MUSIC LIBRARY

UNC-CHAPEL HILL
Photograph of G. \'erJi, signed and inscnbed to
Gustav Schirmer, founder of the house
 Ijbi..^, L'niv o'

LA TRAVIATA.
An Opera in Three Acts.

KiRsr Performance at the Gran' Teatro la P'enice, in' Vkmice, March 6, 1853.

Characters of the Opera,

With the Originai Cast as Presented at the First Performaifce.

VIOLETTA VALÉRY, . Soprano . . SALVINI-DONATELLI

FLORA BERVOIX, Mezzo-Soprano SPERANZA
ANNINA Soprano CARLOTTA BERINI
ALFREDO GERMONT, . Tenor LODOV GRAZIANI
GIORGIO GERMONT, his father, Baritone FELICE VARESE
GASTONE, Viscount of Letorieres, Tenor ZULIANI
BARON DOUPHOL, Baritone DRAGONE
MARQUIS D'OBIGNY, . Bass . SILVESTRI
DOCTOR GRENVIL, Bass . BELLINI
GIUSEPPE, servant to Violetta, Tenor BORSATO
SERVANT TO FLORA, Bass TONA
....
.

MESSENGER, Bass MANZINI

Chorus of Ladies and Gentlemen, friends of Violetta and Flora.
Mute Personages : Matadors, Picadors, Gypsies, Servants, Masks, etc.

Scene and Period : Paris and environs, about the year 1700.

La Traviata.
The story u]ion wliich " La Traviata " is based is fhat of the hook arni play
" La Dame aux Caiiiélias ''
of the younger Dumas, the story which is familiar to
the English stage under the name of " Camille." The three acts of the opera pre-
sent the princi|ial incidcnts of the play and hook. A gay party is in progress in
the iiouse of ìinìc/ta ( Ma?- uri- ite (riiu/Ziicr in the originai story), a Parisian cour-
j^''

tesan. Alfredo, a yoiing man of respectable Proyen<;al faniily, wlio loves the
 ?

wonian, joins in tlie merrv-making bis love is passionate and earnest, and is met
;

by tbe love of l'iolctta. who at bis solicitation agrees to abandon ber dissolute life
and live with him alone. In Act II the pair are found boused in tbe suburbs of
Paris. Alfredo learns that Violetta bas sold ber city property to maintain tbeir
country home, and goes to Paris to recover it he returns to find bis companion
;

gone. In big absence Germont, Alfredo's father, had visited ber and persuaded
ber, by appeals to ber love and sympathy for bis son, to abandon him. She returns
to ber old life in the city. Tbere, at a ball given by one of ber associates, Alfredo
fìnds ber again, overwbelms ber witb reproacbes, and ends a scene of excitement
bv denouncing ber publiclv and tbrowing bis ganibling gains at ber feet. In the
last act \'i aletta dies in the anns of her lover, who had learned of her sacrifìce for

bis family and hurried to ber side to find ber in the last stages of consumption.
Dumas, in tbe preface to his romance, savs tbat the main incidents of the story
are true, and it is said that Dickens had it in bis mind to write a novel on the sub-
ject before Dumas. Tbe facts, while they may be interesting from a biograpbical
point of view, bave no hearing on the moral and testhetic questions raised by tbe
iipera, wbich bave remained open for over forty years, despite tbe popularity won
by Verdi's music. Dimias's book appeared in 1848, bis play in 1852. Verdi
saw tlie latter in Paris wbile it vvas new, and, thougb he was at work at the time
on " Il Trovatore," he laid cut tbe pian of " La Traviata " and sent X to Piave, tbe
librettist who had "Emani," "I due Foscari," "Macbetb,"
written tbe books of
"Il Corsaro," " " and "Rigoletto" for him. The composer's creative
StifFelio
capacity was at its high-water mark, and his eagerness and energy are illustrated
in tbe fact tbat he \vorked concurrently on tbe two operas. " Il Trovatore " was
produced at Rome on January 19, 18^3, and " La Traviata" less tban seven weeks
later, on March6, i8^,_ at the Fenice Tbeatre, Venice. He -wrote the music
within a moni according to tbe evidence of tbe autograph, wbich is in the possession
li,

of the publisher, Ricordi. Eigbteen operas from Verdi's pen bad preceded " La
Traviata," and the sun of bis fame stood at its zenitb, yet tbe opera failed lament-
ably on its first production. Tbe
reason ? Verdi seems to bave kno^vn it, in part, at
loast. On performance he wrote to bis friend and pupil Salvini-
tbe day after tbe first

Muzio " La Traviata' last night a failure. Was tbe fault mine or tbe singers'
:
'

Tniie will teli;" but wben Varesi., the singer who had been entrusted witb the
part of Germont, wbich !ie thought beneath his dignitv, carne to him and ofFered
bis condolences, Verdi declined to receive them. " ÌSIake them to yourself and
your companions, who bave not understood my music," he said. This does not
seem to liave been an altogether accurate description of the case. Oraziani, the
tenor, was hoarse and could not sing well, and Verdi exacted, perhaps, more than
be ougbt \vhen he wanied Signora Donatelli to overcome the absurdity of tbe
staije-picture by the ilJusive power of her singing. Tbe lady was monstrously
stoiit. and the contradictions in tbe deatb-scene of tbe last act appealed too
slniiigly to tbe \^enetian sense of b-nnor to permit the best of Verdi's dramatic
Mcconts to \y.i\c tbe effect wliicb bad fìlled bis fancy. The opera ended with shTieks
c-if laugbtcr wben tlie too generouslv upholstered Violetta was heard to declare that

IV
shewas on tlie edge of a consumptive's grave. Moreover, the public found amuse-
ment in the circunistance that the personages of the opera were clad in conventional
modem dress. This led to a revision, in which costiimes and stage-furniture be-
longing to an earlier centiiry (it is not well to try to be explicit in such matters)
were substituted for those of fifty years ago. Thus, revised as to its dress and with
a few changes in the score, the opera was launched again in the same city after the
lapse of about a year, and set out on its successful voyage around the \vorld. It

reached London on May 24, 1856; St. Petersburg, November i, 1S56; New York,
December 3, 1S56, and Paris, December 6, 1S56. Piccolomini, who liad enacted the
rnle of ì'ioh-ttn in Turin in 1S55, chose it for her début in London, and to hor
personaHty, and possibly also to otiier extraneous causcs, tiie prompt and emphatic
triumph of the opera, in spile of the judgment of the critics, was due.
"La Traviata" belongs to those dramatic works which, on their first appear-
ance, cause more discussion because of tiieir subject-matter than tiieir artistic excel-
lence. Whether the anathema pronounced agamst them bv individuai and officiai
censorship helps or hinders the growth of these works into popularity, I shall not
attempt to say. There can scarcely be a doubt, however, that niany latter-day
theatrical managers would hail with pleasure and expectation of proflt such a con-
troversy as greeted " La Traviata " in London. The Lord Chamberlain had refused
to sanction the English adaptations of " La Dame aux Camélias," and whea the
opera, based on the plaj-, was brought forward, pulpit and press thundered in de-
nunciation of it. Mr. Lunilev, manager of Iler JVLijesty's Theatre, carne to the
defence of the work in a letter to the all-powerful Thnes newspaper, but his purpose
was plainly more to encourage the popular excitement and irritate curiosity than to
shield the opera from condemnation. Indeed, he had every reason to be contented.
" La Traviata " had made a complete fiasco on its production in Italy, where no
one dreamed of objecting to its storv in London there was a loud outcry against
;

the " foul and hideous horrors of the book," and the critics found little to praise in
its music, yet the opera scored a tremendous popular success and helped resene Her

Majesty's froin threatened ruin. " Once more frantic crowds struggled in the
lobbies of the theatre, " ^vrites Mr. Lumley in his " Reminiscences " "once more ;

dresses \vere torn and hats crushed in the conflict once more a mania possessed the
;

public." Was it the music alone? That is scarcelv to be believed, for the opera
was not well sung, and the criticai taste of the English, as voiced bv their writers
for the press, was opposed to 'the strenuous stvle of Signor Verdi. Was it the
libretto? Alas! who cared much for the libretto of an opera then, and who could
bave gone to the opera for the sake of so badly diluted a play, sung, moreover, in a
foreign tongue !The fact that the language was Italian, robbed the opera of what-
ever charm it might bave had for those who would have foitnd pleasure in the odor
of moral decay. Plainlv, the success of " La Traviata" in London was cliiefly due
to Marietta Piccolomini, who effected her English début in it. It is an amusing

chapter which this \vinsome little lady contributed to the history of opera during her
brief career. Two years later she became as much of a rage in New York as she
had been in London ;
yet she was in no sense a great singer. A bewitching per-

14400
sonality and ingenious advertising were ber conquering arms. She belonged to the
ancient Italian nobility. It was one which dated
\vas given out tliat the family
back to the lime of Charlemagne, and had given two popes and a cardinal to the
Church, to say nothing of the hero of the second drama in Schiller's "Wallenstein"
trilogy. Ilcre was brave advertising material, and right bravely was it exploited.
The charming little woman, who had a weak mezzo-soprano voice, limited in range
to an octave and a half, little or no execution, and uncertain intonation who, Mr. ;

Chorley would bave us believe, ^vas little better than a comedy soubrette, a vaude-
ville singer, "a Columbuie, born to make eyes over an apron with pockets,"
' '

compelled success for "Traviata " in the city where success was least to bave been
expected. " Her best appearance was in 'La Traviata,'" wrote Mr. Chorley in
summing up tlie season of 1856 at Her Majesty's Theatre, " The music of the first
act pleased, perhaps, because it is almost the solitary act of gay music from the
composer's pen and ber effrontery of behaviour passed for being dramatically true
;

to the character, and not, as it afterward proved, her habitual manner of accosting
the public. In the repulsive death-act, too, she had one or two good moments of
serious emotion, tbough tbis was driven at times to the verge of caricature, as when
every clause of her last song was interrupted by the cougb which belongs to the
character "
There is no reason to question the correctness of tbis judgment by the critic of
Tlie AthencFitm. A different \'iolctta was disclosed when Bosio sang the part in
I>ondon, when Patti made it scintillant with gems of vocalization, and even when
Christine Nilsson chose a new French
adaptation of the opera for her public début
in Paris on October 27, 1S64. Verdi's music had won the French capital so com-
pletely in 1S36 that Scudo despaired of Italy's musical future, because of the " pro-
digious success" of " LaTraviata." The circumstances surrounding tlie production
of the opera in New York did not permit many repetitions of it. There had been a
destructive competition between Ivlr. IMax Maretzek's Italian company at the
Academy of Music and a German company at Niblo's Garden. The regular Italian
season had been brought to an end bv a quarrel between Mr. Maretzek and the
directors of the Academj- of Music, but the troupe returned to give a brief season
under the style of the La Grange Opera Company, before proceeding to Havana.
In tbis interregnum "La Traviata" was given, and concerning its reception I
cannot do better than to quote at some length the criticism which appeared on
December 5 in the AVty York Trihiine newspaper :

" The La Traviata we bave alread)' given to our readers. It is simply

plot of ' '

'Camille.' The scene afTords us some waltzing music, appropriate in its place,
first
on which a (musical) dialogue takes place. The waltz is not specially good, nor is
there any masterly out-working of detail. A fair driiiking song was afforded, which
pleased but was not encored. A pretty duet, by Mad. de la Grange and Signor
Brignoli, may be noticed also in this act and tiie final air by Mad. de la Grange,
;

'Ah fors'è lui che l'anima,' contained a brilliant, florid dose, which brought down
the house, and the curtain had to be re-raised to admit of a repetition. Act IL
admits of more intensified music than Act I. A
brief air by Alfred (Brignoli) is
followed by an air by Germont (Amodio), and by a duct. Violetta (La Grange) and

IMOO
 ,

Gcrmont. The duet is well worked up, and is rousing, passionate music. Verdi 's
iTiastery of — —
dramatic accent of tlie nìodern school of declamation is here evident.
—
Some dramatic work, the orchestra leading, follo'ws bringing an air by Gcrmont
'
Di Provenza il mar.' This is a 3-4 travestie of the waltz known as Weber's Last'

Waltz (which, however, Weber never urote) and is too uniform in the length of
'
;

its notes to have dramatic breadth or eloqiience. A

good hit is the sudden exit of
Alfred thereupon. not stopping to make an andiamo duet, as is so often done. It
is draiTiatic. Tiie next scene introduces us to a masquerade, where are choruses
of quasi-gypsies, inatadors, and picadors —
sufficiently characteristic. The scene
after the card playing, which is so fine in tlie play, is ineffìcient in music. Act III.
in the hook (tliougli it was inade Act IV. on tiiis occasion by subdividing the sec-
ond) reveals the sick-room of La Traviata. A —
sweet air minor and major by
turns, with some hautboy wailing — paints the sufferer's sorrows.
lovers, Parige, o cara,' is especially originai in ils peroration.
'
A
duet by the
The closing trio has
due culmination of anguish, though we would have preferred a quiet ending to a
hectic shriek and a doubly loud force in the orchestra.
" Goldsmith's rule in the \'icar for criticising a painting was always to say
that 'the picture would have been better if the painter had taken more pains.'
Perhaps the same might be said of La Traviata
'
but whether it would have
'
;

pleased the public more is another question. Some of the airs certainly would bear
substitution by others in the author's happier vein. The opera was well received.
Three times the singers were called before the curtain. The piece was well put
upon the stage. Mad. La Grange never looked so well. Her toilet was charming. "
H. E. Krehbiel.

VII
14400
 Index.

ACT I.
Page
1. Prelude I

2. Introduction. Chorus and Scena Dall' invito trascorso è già l'ora .

3
3. Drinking-song Libiamo ne' lieti calici (Alfred, Chorus) 18
4. Valse and Duet . Un dì felice, eterea (Alfred, Viole ta) . 29
5. Stretta of Introd. Si ridesta in ciel l'aurora (Chorus) 47
té. Recit. and Aria . Ah, fors'è lui che l'anima (Violetta) . 58
'-'Stìnpre libera degg'io (Violetta) 64

ACT II.

7^ Recit. and Aria . De' miei bollenti spiriti (Alfred) . 70.

Scena . Annina, donde vieni ? (Alfred, Annina) 74
O mio rimorso! (Alfred) 76
8. Recit. and Scena. Alfredo ? (Violetta, Annina, Germont) 81

f
Pura siccome un angelo (Germont) 85
Non sapete quale affetto (Violetta) 87
Songs (Duet)
Dite alla giovine (Violetta) .
94
-Morrò 1 la mia memoria (Violetta, Germont) 99
9. Recitative . . Dammi tu forza, o cielo I (Violetta, Alfred) 104
ic- Recit. and Aria . ~-y' Di Provenza il mar, il suol (Germont, Alfred) 109
II. Scena

Chorus of
.

Gypsies
. Avrem lieta di
Doctor, etc.)
Noi siamo zingarelle
....
maschere la notte (Flora, Marquis
121
12. . 124
13. Chorus of Matadors . Di Madride noi siam mattadori . 132
È Piquillo un bel gagliardo .
134
Grand Chorus . SI, allegri 139
14. Gaming-scene . Alfredo! Voi 1
143
Chorus . Oh infamia orribile 161.

15. Octet and Chorus . Di sprezzo degno si stesso rende (Germont) 165

ACT III.

16. Recitative Annina 1 Dormivi ? (Violetta) 191

17.

18.
Aria
Bacchanal Chorus
Recit. and Duet .
Addio
Largo
del passato (Violetta)

al quadrupede .......
Parigi, o cara, noi lasceremo (Alfred, Violetta) .
197
202
206
Gran Dio ! morir si giovine (Violetta) . . 218
19. Finale (Quintet) . Prendi, quest'è l'immagine (Violetta) , . . 223

iMoe
 La Traviata
Act I.

N9 1. Prelude.
GIUSEPPE VERDI.
©Adagio. (J.66Ì

L!
_
iliJy^
Vl.ri vided.
i
«pL_p^gy'_
.1
^^fif^MM

^
Piano. PPP
'j'-hh^'^^f rr UE F-—
f^==f ki
i 31:
=a=

»Aa^Ì^-J ,^"-^^"^ 1 ,» i
,^'J^J,J?^u^^ i .W;^^^

^^1 •?>> •?

* ^* F p pp p P pp ^

uB
iW
# #•
:n_
f#- #
1
>/> ^

fW* fcS; 11»» iBi^nfi /lin/1»?

"T^ ^=^ F?=^=r ^^=^
yP^T^Py p5j
^p
P^ P

> ^01

Ì4400
14400
 E

N9 2. "Dell'invito trascorsa è già l'ora,,.

Introduction.

Drawiiif^-room in the house of Violetta; doors in eenfre leadinp into anotluT rooiii, and at eachside.A
mantelpiece L. II. surniountfd by a niirror; in the centre of the room a tahle richly spread.

Allegro brillantissimo e molto vivace.

^^^t^ &MÈ
i %m- ^
!^ 1 ili
feft
^3 ^ i
Piano. /

g^^^^gfiffi
Efe i ^
? p.^?
tó
ÉÈ jOWind.
fc m feS ,
:ì: i
^-f .^.^ *. * f^*
— -^^ —^«- —L— '

Violetta, seatedon a sofà, is eonversinR with her Doctor and several friends; others receive the ar-
riving guests, among whom are the Marquis, with Flora on his arni, and the Baron.

É##tf1
*•

T^vjm M
i*i«Ì .^MM^* t^t— t—

k^
4ì'

i
mm yé ffff^f ffffrFf^

* I e*^? *^^^

14400 W?T5T?*B
 M± t^ffif^ tf^*% ilJi &*g.

^ l'r^^
^J^^i
g^ ^ hi t j) j'

Del-
Tel- 1 in
l'in - vi - fraseo
to ffaseor-sa_è ^Ma l'o-ra, voi far-
BASS. Long o'er - past is thehourvve appointed, why so

Gio-cammo da Flo-ra, e gio - can - do quel-l'o - re vo-làr.

m
'T\vas Flora de -lay'd US, tim' flies fast where theres beau-ty andplay.

44
*
P cfp,f *ff-f i
1* ^
i

m^m
Violetta (going
r^ff\
ii i. ii »

forward to reeeive them.)

^m
*g
Fio - ra, ,a -
I
mi
W^^
ci, la not- -te che
^Pf
re - sta
Fio - ra, be wel come; my friends, I sa - Iute ye;
4r

^Pg
»~rr »
1^
d'ai -
^^m
tre gio - je qui fa- -te
mbril-lar;
and gay.
fra
Naught so
le

This night. let ali be_ mirth - fui

t^È lirrriffrirTrffrjijjffi
14400
m
*^
fcft:

laz - ze p^iù
m.
vi - va3 la
bright aswhenwine-cups are
^ fé- sta.
flashing
Lo vo-glio!
WTiyaskme?
alpia-
'tis in

FTora,
) B J' J J-'J'
E der voi pò- tre-te?
go -

Hastthou health for en-joyment?

^^
Marquis.

^ P^r^iFp és
E go - der voi pò- tre-te?
Hastthou iiealth for en-joyment?

#H-^ m n j j-i
^ 3^
m^
ho /7/ii sensib
^
9- :3Z
gtfgg??
*«
ce -
«M
re
S^# maf-fi" - do^ed
o,ed 10
io so - glio
elio con tal far-ma- coJ
coj ma - li so-
so
plea-sure a -Ione I ex ist, and 'tis the on - ly k,phy - si - cian can
4f^ .. ^
W g É
m^
u sw
**:
i^

pir.
^ Sì,
cjc-j
Flora.

hr
la vi -
g-

ta
EE
sad-dop- piaalgio-ir,
^ si, la

^
cure. ^i plea sure a - lane we are sure, yes, of

mm
of 3iea - ioni

taron.
^i -

r f F f :i±i
Sì, la vi - ta s'ad-dop-pia_algio-ir, SI, la

F^
Doctor.
Yes, of plea - sure a - Ione we are sure, yes, of

mi^ I
¥^^

^
Si, vi - ta s'ad-dop-pia^lgio-ir, si, la

U SOPRANO.
Yesi plea- sure a - Ione we are sure, yes, of

$ I

^
Sì, \i - fa sad - dop - pia aitilo- ir
pia_alKÌo-ir, SI,
plea - sure a - Ione we are sure, yes, of
TENOK.
ià dtz
don -piajilfio-ir,
s'ad-- dop
W

^
Marquis ^^M vi - ta
a' s'ad -' nia al A-i( SI,

^
with BASS. ^^' plea - sure a - Ione we are sure. yes,

9^ ^
Sì, la vi - ta s'ad-dop
s'id - piajil !j;io- ir, SI, la
Yes, of plea- sure a -Ione we are sure, yes, of

'-H^^ f Sii l#f^^f

14400
ma
*^
vi -
-ifr

p
fa
0r

i.r
sad-dop -
P
piajil
MJ
gio - ir.
J
-

plea - sure a - Ione we are sure. Gaston (entering with Alfred.)

?vr P'
P r p p ir j m mn
vi - fa s'ad-dop - piaal gio- ir. In Al-
plea - sure a - Ione we are sure- See in

^^y vi
B
fa
£
s'ad-dop
P
piaal j I r <
-

- - gio - ir.
plea - sure a - Ione we are sure.

lOz^
^1
vi - ^^
fa s'?ìd-(lop - piagai
we
w'tci -
j^io ir
ir.
^

^
plea - sure a - Ione are sure.

^
vi - ta
ta sari -don
s'ad-dop nia al
- pia_3Ì gio
f'in ir.

plea sure a Ione we are

^m
- - sure.

vi - fa s'Kd-dop
H fid -
^m
pia_al gio - ir.

plea - sure a - Ione we are sure.

^
*ft
fra
Al
-
-
do
fred
Ger- mont,
Ger- mont, la -
si -
dy
gno
fair,
«^

one
#
^
raj^ec-coun al
who'd fain
-
^
fro
join
ciie
thy

P-
^r #
:£ :£ £ ^ È^ S
;?^

Ì^lJ444 JÌiii„TO ^^fl^

U4(l()
 (Violetta gives her handto Alfred, who kisses it.>

W:
Violetta.

ps* mJ- i.f t E

I
Mio
For
Vi -scoli
his own
-

sake
te, mer-cè,
and thine,
fdi
he
tal
is

*t:
p i r ^J i

Sl- -mi- -li so- -no.

love as in hon- -or.

•M
i *? wm M#ff P^
Ett MM i^ Min. m
MkS^ ^E^H
t:

("The servants mt-anu-hilf bave completed serving the table.)

Gaston
Marquis. ^ ^ ^ Alfred (they shakejiands.) (t^ Alfred.)

(A servant
Violetta (to makes an affir-

u # •
ML^^^-^^
the servants.)

^
matiw sign.)

tìf
^
def - to: l'a - mi - sta qui s'in-trec-ciajil di - let-to. Pron-toèjl tiit-to? Miei
told the^e, this a - bode is the home of the Graces.All is ready? My

m fet

ca - ri,
friends, pray
pg
se
be
- de
seat-ed;
- te; è
at
alcon
this ca
m^ -

-
vi
rou
-
-
to
sai
*
che
ali
sa
hearts
- pre_o-gni
shall di-
£

*fe
m -o-
^
-o-
s =8=

ma —e>^ -e-
"cr- "o- Tcr

14400
 u ff
Violetta.

f^
-
cor.
late.

Flora.
'
-ijiji i
f pj j-J-ir[>j j_J i
j p-|7f pnJ i i
Ben di - ce-ste, lecu- re j;e-f(re'-te_ fu- \;'a— «empre la-mi - co li-cor.
Thatwas wellsaid, a\vayno\v\vithsorro\v,wiiie can oonquer thefrownin'^ of fate.
Alfred and Gaston.
:M il' - i Jtiir ff
p j^i^ir ^j jji
^jTi ^ nJ >
-

nen di - ce - ste, le cu- re se-f,Te-te_ fu - j,'-a— sempre la- mi - co li- cor.

Thatwas wellsaid, away no^v\vithsorro^v,^vi^le can conquer the frownin^of fate,

Hi^
ìaron. _ _ hi»

7^¥ -iff-pir ff pr p n r I r ri^r

Ben di - ce - ste, lecu-re se-f,'-re-te fu-^i'a sempre la-mi- co li-cor.
Thatwas wellsaid, awaynowwithsorrow,wine rari conquer the frowningdtìf fate.
Doctor.

Ben di - ce- ste, le cu- re se-f^re-te

lecu- se- trre-te fu- jja
tu- ^-a sempre la- mi - co li -cor.
li-cor.
Thatwas well said, away now with sorrow,wine rari conquer

^
the frowning-of fate.

-r-H -
Marquls.

i ff- B
Bendi - ce- ste, le cu -re
re se-gre-te
se- "re-te fu-ga
fu-
Si
tra sempre la-
p pijjgp
mi- co li -cor.
la-mi-
M P I
r r'py rp
Thatwas wellsaid, awaynow wittisorrow,wine can conquerthe frowning-of fate.

