Trummikomplekt

COMRADES
DIXIELAND

Composer and Arranger

Paul Särel

Copyright Paul Särel

  
       
 = 172

                                     
  
With Swing

      
A



                                            
   
 B

             
3 3 3
9

  
            
                              
  
C

       
3 3
16
3

  3 3 
               
               
            
                   
3 3 3
23

  

                                
                        
    
D

    
29

                                       
    
E

            
37

                                         
               
 
3 3 3
44

                                           
                   
3 3 3 F
51

   
 

                                    
    
                
3 3 3
58

   


      
 

                           
                   
3 3 3 G
65

   


      
 

                      
 

        
             
3 3 3
72

2 Copyright Paul Särel

            
 

   


   
                     
 

       


 
3 H

3 3
79

                                    
       
   
            
3 3 3
86

                                       
    
            
93

  3 3
                                        
        
 
                     
I

 
3 3 3
100

  


   
                                          
    
3 J

               
3 3
107

 
                 
     
                 

           
K

       
3


3 3
114


  

Copyright Paul Särel 3