntax

because i want you tell my horse

because i want you ask my horse

because i want you

because i want you

new day lady day

and can’t explain

39

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there is a man moving into my skin

the result of cynical polls


and elections

he is changing the locks

on my opinions

cropping the corners of my smile


to resemble his photos

he has hung the umbrella of his fears

bat-like and dripping

in my coziest room

his breath pants after me

through the hallways

or fogs my feeling like a fetid curtain

black hat and turned up collar

bit by bit and daily

he is arriving from everywhere

in the mail box and by parcel post

saying i must sign for him

slipped under the door

on lewd and colorful flyers

(i can pay later)

he speaks a tangle of languages

or signs
in a cat's-cradle of cross looks

or quiet

as the telephone never ringing

with his hands in my pockets

he casually paces

the center of my loneliness

40

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the assassination of charlie parker

bird does not live

charles christopher parker is dead

is dead in marbled legends

of a bronze benin faced boy with patch-work horn


and mama-made macoute
a jazz-juba muse

watching down lester’s hands

from kansas city balconies

tracing with bird’s eye feather fingers melodic pantomime

of syncopated braille

bluing a new cartography of flight

at the ear’s horizon’s deepest touch

is dead whose soul's-song was dust roads was goat paths

was brooming from gold coast to stoop-down

to git-back to guinea to harlem


was shuffle blue-black bottom and whoa back buck up

comin down and lord child now’s the time and catch up

and huckle buck a stop and double time kalinda

through the four four and misty

of tin pan alley

was sugar rum molasses sweet back and back

in lockstep in coffle and in harvest of heart-drought

is dead in chili parlors and cherokee

in the recycled but unresurrected riff

in turn your money green

is dead in the elegant laps of hip debutantes

dead to tommy dorsey’s horn-rim

glasses

to bennygood man and the wrong note


is dead in taxicabs

nodding to everywhere
out in the out chorus

and the vamp is dead


to smack

to smacked back

screeching A Train subway and so soon and bye baby the obscene solo

come shitty come yuk yuk come tee hee come mellow

fucked up and over

funny phoenix orgasmic out of the asshole of he gone

41

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is dead

in all the bop visioned and bop spent


stations of the breath

is dead

to BE

bop charles christopher parker is yardbird-dead

0-rooney

42

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this makes sense

find it out

run into it

break a toe

a foot a head a window a door

clamp down heart with teeth

if you could

jump up
let the world roll

under your feet

columbus-like you could

travel standing still

and surprise

call your ass discovery

like a seal or dog


or drab ahab

barking at the waves

yourself your own moby dick

fleeing and stalking


a universe black sea

43

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burial (sermonette)

