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I would define myself as an active listener who would try and engage with the beats of the
instruments and try to denote the different intensities and rhythms of sonatas in the symphony. I
chose the performance of Diana Krall and her team that they played at the Festival De Jazz De
San Sebastián in 2008. She played piano and was the lead vocalist of the band, with Anthony
Wilson as the bass guitarist; Robert Hurst as acoustic double bass player and Jeff Hamilton on
drums. Together, they performed a phenomenal jazz melodies of "Let's fall in love" by Ted
Koehler and Harold Arlen; "The look of love" by Burt David and Hal Bacharach; "'Deed I do" by
Walter Hirsch and Fred Rose; "I'll string along with you" by Al Dubin and Harry Warren;
"Exactly like you" by Dorothy Fields and Jimmy McHugh; "A case of you"; "Devil may care" by
Bob Dorough and Terrell Kirk; "I was doing all right" by Ira and George Gershwin; "I don't
know enough about you" by Peggy Lee and Dave Barbour. They had inevitably spell bounded
their audience. The team kept the audience entertained by incorporating a plethora of the
orchestral styles ranging from soft to upbeat, produced by different orchestral instruments such
as the strings, brass, and percussion. The pianist and the bass guitarist were placed upfront on the
stage where as the bass player and the drummer was seated at the back.
"Let's fall in love" covered by Diane Krall is originally composed by by Ted Koehler and Harold
Arlen in 1933. The cover adheres to soft strings of the bass guitar and eventually raises its pitch
unanimously with other instruments- piano, drums and bass, at a touch of variety in the tone. The
purpose of this music to indulge hints of little upbeats in the aura and elevate the mood of
audience euphorically with its jazzy swing beat. The volume is maintained to a rather soft tone in
the beginning with a gradual increment making it relative upbeat. The musical form of this song
unfolds elevated and pleasant mood with the harmony of drumming with bass, piano and guitar.
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Secondly, "The look of love" by Burt David and Hal Bacharach, originally written in 1967 was
also covered by Diane Krall and her team. It is covered beautifully by them with the evident
tinge of original pop music in it. Krall here takes the lead on her piano and wins the hearts of her
audience. She is then joined by her teams to recreate the best jazz cover of this beautiful song.
The original traits of the Bossa Nova rhythm were audible in the song too. The volume is kept at
Thirdly, Diane Krall adds her jazzy touch along with her team to the original of Walter Hirsch
and Fred Rose, the "'Deed I do", composed and released in 1982. This cover begins directly with
an upbeat start in high pitch with medium tempo but the unparallel unity of the entire team of the
Diane Krall. It adheres to original structure and beats of the songs, however, with an innovation
and the use of limited yet different instruments altogether. Diane Krall and her laudable team
members were inevitably able to maintain the commendable rhythm and melody of the original
On the whole, the entire performance of Diane Krall and her team was successful in enthralling
the audience’s attention, with a thoroughly drafted sequence of the songs to keep the crowd
spellbound.