3
m^ ^m Ben di ce- ste, le cu- re se
.
n
re-te_ fu. ,i^a_ sempre l'a-mi - co
Thatwas wellsaid, a-way now with sor-ro\v,winecan conquerthefrowning-
i:
i s affr ; cu
li -cor.
of fate.
i
-

^^ pÉÉÉ ^^ ^^^
TENOR.
u ià ff" - i^ Jl .1 ^ ^ ì
o
f
Ben ai - ce - ste, le cu - re se - gre- te fu - ga sempre l'a-mi - co li-|cor.
O That was KcW said, a-way now with sor-row,wine can conquerthe frowning of fate.
-art BASS
"^-^p-

j j' j'p m vn u ^^

M
p p
)
Ben di- ce- ste, le cu -re se-gre-te fu-ga sempre l'a-mi - co li -cor.
Thatwas wellsaid, a-waynowwithsor-row,winecan conquerthe frowning" of fate.

w
umW=¥i ¥^^ > ' l
i i jl

^^
t
fr

Wind /J
II

ì °i
- ^=S fr
tm
i*

(AH seat themsrlves: Violetta between Alfred and Gaston, and, opposite them, Flora betweentheBaron
and the Marquis, the others at/ libitum.)
m
ìh3! ff f frf=#fp :£ ###
M ^m me MM
|

.«-»
,">^»
i/ rf rfi C^ìfe^
14400
 — —

u ^
ir

i
f:f: ^
m^
mm
tu
a^ggg

n"f frfrfr f rf ^—1^ l

u^
I*
44^s
Violetta.

Flora.
r
E
At
i

al
this
r Mr
con -vi
ca - rou
-

- sai
to
^
che
ali
s'a
hearts
-
^
preognicor.
shall di-late.
EEE=;

r '
r p I
r
É J-'Jl J i
-

E al con- vi - to clie s'a - preognicor.

u At this ca rou sai ali hearts shall di-late.

^w
- -

n
Alfred.
-
É r ? p-pu I

^
E al con-vi - to che s'a - preognicor.
At this la-rou sai ali hearts shall di-late.

^
-
Gaston.
tf È n \ r J 5
È al con-vi - to che s'a - preognicor.
At this ca-rou - sai ali hearts shall di-late.

m
Baron, Doctor and Marquis.

È
^
al con-vi - to che
f23Z

s'a -
m
prejigmcor.
ì=;

a ca-rou
At this - sai ali hearts shall di-late.
SOPRANO.

i È
E al con -VI - to cHe
ch^ s'a
PW
prp_pg:ni cor.

TENOR. At this ca-rou - sai ali hearts shall di-late.

^^m
Ci
Ih
^ i^ ^^ ^ì=
O
i *l E al con-vi - to ctie s'a - pre ofnicor.

^ ^
At this ca- rou - sai ali hearts shall di-late.

a
BASS.
i
E al con-vi - to che s'a - e n'/r
preofjnìcor.

B^ fe^%
At this ca-rou- sai _all hearts shàll di-late.

^èM^-l
wm
ir

Sii
14400
1
gm yT,.Hi.

TOT3T5
EEEI
m-

5
g g g 1»

^S
i>

i5EE5;
 ^
10

^S'iff~ifp^"^
mk
i\p- ^\>-
f.
^.
^ ^ ^
i'

MI ««f
iStr.

PPf

'mm ^i^iiiit '"Jlli

f
Gaston whispers to Violetta, then says:)
tó
(at first

*
''P p.r p

^^
Sempre_Al-fre-do_a voi

ift
i- ^J^- ^„i-
=^
^J l^^ Al - fredthinkson you

^^^5
B
^
. ^=^it
*^
Jil^
^

m ^—
1 « « jj

^
'U
pen
al -
- sa.
s
Violetta.

Scherza- te?
ways. You're jest-ing.
Gaston.

lòSiJÌ ^
E --graio-stejej)-gni
era f(
J' i
f
ai con àf-fan- no qui vo-
Ev-'ry morning, wliilelateyouweresuf-f'ring,roun(iyour
^
f^a^^

^^
Violetta.
Violetta. Alfred. (to Alfred.)

«ìM
lo, voichie-se. Ces-sa-te.
di
Y ppr-
son
Nulla io
pi'Tf ip- tt#rg
per lui. Non v'inganno. Ve-rojè
door^waylie hov-er'd.No further. I can be naughtto him. What an er-ror!Sayslie

yj. j>ì m ¥^^£

P^^
^TO^iii \iii a i4
™^ja^jtM^
^m mm
hi s hi'- i ^
Alfred (sif,-hing.)

^m
Violetta (to Alfred.)

w^m.
fe

dun-que? On-de ciò? Noi com-pren -do. Si^e -gli è ver. Le miegra- zie vi
I

Was Teli, ah teli me! Yes, it is true.Frommyheart,then,I

a ^^
tru-ly? it so?

k
P^ ^-3^M^ ¥m
s.

mÈ^^à^
14400
r=^
^
^S-M
f^^^^
fl.
^i i I
 11

(to the Baron.)

TI- '

f t
^

ìi
fcfe

^ e- -ste^al - tret - tan - to.

S
Baron.
^'
Vi
F
co -
i
V
no -
!?•
P r
SCO dajin an
=p^
- no sol-
thus have been tro u - bled- Tis a sum - mer at most weVe ac -

tan - to M ei so - lo da qual - che mi - nu - to.

Him know

^ art
quaintred. I for the first time this ève - nir

I
^éS
¥^^J3
-T-—

Flora
^
wm
*5

(asidf to the Baron.)

f
ì r t t
5F^
^ «111
M

ciu - to. M'è in - ere - scio - so quelgio-vin. Per - che? A-me in-
flec-tions. I' dis - like him by in -stinct. And whv'' I
I have

<u &l^i^g
m
#
m ^p^#f ^tk

g?Ci-^^gn^E?=pm^^P^p^
14400
iZ

Gaston. (to Alfred.)

Meì
ve-
e- -ce sim-pa - li-cw^e-glij
ii-cwe-e:liè. E tu dun-que nonaa - pn
que non pri pu
più

^
seen 1 naught
uau in him to dis-like And have you made a vow to be

a tei?
m^ BLT^ P t
4r

g^-^ lT l/ l
'

J J-^ w^m
« m.

Marquis (to Violetta.;

V
Violetta
I ti (fills Alfred's glass.)

p
boc-ca? È a ma-da - ma che seno -ter- lo toc - ca. Sa-rò TE- -be che
him

mM
si - lent?You, la-dy fair, shall conimand him to break it. Nay,1 11 pledge as

y^F fp"f
mm i ndd w ilici, creso.
M
ggm^-g^4J^jL^-Wcfcr gJJJ l
'

iWi ^^i
Flora.

^U ver
He

Gaston.
-
-
sa
be Alfred,

E
Ah,
(with gallantry.)

ch'io
I
bra
would,
-
M
mojramor-tal
thou, like her,
ms
co - me
wertim-mor-
quel- -la.
-tal

^ps^
ie
We

i ie-

Baron.
We

Stì l •?•
p

Ooctor

14400
 -

13

m fet
Violetta.

±3 m be - via- -nio,
p r i

be- viani!

i^ ^
to friend ship and Joy!

via- -nio,
i^ be -
IZ?2=

via- -mo, be-viani!

<g-

and Joy!

^
pledge thee, to friend ship

:^±

be -
tEf2=

via- -mo,
m
be-viam!
friend ship and Joy!

mm
to

via-
pledge
-mo,
thee.
i-^d
^ be
to
- via-
friend
-mo,
ship
P
be-viam!
and joy!
ba-
Ba-ron.

itì
via- -mo,
^i be - via- -mo,
E
be-viam!
i
pledge thee, to friend ship and joy!

m^ via- -mo,
^^i be - via- -mo,
w
be-viam!
pledge thee, le friend ship and joy!

m^ via-
^t
-mo,
i r^pi^r
be - via- -mo, be-viam!

^M
pledge thee, to friend ship and joy!

^MA. r
a ^3
i
^i
hi=Ì|:
Be-via- -mo, be - via- -mo, be viaml
We pledge thee, to friend - ship and Joy'

^^ ^^
n
S
Ih
O M: g S
3e - via- -mo, fie - via- -mo, be viaml
We pledge thee, to friend - ship and Joy;

stì 1 ^ f
'V
ie - via- -mo, be - via- -mo, be-viam!
We pledf^e thee, to friend - ship and joy!

14400
 14

'^
Sì, sì, un
Yes,yes,a

*4: O
i sì, sì, un
Yes,yes, a

*ffe
O
i
(The Baron makes a

Wrr^p^JT p Jirr^F'p i
r^ p .
^JTp J'
gesture of refusai.)

i
^o Alfred.)
mF' pir*
ro - ne,nèun ver - so,nèun viva tro - ve - retejnque-st bragiu-li-va?Dun-quea fe_
singus a niirtli-stirringditty,Thouwertev-erfauetious andiAÌtty.Then\viltthou_

m
/^
É

atì
o
m m
sì, si, un

^
Yesyes,a

/O
ta lÉl
Si, sì, un
Yes,yes,a

m
/O
'^M^ -^-
^
p r^-p
Sì, sì, un
Yes,yes,a

^^
/O
iJ.

^
Sì, sì, un

^
Yes^-eSiE

^
Sì, sì, un
Yesyes,a
Tii«i.

*n
^ f n ^ri
^ rn
^
^
o

) J3st

^
^/^
&F=^ «
14400
 —
15

tì:
brin -di - si.

^mm
drinking-song-

brin - di- si.

m
drinking-song.

m m
(to Violetta.)

Sf-fl r- p i

f
^
L'e-stronon m'ar-ri-de. Vi fia gra-to?
Ive no mood for singing. Is it thywish?

fcfe
- ^p'plfff; T' r
^^
P
l

E non sei tu ma - e - stro?

Shallthy mood dis-ap-point us?

rt
m fe^ brin -di - si.
drinking-song.

^^
^ brin -di - si.
^
drinking-song.

^a^^ -*
i»-' —*m
brin- di - si.
drink-ing--song.

O:
r r _V
-i— _ \
i

brin- di- si.

drink-ing-song.

3 Me^
brin -di - si.
drink-ing-song.

*8^ 1 ^ti»
tPf 3t^ ^^
i

S^ fi f^ m
f^
14400
 — —
16

Si. Si, at - ten-ti^l can - tor!

Yes. We will list lo thv songL
O -o-
£
SÌ, at - ten-tijl caii-tor!_

(rises.)
We will list to thy song!.

te
SÌ?lhogiàJn cor.

W ^
Yes?then 111 sing.
ff^
£
Si,
iat - ten-tijil
g
can - tor!
We

^ ^r^f
will list to thy song!.

o
r f
Si, at - ten-tijil can- tor!

»
We

^^^
will list to thy sone!_

o if f p-

Si, at - ten-tijil can - tor!

We will list to thy song!_
o
aM ^^rp r,.j i i
r rp :

Dun-queat-ten- ti, at - ten-ti^I can- tor!

Ali be si - lent, we'U list to thy song!-

O:
/C^
t L «;
^
Sì,
-"*

at - ten-tijil
É
can - tor!

We will list to thy song!-

Si, at - ten-tijil can- tor!

We will list to thy I song!.
ffar

Sì, at - ten-tjjd can - tor!_

We will list to thy song!

we^o
f ^Tufti

Ì^M
14400
 17

:tó

tf
I
=»*

tì: -o-

^
^ te
^ te

*
Isfc =8=
fe
i^ =§=
S
àii

^ ii.

»
tete

b* .bj

m
.b^i
tt^ mtt^
I i ì tò

/O,

i'-Ujjl^i^ ÈE fe

14400
 18
N9 3. "Libiamo ne' lieti calici,,

Drinking-song'.

Piano.
i
Alle}?rptto. (J--69.)^

i
^Tu«i.
iti
f ^M
M. M. M
m
^f^^

tA t-t §^ kX
^S ^
§Jt tJ:
lÈ* =^ -é P—9- 9-9-

C^ 'LU 'C^
4'

éA ^£, e JL «.
€^^-£ ^£t £'-£

/>/;/>
I ,

i ^f
ffl

tt
^ ^^^ ^
iJt Aj* t-t
3
;£*?

i
^
^
^'^ft i U i^i'»rr%
P-t »ri
m ^l^ei,^o

^ ^^
i^i>
*^ ** * 1 ^
^ ^
II* •-

co7i grazia leggierissimo

3g
Alfred.

i ^s piip pI
J'P i
mo, li - bia-mo ne'

w
Li - bia - lie - ti ca-
Where beau - ty, where beau-ty and mirth_are beck

Sir.pp
If ff nf Hf Iff i
')''}) '
Shv ì^^- S5: ^^^^^ -f—7- -7-f- ^5=5= >1 1
I

l'I.

Ér p -^'sjip ^-M-^ir^^ E5
rf i p I
p J) p
che la_ bel - lez - za_ in - fio - ra; e la_ fug-ge-vol, fug-

^u
Seize we_ the swift -\ving-ed_ hours, Let joy,_ let joycrownthe

'^
PP
-m-p-
^f^^
w m w^
l'^m
14400
^ j)*i *i ^=T= j^ f =r
 i^A
19

P p -r^rrfi'T
t> p ?

gè - voi 0- - ra s in ne - brii_ a. vo - luf -tà.

m ^
cup with flow- -ers, And life's a_ dream of_ bliss.

m m pp Si
^g
3^ -^-^^ -^--^ ^ 7
È
»

^ 11

m
Li - biam ne' dol - ci fre-mi -ti che su - sci - (a la
While youth's swift fire with - in us burns, Shall love's de - light in

m m ^77
VI.

£
rr
*ì
) *l

i *
^m ^£
^
ri. & Ri^. sii-,laiii

2^
11 %-k
n 7 7

^3
Gndieating Violetta.)

i *t=i'
mo-
E

^
re, poi
30i - che quel - roc-chio_al_ co- -re on - ni po-
spire us, With such bright eyes te fire US, What Joy can

m I CI. £
1=1
fii£. sustain.
1=1#
»
ti
-7—7-

$:§i

FFf>^t^ S *?
^
=T=7= =^=^=
T33
) 1 1

r
^^S ten -
é éJ é *
te va.
^ Li - bia-
p J'
- mo,
M
a -
P
mo -
J>
re,
P
a -

e - qua! this? The n quaff we the wine - cup when

f \ P j r \ ì p p I

^
.
a^^r I
iip
>ij^ ^^
mor fraj ca -li - ci più cai - di_ , ba - ci a -
love is~' beck ^on- ing, Life is a "short dream of

14400
20
Flora.

14400
 — -

Zi

pp
^K^:-i^jr F I
r l
ìi gjp^ M=t

m^
prò di - vi - de -re il tem-po mio gio - con - do; tut
dream of ec sta-sy, By joy-ous friendssur - round -ed. Give_

^ ^^ £ !^^ i^ ^^
^
"T^i' J) ^1 i 5^ )*l V

PP
# 11
S5it

i
i:
^ FJ'
.foè
pip
fol - li - a,
J'
fol - li
p-
-
^ à nel
p i
r
nion-
I L TMP
-do ciò
. "£i'EJ
che non
l p-
e
[g
pia

m n mm
_me is_ no_

a
a mea-sure of rap -tureun - bound- -ed, There life but
-I 1—1 m m Ì^.^TT-m , h "

n *
m
I'

s -. I I I - I I - I . I I , I

pp

m h^ ^ ^) *i *i *t *i ^^-^ )ft^^

cer. jO - diam, fu - ga - ce;_e ra - pi - do3 il gau - dio del - 1 a

this. While en-vious time flies swift-ly on, En-joy the time of_

i>H»
^m il
^

ft m *Jt
2 ìi
J^
ft
i
^ ^
»-
a3^ ^3=^1 *ì *i

7 7
'P

^^ Ff^
1^ \TZ^. I

W
mo te; ejin fior che na - scQje_ muo - re, né più si può go
flow ers, Too soon-will fade the bo w - ers,Thenvain to sigh for_

^3
«f^^ :=5=
I % 5z5=r:5
tt
!#
^^ 55! ^E
t
:^T^
f
"7—T- CJJ
tf

'CiJ
'^
7 / - H^=¥

diam!_
i PiPPf e in - vi - tà, cin - vi - taun fer- -vi-do^c-
Joy while plea-sure and mi rth a re be ck - q n-ing.

^ m

14400
^ XX -*^X
*w jftt
 , '

lu - sin - ghier.

m ^^
.There's no but this. Flora.

fR^^
life

r
i f
go- dia
i?33ì^
mb, la taz-za, la taz- zaejl
Gaston. Ah!. en - Joy, . we, where pleasure and mirth^ are

j)iO''^'j)'''iV'j)/' i '^-'' i

Ah! go dia mo, la taz-za, la taz - zaejl

^
-

m
SOPRANO. Ah! en - joy„ . we.-where pleasure and niirth- are

^ffiì }\1
Ah!. go- dia
?
mo, la
w
taz-za, la
f' I
!S
taz -
Ji

zaejl

^^
TENOR. Ali!_ en - joy_ herefpleasure and mirth- are
s-,

o
i ^ ^ì
f ^
Ah!_ go- dia
•
mo, la taz- za, la taz - za^l
BASS.AhL en joy_ mirth _ are
I

Baron, Doctor, 8t Marquis with -

can - - ti. co la not-te^ab-bel- la_ejl_ sto, in

ing.While^ove and wine yet_ in- can no

rrm^
beck on-

^^ ^ \

can - - ti - co la not-tejib-bel - la_ ejl.

¥^S
eck on- ing.While love and wine yet_ in
±^ -

^
fan ti - 00 not-te^b-

m
- la
,beck - on- iIle.^^'hiIe love and wine yet_ in
t^
Sì
^ »' r»
g
ean ti - co la nof-te ab
^beck - i iig, \\lii le CT'loisand wi ne yet _ in - vite

''1' r_Lf( I
l
I
^
p JT?
[i r T I r Jt

^{ #-h^* *^mC»±

i
^ im 1>

s
14400
/=v
tt ̱
 23

I? P»
j j> I
Jj^i' r''^^TfP' i"j'.^ I I ii |j'.^jjj?„ te

^
que" - sto pa - ra - di - so ne SCO - pra_il nuo-vo „..
dì.
more, no more de - light _ US, A-way with this dull, cold ^earth.

^ I
Jjg,i' I
f p > '> I M^S\^^
^
I

que" - sto pa - ra - di - - so ne SCO - pra.il nuo-VO- di.

^S
more, no more de - Hght^ US, A-way with this dull, cold earth.

i
que - sto
^
pa - ra di -
w ^ hl^S^
so
m^ ^-É^^ u
ne seo- pra_il nuo - vo^ dì.
more_ A ivay with this

^
more. no de light. US, - dull, co!d_ earth.

mm s
^ pp

^^
()ue' -
more,
sto
no

E
t
^
pa
more.

-k^^^i
- ra
de

^
di -
lighL

i
i
^ ^m
a^k
g
so
US,
ne
A

I>i
-
soo- pra_il_
ivay with this

VLir.
Mt^ti^
g ^kh\
^
dull, cold

^^
^
^^

P
^^ it?:
Violetta
con^razm _

^r
La
P
(to. Alfred.)

vi- taj! nel

,

i
ft ^^gg

_
r-c
,

/f

tri
l

yf-ry
- pu - dio_
Si ti ^#-^
i
(to

i^
Alfred)

i
Noi
There's naught in life but plea - surc-^ifred. (to Violetta) In

T^j^ir
Quan-do
p
non
i
rgB
s'a - mi_ an - or -
p
ra.
y

Un-til one heart you can trea - sure.

r iTH'rrr
b''

di- teji
ff
i

chi l'i
i T'
gno - ra.
P
Ah go-
know no mea

^
love I - sure. (f^ violetta)
i Ah en-

^? ^aP
H-j*^^

^k
-:ÉEE5L

l'i'tOO
fr
^^
^ T=^
%%
^^
f f
E il mio
My heart

iP
^=^^
de
loves
- stin co
one a

m^^^
-
-

^
si^
Ione.

1^

±± =^
PtO-
En-
 —
34

^ FM PW
Violetta.
Vjf
h
dia -
1^A^_^M^
- mo, la taz - za, la taz - zaejl can -
i=^
ti- co la not-teab-
I

Joy \ve,when pleasure and mirth are beck on-ing,Whilelove and

Ali
Flora.

sì, go- dia-mo, go - dia-mo, go - dia-mo, la

^S
taz - za ejl can- ti -co la not-tqjib-
^ £=^5EE=^Hi5 1'

Oh yes, en - Joy we, en- joy we,w1ien pleasure and mirththus are beck-on-ing.Wliilelove and
^Alfr<!d.
\Vl
Ja
rn r'&a'i
•

g J'g l
g J> ^
dia - mo, la taz - za, la taz - zaejl can - ti -co la not-te^b-
jiy -we,v.-hen pleasure and mirth are beck - on-ing,'Whilelove and

sM Gaston.

M M MM
*
Ah
F
sì, go- dia-mo, go
I

M MP - dia-mo, go -
I

dia-mo, la taz -za

Mg
ejl can-
P
ti
P
-co
IP
la
^ g
not-tejib-
Oh yes, en- joy we, en - Joy we.when pleasure and mirththus are beck-on-ing,Whilelove and

^^
jttjwParon.

p VÉ Ppli' t
M èM è
Ah SI, go dia-mo, go - dia-mo, go - dia-mo, la taz- za eil can-ti-co la not-teab-
-
I ' I '
P gì''
PP 1
^M
Oh yes, en- joy we, en- joy we,when pleasure and mirththus are beck-on-ing,Whilelove and

M
j5»pDoctor.

'¥Pp p
i
Ppp in p
1
^
g-r^ g
p
i
P
Pp l
p
Ah s\, go- dia-mo, go- dia-mo, go - dia-mo, la taz- za ejl can-ti-co la not-tejib-
Oh yes, en - joy we, en - joy we, when pleasure and mirththus are beck-on-ing,Whilelove and

vv Pp p i^^p p
^ P
r
^ P
r
^ P
1
M*^
Ah SI, go- dia-mo, go- dia-mo, go - dia-mo, la taz- za eil can-ti-co la not-teab-
1

Oh yes, en - Joy we, en- joy we,when pleasure and mirththus are beck-on-ing,WTiilelove and
1
ppi^ ^
•pp SOPR
i i i> J- i' i'-^ i' J^ J'' i ^ J^ J' l i i' i' JO i

^ p^ mm ìm ^
I I I I I

Ah Si, go- dia-mo, go- lià-mo, go- dia-mo,

ean-ti-co la not-te_ab- la ì^z-%2l ejJ

Oh yes, en -
joy we, en-joy we,when plea-sure and mirththus are beck-on-ing,Whileloveand
F/'TENOR.
i
fm w^
ss
;h

Ao
Ah go- dia-mo, go -'dia-mo, go - dia-mo, la
s'i, taz - za ejl can-ti-co la not-teab-

mm
Oh yes, en Joy we, en-joy we,when plea-sure and mirththus are beck-on-ing,^\'hile love and
^•BASS.

Ah s\, go - dia-mo,
m^^am^ ^^rf^g
go- dia-mo, go- dia-mo, la taz -za ejl can-ti-co
f;
la not-teab-
m ^^m
Oh yes, en -joy we, en-joy we,when plea-sure and mirththus are beck-on-ing,"^Tiile love and

mU m^
e tk '=
f fii^^fi
i
PPtum.

m
1'4-'*00
m
 -

25
poco a poco cresc.

r-Q'£r
bel
^.

- la_ e^il
i
r
ri
^f
^^5
so, in que -
^^^ p^m^ sfojn que - sto pa - ra

^^
wine yet_ in - vite. US, When they__ no more, no more de

ft
H.^£=E^^£=5^5E=E=5^=£=S^5
\^
bel -la cjl ri -so, go- dia-mo, go - dia-nio, go .
dia-nio, in que - sto pa - ra
wine yet in - vite us, en - Joy \ve, en - Joy we, en Joy we,"When they no more de

bel - la_ e^il n - so, in que - - stojn que - sto pa - ra

wine yet_ in vite. US, When they_ _ no more, no more_ de

bel- la ejl ri- so, go dia-mo, go- dia-mo, go. dia-mo, in que- sto pa - ra
wine yet in vite US, en .
Joy we, en - Joy we, en •
Joy we,When they_ no morg—^^ie

14400
 - .