and where it has shone

in its sleeve

the soul

wears out the coat

and the coat rags

with this quote close

and we read the stone

chewed your words


recalled

how you bounced home

like fruit in a bag

not life enough


to fill a hole

44

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terrablues

maybe

yo mama is still

birthing u

maybe

yo mama births u
forever

maybe

yo mama bears u
still

u say

u got a redder wisdom

thirtysome years n u found yo place

sherman park a park seat


sometime

th front seat a a fucked pickup

th corners a martin luther king n

kingshighway
halfrest

between th juke a traffic

a redder wisdom th play a sense

between yo left hand n right mind


more than a notion

sense

got from syphilis

th important thing

u say t keep
CONSCIOUS

ness

t keep

CONSCIOUS

not t be

dealt

on

its

not the goin

t sleep
but th

wakin up
that’s hard

45

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life is velocity

fastness a flesh t bone quickness


a blood a fastenin a breath t earth

the heart's circle

earthman

'member

yo mama aunt rosie drunk on rosie o

grady

pearl bailey fish face without beauty

th drunken swing a her her heavy

yellow body

perchmouth embouchure poutin wine songs


finger poppin

come on mon let's have a good


time

and elmer step-indian bent indian sweeter


than rosie o sweet heart in his knees

sipped up niggered in
earthman

'member

mississippi vicksburg birthing


red dirt bovina

earthfaces known better than yo own name

yo mama's girlhood spite


that certified u

mr long gone so and so man

"member sonny sims smilin spinnin policemen’s

pride by th brim

uncreasin they pants with the point a his pistol


at whim

crackin ossie’s foot wit his triggered eye

how he was citywise and wild and how


he chased his death down

46

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"member u now

the soil a yo face shiftin skin

fruitful lips big

blackripe plantain tricks

yo eyes puddlin
th sun

a yo mind
borne wit a caul

th grassline a yo brow knit

head cropt

the rummage a sense riddlin you cheeks

a fever in yo lap
th heart's circle

earthman

here you sit


mechanic's suit ridin boots

coated in all u own

yo sweat th heat

saying easier to wear than haul

yo fingers like leaves


fists

unballing

"member u dancin in a cloak room

a cold coatless shadow

boxin schoolin your arms to warm

yo spirit chapped ground yo breath

in yo hands

47

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yo fight

"member

ready golden hands rose


wit wine rosie wit fear elmer wine

they funny clothes

the crowd white folks th pros pride

aunt rosie’s hockrolled peach bright hands

“hit smitty hit me too” her

bicycle reel

ready t fight so abashed u couldnt

fight couldnt fight

whipt
ossie wailed rattle

easton avenue storefront heavens tambourine

like a collection plate

talkin bouta jesus talkin bouta


th devil she

rolled sin’s soul holyroll

sin like a brokedown engine draggin ona gospel chain

talkin bouta ramblers gamblers goddammers lawd

kin only cure this soul sickness pain lawd

u th one kin make me back pretty again

lawd kin crush a soul like a rock kin sip it up

like a drop a water lawd kin hang a clean soul on yo

sky line lawd over yo heavenly city yes over yo skyblue

city talkin bouta snake walkin devil swampfooted devil

walkin yes walkin unashamed yes brazen in yo daylaborin light

like a walkin kingsnake lawd wit th men wit th women

ona left and right hand hear me n they aint ashame lawda

th blacksnake in his quirl u th one aint ashame a the

black snake in th thigh naw naw aint nothin reckless

like a blacksnake in his quirl u th one kin beat him

bust his head lawd yes like a little bitty baby make me

back pretty take me t yo breast yes again lawd


and roll me roll me roll me

in yo healin harm lawd

member

earth city
the sweetest town

sweet home

48

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a 47 hudson yo terra plane

yo mouth a smile a halfcrown openfaced gain

yo eyes a lie a street sweet psych

a clutched dream in yo wheelin hands


(a

who been here since i been gone

bitty bitty black mwindo

derby on
a

streamin orissa

hips like

good times roll love like

nights long
red dress

on

be

her earth angel child)


face smooth as a dollar

th child a yo luck outfacin


th man a th minute

in winged amazement

(heart is th hut a ages


woman so beautiful

it hurts me

heart is th hut a ages

i am inside my skin
let me let me

ease in

love

i love

i love backwards n forwards


i die

i die backwards n forwards

wine

i have been wine i have

kissed my red lips red

a place to drink self up


lovin one

i am a flea between times

u wit mud limbs long

as rivers as strings navel t navel

ida red grass bearded grass skirted

49

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lady wit carnival
i am a knot between times

been down times i

could not fight times times


unless

i pulled them t th ground

these highways have no heart 00000

u at th hearts delta) quickening


terra dreams

50

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old time monkey grip blues (who do?)

