The mural "The Martyrdom of Rizal" depicts the execution of Philippine national hero Jose Rizal in 1896. It was painted in 1960 by Carlos "Botong" Francisco, who is considered the Philippines' National Artist for Visual Arts. As one of Francisco's most famous works, the mural was commissioned by Fort Santiago to be part of the Rizal Shrine. Francisco is renowned for his murals depicting important events from Philippine history and reviving the art of murals in the country.
The mural "The Martyrdom of Rizal" depicts the execution of Philippine national hero Jose Rizal in 1896. It was painted in 1960 by Carlos "Botong" Francisco, who is considered the Philippines' National Artist for Visual Arts. As one of Francisco's most famous works, the mural was commissioned by Fort Santiago to be part of the Rizal Shrine. Francisco is renowned for his murals depicting important events from Philippine history and reviving the art of murals in the country.
The mural "The Martyrdom of Rizal" depicts the execution of Philippine national hero Jose Rizal in 1896. It was painted in 1960 by Carlos "Botong" Francisco, who is considered the Philippines' National Artist for Visual Arts. As one of Francisco's most famous works, the mural was commissioned by Fort Santiago to be part of the Rizal Shrine. Francisco is renowned for his murals depicting important events from Philippine history and reviving the art of murals in the country.
one of the best known work of Carlos “Botong” V. Francisco, Philippine National Artist for Visual Arts in 1973. Francisco is best known for his landmark murals depicting some of the Philippine historical events. The mural depicts the execution of Philippine National Hero Dr. Jose Rizal at Bagong Bayan (now Rizal Park) on December 30, 1896. The mural was commissioned by Fort Santiago as part of the Rizal Shrine. CARLOS “BOTONG” FRANCISCO National Artist for Painting (1973) (November 4, 1912 – March 31, 1969) Carlos “Botong” Francisco, the poet of Angono, single-handedly revived the forgotten art of murals and remained its most distinguished practitioner for nearly three decades. In panels such as those that grace the City Hall of Manila, Francisco turned fragments of the historic past into vivid records of the legendary courage of the ancestors of his race. He was invariably linked with the “modernist” artists, forming with Victorio C. Edades and Galo Ocampo what was then known in the local art circles as “The Triumvirate”. Botong’s unerring eye for composition, the lush tropical sense of color and abiding faith in the folk values typified by the townspeople of Angono became the hallmark of his art.His other major works include the following: Portrait of Purita, The Invasion of Limahong, Serenade, Muslim Betrothal, Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo.Francisco's works revolved around Filipino customs and traditions. The National Artist also painted many historical events that chronicled important events such as the First Mass at Limasawa, The Martyrdom of Rizal, The Invasion of Limahong, and the Blood Compact. In 1961, Francisco served as the production designer for National Artist Geraldo de Leon's film adaptation of Dr Jose Rizal's Noli Me Tángere.De Leon is the only Filipino director in the Philippines to have won the Filipino Academy of Movie Arts and Sciences Awards (FAMAS) for Best Director for three consecutive years: 1960, 1961 and 1962.
Harana, 1957 (Bangko Sentral ng Pilipinas Collection)