26

l^'-r' \ì p p |p^|:^ |iip^^pp

^tz*
il
so ne sco-pra il_ mio - vo di, ah, ah,_ ne
light. US, A way with this dull, cold earth.ah, ah,_ a-

±
^^H.5 J^ Ji J)li J- J' I J^ ^ J) ìl^'^^i^lh h^ ,

yf ^

di - so ne sco-pra, ne sco-pra il nuo - vo dì, ne SCO - prajl nuo- vojl

light US, a - way, ah, A way with this dull, cold earth, a - way, a - way with

i^ ^ ^
so
p
ne
i

r
sco-pra-
:^p'ri''P
nno
M¥'^vo ah,
i PT^pif
ah, ne

^
di - il - di, ah,
light US, A - way with this dull- cold. earth, ah, _ ah, ah, a-

i
^
M
di - so
M
ne
f
sco-pra, ne
a - way, ah, A -
F f I

P
SCO -
r
pra il
r I ^
nuo
-

-
MM
vo dì, ne
p I P r J'
SCO- prajl nuo - vojl
light US, wav with this dull, cold earth. a - way, a - way with

j y^
di - so
p f
ne
I

P
p
sco-pra, ne
r
I

P
sco-pra
H il
|fj
nuo -
p
vo
i^
dì,
^i\t,pi^,^
ne SCO - prajl nuo - vOjil
light US, a - way, ah, A - way with this dull, cold earth, a - way, a- way with

y^ i
'
ff

di - so
M M ne
i p
sco-pra, ne
ig
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il nuo -
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vo
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dì,
iij'
ne
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i
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f'^it-" p''
fico
i

-prajl nuo -vojl

|f

a way, ah, A - way with earth, a way, a way wTth

m
light US, - this dull, cold - -

%'' p
di - so
F ^
ne
i
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sco-pra, ne sco-pra il
i

nuo -
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vo
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dì, ne
\
.^>^ììì>

SCO- prajl nuo-vojl

\ .

^ m
light US, a - way, ah, A - way with this dull cold earth, a way, a - way with

p' } i i ^^ :^^5 ^m ^5

^^
di - so ne sco-pra, ne sco-pra il nuo vo dì, ne seo - prajl nuo - vq^l
A- way with this way with

^ m mm pm
light US, a - way, ah, dull. cold earth, a - way, a -

i
i ?

^
di - so, ne sco-pra, ne SCO- pra il nuo di, ne SCO - prajl nuo - voj]
light US a - way, ah, A way with this dull. cold earth. a - way, a . way with

^^
-

à m ì=£=lrlH^
È J^ y jti'
^

^^
di - so, ne sco-pra, ne sco-pra il nuo dì, ne sco - prajl nuo - vojl
light US, a - way, ah, A way with this duU, cold earth, a - way, a - way with

1*400
 27

i^^s sco-pra il dì, ah!_ ah!_

^i ne sco-|.ira il (lì,
H
ah!
4ì

\\-aywith this earth,ah, ah.. a - way withthis earth, a -

f
* £^5 |T
i-

P I
f
5
P P MM F

^
nuo - vo dì, ne sco - prajl mio - vo^il nuo - vo dì, sì, ne SCO- pra, ne
this dilli earth, a - way, a - way with this dull earth, then a - way, then a -

sco-pra
^^m il dì, ah!
f r

ah!_
I P M
ah! ne
^=z:
sco-pra il dì, ali!-
way with this earth,ah, ah,_ ali! a - way withthis earth, a -

p
nuo
this
^
-
p
vo
I

dull earth,
p
dì,
'
ne
MP
a - way,
sco -
^

a
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prajl nuo
-
I

way
p
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vo^il
with
nuo
this
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p
vo
dull
I

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dì, ne sco - pra, ne
sì,

earth, then a - way, then a -

P

w p
nuo
T

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MP ^^M^^ hp
vo dì, ne sco - prajl nuo -
^ M^
vo^il nuo
^

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mM N#
vo dì, sì,
p
ne
i

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this dull earth, a - way, a - way with this dull earth, then a - way, then a

-r-ì}-
p
nuo
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| J'ritJMfi
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^ p
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1
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sco- pra, ne
F

this dull earth, a - way, a - way with this dull earth, then a - way, then a

nuo
^

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p
vo
i i'r^i'
dì,
i j^-itj'
ne sco - prajl nuo
i

f
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vojl
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^
nuo
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f
vo
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dì,
f
SI,
h^>
sco-pra, ne
ne
^
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this dull earth, a - way, a - way with this dull earthjthena- way, then a -

^M^ hhù> £^^5

p^
nuo - vo dì, ne sco - prajl nuo - vOj^il nuo - \'n dì, sì, ne sco-pra, ne
this dull earth, a - way, a - [way with this dull e' arth, then a - way, then a

¥^-H^ nuo
this
- vo
dull earth,
$
dì,
a - way,
i f
ne sco - prajl
a -
5E

nuo
way
-
é à ^ pm^
vo^il
with
nuo
this
- vo dì,
dui] earth, then
sì, ne
a -
^^
sco - pra ne
way, then a
,

^-^1-
ff

nuo
y
-
p
vo dì,
ÌES^Ì )

ne sco - prajl nuo

^ ^^
^ tf .S

- vojl
f^^^
nuo - vo dì,
E
sì, ne sco-pra, ne
^m
this dull earth, a - way, a - way with this dull earth, tlien a - way, then a

f%f * m. M.
n t *
f s
II -iz
i
n
1*400
^ y
f ^I fe ^ E^^
'^ A
 ..

28

Ém
.^ V^fWWVWVWA-VWWW-W^'V /j?
r
si:
i f i f ^ t^lz. te
way!
J^

sco-pra il nuo -
^vo di!
P
T y l&Tìj

way with this duli, cold earth!-

~ÌT -M
^ r iF y V rVi
si!
way!

^ M Hcr r
sco-pra il mio - vo dì!
way with this dull, cold earth!_

r\
"
H' ^ P ^itfl ^ ^ W \ >'i
sco-pra il mio - vo di!
way with this dull, cold earth!

r^
V- J- P ff P
i É SV *i ^ -^ 3
sco-pra il imo - vo dì!
way with this dull, cold earth!.

'>'b'- (^
F
P irJ i P y T i t'g
sco-pra il mio - vo dì!
way with this dull, cold earth!.

^km
p^éé
'
ìt
ff
É
jS ^
S
^^m ^ i
sco-pra il nuo - vo dì!
way witli this cold

g
dull, eartli !

Ai -v-^
j:;^
ftif

sco - pra il nuo - vo di!

way with this dull, cold earth!-

£ù r\
^>--
^^=1
^
i
-
?
sco-pra
ff F
nuo - vo dì!
P
-r-r-
^

^
il

way with tliis dull, cold earth!

ìf ili !!f !!f

ir
;^ ^s ^
t zfcrt
s
»
* * *
^^ l»
i El
*
»y
• » r>
"^^ =^3

14100
 .

29

NP 4. Un dì felice, eterea.,,

Valse and Duet.

Violetta.
É VX
Allegro brillante.

'\
- « »
Non gradi - re- ste o - ra Icdan- ze?
^
Shall wewith dancing crownourca^rou- sai?
( Mu.sie is heard in the furfher room

^g
)

Flora.
i FVl -
I
np ra i

Che_è ciò ? Olijl gen-

What sounds? Yes, a

Alfred. ihi - \ii^

Chtìh ciò?
^ 35i:
Olijl gen-
What a

#
sounds? Yes,

Gaston. ^ iif\[n ^m
Clie,è ciò? Ohil gen-
What sounds? Yes, a

Baron. i
^W=^ HfeÈÌÌ ^m
Che^ ciò? Olul gen-

^
What sounds? Yes, a

Ooctor. ^ ^ I
ffiEÉ^
Clie_^ ciò?
^ gen-

^
Olili
What sounds? Yes, a

Marqu I s
'.^ ''!
I, . il - Uif^èB
Che^ ciò? Olnl gen-

^
What sounds? Yes, a
SOPRANO.
i UH ir)^<
^ 3:

^
Che è eioY Óhjh pén-
What sounds? Yes, a

Chorus.
TENOR
^Che
What
è CIÒ
ìì
sounds?
.-^
Ohjl gen-
Yes, a
BASS.
S 1a
Che,? ciò?
aag
Ohjl gen-
WTiat sounds? Yes, a
Allegro brillante. (d-rNO)
Military Band (on the stage)

ì$ 3EÌ ES
t 1, I i
S:
P É m^i^^
Piano.

is 33E: eSe: ìì ^
r^-^ ìì a
14400
 ^ g

30

^ I

f f f
U-scia-mo
I
* ^
dunque.

g^
Then I will Ifadve.

i til
te s^
pt_'ii-
^
sieri
• ^

Tut-tijjc-cet - tia - nio.

charni- tliou,Lclit! g'iad-ly we fnl _ low.

^
iii.^'

^r^y= ^=^

^
til peli- sieri Tut-tijic-cet - tia - mo.
chariii - iiiir thouirht! f;:lad-ly we fol - low.

y\ rivMr
til peti- sieri
H
Tut-ti^c-cet - tia -
^^
mo.
charm- in,i^ thou/jht! glad-ly wc fol - low.

y-ii). iyh i ^ ^
^
^
l

til peli- sieri Tut-tijic-cet - tia - mo.

charm - tlioufi-ht! glad-ly we fol - low.

^
iiiA''

7-A r^^ff
F NS
til peii-sier! Tut-tyic-cet - tia - mo.
eharm- iiig thought! glad-ly wp fol - low.

S — ^t=vF=^FTt
r Tut-tij.c-cet tia
j I r
mo.
M
til peti-sierl - -

charm - ing thought! glad-ly we fol - low.

m^ ^ —
I

n M7 m m PI''-'

til pen-sierl I uttijjc-cet tia mo.

m
charm- ingthou.ifht! Kid-ly we fol low.

<^^\ fi-'i
til pen-sierl
\
^ii
TuUi_ac-ePt
^=$
tia
^e
mo.
charm- thought! we low.

^
in{^ /^^lad-ly fol

'Ji\,\ M P
¥=t=t
til pen-sier! Tut-ti_ac-eet - tia - mo.
we

^ fe Uhf^h^ e
charm- inj' thouirht! g-Iad-ly fol - low.

fe i ^^
^ EE3E 33e
—
-I

f
& p

p
l^
4:^
? 1
l'UDO
 31

m
when Violetta, suddenly turnins

^
(They approach the centre door, pale,eries:)

3=
t i
^
tr ì

Ohi -me!
f i

Xul - la,
A -laa! No-thing,

& I
*
^P
Cheji
I

-
r
ve - te?
Whiit iiils thee?

m t=nj^^^:^
Ghcj\ - ve - te?
What ails thee?

s i l V
Chp^
^^ . ve - te?

^m
What ails thee?

a Chea - ve - te?
Whrt ails thee?

m t i »

Cheji
è
- ve - te?
What

^
ails thee?

m
i i y è 0L

ì
Che^, - ve - te?
What ails thee?

m i i y
^ m
^
Chqji • ve - ti;?

m
What ails thee?

è—^ Che a - ve - te?

Whatl ails thee?

s fe i i y è
Chi-jì - ve - te?
What ails thee?

l il
Ìe ^ lft,^...H
tei
? ^^ i^Wf r p 7

14400
 . —
33

^
(She is oblig'ed
(She attempts to walk a few steps.) to dcsisf.j

^£E iy ^
i imi - la!
i i

U - sci;L-mo-

no -tinnir! l'il leadye_

ife J i i \J i 7È -m 0-
£
Che mai v'ar-re - sta?
what dis.turbsthee?

^
Say,

fe
^
^^
Ghe mai
dt

v'ar-re -sta?
what

^
Say, dis-turbs thee?

J M I
J i
^:^
dÉ

^
Che mai v'ar- re- sta?

Say, what dis-turbs thee?

s Che mai
*

^ ^
v'ar- re - sta?
what

^
Say, dis-turbs thee?

-m—*—
Che mai

^ ^
v'ar- re - sta?
Say, what dis-turbs thpe?

§a
153;

Che mai var . re - sta?

Say, what dis. .turbs thee?

Che
^ mai
^S$
var . re -Sta?

^
Say, what dis turbsthee?

S -^ ^^

^
1

Che mai var . re -Sta?

Say, wh.it dis- turbsthee?

)
m ^S m
Che mal
:5^
var - re -sta?
Say, what dis. turbsthee?

s ^^
r!L

n^£ h^^^ 'r^.m^^^t^. :ì

^'^\ J'^T^f
AJ!.
^^
i* pì^h\ p^M^I [!^f^ F^l r^^^^^l p^^fe

l'tHOO
 33

3e^
# Oh Di - ol

Greiit Hcaven!

S t j. i-J'
Ali -
|
J.;,i
co - ra!
g
What hasttbou'.J

fe
S
^^ ^ ^
Voi sof - fri -te.
Ah, you suf-fer!

SE i i y^^j>},i ^
Ali - co - ra!
Whathastthou?

3S i i y? \7 ff ^ ^
Ali - CO- ra!
Whathastthou?

^& M ^?
.\n -
| [

co
T

-
ffi

ra!
^
Whathastthou?

S i i y? liT p^ ^
Ali - co - ra!

Whathastthou?

m ti -rh) H ^
Ff

^ ^^
Ali - co - ra !

What

^
hast thou?

Ann - co-ra!
CO- t-;
What

^
hast thou?

i i yj fEÌ^
An - co-ra!

^
What hast thou?

Se ;ì ìMMÌP
•P^ ^'*t#J,.
fff^ ^ ^^ ^ >.

=
^'V pyf?? ^^^
^
^ py7
u [
)7 [;y |
ffi p7[)7pr
|Tykn'y| s
14400
34

s
(R)infs to the inner apartment.)

i ^ r
Un
i

&^
tre
r
mi
I

c?^
to__
r I
'
r
pro-vo!
^ '^
Or
^
^ ijtt^
- - clic là pas-
'Tis nauii:ht, a pa^s - in^'- faiiitness. Go, friends, I

PP
\>\ P? ^7 p7 |
p p
^

ciel! elle que- sto?

Oh saj', what ails tht'c?

^ PP
^ P^^ ì
Oh ciel! die ijue - bto?
Oh sa}-, what ails thee?
PP^
^^è^i^i
s Oh ciel! che 'lue - sto?
Oh say, what ails thee?

'n'-i.
PPf:
h'.
Oh
t^r

ciel! clìè
i
r
qiie -
^
sto?

S M^
Oh say, what ails thee?

PP*:
ì
Oh ciel! ch'è qua - sto?
Oh say, what ails thee?

m
^ Se

i '^l .
-M^'=^'q#
1^ ^^
^'7 ^'7 1^y
,^.1.
M' AA
i Pgfe^ ^Ffe^ :^ ^
11400
 .

35

'^

f r
M [Tyf^^ EÈ
sa- te, fra po-cOjUi- clii - . o sa- ro.

prayyou, snnn I will joiu you with- in.

ÉS: S «—•- ì
Co-nie bra. ma -te.
Wf> will - bey you.

1 -•—•-ì:
Co-me bra -ma- te.
We will - bey you.

a fe É ì
Co-inebra-ma-te.
Wewill - bey you.

s 1^ m
Co-me bra ma- te.
Wewill - bey you.

m È
Co-rnebra. ma-te.
m

Wewill - bey you.

m I
•

Co-me bra ma-te.

ì

m
IVewill o - bey you.

¥ ^
-f-r
Co-nie bra ma -te.

^
[Wewill o - bey you.

^ i
Co-iiie bra
Wewill o -
ma -te.
bey you.

14 '400
3*^ (Ali go into the l'urther room cxcept Alfred.' *

fff^.

(Violetta
— —and looks
rises,
o '
at herself in the arlass.)
-

g^
i-j
•
«••• t-/

fmf
i. I

"iff i^. ". i^^'

^"1. I
I

i
"""ji

ac

^;-t,
^

^i^
ffyPy*r |
ff^f^p^l r^ffrffrl r^ ^ ^
fe ^ Violetta.

Oh qilal pai -
^
lor!

m ^ ^ ili ^^ mé^
How pale I look! jrfr-
=^é'i'é*i'fe
^'1.
s^ :ì
i

sg^ ^ li y y ^^1E^^^
I
^

i y
|
ffyp7py |
ffypypy |
ffypy[5

S ^i ^ Violetta, (turns, and pereeives Alfred.)

01 qui!
Alfred.

^
Ces-sa - ta^

p mM. 'éM ^ ^ ^ ^ ^s
^ir ^tr You here? Ah, teli me,
^i tir.

ÌEEÈ

IV' h ^ >' g ^y U^ r ^ ^lffy pypy| ffrpr-py |

ff^pypy |
1^
p^prp
 37

m^ -• # 0-
r i i
Violetta.

\i t
me-
^
^^ ^ m Se ^
l*an - sia che
3he vi tur- bb? Sto glio.

"—^
your faint-ness pass'd o'er? 'Tis bet ter.
-
-^
i.s

"
1*^
6=^=
i
kà ^ »to
^ ^
S:^ F^+^
^z^i± ^Sl t4 ±E|E mi
r=^^=:^^ES
^</:
/e-

S
Alfred.

*
Ah in co - tal gui
Ili - sa v'uc - ci - de - re - te,
ie, a^-
a

K
These midnight rev- els some day will kill you. Let

?^^ m^ i «t;^ e
^ffS ««-

.V-A, Mr'r
f *
;S tS S ;tt ^#^1^ t±i y aS ffW^

1>
ì^ rJ

ver.
'

v'e
,J '

<5^

d'uo
I
^^'^

-
pò
^ 1»

cu -
0-
^
ra del - 1 es
19-

- ser

^B
nie be - seech- be of _your life more

^ te mm
g ;z: E EJ
^r^ &crg l

M
#. Jt
^ ^
t-1
.*n'\ >p^p^ ^I^Éf SSI ^s ^fi -r-p'' i^^s

^^^^^^
Violetta.

^ Alfred.

^
#
vo-stro E lo pò - tre - i? Oh se mia
heed-ful. How shall I....hee.d.. jt?.. ..AhjWere you.

^P J i t
^ m pm s ^w

•ypo^'f^ ^ ^m^ 5E
t^^ «5
!^!
^ ir
I 1
W#
[> • I r
^
il
*^
fo'- ste, cu - sto
~-
- ae
(le ve - glie - re
for ev - er l'd watch o'er_
5""

é s J=dW-
iJSS
t
^
^ff '^f ^f-
^ht ^
m ^^u
l'ilOO
ÉNÌ :^=£z:2:
^
% 5E^ ^m
 38

s
fel pG
l i J i
Violetta.

Tir ri
- 1 pe' vo-stri so - a - vi dì. Che di - te?

^^
you, and guani vour gen What^ say ^you?

^
- tle life.
s-
e -fì P^
\
*^
A ^
P fg^S^f^ESEpì
.V-|."i, ^^PrPy
f 1
P ^5 ^
?
%^ÌL
;é ^» M
p y p » VP CT y P y ^
S
Alfred, (ardently).

y ff J -7"
7 J— d'y my d *?
^ i i — é J =»
H;i
Therelives
for-senl-cu
noi one
- no
who
cu- f
ni
cares aught for
di me?
n-e!
Per- che nes
Dost thou be

S m £3É Jm
^
TS-
É^

^ ^^^
-J^y^i^vJ^H^^ ^i==i)«

A'
m ^=^ ^
9M. ^[,. '4L

= TUTirT
lira-,.,

?» I^ E^^3
Bl J¥^¥^
w ^
Violetta.

mon
^
va -ma-
M^ ^ i J

^ ^%
su - - noal - do Nes - sun?
heve that no one jpvesthee? I .io.

a^ fe ^ i'vi'U"^ FfTl
k

P^TT^^T y Tri J-,^-F ^^^t^r t^

^feR^ 1=^1=^^—1=^1
Alfred. Violetta
pq- (laughing).

i
*
r ,7 r r ^ :^
^
Tran -né sol i - 0. Glie ve-ro! si gran-de a-mor Qi-men4i-

^
I love you dear ly. How. fwon-drous! I am noi learn - ed in the

5^''ìTiL^Ì
i y
S ^m iS
^M^t'rfyfH^^H^TT^MyM n
Alfred.
7-J
p-
^P^yypy| ffyp ^ vp^

i^ ca - ioji - ve- a. 1Ki- de- te!

Sjeeì;
e in voi v'hajm
^^=i
co - re?

^^
ten - der passion. You're jest-inp! Have you ho' heart, then?

im i^ i?ì

J*40()
^f^ ^ P 7 p 7- E^^^ 7T7Ty "j^rpr-
ii=^t==t
 ^
39

V\ i i yn
Violetta.

f ^^ m m
^^
^a
\

Un cor? SI, for- se, e_a die

No hearf. may be, but why

a is g im is i %
W^=^ ;fei ?^
^t
ss ^^fe t b*
^
Sf lo
why
ri- Ghie
do you
- de
ask me?
- te?
Alfred.

Ali
Ah,
se
if
ciò
you
'^'S

foa,.-
had one.
se.
^ non
at
pò
my words
- tre - ste al
you

k=ms
|ÉÌ i ^ cj^^r I ^^^ è ^ /t
fct

»&
7/?j jt?oci9 w(ffre
>!« » #- ^ «^ t
Jì^rPH^
*-—p
^y
f f
"-r
^1 ^ ^g
—
Violetta Alfred.

i gE ^ff i^r ^ ^ ^ p zp:

^
*-
lo - ce- liar,
ra
scarce-ly would jest
Di- te dav
Do you say
- ve- ro?
tru-ly?
I
lo. non vin
With trae de
-
-
gan-no.
vo-tion.

fe
P
^^Éi
É ^ T» p
I fe^sT
^^ ^
m w z=2: E^^
^^ %

P iasj:
Violetta.

Da
Is't
mol
lonff
- to
.—^sin^e first you
è che mia
^
have
- ma
lov'd
- te?
me? A
Alfred.

Ah
•
si, dami an-no.
year, arìd lon-^er.
i^^w
n^(^)

Un
Ah!

^\, Ky ^^ J r [) r p y I
Àyji^-Y ±
i-:
Andantino.(J>= 96.)

di fé - li - ce, e - te -
à
re - a
-
mi
^ =
ba
f*^ :

- le - lia - sfe
ifelin -
J^^l
nan~r-
day for év-er re-mém - ber'd, wh enffTst 1 ga'z'd up - onl

3 m « m f
m ^ ^
^\n th.. Orrllpstra.
j=t
lì
^^ ^^ =f=r

14400
 ^

40

a ^m
I
-i-

É te, e da quel di tre- man - te VIS - SI

si di - giio
triio - io
to fi -

mm
thee, Thoup;h thysweet eyes did shuh" me, Love in my heart thenhad

t * * tt i mfT^
_s
-'/-^^ ^W=^ :t± ^^ ^¥=^ ^ •>
^^
"GSl
rm espansione
mansione \ -

m
,

t mor. Di el-l'a-mor,
quel quel-la-- mor eh' "ee pai- pi-to del - l'u
-la- mor, qiit'l-l*ti -Ai -ver-
Tu -ni so, del-
cfe

m n
birth AH tnat hath life hath its breath, its breathfromthpe.Lo\'e,thourtthe soul of, the
Cur. ' -

» 5r±
^*t ^**
;^>— ^^f=^

m ' /

^
*= J
Tu
'u - ni-ver^-
ni- ver'- *oin-te
sóin-te - ro, cro-ceede-
mi-ste-ri - o - so, mi-ste-ri- o-so,al-te - ro, croce, cro-cej
life, thelife u- nf- ver- sai, my-steriDuspow-er,guiding the fate df mor-tals,SorrDw.sor-rowand

^
w *# %
u u t:j
i
tf
?
!_r
^5 ^ ^^ = T=¥- t±^ ^ m
Violetta.
Si

li - zia, cro-cee de-

cfo-cee -zia, de- G-ziaal
li -zìa, u-ziaal cor. Ah se cioè ver, fug - gi - le-mi!
fe-mi!
sweetness, sorrow and sweetness, of this poor earth. ah from me!
^
If this is true, f ly

1 1^

So- loa-mi-sta-dejo v'of-fro; a- mar non so, ne sof - ro un co - si e-roi-coji-

Friendship is ali I of- fer. No love havel to prof fer, I_ know^_notsuch de-

14400
 .

41

mo re. io
p
Nl#
^^'^^n
so-iio fran-ca,in- gè
\
v
-
^^ny-^
nu-a;
É
^'pn
al- fra cer-c;u- do
^rf
^^^ -
\

ve- te-, non

V tion; I live for Joy an(i li - ber-tv, Friemls I will ha\e fnr plea - sure, If

duo tre - ve - re te di - meli ii-car-niial-lor.

thoudost net trea sure, E - rase. mefrom thy heaji.
A l f red ,

Oha-mo - re!
Thoulov'st not!

Non ;ir-duo fio -ve - re - te di - nìen-ti- c<ir-mi al -

I livea - Ione for plea -s n re, fare - well, thou soonw ilt for-

n ^
mi
my-
-
r
ste
^.
- ri

ste-rious
-
i
r
o
pow -
so,
er,
F
mi-
nM
ste- ri- o- sOj^al-fe -
guid-ing the fate of mor -
-ro,
tals,

lo- fa, di- men-ii - car-mi, di- men-ti - car- mi ^^ lor,

0^" ^pet me, thouwjlt for- get me, thouwilt for- get me, f^re well.

ce e de-
ero-- cee
cro-ce, ero de - li- zia, efo- cee de-
z^a, ero- de - li - zia, de-
de - li- zia a
li-ziajil cor.

m W
sor-row, sor- row andsweetness, sor- rowandsweetness, of this poor earth

fS

w^
i'4400
^
14400
 » ^

43

Tempo
m\^
I. Violetta.

1 Si fol- Icg- pia - va!

r
^

if
^
Gaston. (at th»- door.)

