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Revised Essay 3 Final Draft
Revised Essay 3 Final Draft
Revised Essay 3 Final Draft
15 November 2022
focused on critical Muslim studies. The article talks about orientalism and women in science
fiction films. Orientalism is the depiction of the Eastern world typically written or interpreted by
someone from the West. This article aims to argue for a new Arab-Muslim science fiction to
combat orientalism in Western science fiction. This essay argues that Aysha’s article is effective
in achieving this purpose due to using experts with significant credentials, citing many examples
Aysha’s article uses the rhetorical strategy of referencing works written by experts with
significant credentials in either Orientalism or science fiction. Aysha uses Edward Said’s concept
of Orientalism as a focal point for the article, as shown in the various examples he uses
throughout the article. Edward Said invented the term and study of Orientalism which, in simple
terms, is a flawed depiction of Eastern cultures by the West. Said never explicitly stated his view
on whether or not he was against Orientalist culture; instead, it posed a negative view of both the
East and the West. His theory on Orientalism is the skeleton of Aysha’s article and the backbone
of all his claims. Aysha cited two other credible sources, Dr. Marie Lathers and John Carlos
Rowe, which both expanded upon Said’s theory on Orientalism. Lathers wrote a book exploring
the place of women in Western science fiction and Orientalist motifs. She dove into women’s
fundamental role in science fiction, where they typically support their much stronger male
partner. John Carlos Rowe dealt with sexuality and political paranoia in American pop-culture
works. Rowe stated that in eastern countries, it is common to greet others with a kiss on the
cheek and be more affectionate than the Western audience is used to, which is why in many
films, Eastern individuals were portrayed as more effeminate than their Western counterparts.
Aysha cited many more sources that all came to a similar conclusion, Orientalism exaggerates
Eastern cultures and negatively portrays them. Some authors, such as Aysha, propose a new
Aysha cites credible sources to build trust with the reader. These sources are experts in
their field and are an effective strategy to build credibility. This is an example of the author’s use
This article uses other science fiction works as examples to show how prevalent
Orientalism is within the science fiction genre. From movies to books, the author uses a variety
Orientalism in both negative and positive ways, movies such as Blade and Blade Runner are
discussed. There are several examples of the harmful use of Orientalism in books such as Out of
the Coffin and The Living Dead. Aysha mentions these examples in her article. Several works
presented in this article have incorporated Orientalism during numerous decades, the earliest of
which is 1927's Metropolis (Aysha 3). Aysha even gives examples of Arab works that fall into
the Orientalist narrative and favor the Western ideal. These examples appeal to the audience's
sense of logos. This is because they can reason that the sheer number of these examples proves
that Orientalism is a much larger problem than expected. This is why it needs to be confronted.
The author of this article cites a lot of science fiction works as an example to show
readers just how standard Orientalism is in movies, from antique films from 1927, such as
Metropolis, to modern films, such as Blade (1998). This information effectively informs the
The author uses examples of explicit language present in books and films, which include
Orientalist themes. Many of these examples fall under John Carlos Rowe’s area of study. He
believed that anxieties evident in Orientalism are over male sexuality. The following examples
are greatly exaggerated compared to what John Carlos Rowe was referring to, such as the book
cited by Aysha, The Last Ramadan, where the protagonist, Ibrahim Khali, performs disturbing
acts, which the author details extensively. An example of the Orientalist themes present in this
book is shown when the protagonist enters a room with two bulky men who seem to admire how
“well-developed” he is in a non-sexual way, the author of the book states. This admiration gives
Khali a slight erection. That example is the least explicit of the ones detailed by the author.
Aysha mentions these disturbing, graphic examples to draw attention to how the East is depicted.
In the same novel, the author describes the protagonist spying on a young boy masturbating with
an uncontrollable urge to sodomize him, even though he is as heterosexual as they come. These
themes are common, though less exaggerated, in science fiction. They harm the public’s opinions
on Eastern cultures, which is why a new, Orientalist-free science fiction is necessary, Aysha
argues.
The article presents many examples of graphic language to further inform the reader of
how Eastern cultures are being represented. This convinces the reader that Orientalist themes are
journal. It argued that a new Arab-Muslim science fiction must be made to combat Orientalism
and provided many good and evil Orientalist themes in science fiction through the ages. The
author cited examples from the 1920s to modern-day science fiction. Aysha also cited many
credible sources, such as Edward Said, who initially proposed the theory of Orientalism.
Additionally, the author cited other professors and researchers who expanded upon Said’s theory,
such as Marie Lathers and John Carlos Rowe. They studied different branches of Orientalism,
like Rowe, who studied the anxieties over male sexuality. Aysha also uses examples of vulgar
language in novels with Orientalist themes to emphasize the extent of Orientalism. All these
factors effectively convince the audience that Orientalism should be combated against and that a
Aysha, Emad El-Din. “Science Fiction by, about, and for Arabs: Case Studies in De-Orientalising
the Western Imagination.” ReOrient, vol. 6, no. 1, 2020, pp. 4-19. Academic Search