Imitationism is an art theory that evaluates artwork based on its realism and accurate representation of objects. The Roman sculpture Doryphorus (Spear-Bearer) is considered an iconic example of imitation art, as it is a marble copy of a lost Greek bronze sculpture from the 5th century BCE. The Romans had a strong admiration for Greek art and culture, and would commission copies of famous Greek sculptures for their villas. Representationism depicts recognizable subjects from real life through varying degrees of abstraction, from highly realistic to more loose and impressionistic styles. Claude Monet's painting is an example of representational art that uses loose brushwork but still clearly depicts a landscape scene.
Imitationism is an art theory that evaluates artwork based on its realism and accurate representation of objects. The Roman sculpture Doryphorus (Spear-Bearer) is considered an iconic example of imitation art, as it is a marble copy of a lost Greek bronze sculpture from the 5th century BCE. The Romans had a strong admiration for Greek art and culture, and would commission copies of famous Greek sculptures for their villas. Representationism depicts recognizable subjects from real life through varying degrees of abstraction, from highly realistic to more loose and impressionistic styles. Claude Monet's painting is an example of representational art that uses loose brushwork but still clearly depicts a landscape scene.
Imitationism is an art theory that evaluates artwork based on its realism and accurate representation of objects. The Roman sculpture Doryphorus (Spear-Bearer) is considered an iconic example of imitation art, as it is a marble copy of a lost Greek bronze sculpture from the 5th century BCE. The Romans had a strong admiration for Greek art and culture, and would commission copies of famous Greek sculptures for their villas. Representationism depicts recognizable subjects from real life through varying degrees of abstraction, from highly realistic to more loose and impressionistic styles. Claude Monet's painting is an example of representational art that uses loose brushwork but still clearly depicts a landscape scene.
Analyze and relate the study of art to the following works/theories.
A. Imitationism
Imitation art is art that focuses on accurately
representing objects. Imitationism is an art theory that evaluates artwork based on its realism. Polycritus' Doryphorus (Spear Bearer) is a Roman marble copy or imitation of a Greek bronze, c. When studying ancient Greek art, we frequently find ourselves looking at ancient Roman art, or at least their copies of Greek sculpture, 450- 440 B.C.E. (or paintings and architecture for that matter). Essentially, every Roman desired Greek art. For the Romans, Greek culture represented a desirable way of life, representing recreation, the arts, elegance, and education. Beginning in 211 B.C.E., Roman generals conquered Greek cities, returning triumphantly to Rome with works of art rather than the typical booty of gold and silver coins. As a result of the Roman elite's overwhelming admiration for this work, studios were built to handle the rising demand for copies for affluent Roman villas. Doryphorus was one of the most sought-after and copied Greek sculptures. The Doryphorus (Spear- Bearer) in the Naples Museum (illustrated above) is a Roman recreation of a lost Greek original that was reportedly found in Pompeii, a small Roman city, largely intact. B. Representationism
This artwork/painting, in my opinion,
represents freedom.Our Filipino Katipuneros have been looking for him for the cruel treatment of Spanish people Andres Bonifacio directed that our Katipuneros be ripped apart their cedulas and declared war on the Spaniards. Moreover, Representational art is art that depicts something, such as a tree in a landscape, an apple in a still life, or a figure in a portrait. Or, to put it another way, art is clearly identifiable as something that already exists in life. Representational art does not have to be a completely realistic depiction of the subject; varying levels of abstraction are common. For example, the Impressionists used loose brushwork and simplified their compositions. Although their work is often far from realistic, it can still be identified as something that already exists. Claude Monet's painting below is loose and hazy, but it clearly depicts a bridge, boats, and distant buildings in an ambient seascape.