^E^ — Naught else but

p ——
fol- ly!
^
,;!^
1 i yp i
r
Eb-ben? che dia -voi fa - te? Ali! ah! sfa

Tempo I.
Stili bere? VMiat are you do - ing? Ha, ha, thats

^ ifE^ ti g^gi
Effi?:
i È
t^e
^^
^
Milit;.ry B,ind(on thf st,.e;.-).

^m f^m^
i ^
liS
k'
^^^if^
K i#
ite4
fs^
F r
Si a^ tì
Violetta, (fo Alfred.)

fe i i ^
t
A
Of
(Soes back)

\>\
p
ben!
^
yf^ ff^
re-sta-te

^ ^ ^
go on ther^t! ^
well!
=^^^«
_^
i^ i £
^ ^
r ^ y

t)^Kr^1''ì
»'''
n 7 n?
J
^ s S ^^ iii i tì
V M rrr
mor
'
dun-qiie non
i

r:r
più!
* i
r
Vi gar-bajl paf-fo?
1
love thpult say no ,more_
A
la that a com-pact?

^.f^ rg -me.
jr^^
^^i
hm ÈEÈ ^ Jeeé
: J'rfr^ &
^>^ki-i.
-^ -4- A g^^ ^ ^ :lil
P èi

S: s
Alfred.

^15
vbb-be
be SCO
ì
(going.)

Par-to.
Violetta.

A ginn
gi

^
Io - di - sco. to. tal

^
I shall bey you. Good-bye. So soon you

ij
h 'à .^ k ^ » • —— m m ^
n
rr=^ \
I

^ i m

n,
.14400
p'yV7l^7^7V7\j7VW7\ pyyjyy]
y^pyp y ^ ài
pri^y Fy| ^Wf^
p^^y P?
44

s gè- sfa?
(takfs a flower from her breast)

ì^3
f
Preii-de
ve.
ISM

- te
P
que -
m
sto no -re.
fio-re.
Alfred.

Per-
Pei
leave me'-' Ah stay, firsttake this flower. And
^A^^tAf^ ,^^

Violetta.

Se
Per ri- por-tar-lo I
Sooii to re-turn it (returniiif,^.)

'-^
É \>\ r
Cile.
i i
Quando?
May
^4l ^
me %M ^ m ^ ^ àà
k,whv'-'*

S^1
r.'
t:*'
j>
Ìe ih

j4&^ ^^ MU^ m 4w^ e

4r4
'H''i. ^^±
l
f -sì

s » g
^ É
^
Quaii-do sa - ràap - pas - si - to.
Bring a - gain when fad-ed.

^
it

1h
r
ciel!
^ M^ ^
Do-
Qh..ioy_!. to-

m la
g ^É -t^

Jt_jr
^b"i. >F>y ?44 tt ^1 fel
fcs i^^T^p' '

S ^1 i ì \ i i

^
ih - ben _ ma-

^
do- ni.
'Tis well, to mor- row.(ta)<,.s th,> flower
with (rn isport.
S^
ma - mi Io

^ m m m
mor- row! Oh
s
m I
•
i
^m g ^ ^> I
hle ^^ U
PT P y I
J.'fp y'g y I
ff y P 7 P Tfp ^•p y
P ^
[^ ^ p
'

1*400
 . ^ ^

45

Violetta.

^^^ f M^ ^ r
son, 10 son fé - li - ce! Da- mar - mi di - fean-
sweet oh bliss fui to-ken! And stili thou say'st, thou

e
fe
i^
1 i^
i iì^

'I^\ V}^Ì
T'i
3^
M ff r-
lé
T^p^ it-^r-h^
M ij^
^^
i —
Alfred.

S:
co - ra.'
M^ ^
nii quali fo, qiian to va - mo! oh
f

lov'st_jiie? I can not, can not say how I

'<M S i :£
i^
i:
i Tà
:-ni'i, ^-'^i ÌTT^P ti y P y ff r feé
^S ^'
y
ÉE^EÈ EÈ

: ^^^=^ m
Violetta.

Da mar mi:
^
^g^^
-

Thou lov'st_

A Tr r r I
#=FF ^ MI ^
I
» I r-^

i
quati - fo va - mo, oh quan to! Io son, io
love thee, ah_how love_ thee! Oh swppt, oh

^M m
I

ftt
d? ^
W ^
» ^^^^ rffrir i
m I
m
i
U m m
P
4^4
mn le ^É
i'^P^PyU^^p'HJ'n^P^lF^'^'^lp^'^rj^ f

^^ son
bliss -
fé -
fui
li

to -
- ce!
ken!
nt—
Violetta.

D'a- mar
And stili
- mi
thou
di
say'st.
- te_an-co -
thou lov'st
^
ra?
me?
M m*- f f ^
m
"M- 1»

m^ a
^.
i a^ ifc
^ yJ
:h,
' 1
:h.
V=^

g^ ffyf y p- y ?r"^r

14*00
 ^
46

È
Da - mar
Thou

^^
lov'st

g
Alfred.
i
BTn t è
Oh quali - to, (juan - to v'a - mo! oh quaii - to v'a - mo, oh
fan not, can net say how love — thee, ah_ho\v

m^
I - - I I

^^
^'\.
7r i^ ^ j 2 ^ 7r irr'^p^
m.
^ P^TrF:
^1. M ^^ ^ ^ ;;7U iv y ^1
^
ìtzzt.

M |M 7f^ ^
^
nu! Par- ti - te?
me! We part then?
('^^"'"n y (returnsanJ

3^
)

i i ^p r
p
a

^
i

quali to! Par- to.

^
love - thee! I leavethee.

^\ Jp'ff TTTy
7
P
É^ i
SS J^ ^P ^
P ^£ ¥T
^S ^r ^^
Jl, J^^ U yJM J-l J S
i \
S
^f^

^
|

Ad- di - 0. Ad - di - 0.
Fare -we 11. Fare-well then.

a kisses her band.)

g ^^ l5>-^
Ì5:

^^S w ^
Di più non bra-mo Ad - di - 0.
Ah,more

#
I asknot. Fare-well then.

S ^
^i i è
£*!^3
?
è =3
f
Se EEE ÌEÈ =3!
f
^
ti

P i ^ ì^
Ad
I
J- I
J ^^
^
- di - 0.
Fare well then

^^
-

fe
^
(farther away.)
<9-^
^^ ^
Ad - di - 0.
Fare - well then.

É SeE i fcfet^t
M H te
^
W ^m
1 1
li

^^ ^
1*400
^È ^^
 —

N9 5. Stretta of the Introduetion. 47

^Alle^Tovivo. •
. • •
. > , k,.

/;/^'iTuiii. =r

^S
JOrìrchnitr;,, I

Piano.
liti
^^
I

:32: ijz: zz: ^ 1« 1

—m

m
C.h.Sc Tyrijp

Flora (returns with the others; ali ar^ heatt^d with dantfin:^.) pp.

J^i; i^7J)yff7g
9
|

Si ri - (Je-bt;i in ciel lau-

Secthe morn-iriii' sun is
Gaston.

iM rJ^J J.rJ TprCj '

Si ri - de-stajn ciel lau-

See,the morn-irig- sun is-
SOPR.

Si ri - de- sta in ciel l'au-

See.the morn-intr sun is

m TENOR
tE^ .^ 7
Si ri - de-staJn ciel
J 7 ^ y
l'au-

^ ^
See,the morn-ing' sun is

Baron, Dottor and Marquis with BASS./jp

P y
* yr
^ il

^
Si ri - de-staJn ciel lau-

w^ i
* * t
:h
tàt tJm
¥Nm See.the morn.ine- sun

^3
is

m
*"
^m M
^^ ^Ji ppp ^''SK- * •*'''"<''"•
SKICl.m-
J J- iki pci^ MZZJK
sss tt eff-7-^-^^

ro - ra, e ne f(ir - za di par tV"^' re;nierce_a voi, g-en-til si-^^no.ra, di sl_

^
g-leam - ing'jLet us now de.part from hence; —
In ob- liv-ióus slumber dreaming.Let us.

m
ro -
^m ^
ra, e ne f(ir - za
\ £
7j)y^
di
|2=
7
,

par - tr-^
^^^==^

Fé;
J) J. |
>i'-
merceji voi.gen-til si-^'no-ra, di sì_
^. k

g:leam - ing",Ivet us now de.part from hence;_ In oh liv-ious slumber dreaminff, Let us—
.

m ^ g^*
ro -
^^yj)
ra, e
^
ne
jV^^^7'
for -parza di
^tt
ti~-.=-^ re;
^ fc=c

merceji
i)7«^7p7L'
voi,i,'-en-ti] si-
|

^,'-no-
^
7^*
ra,
i'7
di
=&
si_

# hence; _
now

^^
ffleam - ing,Let us de.part from In oh- liv-ious slumbiT dreaniinif, Let us_

Tf»- J^VJlji
ro -
g-leam .
ra, e ne
ingjjet us
^^^
now
for - za di
de.part from
pai fi"-^
hi'nce;
Fé; mereea
In
^^^1 ^
voi, t,''en.til ^li

òb liv.ious slumbf^x dreaming', Let

. ,^,'110 -
yr f
ra,
«'7

di
=C5:

si
us_

^m
ro - ra, e ne for- za di par ti . re; meree_a voi,g-en-til si- g-no . ra, di sì_
gleam ing,Let us now de.part from hence; ob. liv.ious slumber dreaniintr, Let us.

^
- In .

jAs- &l^f^ m m mz
m jjj
^& ^^
^r^r^'^r
^r
w=w ^ w 7D 7^' 7 uZ'£ r, yj ftyi%r*rLr
nino
 -
-

m
48

^ Sì 2J>p e staccate incominciando

M
pp per fareuncresc.

^^ ^
P P' P P ^ g
es3E

^ ^
spleii - di - do gio - ir. Si ri-de-stajn ciel l'au - ro - ra,
steep each lan - guid sense. See,themorn- ing sun is gleani-ingjy

f M^H ^ ^
i' ^ i^ J

^W
^ J-'
Si ri
splen - di - do gio ir.
See, the
steep each lan - guid sense. Baron.
J^
i

^
Si ri

iinu\i
e staccate
See, the
^=i±*
é ^ ì'^
ji ' ^i' ' ìì

^
splen - di do gio ir. Si ri-de-stajn eiel l'au ro - ra,
steep each lan - guid sense. See,the morn-iiig sun is g\eam-mg,PP

é '''

splen
steep
} '

-
\J'
di
each
^''

do
lan - guid
gio ir.
sense.
m
1^
Si n
See, the
-

v-' [,i-|>
L h.^ J
J' y ^^ y [J y ^ ^m~:
mm
splen - di do gio ir. Si ri
steep each lan - sense. See, the

^a
ffuid

f=^ Kf , f

p cresc. - poi

V-- [,
l

l> J^^ f ^p ^^ ^^ "&:

s

^m I
M ^^
m
p p g
e n'è par
f or - za di - tir;
Let US now de- part from hence;

F
destain ciel
p M l'au
I

P
ro -
F
ra,
^ ' ^n e
n
for-za di
n'è par
Let US now de-part from
^ i

M
morn-ing sun is ygleamlpg,

>>:^ |. b ff 'p
p p
^gEEfe i ^P P P P
l

m m
destain ciel l'au ro - ra, e n'è for- za dipar -
morn-ing sun is gleaming, Let US now de-part from

t=#
n..ni f
i

m
e ne for - za di par tir;
now de- part from

St*
Let US hence;
^
in ciel lau
ìestajn
desta ro - ra, e ne
n'è tor-za
for-za di par
pai -

M
now de-part from

^^
morn-ing sun is 2:leaming-, Let US

^"i>
f F
desta_in ciel lau ro - ra e n'è for-za di par
pa

^
moni-Ina- sun

^
is

B—i
.e:1eaming,

t i mm Lpt US
*
now de-part Trom
4 ^
poco poco

lv^'i>
14400
r ^ ^s ^ J I
J l,JJ ^p ^
 49

M M poco
-

t
^M i P P ^

m^
mer-céji voi, gen - fil si gno - ra,

M ^^
-

In ob-liv-ious slum-ber dream- ing,

^ ^ P P

^n
e

nu ^
tir; nier-ct^a voi, gen - til si
hence; In ob-liv-ious slum-ber

^ i

tir; mer-cèa voi, gen - til si

hence; In ob-liv-ious slum-ber
;^^''i> ) ^1

f
mer-ce_a
MJ voi, gen - l
tu
T si gno - ra,

MM
In òb - liv - ious slum-ber dream - ing.

iw-^P
tir;
ì *
mer-ceji voi, gen -
g
til
1 si
hence; In ob liv- ious slum - ber

•'H"i> r t F ff P P f i
tir; mer-cea voi, gen - til si

m
hence; In db liv- ious slum ber

i
-

b< ^
add Oli.i CI.

>'^'1>
J JJ^ y J^ ^m is
W ^^ P
di
M
sì
ff

splen - di - do gio
P PH
-
'ip

ir.
^-
7
poco

i^^)> P
gno - ra,
dream -ing,
P
Let

)
US steep each lan-guid sense.

t "P
di
Let
M
si
US
P
splen - di - do gio -
steep each lan-guid
1^
t)'\l'è ^ ^ f
^-1? P P g
gno - ra, di sì splen - di - do gio -

m
dream- ing, Let US steep each lan-guid

Qi
li SI splen - di - do gio
gì ir.

^mm
Let steep each

n
US lan-guid sense.

gno - ra,
'
Hdi
g
si
F.
splen - di
ì - do gio
dream -ing. Let US steep each lan-guid

[^^^1^

M
*>-^h> F r i ^ ^(y r II

pò -
ra, di sì splen - di - do gio
dream -inp. Let US steep each lan-e:uid

i ^
m 1 i
^
ì'1400
S^ j tJ? 'f m
50

i^-\>' 'ip
M ^
^
ì P P P I
P

M
La cit - tà di fé - steè le na,

w
Take our thanks, oh fair- est la -

i P P

^
^r i

^
IT. La cit tà - di fé - ste_è
sense. Take our thanks, oh fair - est

É #
ir. La cit - tà di fé - ste_è

P
sense. Take our thanks, oh fair - est

La cit - là di fé - ste^è
ste e 3ie- na,

^^
^" >
Take our thanks, oh fair- est la dy.

11
'!^

lì
l

i
ir. i
La cit- tà ì
di e - stee

^m
sense. ake our thanks, oh fair - est

i
l^F P P P^^P^
ir. La cit - tà di fé - ste_è
sense. Take our thanks, oh fair - est

^ ^1,, I
^
^^
add Cor.& Fag.

^ ^ ^m
p^
i l.''l>
\ p p p p p p

^
vol-gejl tem - pò dei pia - cer;
For the plea-sure of to - night,
'^^''
1
,^
p p < i ^P P P P

^
pie - na, vol-ge U tem pò dei pia
la - dv. "^or tìTe plea sure of to
i^r
I

i p f r 1^
pie - na, vol-geil tem pò dei pia
la - dy, For the plea -
sure of to

'^'' '
'III i m. ^ ì

M
vol-gejl tem - pò dei pia cer;
For the plea - sure of to night,

é^'^>'^^,
pie
'a -
-
f
na,
dy,
± ^
^ vol-g:e
For the
il tem
plea
M.
pò
sure
dei
of
?.
pia
to

^>
HS> ^ ^ i ) ^ ^ ^ f ^=j
pie - na, vol-gejl tem pò dei pia
fa
Jtx - dy.
u_y, . -
Li
• For
i^JL the
UIC plea
^Lr-,a, - sure
DUI e of
^Jl to

» 1» r^^ &1» -
s —

sino

'n''i>u
14*00
c 3 p
O lìrJP 'r ^
(iiJ
 51

SlfìO al -

MPP
,

tÈtr-frrr:' t p Pf
W p i
< t

nel ri - po-sojiiicorla le-iiu, nel ri-posoancor la

Each and ali are cv-er ready, each and ali are ev- er

*=* r ^p p p p p p I
p p P MM P

cer; nel ri -posojìncorla le-na,nel ri-posojncor la

niffht; Eachand aliare ev-er read-y,eachandari are ev-er

v'k'l>
èI

I
^pnppp,'ppi^ n^n
cer; nel ri-posoancor la le-na,nel ri-posojincor la

^
night; Eachand aliare ev-er read-y, each and ali are ev-er

^n n
Doctor.

^p p pp PP rpt^ i \

nel ri- posojìncorla le-na,nel ri-posojincor la

Eachand alh'.re ev-er read-y, each and ali are ev-er

Pi^
T^arquls.

ì ^ff p pp pp
-posojìncorla
i Hf n^n
nel ri le-na,nel ri-posoancor la

m
Eachand aliare ev-er read-y,eachandall are ev-er

^.^Ab
4
^
'"^
é
*
a.^i
'^
nel
lun
ri - po-sojincor la ie-na
M4= nel
4J
ri-poso_ancor la
Each and ali are ev-er ready each and ali are ev-er

i^ntn i Uf Uf
nel ri- posojmeorla le - na,nel ri-poscKincor
fh
la
Each and ali are ev-er read-y, each and ali are ev- er

I ''UHM f n nf H
nel ri -poso_aneorla lc-na,nel ri-poso_aneor la
Eachand ali are ev-er read-y, each and ali are ev-er

A f f f '^H .^ 4 i i't
i ti
ictd Fl.&Picc.
af

f^rt^ Cf^^ ^ ^i=^B=^^^ J plf r n

14400
 - , --

52

j:l
ife-^-t^-^^ p p T
i
^
r P|r_^r:- i r- pr- ^^

le- na si ri-tem-pri per go-der, ahi. si ri - tem-pri,si ri-

read-y To com-panion thy de- tight ah! ev - er read-y to coni-

ffl
i^ MPM M P i
f ,,
r p
|
r [?r p | r- ^r- r
le - na si ri-tem-pri per go-der, ah! si _ ri - teni-pri,si ri

read-y To com-panion thy de-light, ah!. ev er read-y to coni-

„:
,
,

i.
ffn^f^^f^ r rr y
le - na si ri-tem-pri per go-der, ah! si ri - tem-pri,si ri

read-y To com-panion thy de- light ah! ev - er read - y to coni-

V
<y.,v^,innu^n , r \
f r i
p-
p r p
le - na si ri-tem-pri per go - der, ah! si ri - tem-pri, si ri-
read-y To c.om-panion thy de-light, ah! ev - er read - y to coni-

.), |uTfffF nU'J ,T i

f
^ ^m
le - iia si ri-tem-pri per go - der, ah! SI ri teni- pri, si ri-

read-y To com-panion thy de-light, ah! er read - y to com

^^fentrmt le- na
read-y
si ri-tem-pri per go
To com-paii-ion thy de
Iì
der,
light,
i^-ii-ii—
ah!
ahi.
SI

ev
. ri
^

^^
tem-pri,
read - }'
si

to
ri-
com

i i)> uu u m
le *

read-y
na si ri-tem-pri per go-der,
To com-pan-ion thy de-light.
Ur
:^
ii=:i

ah!
ah!
i^ U^,
SI _

ev
ri

er_
^

^^
tem-
read -
pri, SI

y to
n-
coni-

p^
^^s^
le - na si ri- tem-pri per go-der,
ì
ah! SI n
r
tem-
^ f'
pri, si
?
ri-
read-y To com-pan-ion thy de-lii^-lit. ah! ev er read - y to com-

^' *•
# p-

f f r r
14400
 » -

53

$ tem-pn per
pan -
P^
ion thy
go-der,
j f
SI,

de- light,yes,eachand
p"

nel ri
r*

-
i 'f=ft^
po-sojuicor
ali are
r
la

ev- er
I

n» rv
le - iia

read-y, eachand
si ri -
'^
tempri,
ali are ev- er
si ri

r r r
i

^v
i

P^EE^ |

r I
r
^

tem-pn per go-der, sì, nel ri - po-sojuicor la le - na si ri - tempri, si ri

pan- ion thy de- light.j'es, eachand ali are ev- er read-y, each and are ev- er

^
ali

.^r F i r f f f 1
^^^ r T r r l'
r
É#
tem-pri per go-der, sì, nel ri - po-sojincor la le - «a si ri - tempri, si ri -

pan - ion thy de- light,yes,each and ali are ev-er read-y, eachand ali w ili ev- er

r f—w
-ly^i'^r pr- P i
r r r i r Y^i^ ^r ^r"
tem-pri per g"o-der, si, nel ri - pò -so ancor la le - na si ri - tempri, si ri •

^w
pan ion thy de-light,yes,eachand are ev-er read-y, each and ev- er

mm ^m
- ali ali will

tem-pri per
pan - ion thy
go-der, sì,

de-light,yes,eachand
nel ri -

ali
^ f—w

po-sojincor la
are ev- er
\r'r^r^r
le - na
read-y, each and
si ri
i
^

tempri,
f

allwill
,J

si

ev-er
ri

^m ^^ m
are ev - er

1^=^ # — j
UU^ H tem-pri per
''l
i:o-der,
i T sì, nel ri - po-so_aneor la le - na SI ri -
ÌEè
tem-pri, si ri -

pan - ion thy de- light,yes,each and ali are ev- er read-y, each and ali willev- er
are ev - er

^i^ é ^m
^m^
tem-pn per o-der, sì, nel ri - po-sojineor la le - na si ri
-
tempri, si ri

W ^^ P^
pan - ion thy de. light,yes,each and al! are ev- er read-v, each and ali will ev- er

M^^ ^
tem- pri per
pan - ion thy
^ j

go-der, sì, ne] ri

é;
de-light,yes,each and
ij j

-
#
po-so_ancor la
aliare ev-er
le - na
read-y, each and
si ri - tem-pri,
ali will
si

ev-er
ri

l't400
 —

54

M tem-pri,
pr
si
P i r
ri-tem -pri per
fP PiJ^rTff Tf^^^^pp
le-na
go-der, sì, nel ri poso^ancor la si ri -

read - y To com-pan - ion thy de-light,yes,eachand ali are ev-er read-y, each and

i^
pr p i r pr p
é ^^—0-

r I
r' !

''
r^
r
tem-pri, si ri-tem - pri per go-der, sì, nel ri - posojincor la le-na si ri -

read - y To coni- pan - ion thy de-light,yes, each and ali are ev-er read-y, each and

r
tem -
r
pri
i
f
per go -
rf ffirf
der, sì, nel ri - poso^ncor la
5m
le -na si ri -

^w
share in thy ce - light,yes, each and ali are ev-er read-y, each and

teni
share
pri
in
IP:

per
thy de
der,
m
sì, nel ri
light,yes, each and
-
posoancor
ali
la

are ev-er
i
m
le- na
read-y, each and
si ri -

^m tem
share
pri
in
per
thy
go
de
der,
È
sì, nel ri
light,yes,eachand
- posoancor
ali
F^
la

are ev- er
wW
le-na
read-y, each
si ri

and
-

m
tem-pri, si ri - tem - pri per go-der,
read - y To com-pan - ion thy de-light.

w
tem
share
-~ n—

pn
in
A J-

r^^
per
thy
-^J-

de
i)

f
der, sì, nel ri -
light,yes, each and
posoancor
ali
la
are ev- er
^s
le-na
read-y, each and
sì ri -

^ ^m
tem - pri, si n tem- pn per go-der,
read - y To comi-pan ion thy

m
- de-Iight,

9
J-
Tj
n- i j A U^T^

« M^
tem pn per der, sì, nel ri - poso_aneor la le - na si ri -

share in thy de light,yes,each and ali are ev- er read-y, each and

^ffi y 1^ y \>^

tem pn per go der, sì, nel ri - poso^ancor la le - na si ri -

share in thy de light,yes, each and ali are ev-er read-y, each and

-"
f ^' ? ?' £ ^' ? gli*
^^ Éà
i^)>r tir-J ^E i
:£
I I È

l 'n'i> [^iTf [^rlf t^fé Ma m

14400
 -

55

#= P •
Pf Mf Pf P
tempri, si ri - fem -pri, si ri -tem-pri per go der, sì, nel ri- po-sojin-cor la
ali are ev - er read-y to com- pan - ion thy de light,yes,each and ali are ev - er

* tempri, si
1» — r-|»

ri- tem -pri,

pr
si
P
ri
i
r

tem-pri per
pr f^

go- der,
^^
sì,
2MZ

nel
È
^ 5
ri-po-sojin-cor la

^ rphr
ali are ev - er read - y to com- pan - ion tLj' de light,j'es,each and ali are ev - er

r |f f .rTff.fTi^
tempri, si ri - tem - pri per go der, sì, nel ri-po-so^an-cor la
ali will ev - er share in thy de light,yes,eaLh and ali are ev- er

^m tempri, si ri - tem - pri per go der, sì, nel ri-po-sq_an-cor la

ali will ev - er share in thy de light,yes,each and ali are ev- er

«^
rtziOr
tempri,
ali will
si
ev -
m ri -
er
tem
share
- pri
in
zc

per
thy
go
de
der, sì, nel ri - po-soan-cor la
light,yes,eaeh and ali are ev- er

tempri, si ri -tem- pri, si ri - tem- pri per go -der,

al! are ev - er read - y to com pa - nion thy de light,

1^ ÌB^S
i n wm
Mp 5;
tempri, si ri tem - i
p' per go f er, sì, nel ri - po-soan-cor la
ali will ev - er share in thy de light, yes,each and ali are ev-er

tempri, si ri tem -pri, si ri - tem- pri per go •

der,

n
ali are ev - er read- y to com pa - nion thy de - light

^^ ^ ^eÌ Jtos
i a f^
7-

empri, si n tem - pri per go der, sì, nel ri - po-soan-cor la

ili will ev - er share in thy de light, yes,each and ali are ev-er

JSIF
^ f^ tempri, si
ali will
m
ev -
ri
er
- tem
share
- pri
in
per
thy
go
de
f^^f4
k
f
der, sì, nel ri - po-soan-cor la
light,yes,each and ali are ev-er
fTf

\^ f- $- if^ P- #- ir #•• ir

m
f-"

kfe 5 ^
I E

^fewi
tó.

