A Room of One Owns by Virgina Woolf

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`A ROOM OF ONE OWN’S BY VIRGINA WOOLF

Virginia Woolf, original name in full Adeline Virginia Stephen, (born


January 25, 1882, London, England—died March 28, 1941, near Rodmell,
Sussex), English writer whose novels, through their nonlinear approaches to
narrative, exerted a major influence on the genre.

While she is best known for her novels, especially Mrs. Dalloway (1925)


and To the Lighthouse (1927), Woolf also wrote pioneering essays on artistic
theory, literary history, women’s writing, and the politics of power. A fine
stylist, she experimented with several forms of biographical writing, composed
painterly short fictions, and sent to her friend and family a lifetime of brilliant
letter

The dramatic setting of A Room of One's Own is that Woolf has been invited
to lecture on the topic of Women and Fiction. She advances the thesis that "a
woman must have money and a room of her own if she is to write fiction." Her
essay is constructed as a partly-fictionalized narrative of the thinking that led
her to adopt this thesis. She dramatizes that mental process in the character
of an imaginary narrator ("call me Mary Beton, Mary Seton, Mary Carmichael
or by any name you please—it is not a matter of any importance") who is in
her same position, wrestling with the same topic.
The narrator begins her investigation at Oxbridge College, where she reflects
on the different educational experiences available to men and women as well
as on more material differences in their lives. She then spends a day in the
British Library perusing the scholarship on women, all of which has written by
men and all of which has been written in anger. Turning to history, she finds
so little data about the everyday lives of women that she decides to
reconstruct their existence imaginatively. The figure of Judith Shakespeare is
generated as an example of the tragic fate a highly intelligent woman would
have met with under those circumstances. In light of this background, she
considers the achievements of the major women novelists of the nineteenth
century and reflects on the importance of tradition to an aspiring writer. A
survey of the current state of literature follows, conducted through a reading
the first novel of one of the narrator's contemporaries. Woolf closes the essay
with an exhortation to her audience of women to take up the tradition that has
been so hardly bequeathed to them, and to increase the endowment for their
own daughters.
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