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River Styx Arthur Brown
River Styx Arthur Brown
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Шштреі
п һе М огпІпе
АКТНОВ ВКОМИМ
Апһиг Вгоут
(1947 – 1982)
what make
a bop instruction
he was fast
junebug
cherokee bill
from plumagram 2
burial (sermonette)
terrablues
thirty
i want a memory
of the mississippi
Parker, Cherokee Bill, Sly Mongoose, the dog in “two dog day”
that wishes sometimes he was a bird, .
a storefront church,
The fastest ear. The fastest tongue. Arthur lived fast, and
And wasn’t he? When Arthur was here, he was all here. Ear
and tongue, mind and heart. But when he went, when he stole
in the morning. ..
Arthur and all his voices, our daily jive. From these bare
of a mule's jaw
unstrung
carved-in-the-back-of-my-shirt-umbrellaed-in-hallelujahs-man
and jackodiamond-hard-to-play
got one eye to see and one to believe
10
a crossroad in my breast
stone in my passway
i'm accelerating
a possum at rehearsal
away)
be a trumpet soon-in-the-morning
be a trumpet soon-in-the-morning
11
they say
of this wild one
it was news
like a spoon
across a scrub-board
into a rag
by the broom
of a country tough
he dreamed
of a train
12
he died
13
song why he
blues why he
why my brother
sing
say
my blackname full
blackname countrywild
i am
the distance
i am
the blacksharpwing
the hungry i i
the hunger
14
am tenor madness
am the song
am the tune
t the bone
am the drum i
do like
the drum do i
why he
why he
hang out
on corners
why he
sweet
bile song
15
in kansas city)
transformed with alto sauce
a shout
boppy prescription
bop rites
bop telegrams
bop news
16
book for the young (you dont have to play). see bop run bop
bop mules. bop acres. bop signatures on bop votes and boplicity.
walk parker gently home. catch trane. reclaim boppy territory.
17
parker
been here and
see
pullin me
on my feet
(o one foot up
goina
o.d. citycitycitycity
I
wontago
too
wontagotoo i wantago
too
screamlSdreamlSmeanEST town
a funky honey jumpin monkey like you wont do
so baby
and blue
18
shimmy
CALLIN
(tongueless tunes)
why u be so mean
got plenty
hamfat woman
why u
CALLIN
who say
SHAKE YO ASS
TO THE BRASS
who say
n i'm king
in lincoln park
its me that come to see
play f happy
play f sad
n boogie
in the dark
19
lawyers doctors
teachers things
inside
i play f them
dont wonta hide
play f hannah
play f rain
20
he was fast
faster
of the mississippi
faster than crawdad
he was fast
slowdrag
faster than heroin excitement could
drug
down
is
good
yeah
even faster
than his
own
fingers
could
so fast.