^m tm # m\^ì:
14400
56

Jifc#?
le -Ila si ri

read-y to companion tby

^^
-tempri per go-der,
de-liy,'ht,
sì,pergo-der,sì,nel ri-po-so_ancor la
yes,eai-h and aliare PAer read-y to eom-

^'v^ rnf Ji,.j..}^ 1 t rnrrrrifrr

sì, per go- der,si,nel.ri-po-sq_ancor la
le-iia si ri-tempri per go-der,
yes,eaehandallareever read-y to eom-
read-y to eompanion thy de-light,

^m iH ^^ 1
le-na si ri-tempri per go-der,
E fff , ffff ffff
si, per go- der, sì,Hel ri-po-so^ancor la
,

m
read-y to companion thy d--light, yes,eachandallareever read-y to com-

le-na si
^m
ri- tempri per go-der,
3e ^rrr
si,
i frrnrrg
per go-der, sì,nel ri-po-soancor la
Eg

read-y to companion thy de-lig,ht, yes,eachandallare ever read-y to com-

,,m ^
mm
i ± »rr n' rrì' m
le-na si ri-tempri per go-der, SI, per go-der,si,nel ri-po-so_ancorla
read-y to companion thy de-light, yes,each and ali are ever read-y to com-

le-na
read-y
si

fo
ri -

com pa-nion
w
tem-pri per
th\-
ì;o-

de
der,
ght,
± È
mm mm
sì,

yes,each and
per go-der, sì,nei
ali
ri

are ever
-
poso^ancorla
read-y to com-

$ÈiÈm m^ MM ^M
sì, per f^'O-der, sì,nel ri- poso_aneor la
le-na si ri - tem-pri pfT ^-0-
yes,each and ali are ever read-y to com
read- y to com- pa-nion thy de

^m
Y
w
le-na si ri -
m
tem-pri per ^^o-der,
m L t
sì ,
per go-der,
mm Ma sì jiel ri - posQjineor la
read-y to com -pa-nion thyde-Iight, yes.each and ali are ever read-y to com-

14400
 57

m b
r
le -
r
na
r
si
r
ri -
i
r
fem-pri
r ^ per go - der.
(Exeunt allR.H.)

paii-ioii, to coni - ]tan-ion tliy de - liiilit.

Mr > r r r i
r f s^^
le - na si ri - fem-pri per go - der.
paii-.inn, tn coni - i)an-ion tliy de - light.

mf f f f ,
f f f ^
le - na si ri - fem-pri per go - der.

u
pan-ion, to eom pan-inn thy

^ de liglit.
- -

wm r ^ I
r r

^
le - na si ri - fem-pri per go - der.
pan-ion, to coni - pan-ion thy de - lialit.

m ^^ me
le -

le -
pan -
na
pan-ion, to com

na
ion,
si

SI
to
ri

ri
com
-

-
-
f em- pri
])an-ion thy

tcm-pri per
pan - ion thy

#^^^M
per go
de

go
de
-

-
-
der.
light.

s
diT.
light.
-o-
TI-

le - na si ri teni-pri per go der.

pan ion. to coni

^^
pan ion thy de light.
- -

^
'.'•bii> r F f
le - na si ri - tcm-pri per go - der.
pan-ion, to com pan-ion thy de

^
- - light.

^ ^
m E^EEEE S
4)'
T^

—
wi» i i ^ i ' V '

r
ri^ rT^
wm
p •-

^
8-

^^ S^ P i^ a ii IFR?
A. ^-

^ ¥pf imWè^^^^^^
14 —— —— -m p m- P P P
-^^j^

^ ^^m 1 E^^
*^ -\l i r. ^
o
~rr"

A^ p- ^
p^p^ m "^m ;
i^=j=y
i44no
 <

5S N9 6.'i\.h, fors'è lui che l'anima.,,

/jM Recit.and Air.
Allegro

Violetta. t^i yp v^ i
#
J'r^rr B M
/Cn

^-TrT r >TP r |i
K ritr;i-no! è sfra.no! in co - re scol-pi-tiJioque-gli;ic-
Howwondrous! liow wondrous! his words deepwithin my heartiir:--

S
Piano.

WE
/'

^ h
^
h
—
h,

i^-^~g^~g i

i'1^ r f

ceii - ti! Sa -ria per me sven-tu-ra un se-riaji-

.-Trav - eu! Andwoulditbrinicnir sor-row to love sin-

É mo-re?
^^^gir
Che
p'F'^'i^r'F !>',?* '
^
m^
ri- tìol-vi^o tur-ba-fajuii-ma mi-a'.'
cere-ly? Oli,myheart,whysosore-lyarttliGutroubled'''

Sé
FS=t«^ ^m • •« s ì i .^J
• 0»
vr

^
* "*

pg
1 P PP 1>
• •
»SÈ
i

f
love
!^ P ?
l'uo-mojin-Co - ra i'ac-cen-de - va.
of mor-tal yet hatli mov'd thee.
p M^ F » '
^
1
Oh
Oh
É
g-io
rap
^ ^^
ja cHio non co.
ture I nev- er
=::!

ì * =^=^
i
m ^
j»
nob-
;..7
bi,
j!>; )

es-ser a - ma - t;yi
r p 1^1
man-do!
' i i
-^^MrfY^
,

E sde - gnar- la pos s'i - o per

knew of, to love a heart de - vot-ed! Shall I dare to disdain it, and

:S± ì ^^=^ à
m
f
14400
 -

59
I

f^ ^ Allp^ro.
Allegro.

'JFr'h ^ fi ir "r n r'ij:^- 1

r
i
"
\\>h
la - ri- de fol - li - e del vi- ver mi 0?
choosetheemp-ty

i
fol - lies that nowsur- round me?
r:\

s
s zte:
\^
-^^_

^w
^
^ AnJantino.CJ'r 96)

É
i^ ¥»=¥
Ah, for-sè
dolciss.

che la
^
^
lui - ni
Ah, was it him my heart

^B
l'ore-
y -M ^ f
i^ »: ^£=^;
,

i
f f r^
^g^£f
,p •
^

^ ps^ ^ ^
S f^] ì r i

^^r^^ I ìT^ F F
i
^'^y'^' I

F^'^

^ m^
ma so-liivga ne' tu - mul - ti, so-lin-ga ne' tu-mul- ti, go-dea so
told, wlìieamthethron'i^of plea-sure,when inthethrongof plea.sure Ofthavel

fi> E3^5 fcS5

^
J)^J)
* * T f
ì
f
S £seS ^ r=^

M
p a^^fe^ Mp. i

pXr^ i
'

V ^J-^^^Ff

^^ ^ ^^ ^
ven - te pin - gè - re de suoi co-lo-rij)C _ cui - ti, de suoi co-lo - rij)C-

joy'd to slwd - o\v forth onewhoma-lone l'd trea - sure.onewhoma.lone 1(1

^i t T P
:s
*
;^5
t
!r-J'i> ^ g y B tt3E# i 1 É
j.^i,7 h ^V!i ^>iJi^j'i:'j>i'j'
r/y.v/-^

^'
^^
«
1 I,

cui - ti! Lui,chemo-de-sto_e vi gi - le

_ al - le-gre so-glie_a - sce - se,
trea- sure? He whowithwatchful ten-der-ness Guarded my wan-ing pow . ers,

f
fe fe :t
1 É ì:

^^ p ='^=ì1=
i^^^
14400
Q
 -

60

f
^
*
I'

^ ^M
nuo-va feb-brejic
P ^
^ff l'T-l't
ce
i
'

P I

F V? ?
de-staiuio-mi al -
? g mori
^
^i
e - - ye, la

sÉ 1^
Strewirir^my way with
ith flow

É •=£:
- ers, Wak.in^^myLifart

"W
to love!

^ O
^
W^ %
1^
^^ i>7>

=^^=^
^
i^-;
t!
f^on espa n a IO ne

A
V
quel -
^ir
la-mor,
?•
(jucl - la - nior, ch'e pai
£
pi
^ - to
Ah, nnw I fe^l that 'tis love,- ami love a - Ione,

"?
^Str.pi

del
^'^o
^ole
- - ni-viT
l'u -

hreathnf ali
i

so,
in
p
del-l'u -
the
i
^-

li le,
hm
ai-ver-
thelil'(i
scTiii-te
u.ni.ver
ro,
sai,
'y=^^=^
mi
niys
-

-
ste -ri-
te- rious

r~
a j''f^ ?? P? i
r ^
f^^^
V ^^^j
>^ ^''^gf-'^

? i

r?yr^ è
so, mi - ste-ri - o-so^al-tc ro, ero -ce, cro-cee de - crocee
li - zia. de-

^ m
jiow er, />:uid - in.iirthe'fateof mor tals, sor-row,sorrowandsweetness,sorro\vand

=^==-^
^ ^ f
^t-^h

'
f p^ àè^ m
zia, de-li-ziajil cor.

P
-

Ài^
li Fl.Oh.i'l. ,

sweet - ness of thispoorearth. - K

^
v^
^ ^ i^T=^
f^^ ! y
É^r
ll
b' V

^
5
^^
h A* /t^^f /
-^^^r-

14400
 ^

01

^
doIciKs.
p
im ?v7v>
k
v" s =^
É^
* l<.
é

r^ ^ ^^ ^
A fre-pi.do de
\ me, fan - ciul- la,uii caii - di - 'Jo é - si - re,

^^
Fonti -ly witli in lieart eri-sbrin'd havHthatiiij-;iye hid dea,

^ ^
- nìj' I -

a
^^ a

'M>
pp
? ^ ?^^ ^^
^^ ^S
^^ ^
^^
* t
? ^ P

i'f^^^ij>^j^7 i^^^^J^^ j^"^r £n==K

^^
^'-'ìi- i

Mfe i^^
e
I
tre- pi -do de
havethat ima.i^e
- si
hid
-

-
re,
den;

»->-
que-St'el'-
Now with
fi

the
giò
sov'-

^ r^f del
rei,:i:n
- cis
pow'r

—
- sii

of
- ino

SI
love,

^
-^

s f
^^ ^ ^^E^ 1^^^ 8=?=f^

'

V n\^ì ^tfU}^}^ ^ I J)J1J> ^ Ti^it J- ;

^
signordel l'av-ve ni - re, si-gnor del l'av - ve - ni - re, quan-do ne' eie- lijl

W
Itdoth a-rise un bid - den, it doth a-rise un - bid-den; Ando'erniyheavhof

¥'^ ; f i
t
^
'
?
'^W^ ^ g y ff
^
:/"
;p^=&
j
l

'v^ .r^ j^
I
i> yj' j) j'
I
^7 p I «f^ ^'7 ^p
rag - gio di sua bel -tà ve de - a, e tut-ta me pa - sce - a
prom - isH Beckonsmysoul to giad - ness; Oh, if thedre;un be inad - ness.

at ¥ i
'
Ji
n^:
^ =±:
^
É ^

^ ^

^=^
S
^^'-i> J) y J^
^ J^'y J) ^^ ^^
^
y^co /iespan mone
S ppp^

di
(ji iiuel
(juel vi
Ffr^
di- vi-niTjr
:*
- ror.
§^ Se 11
E
tia chea-mo re, cheji-
Lifehathno lon-ger worth. Ah, no, I feel. 'that tis

S(r.pì>
14400
 ^
63

* J'- J' J>

lu - ni -ver so, del-

breath of ali iri the

^^f=^
lu -
8
ni- veri so ili-te
m
ro, mi
^m
ste - ri
m
so,
life, thelife u-ìii-ver - sai, mys tn - rious pow er

SÉ8
mi -
guid -
P ^^
ste-ri -

inp: the fate

o-so^al- te
of mor
-

-
g
ro,
tals.
^
B£èz::feki3
ero
sor row,
ce,
g'H
croceji de
p
-
i

f!^p/|
li -

sorrowand sweet-ness, sorrowand

zia,
^
crocee de-

zia, de-li-ziaal cor! cro.cej; de - li - zia, de-li-ziaal cor!

m
sweet - ness of thispoor earth! sor-rowand sweetness of thispoor earth!

t:
» g 1 g I T=T=
Wind,
f
S ^ ^ è ^ à ^¥=r=

^ mm
4J^ ^
m ^m
Cstands pensively.) ^rousing her^self )_

^^==F ''^.^•*r.fL. ^B wj^

ah! . de-li-ziaal cor! Fol-U-e! fol-
ah! - ofthispoor earth! Whatfol.ly!what
/r\

^^
f
^¥
14400
^ Str.

m ?F^
/r\
 -

63

:^
Alle^To/J-

li - d
EÈ
lao)

7 »
de-
à^
' ''

li - rio
• ./
v;uiiui questo!
^^ Po-ve-r<a
fol.ly! fnr metliere's no re-turuin.i^:! Ah, I ;uil

—j mr^¥ ^^^ • »
•
'

iL^TtTrUiCJ -•

:;-i.p7 *P
?!;r! ;sEE±g
«•
^^ f^^ ^P ^^
^^ P ^
-
^^ ^ " :i:
•
i i 7 :
^
MF' FT FP

^
?
doii-na, SO- la, ab-baii-do - iia.ta ili que-sfo po- po_ lo-so de
helpless, loiie.lv, without a friend; for me this tliroiiging eit-y doth

S rJ rJ

m
ì
m
p
^^ W^ i i 7
s
^^=^=^
P
^^.t*^
i i 7
W
i'n 77 7 77 i
ft^pr i 'r/^F m r'r^i i V'n
^
ser-tochejippel-la-no Pa - ri-,tci, che sperojir ohe fardeg-gi- 0'*
più"? gio - i - re! di
seemas a~%'astaiiJenipty desert:Whatcan T hope? wherecaiil turnme? to pleasure! in

^
V ^
i_^'' ?
E^ W "
ài

1 i ^
#g oc ^ drai
\>

njorza
con forza o
c\

PTi^r^jj ^-''i
vo - lut-ta ne' vor ti - ci, di vo- lut-tà pe-
ev - 'ryfierceand wild de.light lìl steep my sense,;uid

'5500
/ 6-^

Allejfro brillante.(*.= 84)

V.
asf<ai brillante

tr

g"i -
1
fol -
5
leg -
^
già re
/ •
*=^==^
•

gio-jajn gio -
di
^ ja, vo'
^ ^
che scor.rajl vi - ver

^
plea - sure, Joy - ing-, toy ingfromflowrto flow - er, I will drain a brim-ming

èè
fr

w.
m'v_
tr

'
^ ^
^ 'é^
^^
JhJ^^
tit
1
t I
^
^ igW
U^#
^^ ÉEÉ
/!r

a=g S K ^- ^ M
É -y-r ^'
*^
f *

mi - pei sei.i - tie - ri del_ pia - cer. Na-scajl gior-no,qjl gior-iio

mea sureFrom cup ros y Nev.er \\eary,each dawning

^^
- tlie of - Joy.

tr fi- "X
^''
i J- ^J J^J 1 S Il y #F3-.^^
tl^^
^^x i 4^
i^V VjJ fe

!é-iOO
 . r

fttto ijueato ripiglio

let - ti seni- pre nuo - vi dee vo - la - re

:^^
il
—
iiiiopeii-sier, dee vo-
fresl) dt'li,i;:hts l'il bor - row, I will ban - ish ali an- noy, ali an-

P^=^
s ^
p'^^^f !?

m — # •-
^ii L.f~r r
^
ìfm

tar^K
I ,

f^i'"'^
lar, dee vo - lar dee vo - la - re il miopeii-sier, dee vo-
_
.

noy, ali - an-noy, I will ban - ish ali an-noy, ali an.

^ ,
ì
a f .^r
r y L [ r r
^^
s rJ^

)i-

5S
èS UlLT-I -J^U•M JP.fP m *-r

!00
 t

66

^ Andantino.

sier!
noy!
^h-^
1
Ah!
h!
/

K
Alfredjundpr the baleony.)

Vìi- il'
is ^ La I
uj (^1 p
^ ^^^ fc i ^^^^^ • •

A - nior, a - mor è pai - pi - to del- l'u - ni-ver-so,dt-l-ru-ni- ver-soju-

^^ #
All liuth life, hath life anJbrpathfromtliee,Love,thou'rtthesoul ofllw life,thelife u-ni-

m w
AndHntin()/«^96-)

±
\
P».„
j

I 4— r^
^a ±Ì: -^--r ^^ f^
7 ^ S
tf
?^
i
"f — ^-

vj^

^^
(^^V
*"
oha-mo . re I
ri^
l'm spellbound!

É
^
^''1,'-
r~'J' T r r à
ir'^w •? m
«
i

te ro, mi-sfe-ri - o - so, mi-ste-ri- o-so^al- te - ro, cro-ce croc^ de_

ver sai, mys-te-rious pow . er, guidin^s^thefate of mor. tals', sorrow,sorro\vand

i
^ I y *l

f
^ (0
-i^^^
-

f
^"i^-^- 7 7
P 3zzfc 7 7

^
Ailej^ro.

St*:
7 7
Fol
?
<tff
li-
È
d
e!
y
=F^=F

fol. li. e! fol . li

What fol- ly! what fol-ly! what fol

t'ir^ o^g^ f
i
rp^^Tpn*'^ >

li - zia, croce_e de - li . zia, de.li-ziajO cor!

sweetness,sorrowandsweetnes.s of tiispoor earth!
T.ilti.
Allenerò.
 t

67
allarg;.
Tempo I.(J-=84.) assai brillante
4r
k^ r^^^u S=5
È ffiprgpT ftrrr r r (i ^vn p

m
i ii i

iri- Sempre li-be-ni_(ìeg-gi - ofol-leg-

dici. lìl fui -f il the round of plea - sure,Joy-ing,

i
^^ i
O

s^
già -
^^^^^^^g
re gio - jajn gio - ja, vo che scor-ra^il vi - ver
di
£
^
mi - o
^^ #
pei sen-
toy - ingfrom flow'r te flow-er, I will drain a brimming mea - sureFrom the
rbfe 1 V ,
,
rV# r-^4/^

tic. ri del_pia-cer. Na-scajl gior-no, qjl gior- no muo-ja, sem-pre

cup of sy
rfi_^ joy. Nev-er wea-ry, each dawning mor-row Flies to

lie - ta neL_ ri - tro - -vi,_ a di - let-ti sem-pre

bear me some new rap- -ture, Ev-er freshdelightsril
4-

P^
W ^^
^
I Pff(»#-
t*
eS dì:± u
^ m
Tutti

^i
# O.
r ^^. f
i SffcJi teEE
piglio

ss i±=*
Jr
i»-r# E
^ii.-,rLr^P i n.^
=^=^

^
nuo - vi dee vo - la~^;^e irzrhiio pen-sier, dee_ VO - lar, Qee_ vo-
bor - row, I will ban - ish ali ari - noy, all_ an - noy, all_ an-
ì*- .j!»
satet
I ife — f=
**£
q3
s ^
^^ H
14400
 . —1

^
68

^m lar,
noy,
dee
I
ìvo -
will
la
bau
*nw^^
-

-
re
ish
il
^n''/_}^
iiiiopeii-sier,
ali— an-uoy, all^____ an
dee
-fÈJlM-

vo
^'
\

-
-
m
lar,
noy, ali.
.q*

iloe
r'^h
d r-

Yu-
an-

B^^^f: M. ti^^'^J^TV

^'1^ J
sier,
noy,
T

Alfred (under the

t

balcony)
^^
dee
ali
vo
an
^'

lar,
noy,
-f y l f

dee
ali
m -VO
an

r i L rp i -,

A - mor è pai -pi - to del fu - ni - ver - so.

Love, thou art lite andbreath of ali ere - a - tion.

^S
mM ^
y 7 i y -^?5,Érrr
-»-»-'

t 1

14'A0D
 ^
69

^ 7 t 7 =y l>gn£
i 7 i 7 =¥
1
sier, (Ice - \(i lar, ileo v(i
noy, all- HIl ali an

^
ìS
A nwr
^ ir P M ^ ^S
#
- è pai .pi . to (lei - Tu - Ili ver
- - so.
Love tliou art lile aiidhreath nf ali ere- a - tion.

^É
- a _. a -1 _i ^
}

E yihrouLch Joor, LH. C\

sier;
noy!
0\

jAJ^-M^
-!I£fjiN!Mwl^^ l
^^ l
^''^^'ili•^'^'

^^ ^«
• • • -•-•'-
i
f=F^ I
^ I
1
7

14 400
^ ^ End of^Act I.
70
Actll.
À ronm nn the groinid-flnor afa coinitry-haiise iiear Paris. In the eentre, at the back, a mantelpie. -

with clock, mirror, <4c. A glass door on each side shows the garden; two other doors opposite eaeho'b-
er. Chairs, tables,books, writing-materials, etc.

N9 7. 'De' miei bollenti spiriti.,,

Recit.and Air.

(Enter Alfred in hunting- costume.)

Allegro vi vace. (J - 132)

Piano.
i ^s ^==^
P Str.
^^!
^^ fflWSW J^J^jj^J^ J- .ÌJ. h

P ^^

tiX^ mm
J5^m ra B3
s
,

?
Alfred.

1 d

^
Lun- gè da
#f -i> # ff When we are

ffff^fff ^Fff^F^f

^
i
.
^^
/ Recit.

m "f
f f
f £f 3ES
(puts away his gun)

r F^p r ì^
le -

part-ed, of
i per me non V7ia
life
p
it-self l'm
di-let-to!1
wea^ry.
Vo - la - ron già
k''o e:ià tre
Three monthshavenearly

ffrrffrr f i

a tempo

m f-M4
14400
 71

*^ lu - ne
fie dac-chè
dcic-d'iè la ifiiaVio-
mi;
^;let-ta
i i'
a -gi
j^'

p
i
per
j^
me la- sciò,
il P.
do -vi -zie,
P.
a-
'
P^
van-ish'd since my be-lov'd Vio - let -ta eft, fór
left, fór my sake,the world, its pleasures and

mo-ri,
no -ri, e le pom-po - se fe-ste, ov', a -gli_o-maggiav-
-gli_o-maggi av- vez-za, ve-dea schia-C'o
sdiia-vo cias
splendors, the gay and bril-Iiant cir-clewhere she, the star of beau-ty, enslav'dthehearts of

Andante.

^ culi disuabel-lez-za. Ed or con-ten-fa que-sti a-me - ni

coii-ten-ta in qùe-sti^a-me luo-ghi
luo-gni tut-to scor-daper
. ali to do her homage. And bere con-tent-edwithme to roam the meadóws, she forgets ali for

sof-fio d'amor ri -gè -ne- ra-to scor-do i ne'gau-di suo - i fut fcTil pas-
chantment of love, in thee is cancell'd ali dark remembrance of a past dis-

É rrc
~xs~
i3:
U-
tzn:
^t- m
"T¥~
^-

r\ Andanfe.cJr 60)

Si
I

M^ ^
c-i"T "y in
sa to.
tract - ed.

wn
i =^ H \^H
m.* po fìrifriiF
pur ^T
g^
14400 j^
i^ I ^^^^^S
p
5S^Ki:
K^

^
72

fi \ P
^
De'
Fé -
^^
miei
ver'd
iei Bol-len
and wild
- fi
niy
spi -

dream ofyouth,
^ri -ti
no
S
star
no - Va-
va- ni
onhigh
-

tó
a
lear-
le

p\r^i do - re
i \
^^^^^^fT~^
el temprò
- la col
\
flI^^^^
pia- ci -do sor
guide me she shone on me with ray be-nign, and

¥^^^-iM^^^^ W^,
V\ ijìd siist.iin
j-
^?i!k£Bi
ii¥
^ =^
è p
'^
p
? 'i

1=r i
:^Ì:^
ri - so del-1'a-nior, del - l'a - mor! Dal dì cHe dis- se:
trotiblefled a-way, fled a-way! When low shewhisper'd:

VI - ve -re io vo - gìio, IO vo-gliojx te fé - del,

'Live for me On earth, onearthl love but thee;"

i^^j '^%mìì^^ lì j^iMi^ii#

g 4 ,&=à
r^J É i

^ del
Ah,
- u -
lu
P=r41
ni - ver-
V so im-me
since thatbright,tHatbless
-
-
mo
ed
^
re
day,
10
in
VI
heav
-
rn^
vo, 10
en'mid joys
vi - vo
ce-

ir

14'400
 73

/PPP

si, io VI - voqua-sijnciel. iTal dìdie dis-se: vi - ve-re io voglioate je-

tial, in heavhl dream to be. Whenlo\vshewhisper'd:"Liveforme,Onearth I lovebut

f g^rriì?

