The document provides a historical timeline of important figures and events in music education from 570 BC to the 1800s. Some key developments include Pythagoras experimenting with musical intervals, Plato advocating for music education, Guido D'Arezzo developing modern music notation, the singing school movement integrating music into public schools, and Lowell Mason incorporating instruction into church music collections. Overall, the timeline traces the philosophical foundations of music education and developments in teaching methods and curricula over millennia.
The document provides a historical timeline of important figures and events in music education from 570 BC to the 1800s. Some key developments include Pythagoras experimenting with musical intervals, Plato advocating for music education, Guido D'Arezzo developing modern music notation, the singing school movement integrating music into public schools, and Lowell Mason incorporating instruction into church music collections. Overall, the timeline traces the philosophical foundations of music education and developments in teaching methods and curricula over millennia.
The document provides a historical timeline of important figures and events in music education from 570 BC to the 1800s. Some key developments include Pythagoras experimenting with musical intervals, Plato advocating for music education, Guido D'Arezzo developing modern music notation, the singing school movement integrating music into public schools, and Lowell Mason incorporating instruction into church music collections. Overall, the timeline traces the philosophical foundations of music education and developments in teaching methods and curricula over millennia.
The document provides a historical timeline of important figures and events in music education from 570 BC to the 1800s. Some key developments include Pythagoras experimenting with musical intervals, Plato advocating for music education, Guido D'Arezzo developing modern music notation, the singing school movement integrating music into public schools, and Lowell Mason incorporating instruction into church music collections. Overall, the timeline traces the philosophical foundations of music education and developments in teaching methods and curricula over millennia.
570-490 B.C. Pythagoras Experimented with math ratios in regards for musical intervals which lead to the basis of tuning systems, and later equal temperament. (Hodges, 2017)
427-347 B.C. Plato Believed children should
learn music to prepare them to be optimal citizens of the community. (Mark, 2002) Believed music was important because of the rational ideas of how it connected to math and the cosmos, rather than emotional side of it. Believed that music could “balance the soul” or conversely spark immorality based on the harmonies performed. (Hodges, 2017)
384 – 322 B.C. Aristotle Advocated that children
should learn music for enjoyment and that music should be a part of their education. (Hodges, 2017) 475-525 Boethius Was a music theorist who wrote De Institutione Musica, a significant work relating to music’s connections to math and the universe, that was studied in the quadrivium until the 1800’s. (Mark, 2002)
878-942 St. Odo of Cluny Created the letter system
to denote pitch in music. (Mark, 2002)
990-1050 Guido D’Arezzo Was considered the most
influential music teacher in this time period. Was largely responsible for developing and teaching music notation. He taught using solfege syllables and a 4-line staff which later established into the systems that we use today. (Mark, 2002) 1483-1546 Martin Luther Created schools that contained vocal and instrumental music within the courses. (Mark, 2002).
1592-1670 John Amos Comeius of Bohmeia Wrote The Great
Didactic which explained how and when different aspects of music should be taught at certain ages. (Mark, 2002).
1689-1750 Reverend John Tufts Wrote a textbook to help
people to learn music the “Regular Way” of learning music regarding reading notation. Developed the Singing School. Created a new system of his own to teach notation including fasola singing and note punctuation. (Mark, 2002)
1721 The Grounds and Rules of Music A book written by
Explained or An Introduction to the Reverend Thomas Art of Singing by Note Walter to describe the “Regular Way” of learning music. Used more traditional notation, rather than Tufts’ system. (Mark, 2002). 1722-1800’s The Singing School Movement Was established to help communities learn to read music and sight- sing. Eventually was integrated into the public school as a curricular subject. (Mark, 2002)
1746-1800 William Billings Wrote psalms, patriotic
music, including “Chester” and other songs. Wrote “Rules for Regulating a Singing- School” to address conduct and discipline in musical ensembles. (Mark, 2002).
1792-1892 Lowell Mason Wrote Boston Handel
and Haydn Society’s Collection of Church Music which integrated musical instruction into practiced selections and contained instructional guidance for the music teacher. (Mark, 2002) References
Hodges D. A. (2017). A concise survey of music philosophy. Routledge.
Mark, M. L. (2008). A concise history of American music education. Lanham, Md.: