The arrival of Islam in the 13th century influenced Malay art, incorporating Islamic principles like avoiding figurative images. Malay artists followed a concept of "tawhidi weltanchauung", appreciating Allah through forms like calligraphy, arabesques, and floral motifs. Common art forms seen in the Malay world included wood carving, metalwork, embroidery, and ceramics. Artists were recognized more for their craft, like as carpenters or weavers, than by individual name. The needs of society took priority over individual interests in Malay artistic tradition.
Moris, Megawati. (2011) - Islamization of The Malay Worldview - Sufi Metaphysical Writings. World Journal of Lslamic History and Civilization, 1 (2), 108-116
The arrival of Islam in the 13th century influenced Malay art, incorporating Islamic principles like avoiding figurative images. Malay artists followed a concept of "tawhidi weltanchauung", appreciating Allah through forms like calligraphy, arabesques, and floral motifs. Common art forms seen in the Malay world included wood carving, metalwork, embroidery, and ceramics. Artists were recognized more for their craft, like as carpenters or weavers, than by individual name. The needs of society took priority over individual interests in Malay artistic tradition.
The arrival of Islam in the 13th century influenced Malay art, incorporating Islamic principles like avoiding figurative images. Malay artists followed a concept of "tawhidi weltanchauung", appreciating Allah through forms like calligraphy, arabesques, and floral motifs. Common art forms seen in the Malay world included wood carving, metalwork, embroidery, and ceramics. Artists were recognized more for their craft, like as carpenters or weavers, than by individual name. The needs of society took priority over individual interests in Malay artistic tradition.
The arrival of Islam in the 13th century influenced Malay art, incorporating Islamic principles like avoiding figurative images. Malay artists followed a concept of "tawhidi weltanchauung", appreciating Allah through forms like calligraphy, arabesques, and floral motifs. Common art forms seen in the Malay world included wood carving, metalwork, embroidery, and ceramics. Artists were recognized more for their craft, like as carpenters or weavers, than by individual name. The needs of society took priority over individual interests in Malay artistic tradition.
started in the 13th century hence changed the thoughts and philosophies in many aspects of the Malay life which includes arts. 2. There is idealism about the sense of beauty and goodness in the Islamic scope even though there
is still a Hinduism-Buddhist influence in it.
Most of the Malay artists follow the Islamic principles
that already have been outlined. ► 3. Sulaiman Esa (1993) has stated that the perception of the Malay artists is known as ‘tawhidi weltanchauung’.
The meaning of Tauhid is to appreciate Allah the Al
Mighty. The essence of tawhid is in the Kalimah La ilaha illallah, which convey the meaning of “The only One God to surrender, Allah”. 4. To preserve the goodness of the tawhid, the Muslim artist is forbids to make any representational form of figures or animals. Besides the manifestations of art that embodied in a form of calligraphy, the arabesques and the pattern which is based on flora motifs dominated most of the Islamic artworks. Wood carving 5. In the Malay Worlds, Mubin Sheppard (1978) clarifies that the interesting curvilinear forms have inspired Malay artists in their artwork.
The artworks can be in form of wood carving, the
product of pewter or silver and the embroidery songket. Everything is not for the masterpiece but to produce for the purpose of appreciations especially for the administrations and the public. Istana Kuning, Bukit Chandan, Kuala Kangsar . SONGKET Kain telepok 6. The artists are more to be known or recognized as a carpenter, ‘pengukir’ or ‘penenun’ without specific names besides the presence of their works.
►In this matters, the needs of the society is a priority rather
than for the individual interest. This tradition is still be practices until today. 8. Obedient, patient and dicipline have made the Malays loves or likes the delicate works and moral ethics.
When making a wish, throwing opinions or to criticize
on certain matters, it can be done in a most symbolic way and harmonious or we call it ‘berlapik’.
This approach can also be done through discussions,
in proverbs, pantun or seloka. 9. As such, how high the position or the ranking of a person is in the community, it would be meaningless if failed to show good attitude or politeness. This can be analyzed through the pantun as follows:
‘Yang kurik itu kendi
Yang merah itu saga
Yang cantik itu budi Yang indah itu bahasa’ kendi Labu sayung Labu sayung Tepak Sireh keris
Moris, Megawati. (2011) - Islamization of The Malay Worldview - Sufi Metaphysical Writings. World Journal of Lslamic History and Civilization, 1 (2), 108-116