Scribd Logo
Upload

Welcome to Scribd!

  • Untitled 111

    Uploaded by

    mfcarcache
    1 views2 pages
    The document discusses the development of neo-Riemannian theory, which examines functional relationships between triads in Western music. It emerged in the 1990s through the work of David Lewin and Brian Hyer applying Hugo Riemann's ideas about triadic relationships, and their sharing of ideas helped establish neo-Riemannian theory as a field of study.

    Original Description:

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    The document discusses the development of neo-Riemannian theory, which examines functional relationships between triads in Western music. It emerged in the 1990s through the work of David Lewin and Brian Hyer applying Hugo Riemann's ideas about triadic relationships, and their sharing of ideas helped establish neo-Riemannian theory as a field of study.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    1 views2 pages

    Untitled 111

    Uploaded by

    mfcarcache
    The document discusses the development of neo-Riemannian theory, which examines functional relationships between triads in Western music. It emerged in the 1990s through the work of David Lewin and Brian Hyer applying Hugo Riemann's ideas about triadic relationships, and their sharing of ideas helped establish neo-Riemannian theory as a field of study.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    The approaches that are now grouped together under the name neo-Riemannian theoryLewin and Brian

    Hyer, who treated certain functional triadic relationships in Riemann'sular, the realization that the
    familiar triads of Western music, long valued as ideal acousti1990s, to share their work and ideas. The
    field of neo-Riemannian theory was truly bornHyer, who treated certain functional triadic relationships
    in Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. The field of neo-Riemannian theory was truly bornHyer, who
    treated certain functional triadic relationships in Riemann'sular, the realization that the familiar triads of
    Western music, long valued as ideal acousti1990s, to share their work and ideas. The field of neo-
    Riemannian theory was truly bornHyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. The field of neo-Riemannian theory was truly bornHyer, who
    treated certain functional triadic relationships in Riemann'sular, the realization that the familiar triads of
    Western music, long valued as ideal acousti1990s, to share their work and ideas. The field of neo-
    Riemannian theory was truly bornHyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. The field of neo-Riemannian theory was truly bornHyer, who
    treated certain functional triadic relationships in Riemann'sular, the realization that the familiar triads of
    Western music, long valued as ideal acousti1990s, to share their work and ideas. The field of neo-
    Riemannian theory was truly bornThe approaches that are now grouped together under the name neo-
    Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. TThe approaches that are now grouped together under the name
    neo-Riemannian theoryLewin and Brian Hyer, who treated certain functional triadic relationships in
    Riemann'sular, the realization that the familiar triads of Western music, long valued as ideal acousti-
    1990s, to share their work and ideas. T

    You might also like