VI - - vo, VI - vo qua si, io vi - vo qua- sijn eie], 10

heav'ii 'niidjoys ce-les tial, inheaVriI dream to be, ah,

10 vi - vo quasijn ciel,_ ah sì, io vi - vo quasi in eie- lo, io vi - vo qua -si in

S
ahjSincethatblessed day,_ ah,since thatbrightandblessed day,_ in heavhl dream To

^
14400
74

^ ciel.
be.
r\

^ Allegro. (J = HO)

m r\

m
iwa È
^r^= j*p5 :
frrr

V b'-i.
J
y
J
f
33
/^

^^ i^i=^?=*
# ~ • •

^ • • ~ •

M
(Enter Annina, agitated)

i ^p p fde
An- ni - na, don -

*
b> ^ #^e à. An- ni - na, say, whence

i
W i S3E

•^Ni JJ^ J^^ i

i S
vie -

come you?
mv
^ i^^ì^ hAnnina.

Da Pa - ri
Straightfrom Pa-ris.
- gì.
Alfred.

y}>
Chi
Who
) i^l^
tei
thith-er
com -
^^
mi
sent
- sev
se?
you?
Annina.

Who
tu
i^u
else
la mia
but
si
my
-

i
m
*-''^'"
Alfred. Annina, Alfred.

Uy:^
,
'.
f.

P PPP I P p PPP p pp I

r-
J^i'p^?7i
gno-ra. Per-chè? Per a-lie - nar ca- vai-li, coc-chi^ quanfo^an-cor pos-sie- de.Chemai

M mistress?Wherefore? It is her wish that

É ì
ali sheowns shall be at once dispos'd of. Ah,what

^
« ^^
(aJ = 80) Annina. Alfred.

?% r p p p p p p IP p^ ^ P' P

ip^
sen- :ran-de
Lo spendioe gran -ile a vi-verquì so lin-ghi. E

f^
lo! feo - ta
say'st thou? It is ex - pen-sive to livelikethis, se - quester'd. And I

t
pp-

l'4'tOO
^^ mj Jj i^^
 ^
75

Alfred.
Annina.

\r^ ^ ^ P'
ce - vi? Mi fu il si-Ienziojm
si-lenzio -pò - sto. Ini - pò - sto?
knew not! She bade me not to teli you. She bade you'^

or v'ab - bi - so - gna? Mil - le lu - i - gi! Or

What SUOI is need - ed? Two thou-saiid lou - is. I

4
^'^
P f^^"p'^r"
van-ne.
go then,
An-dròa
a-way
f
Pa
Pc
to
-
^
ri-gi,
Pa-ris,
que-sto col
but do not
r,
-
IN.
lo-quio
mention
^P 1
i

a
-
p
gno
e:no
word
-
^B
ri la si
be-fore your
-

Mf
jti_

ì^~}< '
"P Pj
f
nio
glio-ra;
mistress;
il
there yet
tut to
is
vai
time
- goa
to
ri
can-cel ali niy
p
-pa-ra-rean
p
- co
er
-
-

i
^ ra;
rors;
^
va:
Go!
^i
va;
go!
'Exit Annina) O

&^m 0- m II mjc^
t^^ 32=
3Ee
-

r
t i
^
l'I 'A 00
 , -

76

m
Allegro. (JriOH)

i S
ri-mor - soljah in fa - mia! io
re-morse, oh in Ù;^- gj! in

i^^
* vis
sei -
- si in
fish
P^
ta
joys
- le
I
er"~~~-
1
ro
lin
?i re!
ger'd,
^ mail tur
but ruth
?
pe son
less fate
- no_a
hath

i fi
^ f^

É fran
rent
gè
in
- re
twain
^1 ver
sweet,
mi
^
ba
fai - la
le
ciqus_ dream!
i
Per
Be

pò eojn se - no ae-fjue ta-ti, o_ gri do^o gri - do del -lo

stili a-while,_ and_ bidè, my heart thnu shalt. thou shalt retrievethy

14400
 m ai —M
77

É st'on
fore
- ta
the
la
trinr
ve - ro.
row'8_ beam.
m^mtó
Oh-mio
Ohdeep
ros
re -
- sor!
morse!
li-

Oli iii-fa
ofi in

*^ (Ih mio
rò! ros- sor! ohin-fa - - mia! ah si,
s'i, que-st'on-fa, si,
sì, qua
que
beam Oh deep re - morse! oh_ in - fa - my! ah,Y?.?j Ill..'^\?..n.'i'.?Mn|'pb?.;

st'on -ta la - ve - ro, qne - st'on - ta,que-sf'on-ta la-ve-ro!

fore the mor- row's beam. Ili lave it be-fore the morrows beam!

* Mie
m ^ li
éééé
é tU
Xf

i
^
m^ I feEtSEt I ^tHi^Mm]
bÉ^ ^^
14400
^
78

É
Alfred.

^^ Efes
mio
^m
ri - mor - so! ohjn - fa -
1
mia! io
Oh dppp re- morse, oh in - fa - my! in

ì i
f^Uli
s^ ìMl S«f « f |:
:c=b=:k
fi
«

vis
self
-

-
(
sijn
ish
ta
joys
- le
I
er
X;ir
ro
Un
-

-
P J
-
- re!
ger'd,
^-tf^U
nuul tur
but ruth
-

-
pe
^
son
less fate
- noji
hath

i
M
s mm m} !!^ff i

pò
stili
- -
fEgI
cojn se
a - while,
-
JtAt
no ac- que
and_ bidè,
- ta
my
- ti,

heart,
o_ ST
gri
thoushalt,
- -
^^
d(V) gri-dodel-l'o-
thoushaltretrievethy

ì
^ Wind sustaiii. J

IMOO
 st'on-ta, s\, que - stori - ta la - ve - rò, que-st'on - ta.que-sfonta la-ve-
lave mvshame.he - fore the mor-row'sbeam l'Il lave it before themorrow's
r\
iEè ^ I fe

m
t t
fr
m W^ ^ é
3
a g a 3 i=g
14400
 # • —
80

i^
ro, sì, la - ve - ro, ah, l'on - ta, l'on - ta la - ve
fore the mor - row'sbeam, it shall, it shall be lav'd be

^ £jr Ut
I
p • • m »~f-^
\>

ffi
— «

^5
—
S
«^ « •-

rò,
.^r-
si, la -
^p i

ve - rò,
p
la - ve - ro, la -
?^
ve - rò, la
fore the mor - row'sbeam! Oh re- morse, oh re - morse, oh.

14400
 . — -

81
^(i
N? 8. Pura siccome un aiig-elo.„

Recit. and Duet.

^ Allegro.
Violetta.

^
(Enter Violetta with papers ) Violetta . /Annina.

Voiice
i ifc f,f PP 'f;p | p f^ '.h^Ff^
Al- fredo? Perra-ri-gi_pr orparti-va. E tor-ne-
Where's Alfred? He has just gone off to Paris. And forhow

i Eì ^FP: ^
Piano.

Annina.
fff
m -^ mm ^
Violetta.

M
'

i rà?
long?
p
Pria che tramon-tijl gior-no,
Un-til thedawn of morning;
P m-f 3S^ ì> ì>

dir-vel mìm-po - se.

I
i'

E .stra-no!
he bade me teli you. 'Tis cu-rio.us!
;>
^^ E
i £
I ^t^ fPf
P és • 9-
I
Joseph. (enttTS and pre-
«
'
spnts a Iftter to Violetta.) Violetta. (.seatinK herself )

ÌE5]
Per
^er voi. Sta ben
ben. In bre -ve giunge -rà un uom dii
daf •

Por you. 'Tis well This morn-ing I ex-pect to see a

(,#>#> I
S
'^
iWW (Exit Annina and Joseph) (Violetta opens the letter)

^V-^^' i /' ^
p p
fa- entri al-l'i- stante, Ah, ah! Scopri-va Flo-rajl
Flo-ra il mio ri

Pm
ri;
stranger, at once ad-mit him. Ha, ha! So Flora knowswhere I am

m- P
m ' ^S
r^^-^n \

i'
o

u
r" ti -

hid-ing,
P
ro,
^
P
e
p r
m'in-vi
asksthat I
-
P
taji
shall
M
dan
at -
-
f-
zar
tend
F p-
perque-sta
nerbali
7
this
é^
se-ra!
(throws the letter on a table)

aK-r-
P p M
In -van m'a-spet-te
eveaing! Shell wait for me in
P

ì
1 r -

P •7 -

14400
?
82
( signs fhaf Joseph is to admit him )

5;=

W ^ 7-
ra. Sa-rà lui eh fjit - ten-do
elu^at te
vain. It is he I wait for.

é^
Joseph.

È
W
3E3±
f
Equijin SI- gno-re.
ddz

Madame, a stranger. Allegro.

^
^ W^ ^—rT-
-9
^f r-rr

m w=^ 5 li ? ^. j)^ I

}J^ ^
i 3E3;
^
Son
"Tis
m
i -

I, sir.
o.
con jorza
forza
(surprised, motions

Voi?
You?
lour rseatingh
him to be

rseatinghiiii-
Germont St'lf)

^y.,.?p??fn \

f
Et
Ma-da-mi-gel-la Va- le - ry? D'Al-fredqjl padre^ijime ve-dette. Si, del-l'in-
Ist Vi - o - let-ta Va -le - ry? Yousee be-foreyou Alfred's father. Yes, Ira the

i ì
f ReciI

w^^m
(rising, with resentment)

t Don -
p-
nason io,
p r ?
si -

my

M M
Sir, you're beneath

V' P
oau-to
P
chea ru- i -
Mp »M
na
^
am-ma-Iia
cor- re,
p
-
P
to
P
da
i

p
vo-i.
P
^

fa-ther of th'in- cau-tious mad-man you are lur - ing to ru- in.

t m
"TT-

' ^-fe^ ^'

p r
gno-re, ed in mia ca-sa: ch'io vi la-sci assen - ti - te, più per voi, che per
ca-sa; pei
roof-tree, and l'm a woman; pray permit me to leave you, foryoursake more than

3
14400
 83
(^oinj.0 < rt'turns and seats herself '

if^
"r
P p r P P I
r
me. •atto in er-ror voi fo - sfe_
ste

TfKt
Tratfq^in
mine. ^ » You are immers'd in er - ror_
t.
jTP i

(Qiiai mo-di!) Pu-re_ De' SUO) be-ni_e-gli do -no vuol

(What hearing:!) Martam_ He to youwòuldgiveall his pos-

ì w
w
\^
^^
(gives him a paper)

i t->i Nonio-
' j.U'
so -
I

r
i.^
7 p
no-ra_ ri
^c
-fiu-
-fiu - <e-
'ip
I
r
rei.
>

lookiiiff round)
lookinp
n r p p B
A <utfi_è
<utfi è
f

miste-ro que-
miste-rfl qu<

^m
fi (

me ^
He liathfciv'n notliing-; 1 sliould re-fuse. \^^ 1?^ •^
fe^ ^y- Tononebutmyselfdoesit
*f

far- vi. Pur Unito lus-so.

sessions. Rut ali this splendor.

» te
P
S
Moderato.
( Gcrniont reads it )

*st'af-fo_ A voi noi si - a.

iat-ter_ but vou shall know it.

=a '^ ri *
*
m^
l>?
••'
l>*^
l>oJ •
3=Ì
Germont.
fc^ ^
rF
Ciel! clie
P
di- sco-pro!
I Pp j /P4^
D'o-gni vo-sfro_a-ve-re
P i
pp.p^^or vo- le -fé spo-
What a dis-cov-'ry! Then youwould re - lin-quish allyourworldly be -

gliarvi! Ahil pas- sa-

m^^^ E«~ft4 >

fo
i

per-c}iè,per-cliè v'ac-cu
i> B
:?:
-

é^ - sa!
f^p
Violetta.

Più
F
non e
n -
r j)-^-^
fwith ardor)

si-sfe. Or a-moAl-
^
.longings! But, oh sor- row, the pastw ili stili ae-cuse you! The past is eancelPd, I love but

1; 125:

^ p
l'i'iOO
É
 AliPfiTo.
a tempo allarg.

fre-do, e Di - o can-cel - Io col pLii-fi - nu-ii-fo

Alfred, andHpav'nhasblotted out_ my sin \\ ith mj' re

mi - 0! No-bi-Ii sen- sijn-ve-ro! Oh co-nie dol - ce mi suo-nail vo-stro ac-

pen - tance! Ah yes, thy heart is iio-ble! Oh gfntle words^owtheysoothemy troubled

m ±:
% UE
-o- ii

I
"T-ì ùr i
"Tj-

Germont. (rising) ^"'^^''^-

Vi,cletta.(risin£

^ r r-'^^P
cenlo! Ed a
F
fai
I ry
sen-si un
^'^y-nn^^'T
sa-cri-fi - zio cJiieggo. Aìi iio_ fa-
-ir i
J-J'tWy^n
ce-te_ fer-fi-bil
spiriti And from that heart Iwouldask a preat concession. Ah no_ I cannot_ some dreadful

*^ *;
^^^^
1^ t
m -&-
^fep
>> V,
'predo
f\

co- sa chie-de-re-sfc, cer-to_

cer-fo_ il pre-vi-di_ vaf-fe - si_ e - ra le- li - Ce
ce

^m
sa - cri-f ice I see im - pend-inf^, I f'ore-saw it_ I knew it__ ah ine.'we A^ere toc

£?

^^ frop-po!
Germont
x p.
^
D'Al-fre - doil
^
H
pa - dre
I
i
^
ft^n*
£zfc^
^—*<. p-

la sor- fé,
F
!t
ifc ^4^^ W-\
l"av-ve - nir do - man-da_pr
hap- py! I charge thee, bear me. Inthyhands I \\ ili lay the fu -ture

i "^ ^

IMOO
^ U^ -o-
 # ,

85

V4 Violetta. Germont o AI19 moderato (J =h'i)

gS g g-J^-
È^E^
^«—due Vm - *>= ì Si
qui de suoi due fi -gli. Di -gli?
fi di Sì.
two children.

^
fate of niy Your t\\ o children? Ye.s.
rrs

w ^ ^ 1>V
r^
Str.
p
I
^
,
r-
^^fj
? f
t* i ^hJT-f-r^
^
,/
VP

^ Q>r do/ciss.

Pu
Fair
-
^ tt
cantabile

as a rose in
r-ir
ra sic-co-me_un an
Fa
-
-
fr
gè -lo,
ra-dise,
i r
Hea\''iiga\e to me
r

Id - dio midiè^u-ua
a
,r r^-t^j^
fi
daugh
-
-
glia;
ter,

Sffi
g^=3 ;^
^ tH-^-^
se_Al-fre-done - ga rie - de-re
Our tranquildays flow'd bliss-ful-ly
in
like
se
cairn,
-
^
ikkiI-Iu
un-trou-bled
fa -
J2Z

mi
^\ a
-
-
É
glia,
ter.

ra-matoeamante cui spo-saandar do -

^S
gio vi- ne ve - a,,
Loving andlov''dthe niaid en vas, fondest of hopes she cher - ish'd:

'P^tM
m^ P
^mm.
."IO

^^
,
.
k

or siri-cu-saal
ffrff r
vin-co-Io che lie - ti, lie - ti
i

ne ren-de
ffrTr ^^ - va.
ì
Thnuart,a-las,th'uri - hap -py cause that those, thatthosesweet hopeshave per - ish'd.

14400
86
Oi\
i.

ni} ni fr > ir p-prt ir "rfm

Deh non mu-ta-tejn fri ro-se del-l'a mor,

^
bo-li ah non mutate^in

S tu ^^
- le -
NeVrwillmy diiughter wed - ded be, while Al fre"! is thj' thn(ll,neVrwillmydaugiitpr
I
-^

^rn^i-H
ffip^ ^ g =j=^
^

^^^^^^^^^^^^^ tri-bo-li le ro-se del-l'a

wed-ded bewhile Al-fred is thj'
- mor,
thrall,
a prie-ghi miei re- si-ste-fe
afe - re no no, non
no,
Oh grant a fa-ther's ferventpray'r,andmay a

^
vogliaci vD-stro cor, no, no.
blessing yet up- on thee fall.

i^i 3E K.;gj_j' ^ ^^m

^^ tì
pp
^i iti
'^=^ m
pren-do: do-vrò per al - cun tempo da Alfre-do_al-lon-ta-nar - mi; do - lo -

nean-ing iSjthat we should be parted un- til his"sis-ter's marriage; it will

t
EtìPt^
^S 1^
5Ì r~p^ ^v ^ i
Etti tj'rr
^ ra*
m
^ u
pp}>à

sr^^ iX li

fc^U Germont.
^?=^

\ D-f' accel.
occel. a poco
^
Violetta.

ro - so fo - ra per me_ pur_ Non che chiedo. Cielo!

è ciò che più cer -
FF^
grieve me, but if I must- I_ 'Tis nqtthatl^ ask you.Heaven,'nhat morethen

QìgtiiE

14400
 # -

\\0 Germont.
Éi a poco -m- -m- L^ Violetta.

ca - te? of-fer-sijas - sa - i! Pur non ba-s(a, Vo-le-te c)ie per

would you? cannÒt bear That m >re You do net meanthat

^
I this. nnfliing-.

a' ^ g^ a' 3^J^^i^^i^ ^.^ é ^é^ ì ì'-i^ ^^

itti
ffl'
poco

4 4
n,\ ^i P V P T P 'r
J^
5=^^=5=

Germont.
7 ^ ^

— fei forza
Violetta tì{tta

|fep
sem-pre_a
\\ p
n
:£E£^le
-f^

lui
.'iliould ])art
re - nun-zi?
for e\' - er?
p e
'"^

È
It
d'uo
must
pò!
be!
^P A'ii
Ali
noi
no!
±r
giani-
ah

w panna Ivnm Vivacissimo. (J. = io8)

^ mai:
r. ì - 1^
no, mai!
S^SBE^
Non sa

m S
nev - er! Ah, you
o
V 1

^^ «4+«
L2Ò agitato
5
M'-'i \ Mà o
e bi i.' i
(1 ^y
7

&fr ^P F lar j^ u l pa^ir pp /J ^p m

^
pe-te qua-leaf- fet-to vi vo^im-men-so
- m'ar-dajn pef-to? che ne a
know not ho\\ I love him, how I trea-sure^naupht a-bo^ehim; neither

M>
-* -«L
^
-#
'^—r- ±1 3=^
m 7 7 33!
/
É
9^^7 ^ F
7 7
I
7 ^'=P' 7 7
i—^
7 7 -7
i
*« :^?=2=

m p
•
p
I

lE^r
P
^P g a ^^^^
rt

« m
piacere

w
mi-ci, né pa ren-fi io non con-(o tra' vi ven- e che_Al-

m
- - ti?
father, friend or brotber lives to comfort or to guide me. but to'

^^ 1*1 7 ^ —r )*l 7 7 \P ^^
i^^
^^f^

m m
p y __ parte

m
cci^/a

S: 7 7 ^^=¥^ 7 ^ I
=¥=^=^ ^=^
1*400
88
dim. Tempo I.

gJPP^ jq^^ i J 7 i r- i 7 7 W
V—=p^
fre fócchetili
do m'ha giù - ra - fo fro- ve Non sa

^^
- lui tuf - to - nV.' -
love me and pro-tect methere is none but on - ly he! Ah, you

^ ?^
^
Ì=^
7
tJ 7 7

f 1 7 ì 7
^
^7 7 J)7 7
?
»^ ^
"V 1
JTTT^ \ 7 jVt"
jS^.
1 7 ì 7

b#

^p^ F^ if=f«
E ^^ ^ ^g^t

^
3
^E/r
pe-te che col - pi - fa d'a-fro mor-bo_è la mia vi - ta? che già

^S^
know not, oVr my life-spriiig dead-ly sick-ne'ss is im - pend- ing; dai - ly,

É i^^^
-il-* t« '7 7 ^=¥=
^Wl
P
i>/^
7 j r P '^^-y-
7 7
ti:

^r ':pTf tq-^^^^^'N p r ...^mh^

:^
^EE»

^ w^m w^
presso il filine ve -do? Ch'io mi se- pa-ri daAl-fre-do! Ah il sup-
hour-ly, deiith hovers oVr me: No I can-not jiart from Al - fred!_Wlìat you

w^m ;m^
n\.
\
ij^y

r r ^ BJ-^e-^^J^^
ì*
rr\

^^^^
«f
Ancor più

pli-zio e
ask, ;ìh
p r
sì
what
vivo.

P
spie
j'ou
-
i

ask
r
ta
p
- f o,

my ach-ing
r
il sup
P
- pli -zio_è sì
s])ir-it
i
spie- fa -
can - not bear
to,
it,
^ che.
ra_ -
a nio -
ther, ah.

J i^J J^ J ì i h J ^J h
)

=ì
Zl^ US if-p-p-
-UT p

}o
U
1£J-££J^
_w.

UMJJ^ g^ ffi
fflS t

:e^
§ i^ s a
:| ii=F

rir, a mo - rir pre-fe - ri - ro, SI. mo rir_ pre -

ra - ther than part, oli let me die, ther. ra ther

f nf. *
i
uni
, P
m^ SE!

^^M mm ''W<, tt
^Mtt
11400
 r PO mo rir pre - fé - ri - rò,
far_ ra - ther \et mv die,

>^-^i
g^a 4sàÉ^
y-^W'
7 ff«-
^^^^^^^fe
S1 Am m^ '^fìin
f
i^izi
iìin
7 7[T
f~7"^7
'

7 ^

^
ì!^0 Germont. a piacere

^
pre- fé - ri -
f
rò
O

mo - rir!
7 ì ^r'- 4=¥^
E gra-vejl
far ra-therlet me die! The sa - cri

l ^ì 7

w
7,^ I 7

p colla par te
M

rt^ 7
^P iw

S sa
fiee
- cri
is
-
^
1

fi - ZÌO;
heav-}',
^
P
^ j T I
i 7 ÈÌ
^^
ma
Yet pray,
-]>*

in
^
pur, tran -quii - la u
cairn -ness
- di
list
- fe-mi:
to me.
fausa Iwìga

^
i5

'W^ 7 i 7
^
m 7 ^ 7
f7\
^
'S ^
r ^M 1 7 ^ 7
^
S
14400
90 Andante piuttosto mosso (/)= 96)
parlante Violetta.

v^^'i>-i PP^-pp p;pi^' p p^-P i

p p^^fl p,^-fiir j)^B i pp7B
Bella voi sie-fe, e gio-vf-ne-,
e-io-vf-ne-, coi fenipo_ Ali più non di - <e_v in-ten-do,m'é_imTos-
tenipo_ AÌipiù in-ten-do,m'é
Radiant inbeautj' andyouthfulnesssomeother- Nomore, I prayyou. ]Vo other can 1
l^h.
1 /
t>

i y :£ ì
m
^
f

^
fc 3EE5
i É
^^
^s Sé
S(r.pi//..Jt>

:3
Germont.
S
1

^^
si- ni _ lo
CI _ bi-le, Itii
lui cji
so -lo
r\
1
a
-i
-mar
wi Tm rrV
vo-gl
-i r* ì
i -
_ Vi
b. Sia
love onearthjbut Alfred, w ith love un - dy - ing. Be
=1*
^^
f ir "^4* ^^i^ j^.^3 S.i3

m ^5ìd
3
r=ri

ma vo - lu
É^
bi - le so
But the hearts of men are

m w- m
M m V fl » • » b
-

P- r
Pi 3
l

1" JvTi.id
U-

^ B1^ì s ?
Violetta. (confoundeiiD^ Germont. co« semplicità

^'^^'ll''^hPipJ
ven -
change -
- te^è l'uom.
ìT - ble. .
^
G/an
Oh Heav
Di -
-
ò!
en!
Un di, quan- do le
The time will come, and

#^ i £=^a W
m ÌE i 7 7
m
^ r>^
éS
/
^
-lO

7 7
^^^^ S

ve - ne-ri il
w hen
tem-po^a-vrà fu
^- ga
beau- ty
- te,
^ fefef
fia
>/ ^
f
pre-stojl te-diq^a
' -<
fc
>-
-f

e
S]ieedi-ly, ali thy youth-ful is -wither'd by dès

m
r|.*<i.F:-»T^
e e f
gE^^
FP r^
^
?^

—•* ~
y ^~~v ^» J .ff.
3^^
^
ir— »* »'

y^^
.
«^ *;

'
Èss*^ isf^ Es^ fcsi fcsd
14400
 91

rft r '
' Pi^ >^>^ i F.7Mf^
sor-ge-re_ Che sa-ràjil-lor? Pen-sa - te! Per voi non a - vran
troj^njr tinip, howwilrt be then? Be-think thee! No years will bring thee

È
w V

f
ì^lt*l
^
tj
^
^m m ^sm
/
mV
ìf-»
/

S * ^^ ^3:^
^r- . -f 1 ^—^r i^_B_>-_
k'v^ :;
^^=t^

k, ve
jMtfep4
-i«

^^''t>ì'I-r p ^
;^'^
p ?
p ^ rfefeg
^=?^^"Tf"^
^'
*' fy *: •; *•"

bal-sa-mo i più so - a - vi af - fet - ti, poi - ciiè dal ciel non

gentle rest, nor ties of hnnit' and kin - dred, \\\t nei -tJicr Hpa\'n nor

1^7
^ Violetta.