keep a good eye on me

i say somebody lookin me all up and down

so Zone a good eye on me


don’t let these hellhounds bird me down

cause i got who-do? on my hoodoo

goofer ground up in my wounds

and say a good word for me

somebody talkin me all which around


so hail a true word for me

or badmouths grieve me after while

well i got them who-dos? on my hoodoo

goofing gurus round my peristyle

lord if my friends alert me

i'll sic these what-nots off my fun

said if my friends don’t hurt me

i'll shake these dadas off my fun (cause

peoplespeoplespeoplespeoples now
just as long’s i got my shadow

you know i can cool myself


or i can shine out in the sun)

well just like a wave out in the ocean


(ummm hmmmm)

just like a bee without a hum

(yeah)

just like a wheel without a motion

(alright)

i'm just waitin for my time to come

51

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thirty

thirty

and the next poem i write

will never again say

please

love me

it would rather

die in the open

than bless with a kiss

the silver bullet through its heart

it would rather

the werewolf

dropping a nightly litter

of hoohaas at your door

or with the knock

of its pulse

pound a jig’s-up-stake

of ghoul’s bane

through your feelings

leave them

pancake make-up peeling

on a thwack of sunlight

joan crawford’s jawbones


on the backlots of boo

carpe diem dry humping i.o.u.s


to the rose

than that frost-jismed nightmare

tootling zooty toons


it would rather

see you petunia pig

newsreeled at the slaughter

your smile and the glint

in that porky eye

flickering down across your throat

52

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or sand-dance and shuffle

peekaboo up
from down for the count

ambush from the edge

of your vision

the outskirts of your rhythm


with a sockful of nickels

in every word

the next poem i write

would rather telegraph you

than ever again mope

divining hunger with its fork

while you speak quiche lorraine


and flick

the grain-belt from your teeth

the next poem i write

will be your next friend

advising you

taking your part

in the separation

of you

from you

hissing from under the rock


of its heart

exu tiriri

the next poem i write

will be a challenge to the doctors

a snake-hipped omolu and playful pox

using your vaccination for candomble


and veve

infecting you with just enough then

at the last gasp

the next poem i write will whisper that

this is the next poem i write

53

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i'm inventing michelangelo

he rows towards me in a little red boat

he rows with his tiny hands

across the wind tossed mind of god

the mind of god is sourceless

sea-green expanse of time

flowing in every direction

god rows there too

carrying surveyor’s tools and compass

making pointless maps without longitude or latitude

thinking the stars poor imitation of himself

pinholes where light leaks out of dark

michelangelo travels by instinct and luck and touch

god's mind flows between his fingers in seamless braille

he sings a song for sailors

and ports part by part

in little bundles and shrimp-sized steamer trunks

michelangelo is not quite himself

he is dumped by deliverymen

into a bin at the south of my imagination

under a sunny window

the one with the begonia

he falls into a heap of scrap creation

whatever god has left over

i give michelangelo the eyes of rimbaud

and the lopsided smile of my dog who ran away


after only one week

welcome i say

and give him the voice of the radio

roses and a pair of shoes


sit down

54

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i'm really getting to know michelangelo

and he’s relaxing too

changes his own stations now


walks around in his socks

and takes what he wants from the icebox

without sticking on little magnetized notes

two slices of cheese

a pear
two beers

i'll pay you later

in a dusty cowboy voice

stuffed with rugged individualism

and prairie transcendence

mike says

soon’s i get set up

sweep mop the studio wash the windows


i'll write that book

i always wanted to write

lots of autobiography but really a novel

myself under the flag of a new name

i'm gonna make me up

from end to beginning

where i'll disappear into my future

then i'm gonna get some brushes

and paint god a new soul


one of his own

not one messy all over the place

flopping all over the perspective like a hurricane of crows

or wandering restless through creation


like some hobo hoodoo dream

without a head to sleep in

55

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from up there where the plaster’s cracked
and looks like god's migraine

michelangelo looks down from his scaffold

and sees a group of round young men

lolling in a park
he desires them with his lopsided smile

and his deep eyes of rimbaud

and all the young men are michelangelo’s david

and all god

all are michelangelo

they row towards him in little red boats

pulling the green air past them with their hands

56

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i can hear my goldfish singing

