Huy Nguyen’s Recital Slideshow Instructions

Slide 1: On Display as audience arrives

Slide 2: After lights come down, give audience 1-2 minutes to pull up program notes

Slide 3: As Huy walks out

Slide 4: M. 1 of Flowtide

5. Measure 43 of Flowtide

6. Measure 62 of Flowtide

7. After Flowtide is over

8. After Huy exits stage

9. As Nick enters stage

10. Measure 1 of Fortune

11. Measure 49 of Fortune

12. Measure 108 of Fortune

13. After Fortune is done

14. As nick leaves, stage is being changed for quintet

15. As quintet members enter and get situated, tune, etc

16. measure 1 of forging iron

17. Measure 71 of Forging Iron

18. Measure 116 of Forging Iron

19. After forging iron is done

20. As stage is being set for Blessed Rain

21. As trio plays enter stage, get situated, tune etc

22. Measure 1 of Blessed Rain

23. Measure 68 of blessed Rain

24. Measure 109 of Blessed Rain

25. When Blessed Rain is over

Slides 26-27 – as stage is being reset, give 20-30 seconds on each slide

Slide 28, once stage is cleared go to slide 28, give a couple of seconds, then press play (audio woven into
slide)
Slide 29: After audio is finished playing

Slide 30: Show title of duet, give a couple of seconds, go to next slide

Slide 31. Play the woven audio (bird song) as Sharon and Oscar set up on stage

Slide 32. Show player names as they get situated and tune

Slide 33. Measure 1 of The Answer

Slide 34: Measure 45 of The Answer

Slide 35: Measure 89 of The Answer

Slide 36: Measure 105 of the Answer

Slide: 37: Measure 139 of the Answer

Slide 38: End of the Answer

Slide 39, when lights come up and everything’s done!

 Flowtide
For Solo Flute
Huy Nguyen (2021)


Wading, aloft ( = 60)

       
slow, accel. trill rit.

         
 

 
poco rit.

 

            
 
       

     
6 a tempo

3 3

     


                  
  
poco rit.


8 a tempo

       
     



      
      
slow, accel.


3 trill rit.

     
10

   
              
 
        


      
14 poco rit.




 
                 
sim.

  
 
19 a tempo

 
     
            
3

  
            

24

         
33 3

    


  
            

poco a poco acc.


28

3 3 3

   
 

         
 
   
 
            
31

   
3 3 3 5

   
    
a tempo

         


    
sim.
33

3 3




     
              
 
  

 
             
3 3 3


39
3


3 3

           
  
Strained, desperate ( = 100)

             
43 bend

     


             
          
46

 

       


      
  
    

49

   
 

   

     
                     

poco a poco accel.

 
52



             

  


         
a tempo

        
55

2
              
   
     
molto ritardando

  
fl.
58

    
           
Freely, mobile ( = 80)

     
         
sim.
62

            
3

         
 

         
sim.

 
67

    
    
 
      
        


   

  
      



72

      
  
         
 
 
     
3

             


       
76

                
     



     


          
sim.


79

           



       
      
molto ritardando a fine

             
sim.


84

 
        
sim.
90

3
 Fortune and the Cowboy
For Solo Trumpet in C
Huy Nguyen (2021)


          
Mysterious, otherworldly  = 60

         
  
In stand

 
 


       
Broody, distant  = 144

  
                       
7 Open

                


 In stand  
  
                 
Curious, swaying  = 72

            
         
15

 
 

          
                            
Audacious  = 144

        
23

   
Open

         


    
               
29 poco a poco accel.

 


         
          
      
                 
35

         
            
            
   
Bold  = 160
41




                
                                
45

 
  
Tense, arid  = 80

   
        
 
  
con sord.

   

49


   




       

  

     

56


  
 
 

 

         
mute off

  
poco ritard.


62


 

  
       
Frantic, desperate  = 160

  
                         
           
67 Open

      
                
     
70




            
                            
    
74

 3
3


      
               
                      
 
77




   
                        
       
 

  
80




 
          

 
         
 
84

  
                
          
          
poco ritard.

 
lunga

 
88

 

       
Dark, bleak  = 80

     
    
93

 
con sord.

  
  
 

 
  
mute off

       
99


poco ritard.

    



2
   
     
Open

       
                     
poco a poco accel.

    
104

 

   
                    
Fanfaric, lively  = 176

        
108


 

      
                     
   
115

     

                    
121

   


  
            
 
             

125




     
                              
    
131

      
     
poco a poco cresc. e accel. al fine

      
           
136

  
         
               
        
141


  
            
145