Full

score

G.P. Telemann

Concerto

for two violins , strings & continuo TWV 52:g1

 Concerto


for two violins , strings & continuo TWV 52:g1
I
       
                        
G.P. Telemann

 
Grave  = 36

  
Solo Violin 1

          
  

Solo Violin 2

      
           
Violins I     

      
Violins II                 

   
Viola                          

                                
 


Cembalo/Cello/Bass

                                   
          
4


       
         
                 
  


                       
           

                           
     

              
                

                            
   
 
 4 I


           
  
      

 
     
       
7


 
                                 
      
 

                             
     
                    
        
 
    
                    
            
   
                         
  



                    
       
10

    
       
          

                
      
            
         

      

 
  
 
    


            

     

 


     
                
12

 
                  
      

 
                       
                      
      

                        

                      
   
 II


            
                   
Solo Violin 1    
      
       
Solo Violin 2         

           
     
      
  
Violins I

         
Violins II           

Viola                 

                
   


Cembalo/Cello/Bass

   
              
 
                 

6


         
       

             
        
             
    
 

     
        
     
 
               
     


          
         
 
12

          
                       

      


          
         
  
             
      


               

                  
 
 6 II


    

    
           
18


      
                                  
  

              
      
 
             
         
    
    
          
 
                
      


             
         
           
24

          
   
   
  
 

          
        
      
   
       
  
 

     
      
  
          
  


 
 
        

                       
29

 

   
              
  
      
   
             
     
  
                   
  
         
        
         

   
   
              
     
 II 7


                     
             
35

   

          
         
 
         
    
 


        
        
     
            
       
       
    


           
         
41

  
                           
   
 
      
              
       
    
 
  
           

       
    
    


                
 
 
 
     
  
47
       
                            
       

        
         
    

  
                      

   
         
            
   
               

      
 8 II


                    
        
  
53
        
   

      
             


      
          
    


                       
        
    

        
  
 
 


          
                  
59



                        


  
     
            

       

  



              

    
        
 


  
         
             
65


    
    
                  
     
          



    
           

      
         
           
   
  
 II 9


         
               
       
71


                    
 
      
             
      
 

  

           
        
 
 
 
      
         
    
 
                  
      


III


           
Solo Violin 1        

       
        
Solo Violin 2    

         
  


Cembalo/Cello/Bass

    
   
    
5


            
         

   
          



                
                 
10

 
       

  
     
 10 III


           
           
13

   
             
       

     
           
    


     
          
    
18


        
           

      
     


         
 
  
22

               
          
       
   
        
      



         

26
    

              
          

      
  


      
 
        
29

  
       
    
 
      
  

 IV


                 
Solo Violin 1                   
                 
Solo Violin 2                   

               

              
Violins I     
                
                 
      
Violins II

         
      
 
Viola

    
         
     
 


Cembalo/Cello/Bass

         
                                
5

  
                                       

         
                               
 
                               
         

     
               

       
       
       
 


                                 
     

9

                                             


                        

       

                         
     
  
   
 
  
              
             
        
        
 
         

 12 IV


                                           
       
13

                             
          
 

                           
       
                  
       



  
          
             
   
                       
   


       
                                
17

                               
         

      
       

                               
       
  
          

    
 
                       
   


        
          
   
20

                               
     

       
        
      
   
     
        

       
     
  
 IV 13


  
                        
24

 
        
                 
 

     
   
    
  

      

      
  


           
          
28
 
         
    
    
 
  


             
             

         
        
   
           
             

                

        
        


           
   
    
31

   

             
                                    

    
         

             

             

           
  

14 IV

     
                             
34

 

                                       
     



   
                               
         

                  

               
       
     
           
   


        
 
      
38
 
          
        

           
     
           
       
          
     

   
           
     


                
              
41



          
                                   

               
              
   
                                 
     
              
 
    
           
       
 IV 15


  
                                     
45

                    
                 
  
                          
          
 
                                    

      
                  
    
   
                  
         
 Solo Violin 1

G.P. Telemann

Concerto

for two violins , strings & continuo TWV 52:g1

 Solo Violin 1

Concerto
for two violins , strings & continuo TWV 52:g1
G.P. Telemann

 

                   
Grave  = 36

  


                        
                       
3

               
        
                 
6



                            
       
      
9

   
           

        
12
4 Solo Violin 1

II

                       

    

      
                         
5

                 
      
9

        
             
14

            
  
            
21

                    
  
          
26


 
                         

30

  

           

             
35

  

 Solo Violin 1 5

             
      
40



                          
 
  

46
   

          
                  

51

     

           

         
56

 
 

                  
             
62

            

           
67

            
  
               
72


6 Solo Violin 1

III

           
          

       
      
5

            
          

10

      
                
