This document discusses digital technology and social change. It notes that digital technology is the latest stage in humanity's socioeconomic evolution, following earlier revolutions involving materials, energy, and now information. Less than 1% of the world's stored information was digital in the late 1980s, but this surpassed 99% by 2012. The current era focuses on algorithms that convert data into actionable knowledge. Innovation theory, based on Schumpeter's concept of creative destruction, provides a framework for understanding technological change and its effects on different levels of society.
This document discusses digital technology and social change. It notes that digital technology is the latest stage in humanity's socioeconomic evolution, following earlier revolutions involving materials, energy, and now information. Less than 1% of the world's stored information was digital in the late 1980s, but this surpassed 99% by 2012. The current era focuses on algorithms that convert data into actionable knowledge. Innovation theory, based on Schumpeter's concept of creative destruction, provides a framework for understanding technological change and its effects on different levels of society.
This document discusses digital technology and social change. It notes that digital technology is the latest stage in humanity's socioeconomic evolution, following earlier revolutions involving materials, energy, and now information. Less than 1% of the world's stored information was digital in the late 1980s, but this surpassed 99% by 2012. The current era focuses on algorithms that convert data into actionable knowledge. Innovation theory, based on Schumpeter's concept of creative destruction, provides a framework for understanding technological change and its effects on different levels of society.
Digital technology, including its omnipresent connectedness and its powerful artificial intelligence, is the most recent long wave of humanity’s socioeconomic evolution. The first technological revolutions go all the way back to the Stone, Bronze, and Iron Ages, when the transformation of material was the driving force in the Schumpeterian process of creative destruction. A second metaparadigm of societal modernization was dedicated to the transformation of energy (aka the “industrial revolutions”), including water, steam, electric, and combustion power. The current metaparadigm focuses on the transformation of information. Less than 1% of the world's technologically stored information was in digital format in the late 1980s, surpassing more than 99% by 2012. Every 2.5 to 3 years, humanity is able to store more information than since the beginning of civilization. The current age focuses on algorithms that automate the conversion of data into actionable knowledge. This article reviews the underlying theoretical framework and some accompanying data from the perspective of innovation theory. Digital technology and social change is part of the broader literature of innovation theory.1 Innovation theory is most commonly based on Schumpeter’s notion of socioeconomic evolution through technological change.2,3 The reputed “prophet of innovation” himself gave it an illustrative name: “creative destruction.”4 Creative destruction works on different levels, reaching from product cycles, over fashion and investment- lifecycles (including so-called Kitchin and Juglar cycles), to so-called business cycles. The result is “an indefinite number of wavelike fluctuations which will roll on simultaneously and interfere with one another in the process… of different span and intensity… superimposed on each other.” IT Culture and the Society An interdisciplinary field, technology and culture, or social informatics, is part of a larger body of socio-economic, socio-psychological, and cultural research that examines the ways in which technology and groups within society are shaped by social forces within organizations, politics, economics, and culture.
Imaging and Design for Social Impact
Graphic design is a process that combines words and images to convey ideas. It's done by professionals called graphic designers and used in fields like advertising. Image-making is very important to graphic design. It's an effective way to catch people's attention and make connections with viewers. Design for social impact is the practice of interrogating real-world systems—institutional, economic, social, political, interpersonal—in order to define opportunities for change that give voice to those who has been disenfranchised or marginalized by design.
Synopsis The Chapter Provides An Overview of Diverse Conceptualizations and Terminologies That Have Been Introduced To Describe Technology and How It Evolves