^^f^?^f^
K ve-ro! è
nii sor-ro\\! oh

feJ:|4=#
tai no - di be-ne - det fi Ah
maj] hath blest the u - nion of thy ^\ay - ^\a^d heart. Oh
H.Oh.f ( I.

^yOC
&g~^^
s^;^^ ve

S^M^^^^ ^
- ro!
so r- row!

f±
:£

diin - qiie, dnn - qne sper-da- si tal so - gno se - dut

har - lior no de lu - sivp dreams, thou canst not thus be

14400
92
0<.

^'\> 7 ì\hhì)x{h\ì^ 7 i
K \e-ro! è ver!
Oli sorrow 'tis trufl dolciss.
!

PPP
r-^r'" -

^È^ fo
hap
-
-
re_
py;
sia - tr
but thou canst b e
di mia fa
mv
- mi
chil
-
-
glia
clren's
l'an - gel con - so - la
an - gel,bear-ing's^\•eet

fo-re; Vio-let-fa,dt}i pen- sa - te -ci, ne sie-te_intempo_aiicor. E Dio clicJspirajO

comfort; Vio-let-ta,ah,be - thinktliPP\\pll,rPsoIve ere'tis foo late, 'Tis Heav'n it-self that
ri.

i
\'l.

Ù^
mEt i
T
r uJj i :/'^[_
^ ^ ^ \ ;ài :\ =^ ^ *^

Vr p f p rffr^^^frH^ ;^

^
gio-vi-ne, è Dio cheispi-raj^o gio-vi-iie, è Diochy-spi-ra tai dettiJumge-ni-
s])Paksthro'mp,tisHpa^'n it-self tliatsjìpaksthro'jnp, toturnmy lov'dones',to tummylovdones'

I* ir\

"^W^
C^'T

S
Violetta, (in
4.~
an
^
ai;(>iiv

ffi
of

?^
t^ri.-f)
^
^^ "
? ^ . ?
io

I
^n
Co SI ai-la mi se - ra, chcun di1 nu
ca
Ah! crii - p1 m orid, not a hope then is

1^ ^=^

IMOO
 ^ ,'V

du
lett me,
ta,
^È

di più ri - sor i;p - re

_fort thv
93

L
^?

^
— y,

**?;?** à?*»^^aU^
nt^^ ^

1 ^^=F
^ "J) .y [1 ;^
^
spp ran- zà_^ mu ta! Se pur be

^ n^-^
words bave be-reft me! Heuv'n seemM to

m^
G e rmont.

Sia-fe di mia fa
Ah, be thou of my

n^ ne
¥
fi - TO ledili
i^ B-
f?iIddi
dul-g,-f
g I T ^r

o,
F^=^5
1' 110- modini
3^ini-jS1a-
-^
sniile on my foiid as - pi - ra tion but man fór

^m mi ella
^ l'aiigiol coiiso - la -
e*
for, ah,
chi] aren tbe an-^el bear-ing ico fort,
8

-^
ca -
gives

sia
ah
bil
not,
per
und

te
be
lei
I
sa- rà, sì,

m^
ani lost,ab, j'es,
per lei
I ,

Tan-giol con-so - la - tor,

think, ahbethinktliee well,
sa-rà, l'iiomojmpla-ca-bi-le
am l'(ist,nian

ì
isT ini- phi-ca-ble
per
and
lei
I am
sa

l'1400
94

^
'iyÓ'^-

"^
1ì<lt'r::^L>
"

^
ruomojmpla-ca-bil
ah, man i'or-pivesiiot^:^»
per
md
and
^lei
I
sa
am

sia-fe,
sia- te, l'anglol con-so
siaTTe l'angiol
sia-<e con-sb - 1& - <or, sia-(e,
là sia-te
sia- (e, sia -te l'angiol con-so
l'ane-ìol con- so - la
ili be thou Olir an-gel,be -tliink thpp\\e]l,ah be thou our an-grel, be-think thee

rà!
lost!
Ah!
Ah!
^tiadantinó "cantabile..

Di
Saj'
- teal-la
to
m-

tliy
ff]
gio -
iiJJ
vi- ne
daughter dear,
.IJ
sì
guard-ed
m
bel-la^e
m

aifd
^m pu
chpr
-
-
?
ra,
ish'd,

ytf^r d_,.Mb Ì

É Kirrt
Itòr!
well! ir\

^^ m Andantin(

EEi
f ^ 5# JJ Ji r^n
^
=^;
^
^^ F^
^^
^
<r.
W
^ Etì 5^ ir^v:/
s 7 7 ff 7 y tit r: -n^/

* li
^W^M ^w^u LJ
1» 1» (^
r- if i
ch'av VI u - Ila vit - ti - ma
la del - a
la sven
sve - tu ra.

#^ W^
That Glie un - haj) - jiy heart for ber hath per ish'd.

^EE a Ìe^^
''^'

S:
J^ r 7
*

^ ^-é

7 ff 7 7 t=t È i=t

S; F « W
^ T^'.^ P P P P
.J)J
^e
^
CUI re-stajm ii un - ni - co, u - ni -co ràg-gió
ù-rii-c'o rae--g-io di be - ne,

^^P
One sin-gle hope had she, but one single hope e'er did bless her,

t>i ;

f^=~E
7
ma !=^^=j;
-0—0-
-f^

r
g f=f

'tÌ'-^X J-'7 7 J^£ -^^-v ^ f-

'
7 7 7 7
^^
f-

j^
Sfei che a leiil sa - cri- fi- ca e
è che mor - ra, e
è mor-
mór- ra, e
è mòr
mor
that bless - ed ho])e shehath no^^ sa- cri - fie'd, for her sake, for her

^^
( 11..

33:
1M00
J^ 7 7==
J) 7 7 ^ LF ì
 4 --

95

f
0-
^.
rà

^
sakf

s l F..f.P|f-^^rL r.y^^^
Germont.
^p ^
f
-

Éfe:? Su-pre-mpil
Piangi, pian-pi, pian- gi, o mi -se - ra, piangi, piangi, pian-gi.
Bit-fpr, bit-ter sor- row speaks in thywords,bittPr, bitter sor- row speaks in thy

s ^i^^ S
tt=i 4 •Jr»»_

m 'T
veg -
f
"^ H Y'^^r Tr
gó, supremojl
l

veg - go, è il sa - cri

f I

-
'

fi -
>^l^ r
zio,èJl sa-eri-fi
r|Y~>iT
-
f
zio ch'o-ra ti
ac - cents,great is thy an - guish,gTeatthy de - vo - tion,UTeatisthy an - guish,great thy de

chieggo sento nel- l'a - ni-niagià le tue pe - ne co-rag-gio_eJl no - bil tuo cor vince
vo- tion.andwhile I ask theboon.I sorrow f'or beart Heav'nwillnever for-
tliee:tbv iin-ble

?-U^

S
Violetta.

Di - tejd -
j^M=^
la gio - vi -ne sì liei- la_e

^^^ È
Say io thy daugh - ter dear, giiard - ed and
dÌ7n.aUarg.

£ tì fe t^-U^ ^E^
ra, ed
cor vin-ce - ra!
il Ah su - pre-nio^il veg-go.
sakeJTeaVTiwillnever for- sake! Ah, I see thy an-guish,

14400
 --

96 0-

fe
pu
cher'
^ 3^
ra,
istùi,
ill'av
That
- viji
Olle
^^ - na
un -
vit
hap
-
-
^ti -

pvh eart
ma
./'

dri
fnr
- la
her
sven-
hath

•i>\ ^ ^
>^

sì,
^
hu -
Lr P|p
pre-mn.il vplcì^o,
F ^^ ^ hF^rrfn e li sa - eri fi -zio che o - ra
-
ff ,.
^
ti

great ib thy ife - \otioii while I a^k the boon,oh believe that I
Oh.

tu
per_^
-
- ..^ i
ra,
Aùì ; One
CUI re
sin -
stajui u
gle hope
- ni-en,
had she, but
lin u -ni
oiie sin
-
-
co rapi^io
glehope e'er
f
di
did

De - ne, che^ leijl sa cri -fi - ca e etie mor - ra, e m'or-ra, e ntor-
bless her, that bless - ed hqpeshehathnowsa-cri - fic'dfor her sake,for her

m\ f, m

già
-

S'HMf^
le tue pe
Wtj ne, rio, e il
co-ra^'-i,'-io,eJl no-bi - le corvin-ce-
corvin-ce-
to see_ thy an guish, thy noble heart Heaven will nev-er for-

U
( 'h.

i FF=?= « i E^^
* * f ^^UT LI U
^^
\
f
ì m. [m rui 1 ^Jìj .^j liì
f
1

^yV^^ TP
?^
-
' 'fj.

-7
i T _ SÌ
fi-cae mor-

^
ra lei il sa - cri

n\
sake, |hat_ hope now is sa^^ -^_ crific'd for

^:;f^j^y.ivr=^ ì
rà! pian^n, pianf^n, pian.ifij) mi - se - co-rafi'-giq^ejl
ra! no - bi - le cor vince
sake! Bitter, bitter sorrow's in thv wordsMhy no - ble heart Heavnwillnever for
•t— 1— • :ff"
•"

l^'JOO
 . -

r;i, a li'i il sa - eri - fi - ca e mor -

her, itliat
9*" hope now is sa,-,--. > crjj^^ficU for

^m ffjf
^

\
j f Tir I
r r^r 3 1 c?c7:.r^ f
'
uz

ra pian.i^i, pian^n, piaii.i^n'.o mi - se - ra! co-rai;-g-i(ijyi no - bi - le cor vince

sake! Bitter, bit -ter sorrou^ in thv words! thy no - ble heartHeavnwill never for-

ra,
her that blessed liope, '.
ihat blessed. _hopé,thatblest hope.^-^ .is sa-crific'd for her

5^^ ^m '
^Wì\n TT

^
^ ^^ ^
F r
'

p
ra, co-rag KÌo, ejl no-bil vin-ce-rà, ah sì, il
cor no -bil cor viii-ce-
sake; havecour age, thy no-ble heart, no,thyheart,no,thyheartHeav'nneverwill for-

=SB:
^m1=1 iri:

*^
È^ S^
-é -é

aac ai ^ ^^^^-

I
-^^-^
r\

o Sostenuto.

&
ri,

irrfi^ 7 -

^
ra. Ini -pò - ne -te. N<il crede

^^
sake.

ra.
O Xowcommand me
g H
Non a-marlo
? l
ì M*
di-te-g-li.
He'd not be -

m^n r ^
m
sake. Tellhimthatyou lovehimnot.
Sostenuto.
v ii E^ ^^m i i
H^'
* #*
i^
m a^
^>/> Str. pi.

^^^^^^p ^ 7^ 7 t Ì?1l7
-^i^^
/>
i"T^

tefe ra.
3^g^ te
Se-.t,''ui-ranuni.
- ' ^^'
Qual
h\
Em-

m
ie\'eme. Hewould follow.

m
M^
i r'T ^
'g
I

Par- ti -te-
^^T Al - lor-

^^
Then leavehim — Then try-

#^^ >^J ^ m, h7^ i

bv * *•

^^ ftf
^ :^
/ J.-^lIff
TiTT? f
^ 1?
^^1^,
m^
1
b
1
»
o

i?4no
98 0!>^ ,

"'
Allegro. (.=138)

s
r^'^^/^ '
a ^ ^ Ohey embrace.)
\ mF
^

^ ^^^ jr?
*% fi-glia,qual
%
fi-glia m'abbrac-cia-te.
/ l »rJii't.-i nì'^
For-te co sa
i

rb Tra

^
- sì -

brace me, em-brace me as 30iir daughter- for Iwouldnowbe strong.

stroi ^_He

f^ ^ w m I
_Q_ o fT^T^ ^
m -«- -o- spg
tìf^ m m rjz

» ^^ J '''p I
r- ^ ^
^
bre ve ei VI fia re * SO, nuijif - flit toj)l-trej) gli!
soon sbill be_ re - stor'd toyou, bis heart \\ill break, I

É
:fcS
i^ J Jp^^r^
té
ff ms^^J'

§* •m» m' .j ''

m
^^
j «j* j*j*i • '•
i/f

f=^
^ ^ ffi

^^
W ^ 0\ln
- re — A suo con for-io
for-to
(Pointing to the garden.)

di vo-le
co - là vo re-te.
(Violetta is about towrite.)

di - - le -

fearme; a-wait him yonder, to comfort bimbe ready.

Germont Violetta.

y% - < T
Che
p ri

pen -sa -
f4Mpi.B
te^Sa -
p
pen-doI,v'op-po
pen-(ÌoI,v'op-po
p
-re
- re
I

r
-
^^'-
ste
J^J-
al pen -
^
sier
Tour in - ten-tion?I knowyouwoul dop -pose me if that I

i'«4nn
 —
99

ÈM
'1,\6

màT VOI
'.?

che far
i
pos - s'i
m Lo
oV che far pos - s'i 0.'
-r^ i
gè -ne -
I

fi^ iji^ tali

re-pay thy fiood

'^ì.
ness?

.
«
how can

g5; g .
I

^ ev er re-pay thy

Mor
No

M '
1 F i
ì r i i^ ì I I ! I li TV ì I
'
'
i I I
'
I I I
I ! I
'

l.^ i
». « -. - .« -L
i
'

!
'

i li ^

ro!
need!
mor
'tis
-ro!
death a-lone can give
hi mia 1 -mo
riie -ri
me
- a
rest, but
non fi

ah!
- a chei
do not
ma -le
let him curse me,
- di - ca, se
but

[y^ <—• — »»
«
«-« «-• •-
rrTT 11 1* 11 11 Wf ff f
S PP ?trj,
^
r. pi//. I
f "1.& Fat^.sustaiii

P
p y »
« d
i
i
i

é d m é ~0 •-

Germont
morendo
^ ^;^=^e

^
iriìA ?*=*= SSSESEÌ:
le mie peneor
Deneor-- ri - bi-li
bi- vi sia chjjilmen gli di - ca. No, gè -ne -ro - sa.
let his tender me - mo-ry en-shrinemynameun - hap - py. No, noble heart,thou

l^r li TI ** ff IT i «
TT
»
i
v^ ^' ^ ^
é é é
;

^=^ —w é é ^m ^M ^
^¥=U
00
—
m
^9-

^2= m \zzi
=5=^
ftrjr^-pif
- &.

f.,P |
fr r
r f . m%
vi -ve -re e lie - fa voi do - vre -te. Mer-cè di queste la - grimedal
yet shalt live, shalt live and_yet be hap - pj', thy bitter tears,thy sa - crifice in

0—0 — •'

li i l
• -_
^ ^ \
-0—0 0- 0-
^
14400
 #

100

^^ Violetia
'^2!'''"'^^^'^'^' '^"^ vwlta passione

"^m m m
at=
^ ^
eie - lo un giornoa - vre - te!*''
,1'-^
do -
(^o noscijjl sa -cri -fi - zio ch'io con-su-niai da
May

m ^m
Hf'uv - en shall be re - \\ard -ed! he be sparli the an-truish tliat rends nivsoul tor-
r:\ FI. 4 <)h.

tiiz*

«^^ I
i i r

^ #É
animando

m~t IMI^ ^ =i
^ « :

ìi i i \ii ii

^ :t i ^
mo - re,
t-e, che
ciie sa-rà suo fin lui - ti - nio so - spi - ro del mio
ment - ed, but may he knnw, for him a - ione I breath'd my lat - est

^m ii3;
^ ^. ^ £:: ^ t:. ^t: ^f^

il rr '

k k'
.
iì ^ :

^
'y-i'i.i i i i i i
* i i
0-,U / s-o r»""'i
, zy-l

:^ È
cor.

H
sig-h.
Germont. creso

>:, ! , ,T^f
Premiatogli sa -cri
f f f
-
|
f
fi -zio
^r^;r
sa-rà del vostroji
r^ i

-
T p p
mo-re,d"un o -pra co-si
My
No, no, thou shalt not languish,thydaj's shall glide con - tent-ed,the ef-fort of thy

^
1
i^=^ j'H d j ¥^^^
—
-•

^ » m p— P~

'tfT
f<t-
^
-0
1
# m
c6i;ì passione

i^ ^ ^ :^
|2=
P y
Co no

^
- sc;m1 sa -

^
- cri - fi - - zio ch'io

M
^lay he bespar'd the an - guish that

M
/.
a- T' p 'P •
f'
no-bi - le sa - re - tefienuillor. sì. sì, si, sa -re fie-ra,- te

genVousdeedshallcht'erthj'latestsigh,:diyesyes, thoushalt not languish.

Fl.Ob.&c I.

tì ^ -à^
4 i it=f ? ^f=f^
sempre più ammanao r^
^
=Ez:

w f=
i ^ Wl^ Str.arrojS:
• •
i z^
miii)
 <=.'^
/l
101

con -su- mai d'a - mo 'e, fhe sa-rà suo

V
fin
ur lui
'g
ti - mo so

^
rends my soul tor - ment ed, but mayheknow, for liiin a - Ione

^
I

i
pr ^ rTp.r h^" ^'^
P i

m
fierajilior, dun' o - pra t-o - sì no hi - le sa-
neer despai r, this ef-fort of thy gen 'rous heart shall

^^^ ^^ m m i 'ITI
^ ^
^n^ ^
»
2=^
^^^^^^P^P i^ :y
t .o

^ P r r
r i

r
^
^ ^ r F w
^
spi rn del mio cor, che sa - ra
brt-athd my lat - est sigh, ah inay_ .he

m £ re -
ÉÉ te fie - raal - lor;
r^nr^M
premia-tQjl sa- cri - fi - zio,
ff-iM ?
: ; t'

pre-mia-tqjl
sa -cri
^

cheer thy lat - est sigh; ah no,thou shalt not laii - guish,thy daysshall glide con-

"^O

rr m^ ^=t=tF
^
f
ff 7 <

mo

^
su - tin lui - li - so - spir, e

n
kilow, ---Jor him was my lat - est sigh. ah,

ir,i,
r F
^ 1
^ ^
ah
U> o - pra co -sì
^
fi - zio sa - rà del vo-stro cor, s'i, d'un'
tent-ed,this ef-fort of thy gen 'rous heart shall cheer thv lat-est
Lj
1 i . 1.
J i' J i'
t
*
$ **^
pp
J^
r 'li u.
ijir^mwnw^
h^
ra suo fin l'ul
liil - ti-mo so -spi
- ^pi - ro, so I

he kjiow, Xor him\vasmy lat - est sigh, for him_

gyj^F=qttJg^Fr i r r^rrtf
-pra co-sì no-bil sa- re -te ife

m ^
no - bil,d'un' o fie - r;ial - lòr, d\in'
sigh, itbhallcheerthylatest sigh,yes,this ef - fort of tliv gen

-^ J ) 7 ^ . 7 K
j }'j\j i
r=t p ^
^-JhA JUUf^

14400 Jo
'
'JO
14400
 ^
-

Wì s ^ 103
(They make fowards diffcrent
(They emhr&ce/ dolce doors.)

gS :^ r 7 / vg
for
ev
- se.

- er.
Sia
May
- te
yvc^n
fle
be
- li

liap
- ce.
- \)y.
Ad
Fare
-

-
di-o.
well. L , uierniom
(Gerniont
- y.thedoor.

^
Jj
^ i 7 P LJ / ^

S^ f^^
I

Sia - te fé - li - ce. Ad - di-o.

Miiy you be bap - py. Fare - well.

^
? ^E^
T^=^
i i ^H=^
M
'

2 (>'7
Str. pi//

hv i-
pausa
.

P
7< - ^f^ f-r^-—

^ -^~^~T
O
firj r"Mr
Co
.0
May
- Mosc.Vjl
riesca il
he
sa -cri
-

be spar'd the
cri - -zio
fi - zio
an-guish
r ^^ che
tbat rends
coii-su-mai
coi
my soul
d'a
ter
-

-
=^
nio
nient
-

-
re,
ed,
3E

p ^ì t^
Si Si,
Nay,

b"

f
.vt- i^ ^r^=^

gjg^
Ì5^ 5^ =^^=^
^. '-tn
(tears chokc her words.)
(weepinR.)

^ ri?p-g
:?a-rà suo
" n^ lui
^ ti-nio— Ad -di - o!
^33 ^ ^
ciie fin - fé - li - ce sia - te. ad-
butmayheknowjfor him a-lone— Ah, leaveme! Mayyou be hap-py, ah

m ì rr.^M'^'^^^>
Ad -di-o! fé - li -ce sia -te, ad

r\ Fare--well! Maj' you be hap-py, ah

^ tì

^ .o.
;1-
/O.

i^
/O

^ di -
-o-

o!

fa^-e you \\ell!

m i (Exit by the garden-door.)

_Q_

di - o!
fare you well!
Tutti.O £L

14400
 - »

104
\-^
NO 9.
N'' 9. "Dammi
'

tu forza, o cielo.,,
Recitative.
Violetta.
Adairio. (seats herself and writes.)

Vo ice. k(T 3'^. r p^;m

Dam-mi tu for - z;up eie - lo

^
Heavngrant hip strenpthto bear it!

Adap'io. (»-(i^)

Piano.
^^S
^^ S f • :;' i*
^^m
(shf rings the beli.) Annina. AllPi^ro. Violetta.

Annina
(seeslhe addiess, (Exit Annina.)
surprised.) Violetta.
il "
'^'
^ ^ U''^^ \

''V ' l
^'
J^ ^ .'-i' I

J' i' i
re -ca tu stessa que-sto fo-glio— Oh! Si - leiizio— va^l-l'i - stan-te.
tliis note must be at once de - liver'd. Oh! Hush, silenee, g'o this moment.

'^
(seats herself again to write.)
Adas'io
ji=^^
^ r rr \f :tt ^ I* y* •
pr^ i^-? • •
? ??r<
Ed or si scrivaji lu-i- Ctie glidi-rò?- chi mendarajl
coraggio?
Now for the hardest tri-ai. .^'hatshalll say? \\ bere fi nd the wordsto teli him!

^& r
^
^ ;l ^ ^
±^
^ sJ^
r
*t =S^?t
r r
«4
* y »
'*^

and seals the

^
(%\TÌ(es letter.)

^"V —
r4r-^
EJ2=a

:^^^=^
'/r
=«=?:
'

i
'/^
. J 1
«,. *
^ *
a i
7
;«

u:r" lM
_ f _ ¥ ÌÌ4-

^
3
14400
> «?^ ^ '

g ^^^V «> 'y

^
^'«y • 'y^ r '

^ ff7 K ^
 — . .

105
Allegro. Violetta (hiditif; hcr lett.T.) (^^"'i ^-mbarrassment.)
,u
m Nul
Vul - la.
3E p
SI -
^
^P
no-
vi

:'^
Enter Alfred.

^ig C}ie fai?

=r==r
Noth- ing.

fW^
Seri - ve - vi?
yes no-

)iial tiir-ba -

What dnst tliou? A let - ter Whythis con -

Allei^ro.(*;rjo)

y j-'^ ' • •

fe^ 3=E5=^j3=3 »:
S^
? men
fu -
- to!
Sion?
-^'—y^
^
a chi
Towhomwertwrit
seri -ve -
-
vi?
ine;?
-^^
A
To
te.
thee.

^^ j) }ÙJ} ^ t
Dammi quel fo-glio
Givemethelet-ter.
No, per
Notat

^1^ g#=&^ **^'y

cresi-
.!^- ••_

Pl^gl:^ W1^^ :

•i- -«i- - b* *- -«i- •*- -é- é-'é- -é- -0- -é- é--d

m^&ì
S
(risinR.)
c r-
7-
t* ^ Pl^'
Z-*
- ra. Che
A present. Ah
*
j 1

m per -do -
p
na, senio
.-/P
p- P
cu - pa
r
preoc -
p
=zz;

to.
1
Ltt it be, then,mymindsdisturb'dand anx ious.

fu?
^vhy?

r P
Giun - se mio
Here carne my
F I r
Lo ve -de-sti?
You bave seen bini?

pa - dre
fa -
;,

ther -
-
V j
Et
tj'-ip
Ali
not
no:
yet;
' ^p p F
se-ve-ro
beleftfor
I

r' p ^'tt
scrit-to
me
^
mi
an an-gry
la-
106
Allegro assai mdsso. coirli:;)

m
Violetta (with aKitation.)

