Violin

Violin II 'The Good, The Bad And The Ugly'II

Wild Wild West

2013 arr. Pamela Tan Nicholson

q = c.104
 
 più mosso
  Poco  
 
q = c.110 1–11 12–18
pp
21

  
poco

 più mosso
     
      
p q = c.116
27 poco accel.

    
                   
mf mf
30

            
                     
  fp
35
A

 

                    
fp f mf sub.
39

                              
                     
42


                             
45

     

  
  
mf
 poco più mosso
Violin II 3
q = c.120

 
51

                                
         
f


54

                        
       
mf
56

                         
 
58

                        
       
60

                        
   
62

                        
       
64

            
  
mp
68
B

     
              
f
p
72

 
 
mp ppp
 Lento

q = c.46
4 Violin II

q =c.50 
    

75

  
  77–85
pp pp


   
91

  
    
p


97

 Poco più mosso

  
Allargando Lento molto
 rall.
q = c.60

  
101

        
Più mosso    
pp mf p
C q = c.50

106 div. div.

     

   poco accel.
poco

 
112 div.

 Poco piùmosso  
 
   
q = c.60 mp poco p


117 div.

  
 

    
mp poco rall. rall.

 A Few Dollars More'

123 div. div.

     
     
'For
 p

q = c.112

 
        
   
129–141 142–150
     
mf
 Violin II 5

154

              
       
       
mf mf
Energico

          
   
158–162
      
mf


167
D
div.

      
           
  
   f
168–172

174 div.
    
'The Magnificent Seven' 

 
 
 
     
 
 
 
 
     
 
 
 
  
       
Più allegro
q = c.160

   
        
                
176

             
f


179 portamento sim.

        
mp

185 div. normale

  
     
    
mf
6 Violin II

   

  
191

                         
     f

        
194 div.

      
   
mp

 
       
199

   
  
    
mf
204
           
 
                    
      
f

      
207 port.

       
mp

213
  


           
  
mf

 
          
218

         
f
222
      

port. sim.

      
   
mp

 
227 div. normale

        
   
 mf
 Violin II 7


233

                  
           
 p mf
237
          
 
                  
f