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Lamplit Callback 1
Lamplit Callback 1
3
(Darkness.
Distant
thunder
and
rain.
The
cast
is
revealed
in
mourning
clothes
with
umbrellas,
facing
upstage.
Mount
Repose
Cemetery,
Haverstraw,
New
York.
April
3,
1950.
Weill
walks
through
the
mourners
and
speaks
directly
to
the
audience.)
GREG
It
is
almost
done.
They
have
reached
the
K’riah,
the
ritual
rending
of
the
garments,
symbolizing
the
tear
that
is
in
the
mourner’s
heart.
Dayan
Ha'emet,
they
say,
"Blessed
is
the
Judge
of
Truth,"
praying
because
as
mortals,
we
cannot
understand
God's
decrees
and
judgments.
All
we
can
do
is
accept
them,
and
to
acknowledge
that
God
is
in
control
of
all
life.
And
now
the
eulogy.
Maxwell
Anderson
at
his
most
eloquent:
"It
takes
decades
and
scores
of
years
and
centuries
to
sift
things
out,
but
it's
done
in
time
−
and
Kurt
will
emerge
as
one
of
the
very
few
who
wrote
great
music."
(smiling)
He
was
a
lovely
man,
Maxwell,
but
I
didn't
give
a
damn
about
writing
for
posterity.
Now
the
Kaddish.
Amen.
And
the
Shura,
the
words
of
consolation:
"May
you
be
comforted
among
all
the
mourners
of
Zion
and
Jerusalem."
(music
under)
There
is
an
expression
in
Hebrew
that
translates,
"Words
from
the
heart
go
directly
to
the
heart."
It
is
something
I
have
always
tried
to
live
by.