jitterbugs waltzed
moons constellated under his breath
when he played
unlonesome
unlonesome
unlonesome
blues
21
22
thought to be born
or bear
or be at home
it slow loped
nobody saw it
23
it travelled light
from a bridge
before
(it said
it said
make your backbone moan and like that (you know how
it could talk
open all your doors woman and windows let your love flow
24
roll you with my river roll motion till you was river hipped
stain your clothes
it blowed
(something
you aint
hear
granary door
spumed
from her full anthill
and i danced
25
wailed
laughed
i was a jackal
i was the first earth man i know
i left home
up the hill
before the snailshell forgot
its address
26
of our ancestors
we hated ourselves
27
28
29
guaranteed
outa natchez or somewhere mississippi
another one at least a half and an aunt
dropping yodels
git my goat
besides who'd own up
to an indian who looked like monk
i mean
nah
got confused
by noon
30
you know
schizo
phrenic
a simple case
of mistaken identity
i thought he was me
31
i'm empty
pack a lunch
32
Fireplugs dont look nothin like seahorses and lookin down into concrete you
can't see th sky or your own face or imagine that it is endless deep You can’t
wonder Sometimes you be with somebody you argue what's th differ- ence
between cement and concrete But you be walkin down Easton Avenue
sometime and it be so hot you can watch th street heat shimmy You think
sometime you second sighted You feel like you got skim over your eyes and
th world was born with a caul and it be dingy fords and cruiser cadillacs tug
busses and whatever it be be drowning men lappin over the liqour store step
and th sky be so low and so sullen you think it gone crush th backs of th
waves Be sendin women’s hair back and undoing doos It’s another kind of
see and you don't know that it’s damn near a miracle that you can barely
walk th water
33
through it all
even under suns hot as skillets
i sustained him
provender
of heat
34
on saturday mornings
and at last
he frequently pitched
for salvation
a sudden hunger
of my slaughter
35
(a cherry pit)
and i knew
he was a man
or more
36
happy as a photograph
37
a surprise inside
because i want you new found love and top of the harp
to wake gonave
38
39
on my opinions
in my coziest room
or signs
in a cat's-cradle of cross looks
or quiet
he casually paces
40
of syncopated braille
comin down and lord child now’s the time and catch up
glasses
nodding to everywhere
out in the out chorus
to smacked back
screeching A Train subway and so soon and bye baby the obscene solo
come shitty come yuk yuk come tee hee come mellow
41
is dead
to BE
0-rooney
42
find it out
run into it
break a toe
if you could
jump up
let the world roll
and surprise
43
in its sleeve
the soul
44
maybe
yo mama is still
birthing u
maybe
yo mama births u
forever
maybe
yo mama bears u
still
u say
kingshighway
halfrest
sense
th important thing
u say t keep
CONSCIOUS
ness
t keep
CONSCIOUS
not t be
dealt
on
its
t sleep
but th
wakin up
that’s hard
45
earthman
'member
grady
yellow body
sipped up niggered in
earthman
'member
pride by th brim
46
yo eyes puddlin
th sun
a yo mind
borne wit a caul
head cropt
a fever in yo lap
th heart's circle
earthman
yo sweat th heat
unballing
in yo hands
47
"member
bicycle reel
whipt
ossie wailed rattle
ona left and right hand hear me n they aint ashame lawda
bust his head lawd yes like a little bitty baby make me
member
earth city
the sweetest town
sweet home
48
derby on
a
streamin orissa
hips like
nights long
red dress
on
be
in winged amazement
it hurts me
i am inside my skin
let me let me
ease in
love
i love
wine
49
50
peoplespeoplespeoplespeoples now
just as long’s i got my shadow
(yeah)
(alright)
51
thirty
please
love me
it would rather
it would rather
the werewolf
of its pulse
pound a jig’s-up-stake
of ghoul’s bane
leave them
on a thwack of sunlight
52
peekaboo up
from down for the count
of your vision
in every word
advising you
in the separation
of you
from you
exu tiriri
53
he is dumped by deliverymen
welcome i say
54
a pear
two beers
mike says
55
lolling in a park
he desires them with his lopsided smile
56
is a ripple
sea-soft sea-hugged
at the hub of her
in her gravity
my goldfish singing
singing
he is singing
my body my motion
my motion my wave
my wave my cage
my cage my world
my goldfish singing
he is singing
the year
57
i want a memory
with grace
a half-shadowy after-pat
when to say
i do not know and who
rather a memory
who in the tact and natter of such rooms
lazily
or puckered on a tune
58
screeching lugosi
a memory then
who in that tune
59
come sweetly
o if you change
change freedoms
60
Acknowledgements:
Special thanks to James Brown and the Brown family for their
his lifetime, he was well known in the St. Louis area for his powerful read-
ings, often performed in collaboration with the jazz music he loved. He did
publish one limited edition chapbook, Song of the Sly Mongoose (Perishable
Press, 1981). In 1981 he was named Distinguished Fellow by the St. Louis
Commission of the Arts and Humanities for his “distinguished service to the
A Trumpet
in the Morning
ARTHUR BROWN