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  • (Asus2 - Track 1

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    Jabes Cañón
    10 views3 pages
    This musical composition is an untitled piano piece consisting of notes represented by symbols. It follows a repeating pattern over its duration and utilizes crescendos and decrescendos to vary the intensity of the notes. The piece cycles through different note progressions and incorporates slight variations over multiple repetitions of the core musical theme.

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    Original Title

    [asus2 - Track 1

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    This musical composition is an untitled piano piece consisting of notes represented by symbols. It follows a repeating pattern over its duration and utilizes crescendos and decrescendos to vary the intensity of the notes. The piece cycles through different note progressions and incorporates slight variations over multiple repetitions of the core musical theme.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    10 views3 pages

    (Asus2 - Track 1

    Uploaded by

    Jabes Cañón
    This musical composition is an untitled piano piece consisting of notes represented by symbols. It follows a repeating pattern over its duration and utilizes crescendos and decrescendos to vary the intensity of the notes. The piece cycles through different note progressions and incorporates slight variations over multiple repetitions of the core musical theme.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Track 1 [Title]

    [Composer]

                   
      

                 
    6

     
                  

                     
    11

     
      
           

              
    15

        
                  
              
                 
    20

       
            

              
           
    25

          
       


                               
    32

            
     

                               
    39

          

                         

    45

          
            
                   
    51

       
      
         
    [Title]

        
    2

         
     
    58

       
           
      
               
    64

                    
     

             
     
    68

         
              
                   
         
    72


     

                      
    76

           
              
     
              
      
             

    81

                   
     
     
                               
    87

          

                                 
           
    94

     
        
              
    100

                 

                 
        
    106

           
              

                              
    113

             

    [Title]

                        
    3
          
    119

           


     
                       
    124

          

               
     
                 
    130

      
    3

     

          
                
    137

            

        
        
       
        
    142

      

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