Dr. Samuel Johnson's preface to The Plays of William Shakespeare is considered a classic work of English literary criticism. In it, Johnson outlines his editorial principles and analyzes Shakespeare's works, praising Shakespeare for creating "just representations of general nature" by relying on his knowledge of human nature rather than bizarre effects. While some of Johnson's views reflect the prejudices of his time, his analysis that Shakespeare's works have endured due to their truthful reflections of human nature has become a fundamental tenet of modern literary criticism.
Dr. Samuel Johnson's preface to The Plays of William Shakespeare is considered a classic work of English literary criticism. In it, Johnson outlines his editorial principles and analyzes Shakespeare's works, praising Shakespeare for creating "just representations of general nature" by relying on his knowledge of human nature rather than bizarre effects. While some of Johnson's views reflect the prejudices of his time, his analysis that Shakespeare's works have endured due to their truthful reflections of human nature has become a fundamental tenet of modern literary criticism.
Dr. Samuel Johnson's preface to The Plays of William Shakespeare is considered a classic work of English literary criticism. In it, Johnson outlines his editorial principles and analyzes Shakespeare's works, praising Shakespeare for creating "just representations of general nature" by relying on his knowledge of human nature rather than bizarre effects. While some of Johnson's views reflect the prejudices of his time, his analysis that Shakespeare's works have endured due to their truthful reflections of human nature has become a fundamental tenet of modern literary criticism.
Samuel Johnson’s preface to The Plays of William Shakespeare has long
been considered a classic document of English literary criticism. In it Johnson sets forth his editorial principles and gives an appreciative analysis of the “excellences” and “defects” of the works of Shakespeare. Many of his points have become fundamental tenets of modern criticism; others give greater insight into Johnson’s prejudices than into Shakespeare’s genius. The resonant prose of the preface adds authority to the views of its author.Johnson is a true classicist in his concern with the universal rather than with the particular; the highest praise he bestows upon Shakespeare is to say that his plays are “just representations of general nature.” The dramatist has relied upon his knowledge of human nature, rather than on bizarre effects, for his success. “The pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth,” Johnson concludes. It is for this reason that Shakespeare has outlived his century and reached the point at which his works can be judged solely on their own merits, without the interference of personal
. interests and prejudices that make criticism of one’s contemporaries difficult