i can hear my goldfish singing

he is singing a love song

he is singing a whale song

he is saying this bowl my world


is a window

he is saying this world my bowl

is a ripple

my lover says her motion is


a sea-bed’s motion and

sea-soft sea-hugged
at the hub of her

i feel her swelling

in her gravity

and i can hear

my goldfish singing

singing

motion isnt possible

he is singing

my body my motion

my motion my wave

my wave my cage

my cage my world

and i can hear

my goldfish singing

he is singing

the year

is already too small

57

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i want a memory

i want a memory

with grace

pearl gray with a feather

lounged down over my face


like the after-glowing smile

of the mellowest sun just set

a half-shadowy after-pat

of oozy evening butter

i want a memory who'll know

when to say
i do not know and who

in all the skittish chirping parlors wont

startle all the smallest gamesome talk

with swooping sudden revelation

rather a memory
who in the tact and natter of such rooms

will pause and stare

into the middling distance a space

lazily

arranging its hair

or puckered on a tune

a memory please who's been and seen

all the late late picture shows


but who

wont say who

did or didnt get the girl or done it

a memory woolly and random as a quilt

who'll go to bed and let you sleep

not stay up creep gumshoe all night go

through all your pockets drawers

letters papers notes

trying always to remember

scowling third degree

saying what is this what is it

you must remember and


who and who

58

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not shiver sleep

screeching lugosi

ravelling karloff from the furls of sheets

not wail a chill of gothic choruses

down the stops of your soul


like a necromantic clarinet

but weave you instead

the dream singing

of the wind-waved grasses

that sea-deepening after-dusk


when beneath a tree-shushed moon

beneath a dust of stars

beneath that other shuddering soul

you lay limp and taken


and for the lifetime of that instant

cradled love’s flickering stranger

in the palm of your heart


like a match

and you and all that night-time of the earth

were eclipsed by a kiss

a memory then
who in that tune

will forget to sound for you


the animal-snore

of the future curled

at the edges of that blurring place

and the hiss and ticking


of those fused hearts

i'll have a memory at ease


who with a snicker

crumples the map of yesterday

and goes on stumbling

if that’s its way


an awkward saint with an awkward faith

59

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o when you come

o when you come

come softly sweet reaper

come sweetly

o when you come

come swiftly swift reaper

(this is the way)

o when you cut

cut quickly quick reaper


(i am all here)

o if you change

change seasons green reaper

(it’s not early)

o when you come


come conscious dream reaper

(remembering that you are


and i am

each of us only one)

change freedoms

o come soon come laughing come whole


come rain come brightly come earthquake

come coatless come crazy come broke

come walking come borrowed come stolen


come winded come wound-up come wild-eyed
but come loving sweet reaper come loving

60

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This collection represents roughly half of the body of poetry
Arthur Brown left behind. It was selected and arranged for this

issue of RIVER STYX by Michael Castro, Donald Finkel, Dewi


Koelzer, Shirley LeFlore, and Howard Schwartz.

Acknowledgements:

Some of the poems collected here have previously appeared


in Contact II, Focus/Midwest, Song of the Sly Mongoose (Per-
ishable Press, 1981), and River Styx Magazine.

Special thanks to James Brown and the Brown family for their

cooperation. Arthur Brown’s poems may not be reproduced


or republished without their written consent.

Cover Art: Mary Wilson

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Arthur Ray Brown was born September 7, 1947 in St. Louis, Missouri, where
he lived his entire brief life. Though little of his poetry was published during

his lifetime, he was well known in the St. Louis area for his powerful read-

ings, often performed in collaboration with the jazz music he loved. He did
publish one limited edition chapbook, Song of the Sly Mongoose (Perishable
Press, 1981). In 1981 he was named Distinguished Fellow by the St. Louis
Commission of the Arts and Humanities for his “distinguished service to the

art of poetry,” an award that included a cash stipend. He died suddenly on


August 5, 1982 of heart failure at the age of 34.

A Trumpet
in the Morning

ARTHUR BROWN

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