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ALMORADO, J.M.

GEC106 Art Appreciation CRAFTING TECHNIQUES


Lesson 3: Soul-making, Improvisation, What is mindfulness?
and Appropriation - Mindfulness is a mental state
SOULMAKING achieved by focusing one’s
- Art of making awareness on the present
- Is primarily based on drawing out moment, while calmly
or depicting the experiences and acknowledging and accepting
practices in an individual and one’s feelings, thoughts, and
transforming these into images bodily sensations, used as a
either into a painting, a sculpture, therapeutic technique
a composition, or a production. - Extending one’s mindfulness state
- Has emotion, value, concept to to expressing imagination,
uphold inspiration, or creativity allows a
- Art=image of soul/self relaxing hobby like crafting to
- John Keats: I say “soul-making”, come in
souls as distinguished from an Why is switching off so important?
INTELLIGENCE. Allowing your mind to enter a playful
o Soul has to acquire identity state, as it does when creating and
by suffering. Once you crafting, is essential to our general well-
suffer, the better you being. Always remaining in a state of
understand high alert, as we can do in our day to day
- Our experiences shape us into a lives, doesn’t allow our minds and bodies
certain kind of person, and this the opportunity to slow down, pause and
becomes who we are—our soul. catch up. The key to looking after your
- Soul making is letting out our soul, mental health is being in the moment.
we can do it by turning to art Becoming engrossed in a crafting activity
- Takes time because you are draws the mind away from life’s problems
shaping yourself and busies it with creativity, imagination,
- Converting an experience, or fun. It awakens the senses—
whether a short moment or life- something that can only happen in the
long encounter, into images and present moment. Crafting enables us to
symbols enter a mindful state without having to
- Long process, non-motivated to focus on doing so. We merely enjoy the
motivational experience and mindfulness comes as a
- An exploration and application of bonus.
the imagination in an active way. How to think like Leonardo Da Vinci
We use our imagination or an (CAPTURING THE ESSENCE OF
inspiration to connect our soul LEONARDO DA VINCI’s GENIUS by
- But imaginations will stay MICHAEL GELB)
intangible until the artist converts Curiosita – an unrelenting quest for
said thoughts into form continuous and constant learning in life
Categories: Dimostrazione – testing knowledge by
o Creating Images experience, persistence, and willingness
o Crafting Stories to learn from mistakes.
o Crafting instruments Sensazione – continual refinement of the
o Crafting movements senses
ALMORADO, J.M.

Sfumato – willingness to embrace - Superior skill artists naturally


paradox, ambiguity, and uncertainty possess and have acquired after
Arte/Scienza – balance between science extensive and constant practice
and art, logic and imagination APPROPRIATION
Corporalita – cultivating grace, - Artist borrows idea from a pre-
ambidexterity, fitness, and poise existing art and adds twist (modify)
Connessione – recognition and the borrowed art
appreciation that all things and - Involves borrowing and changing
phenomena are interconnected existing materials or works
IMPROVISATION - Started in the 1900s
- The art and act of improvising or - Pablo picasso, gorges Braque,
of composing, uttering, executing, and the father of improvisation,
or arranging anything without Marcel Duchamp
previous planning or preparation. - Also done in music, theatre,
It is producing something from dance, and even cultural items
whatever material/resources and practices
available. - Salvador Dali: In art and history, it
Examples: refers to the practice of artists
o In performing arts, it is a using pre-existing objects or
very spontaneous images in their art with little
performance without transformation of the original
specific or scripted ISSUES ON OWNERSHIP AND
preparation APPROPRIATION IN RELATION TO
o in music, composing a song ART
impromptu, or an Ownership: generally pertains to the
impromptu solo general right of a person or an individual
performance during a to control an object purchased or in his
concert possession
o In theater, a stage actor Copyright Laws: give the owner
may play dramatic scenes the copyright—the exclusive rights to
without any pre-written produce, to display publicly, to make and
dialogue (like an adlib when distribute copies, and to prepare
a co-actor forgets his or her derivative works based on the original
line) artwork.
- Also called improved, described APPROPRIATION—IS IT STEALING
as “spontaneous, unplanned, or ANOTHER’S ARTWORK?
otherwise free-ranging activity” Using another’s artwork in the
- Spontaneous, unplanned, sudden artist’s new context. In appropriation, the
- In improvising, you let your artist does not seek to deceive the
creative ideas flow onto your viewers of the new art piece for there is
hands while you are painting to… no prohibition to bring the original
@@@ message and intention of the original
- Can be individual – painter or solo artwork; rather it is merely establishing
dancer the original art piece in a new “light” or
- Can be group – jazz bands and context
theater actors 2 WAYS TO APPROPRIATE ART
ALMORADO, J.M.

1) Artistic content
 Artistic elements: motif, genre,
style
2) Cultural Appropriation
 Object
- Happens when a tangible artwork
previously owned by people from
one culture was taken and
adopted by a person or a group of
persons from another culture
- Example: Totem Pole
 Content
- Refers to the adoption of works
that are intangible. Examples are
short stories, poetry, and musical
compositions
Examples:
- Salbakuta’s “Stupid Love” song
(categorically, it’s sampling)
- Mashup song of Mariah Carey’s
“All I want for Christmas is you”
and My Chemical Romance’s
“Welcome back to the Black
Parade”
 Subject
- Occurs when a subject matter
from another culture is
appropriated
- Example: In the animated fil
Moana, the character of Maui is
not a fictional character but a
Polynesian cultural hero with both
human and godly characteristics.
There are numerous views of the
particular origins and feats of Maui
(from family to family), but it is
generally agreed that he is a figure
of dignity, strength, and
intelligence. The Maui in the
Disney trailer, however, appears
to be frivolous, vain, and
humorous. It is unsettling that a
demigod known for his magnitude
is the comic relief of the film

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