12

    

        
              
15

        
    
  
19

     
           
24

   

     
            
28


BLANK PAGE
8 Solo Violin 1

IV

           

               


                             
4

           
                  
7

                          

10

                               
   
13

           

                     
16

   
          
18

            

                    
21


                      
25

 
 Solo Violin 1 9

                   

   
28
 

                  
     
 
31

      

                              
35

                
   
38

              
             
41




                              
44

      
             
47
 Solo Violin 2

G.P. Telemann

Concerto

for two violins , strings & continuo TWV 52:g1

 Solo Violin 2

Concerto
for two violins , strings & continuo TWV 52:g1 G.P. Telemann

    
               
Grave  = 36

   
1–2 

              
           
           
5
    

    
   
                          
8

                
     
              
11
4 Solo Violin 2

II


         
  
              


                    
      
7

       

               
      
14

                        
    
18

                                  

22
  

        
      
             
28


 Solo Violin 2 5

             
      
35



                 
            
41

  


  
                             
46

     
                       

52


                           
59

 

  
            
            
65

 

                     
 
71

     
6 Solo Violin 2

III

           
       

 

              
   
5
 

 
          
9

             
   
13

        
      
17

 

       
         
20

                
 
23

     


                     
26

  

  
        
29

     
BLANK PAGE
8 Solo Violin 2

IV

           

               

  
                         
4


                                  
7

                              

10

                  
                
13

                               
   
16

 

      

                    
19

            
               
22
 Solo Violin 2 9

                
        
25

  

                    
29

     

                           
      
32

                                      

34

         
            
37

             
                 
40


                         
43


                          
46
 Violins I

G.P. Telemann

Concerto

for two violins , strings & continuo TWV 52:g1

 Violins 1

Concerto
for two violins , strings & continuo TWV 52:g1
G.P. Telemann

                  
   
Grave  = 36

           

                      
3

                       
          
6

                           
       
9


                         
12
3 Violins 1

II

                     

      

                 
           
7

       

                 
14

 

                         
 
21


                          
28

             
         
34

                        
41

                    
   
49
 
              
           
56

  
         
           
63


                 
         
71

 

III

Tacet
 Violins 1 4

IV

           

               


                             
4


   

                         
7

                           
   
10

                                 

13

          

 
17

             
          
20

             
   
           


                          
25–27
31

                                   

36

             
           
40


                              
44

      
             
47
 Violins II

G.P. Telemann

Concerto

for two violins , strings & continuo TWV 52:g1

 Violins 2

Concerto
for two violins , strings & continuo TWV 52:g1
G.P. Telemann

         
            
Grave  = 36

           
                       
3

                                
    
6

                      
             
9

    

                       
12
3 Violins 2

II


        

              

   

             
                 
8

 
                    
        
15

           
                 
23

 
       
 
                     
31

 
              
       
39


                           
47

   

                           
54


                     
61

 
     
                     
70

 

III

Tacet
 Violins 2 4

IV

           

               


                             
4



                                  
7

                                        

10

                       
         
14

 
                       

        
18

  
21–22
       
  
23


  
                
25–27

        
29


        

                    
34



          
              
38

40–41

                
43


                          
46
 Viola

G.P. Telemann

Concerto

for two violins , strings & continuo TWV 52:g1

 Viola

Concerto
for two violins , strings & continuo TWV 52:g1
G.P. Telemann

                        
Grave  = 36

    
                              
3

       
                           
6

      
                          
9

                         
12
3 Viola

II

                      

                           
8

                         
16

               
          
24


         
               
32

             
           
39

               
       
47
     

     
54
             

                   
62

           
             
70

   

III

Tacet
 Viola 4

IV

             

          

       
                    
5

              
   
           
10

          
           
14

  

          
18


       
21–22

             
23

           
25–27


            
29

     
33
                     

            
        
38

                          
42

                    
46

  
 Cembalo/Cello/Bass

Concerto
for two violins , strings & continuo TWV 52:g1
G.P. Telemann

                        
Grave  = 36

                                  
3

                                   
6

                 
             
9

                        
12

 
 Cembalo/Cello/Bass 2

II

                    
    


                         
 
8



                        
15

  
    
                     
22

 
                       
30

   

                     
37

 

            
         
45

    

                   
52

              
60

   
66
             
 

 
             
   
72

  
3 Cembalo/Cello/Bass

III

        
     

      
      
6


       
     
11

      

          
16

  

     
           
21

       
24

  

          
28

 
 Cembalo/Cello/Bass 4

IV

                       
 

                 
         
5

 
           
                
10

                             
14
   

         
       
      
18

 

21–22

                       
23

    

      
25–27


                 
        
29

               
      
33

      
              
 
37

       
             
41

   
   
                     
45

    