^(
sciava!
^p^ifffir ?^/ r-^ir
pe-rò lat - ten-do, t'a-me - rà
r-M e
in ve
i

-
r ^ì r~:r^^
der - ti. Ch'ei qui non mi sor-
let-ter! I now a - \vait hhn — hewill love,wlien he sees thee. No, no,hemustnot

i 7 -
I
(I* j>J'

^M '^ 7 -

a tempo

^
prenda,
renda, lascia che m'al-lon
nial-lon - ta -ni,- tu la cai - ma.- Ai piedi suoi mi get-te
eet-te

m
findme, me hence, prayyou; youwill soothehim, and

M^
let g;o I I will fall beforehis

^ £ ì f ^^ ^ff

^
s

^
a tempo

a
(seari-ely repressing her tears.)
i^ ? =^p
PpPP I
f'.
^rP^f,^ ^rF^ f F P P
ro- di-vi-si_ei più non ne vor - ra, sareni fé - li - ci, sa -reni fa
feet, he w ili net ask of US to part, andblissful mo - ments shall yet be
zzi zi

li -
i-A
perchè
ci,
ours^_ because
rp
f tu
I Pp^pF
m'ami, tu mami.
you, !oveniP,youloveme,
^ Al
oh
- f re -

Al -
do,
fred,
tu
you
m'a
love
- mi
me,
^3 non e
sayyou

Alfred.

3SEEÌ i r l' p^ p f pvM 'p^ p p^^?^

ve-ro".' tu ma -mi'.' Al - fredo, tu m'ami. Al - frodo, none ve - ro? Oh
loveme, you love me? oh Alfred, youloveme, oh Alfred, sayj-ouloveme? I

tff J ii'flf'P ì

^
f tj f

y.jf .f.iì^ %M
14400
 - ' ^

107

_£t
5i^
quali to! Per che
die pian - gì/
love thee! Why thus weej) - infr'-''

^
<1.4 Fa<.

"W

J ^^^ V
tn^
Violetta.

^^ 4^
-i5>- ^J—m- te• É
i JO. J)
Di la - - gli - me a - ve - a duo-po- or soii traii-
My heart has iieed oftears to (.-alni it, I fan Ije

^m^
h' ^ ti'

m :iÌJ g

S h t^f ff
f
P P i^
^jdsì:^
r

'
Itr

:J:'ci>
i
r ì^
:b^»:
^
'
^^
cJ^i g
i ^Eff^
/'/^
Jzttf-Mi
Mi i
^f=^
?^f— ^
(niaking

i Jm ^^^^
quii
caini
- la,
7

'Tis
lo
r
ve - i
^r
di?
ver,
ti sor - ri - do. lo

—;s
no\\': - I ani sniil - iny;, 'tis

• •- 0—
h
-P -
ir m
^\ \
F
n
itt
r
^ ff

gft , r
=k=?:

^^^
,d.i Uir.rt

I^lff If» k«*f "gg g '«:*1

ili t:r
¥ f*
^
an rffort ,)

:^r
ve - di?
> p F
or son tran- quii
p I T
-
r
la.
<
ti
r'piT
sor -
t.

ri
^^
- do. Sa ro
- ver, I can be cairn now — I ani smil - ing. ni be

^ È
1
la.
there.
tra
'moii^'st
quei
tlii'
fior,
flowrs,
piessoji
nearwhen
te
J'OU

14100
los

$ ^^m $ ice: ~rr-

sem - pre, seni - pre, seni - pre pres - soji te._

cali me, al - \\'ays, al - \\aysnt'ar to tliee

immm
is'»(in
 .

109

N9 10. '"Di Provenza il mar, il suol.,,

Recit. and Aria.

Andante. (.seats hinist'lf and opens

m
book)
Alfred.
i*: t^É ì
a

Vo i e e 1^ C *
P
Ah, vi -VP quel t'o - re
sol
^ é m *!

al-la - mor mi- o!

Oh.preciousheart, I know it, indeed thou lovst mei
J = 80)

nè^^
(

r TTT
w
-&-
«^

^
feSE
Piano. p PPP,^ ##« P*-^-
^P3E I i
( looks at the eloe

>M^
rvMJ^^^^^P^P }i
p
-#-7—
ppiri'
E tar-di! ed og-j^i for-se più non ver-ra mio padre.
Sotardy!may-be my father will not come ere taraorr^^\^

f^TT^ ^m ^Tf
V
i I

%
J i -

S i?
^^
|g|
»• g O,

Allegro. (J=i04) Joseph, (eiiters hastily)

É^ Y-n\ Ì'JmJU-ì=^

• ^^
La si-gno-raèpar- ti - ta,

;^ ^^J^i^
Sir,madame has de-parted,

^S ^
» tF-

^^g M»

E^ £^^
t^ P
she'd
p
lat- ten-de
lat-
r
-

a coacli read-y
P
vaun ca
T"^T -

wait
les -

-
se,
ing.
''

M
e
shesbythis
sul-la
p ì
r
vi -
time far
p p
a tria
ji^ià

up-on
p
cor-re
p
tiie
p
di
way
p
Pa
Pa
to

Alfred.

M ^^
,

^^=^ ^ r p P p p P P ^^ ^
r p p I
p p ^
ri - gì
eri: An-ni-na pu - re pri-ma di lei spa-
spa - ri va.
- Il so, ti1

Pa - ris, An-ni-na, too. di s -

-> é ——
a ppear'd be-fore her
It
mis-tress. I know, be

14400
110

Joseph. rexit) Alfred.

c^al - ma. ( The vuol dir 'cib?) Va for - si' do-j^ni a -ve - r*- ad af-fret-tar la

tran-quii! (What can this mean?jXo doubt, of her be-long-iiiRs she's goiie to make the

r i' j 7j' j.
per- di - ta,nia An-ni
ba-cri-fice, but that
i

fn. ^
r
An-ni
iia lo
-
im-pe -di
na will pre-vent.
,

-
P
enermont

rà.
is seen nt a di.stanee, orossing- the gar.

A Commissionaire. Commis-
den) (about to pò door)
oTit) f^at tht,' -0- Alfred. ^^
Mp !^S^1^
^ip rM--'7? r^^
^
fc

p p F
(T^T ? [
I

Qualeu-noè nel^iar- di-no.Chi_è la''

- Il si-^'-nor Germont? Son i- o. U- na
There's some one in the g-at-den.Who'sthere? Is't Monsieur Germont? I ambe. I ve a

S CHe gives a li'tfpr to Alfred, reeeives

sionaire.
•••-•••# money irom him and
from ni exit)
S
^ /^Alfred.

da-ma dajiii-oofchio, per voi, di

•
r^f^^?. ?
qua non lun^e, mi die- de questo scrit-to.
i

??p ;r^^^Ft^ Di Vio-

note that a la-dy just now baderne de- liv- er with-out de-lay to you, Sin FromVio-

^&
^ ^=ff
rs

Andante (J = SO)

j!_. fi |ii- Jtji.''. jijì.^ :•> jì j>

f^
f ^. | i

Per-chè son io eom-mos-so? A rat;H-'iu'i-f-''«'''-la for-se_el-la m'in-

Whydoesthis notedis-turb me? She in-vites me, nodoubt, to meet her

11100
m
 Ili

-
h 7 ^1=^^
^ J^' Jl l i y J^' I

^ t t

^^
vi- ta. Io tre - nio! Oh
ih eiPl
cifV. co-
yoii- der. I treni- ble! Oh heav'n! no

'É

^ jzs
t
-« *
f
ì^ P Allegro/o = inn>
(opens the letter) 0> !>^' 'Turns and finds

$ ^f^ rafc-g'io!
L'io! ''Al-fre-do, al iciun-i^er-vi di
ài que - sto
stc
1^
fo-glio.„
(a crv)
^^^
\veakness!"\VhenvAlfred,you will rereivethese lines,ve're sunder'd!" L^

\>S- ^ ì>& ^ P&-

[>*^S^*..«
^ T v^ I^T^
^ ^
THi'r
tzzz:

'H r r ^p T'i
p
r'
f i

sof- fri! Oh ter-fcijl pian- to, ri- tor - na di tuo pa - dre or - fjo- g^lio e
com -fort! Ah,ceasefroni weep-

i^^^^^^Pl
ine:, re - turn un-to thy fa - ther, his prideand his

ì^
wt
I^'1p»p?>M
y- i

^
Andantp piuttosto mosso.cJz: «O')
(Alfred seats himself by the table in des-

n van
iTi-
- to.
r\

^
pair, his faee buried in his hands)

FI. Pier. Oh. 4 CI.

k^k
=^ ^
sol - are!

t ^=^ ^ ^te
'm:*
/O
b" àe - iiili )

^m
11400
'-
'^CpJ'^^ g ì^
/o

^ riii m^
 P

Ila
dolce

^s ì^ ? n'f ;
Di Pro-ven-zajl mar,
i\^^il suol fhi dal

B^
ir- .
V -=. V- . ^ aliar£.
allarK, ^ Hath thyliome in fairProvence from thy

^ "-i e i ss 5:±:

^^^pffl p ^^ morencuj
tOfff
f i ^
1 — r-^T — »r»
fr^r^ :
^=^F^

inarcate
^
m
V' A>, ^'

cor fi
*
r^ r^

can-i'cl-lò? ohi dal cor ti

:?i ^^ =^=?=
oan-oel-lò di Pro-ven-za il mar, il siiol?
suo Al na-
heartthen pass'd away, hath it quite thenpassd awav,thyblest home in fair rovence?Doth no
?r
i>/L
g ? IM^L^ Ite
-f^
é

t^ )>l^[> 7
I
I

m CS g
^n'iK ;7 ^ j^ 7 ^ >^

M M ^T
dolce marcate
li
;jLiii>, ^i^

tio
F
ful-^en-te sol qualde-sfi - no
r |
P Ffr ?l ^
fu-rò? Qual de-sti - no
ti
i

ti
^
fu-rò al na-
Mr7?
m
me-rao-rv enfranre, of thy rliild-hood's happvday? Of thy rhild-hood's happy day doth no

'>H\\
t^:^

J'7
i
a^
p m TW%
1 ><
i
^ jì i :

:s£«:^

pur nel duol ch'i - vi s'io-jaa te i,

Oh r;fm-n(pn-ta
fulirente &'ol?r;im-mp
sol?
^.
brìi -lo,
p
e
g^
che
tio fulf,''ente
niemoryenfrancePToil andsorrowhast thouhorneSincethoustleft its f]owrystrand,Comeand
Uind

^ ^:^
pa-ce
rest
È^
dolce

co - la sol su tet
p^ Oi^i
splende HMincor può, e che pa - ce
^
co - la sol su te
P
thyheart forlorn In thy sun-ny na-tiveland,Come and rest thyheart for-lorn in thy
cow espress,
f
^
"
IM^M^

iiton
 m ' ^
splendere ancor può. Dio mi .ii-iii-do! Dio mi f,'-iii-rIo! Dio mi j,'-ui-dol
suiinynative land- Heavncallsthep home, Heavnspeaksfhromp,andcallstlieehoine! Fi.Pìrc.

m ^m^ ^
• —
F^ #-
7
ih
n\
7 3^i

''H \\

^
J'^^ ^
^ J'^'
^ I
J'iCTj''V'N i
^^
o.
^è
AJl tuo
^ ^ aliars:.

^v^^fMf
.

\\'e have

'f ^Pfff^^^^

a ^
i

morendo

^m •è- /" .^^^^

dolcìsf;. >j..
1' .
I
.
i
~^
p T p *

//iitiL'
^

^^— ,
s n=^
_^^^^^^ 'tifi

^m m m^ wr^^
vecchio ^'•e-ni-tor tu non sai quan-to sof-fri, fu non sai quan-to sof-frì il tuo
waited thy return Til our hearts have wearied sore,tillour hearts havewearied sore
1 we have

p^'^ -

•^n"i^ j^7 ) ^F=T=t= i^ 1 ^ i

vecchio {j-e-ni-tor! Te 1
lon-fa-no, di squ;il-lor il suo tet-to si co-pr'i, il suo

ww
wait-ed thy re-turn! Shall thy gentle sis-termourn, Shall thy sire in vain iraplore, shall thy

^^i m^ ^ par
i9 i
^
- - 1 - -I z
M> «

I
^^ EftEEiì

tet-to si co-prì, di squal-lo-re,di squal-Ior.

squal-for. Masèf
Ala sèjil-fin ti trovoj)n-cor,SQ^in me
sire in vain implore, shall thy ^;en{l e sis-te r mourn? Ali for-got shal! be oiir tears If thou

i
l / k r"i I II 'I l r7~ f }ì

^i'<k
\

14100
J'^ '
^
 con esvress.

spi'-nic rmn fal-ll, se la vo - ce del- lo - nor in ti^ap-pìennonam-mu-tì, ma seal-

iiowwilt beoiirown,Come andsharetliebliss-fiil ypars,Letour lo\-e for ali a-toiie, come and

fin ti tro-vo_an-cor, sejn me ape-me non fai- Ti, Dio me - sau - d'i,
bhare thebliss-fiil years, let our love for ali a-tone. Heavn callb thce home,

Èn 32=
T=f=TTT*l
TTT'-'UJ
«r^i
^b'ik ^- Ì^^F^
i S ÈtE

^
co;« forza

J-J-4 fcs^li
. jL)ju>/) rrt//. /T>

^ me-
#^^
Dio
1' i^ ,<

san -dì, Dio me- san -dì, Dio me- san- dì, ma,
Heavn speaks thro' me and calls ttiee home. H»avn calls thee home, ay,

^ ^H
dim. ed aliarg.
'^ttt e'
P 1^ g ^ ? ir,;, '

; f=M ^
ma,seal-fin trovo^an-cor, ti tro-vojin-eor, Dio m'e-sau-dì, Dio me- san-

^
fi

Hea-vencallstheehome,myson,HeavTi calls flieehome Heavncalls thee home, HeavTi calls thee

^ Allegro. (J = iss )

Germont 'rousing .Alfred)

Xè ri -
SEEE^
spon-di
^
dnn pa-dreal
^m - laf-
Oh my son, say a word to thy

col canto

11400 Vi or ondo
 — ^
115
Alfred.

jypp^i
Germont.

p—
frcpiilsing his father)
p-
? mè
^
vo - ran-nii
B f
I^t-Zo;
> \i i
p
Mi a -scia - f<'! La
raf<e and grief ile - vour me; Fa - ther, leave me! Have

^1— ^-^
i y^jy injy Eì
i* i \'y i i

^^^ E
/ p
m
-^
* usiiiry^ ^

tmM -^i #
m^^
s" ^
sciar - ti!
i!
pa -tience!
Liirpjri
i/i'ii i
Alfred, (resolved

(Oh ven-dct - ta!)

i^TT'.,:*
(J'il have ven-geance!) Wait
r
Non più in
r.^
no
f
Germont.

'>.-f^ P
-
i

lon
1
T;
du
— -
-
?
j.

ger,
^
par-fia
lets has
-
-
nio,
ten,
É
taf.
re

^m K

mj if- i.-
P
3
WW g
r-krr^
ff^'"
^m
w^
Alfred. Germont.
^ È m^^
Alfred.

m fret - ta.*^ (Ah, fu

i
Douphol!)
ì^^^g^
Ma - scoi ti tu? *" No!
turn \ve. ( It was Douptiol!) My son, dosi hear? Xo.

fo vH

14400
7-^' ì rP^
No,nnn u
Iwill
P

iiot
^ •
h:
'i»0
^ ?
rim-pro-ve- ri, co-priam db-blio_il pas-sa-to;
- (Irai
7 r' ^ |

la-mor che mha ,icui-

Marne thee, oh my son,Thepast hence-forthbe bu-ried,Tooloiigthouherehast
r f^^ < ^ ^'
i^

da - fo sa tut - to per-do_nar. Vie-nij tuoi ca-rijn giu-K-lo con me ri-ve-djjin-

tar - ried,Ohrome andmakeusblest. Such love as ourscan wake a-g-ainThy youths unclouded

^ ^M^^
?==?=
•^
^ 0!
</m. aliarg.
m
a= f y ff
?=
s ^ ^

m
co-ra, a ehi pe- ro fi - no - ra tal pio-ja non ne-j,Mr. In pa-dre_ed u - na
splendor, Mid spir-its true a nd ten -der, Re-turn and be at rest. Thy fa - therspray'rde-

=^=F
i9=^, m
coua parti
Ifl
'

*€«»«« «? «**« f

suo - ra t'kf- fret-ta^a con- so - la - re, un pa-dre_ed u - na suo- ra t'af-fret - t^a conso-

^fM m%
ny not,Thy honieandfriends oh fly not,Thj' fa-ther'sprayr de- ny not, Oh come and beat
éf«?-
?
- -7 */ -
^ f

Mi
T

^ ^^
I I i ì

i^ 4 44
Kl/itOO
 O L dolct'ss.

lar. No; non ii - (Irai rim - pro-ve-ri, co-priam do-hlioil pas-sa-to: la - ninr sa
rest. I will not blame thee, oh myson,The past heiice-forth be bu-ried;Th }iome, oh

t i: e

tut - to, sa tut-to per-do- nar. Hipa-dreed u- na suIcTT ra taf- frct - taa con- so-
fly-not, Re-turnandmake usblest. Thvfa-tliers prayVde- ny not, T hyhome and^friends.oh

la - re, tàf-fret- ta, t'af-fret-ta a con - so -lar, ah s'i, taf-frot-taj) con-so-

fly not, oh fly not, oh fly not, but be at rest, oh come,myson, and be at

•'
lar, vie-ni, taf-fret-taa eon-so-lar! Mil-ie

^^
rest, oh come,my son,and be rest! Oh dis-

1^
at

i^^ ^
àtpr^PUP*K»>Wf»>
^ f^^p
/i

lÉEg
l
« — ^^^^ i Eì
U. ' 4.» ^^^ 4,
^T ;^ f^lVl^«f*^^**f;
f^'ino
118

m
Germont.

^^ m t^
n-
r
-
m
\
^

i
scr-pi di - vn - raii-mi il p*'t-fo! Ma-sc-ol-ti tu''
traction! what for- ments lìevourme! Mv'soii, dosttiear?

S
Germont.

i •

Thy
?e
F ì'

lnpa-dr(j_ed
f
''

u - na
fa-lher'sprayVde
r
^' r

-
^
,r
suo
iiv
-
?
^
*= feg^
ra t'af-fret-fa a con - so-
not,Thy homeandfriend's oh

la - re, ifn pa-drcj'd u - na suo - ra

^
taf-fret-taji con-so- lar. Xo, non u - drai rim-
fly not,Thy fa-thersprayV de - ny nof, Oh come and he at rest. I will not hlaine tliee,

pro-^^-ri, co-pria m do-hl io il pas-sa-to, l;i - mnr sa tut- fo, sa tut -to per - do-
oh myson,Thepasthenre-fòrth he buried,'rhyhome, oh fly not,Returnandmake us

i> colla parte

14«0()
 Un padre^ed u - na suo ra taf- fn't-ta_a con so- T n',t;if-frd-ta,
—
nar. - - la t'af-

blest. Thy fa-thers prayr de- ny not,Tliy home and friends oh fly not,oh fly not, oli

vie-ni, taf-frft-taji con-so-lar, un padre ed u - na suo ra, sì, t'af-

ohrome,Tny soii,aii<l he at rest. Thy fa - thers prayVde- ny _ thoiinot,my

fret - fa, ah sì, taf - fret - ta, ah sì, taf- fret tnjicon - so
son, come and he at rest, come, and be at rest, and be at

t fhf t t

jfefeia-M-4-
'

tSM %mm^_ ^tri^iffh

14400
^
120

lar,
rest;
l ivi'uìi
un
thy
pa-dre
fa -
nd
r.

thers pray^r
ff
u -
hf
na
de -
suo
ny^
ì r
ra,
thou not,
f
sì,
^
taf
my
• * *

frpt - fa, ah sì, taf - fret - ta, ah sì, taf- fret taa con - so
son, come, and be at rest, come. and be at rest, and be at

g ^£ g g £ g g

')• -
^7
1

1.
p p f
Alfred (rousing himself, sees the lett^wrìsf Mora stili on the table,reads it again, and exelaimsJ

el- le al -la fé - sta! vo -li - SI lof-

She Ts at Flo-ra's! I too shall be

(rushes off distraotedly, followed by Germont)

i 5E F r ? i
r
fé - sa a ven - di - car!
there, my wrongs t'a-venge!

m i V P r r r TE
Che di - ci? ah fer ma!
What say^st thou? oh mad

14400
 i2i

N9 11. "Avrem lieta di maschere la notte.,,

Finale II.

A richly furnishcd aparfincnt in Flora's mansion- Doors at both sides and in eentre. Agaming-tablcR.H,
A table with flowcrs and rt'frt'shments L. H. Sofas, etc. Flora, the Marquis, Doctor, and other guests en-
'T L. H. in eonvtTsation.

Allegro brillante.

/oice. S
^ »
mrm ^ì
It
ì^-^mV
^^^^ K.
^F^
u

^
t
i
^P f PU I ,<: Sf

i «^
H'. » '*

::Ì

^ ^'L
rf f*ji»- ^ - ^ **•••- 9 ffi
?S^
I

^^^^
, ,

y^^ i^^wg'

\:i m^u^u^m^^^
ti »
*5FF Ite j 't f Ffr *'
J

rrHMif S t
Mf^ ié### -m
1*400
132

Flora.
-
pm rf
« p ppi f
' r f p p r«F r n'fr'
Avrem lie - fa di ma-sche -re la not-te; n'è du-ce_il vi-scon-ti-no.

j
•
Withen -Joy-mpntthiHnightshallberPsplendent.theViscountleadsthemaskers.

'm^ '

•"
J ^ i' i' > -
P I
r i
j
Vi - - lei ta^ed Al- fre - do, an - co^in-vi - fai.
Vi let ta and Al fred,both ei-pect.

imnm
- - . - I

t i
'imf^ mff-r ff^'"!^ i

fffW I

iJBSÌ ^p
^
Marquis

^r-T fVr Pff 3^2 é

La iio-vi-fa_i - gno-ra - fé? Vio-lef fajs Ger-mont so -no dis-
You havenotHeard the news, then? Tliat Al fred andshe are.dis-u -

m^m
Flora.

^ ^pp
Fiave-ro?
m
Nntlikely!
Doctor. -^ m ^
'r-i 7'PPl
Fiave-ro? Li
Notlikely!
s
I

S
piun-
r
ti.
-
I

El
P'
-
-TM^^^
la ver - ra qui
q^^
ba-ro-ne
nit - ed If shecomes'twillbe the Baron.

14400
 123

^
(a noiseis heard R. H.)

É i ^p ^^
y
Si-len-zio_ U

i^
Be si-lent, you

3 F^: t ,p i
r r fefefe
vi - di ie - ri_an-cor!_ pa - re an fé - li - ci.
saw thembut last night, theyboth seemM so hap-py!

(fhey advanee towards R. H.)

di - f(e!_ Ginn
p
go -
r
no
MP
gli a - mi - ci.
p
a
bear them? Wel come to the mask-ers.

S Pf ^ i ff,
Giun go - no gli_a - mi - ci.
Wel come to the mask-ers.

m ^ ff P |
f-£
Giun - go - no glia - mi - ci.
Wel . come to the mask-ers.

i*r :=

3^
m ^^ ^
ff TuHi .

E^
/r\

i j^J Uf^:

i4*nn
124

N? 12. Noi siamo zing-arello.,,

Chorus of Gipsies.
(Some of the Gipsies hold wands in their hands^others tambourines, to beat the time.)

SOPRANO and ALTO.

AIletiTo moderidi

Voices.
i^ 3EES
P'I
;V^' ^S W T _? ^ ^ ^
Noi sia-mo zin-ii'a - rei le Te - nu - te da lon
A wel-come to the Gip by, Thro' ma - ny landsshe's

S zìi ££r+^
iW ^ gPPf
^
'^-Fh^^^'^H '^
Piano legg.!
Ì4
P^ fli'P

("Wherever the Sign * oceurs, the Gipsies strike their tambourines.)

^? y HtBt^
I

n ^-^
;
«y "y
^ 7 j /yp?

X * * Xy
i y Kf ì
P^'l
^>^'> I<-^^M J. ^1 ^",1 ^'.
. ^> T
^^'^

^
fa- no; d'o - f,'-nu-no sul -la ma no leg-gia - mo l'av-ve
wan-der\i. O'er fate and for-tune pon der'd, The fu - ture she can
3

^
3

^
.
.

-
i ^
J1—^"•/ i 33:
t ;^sMmF^ fl ^t^^^
J? >
'

l")

+^ »

^^ ^^7 )7
ff *f
n7;7 :
n*!Vy ì=1 7.) ff 7 :rz^ J/ 7 p 7

*
,^
\^
*

W\\
r •

\ ^}}\i'^^^i>èb^^^^K'^}}\
nir. Se con-sul-tiam le stel - le, con-sul-tiam le stel - le nul
teli. Hold forthyour handjholdforthycurpret - ty hand, oh la- dyfair, There^s

à.
K t e 15
y ^ ^ tt
^
fe^fe
^rrH? f^f :,; p,; e

i f ^

j U ir i .
Ij/
^ ^^fei 7 3 7 2 71 ) :7
^ : ^ 7 ft 1^=5= 7 ^^ 7

i ^^ ?: :

rav-TÌ_a noi d'o-sou-ro, no,

^t ^ ?f
*-^*

nul - Tav-Tiji noi

naui^ht thatcan from uSjthere'snaught that can from us
*
lir
^
,^ I > .?3\ J'^ji
\ .
tri do-scu
^,

be hid,
J- ^
- ro^ej
Thè'
N^ ea-si
fu -
h7
f^^=^
del fu
ture comes un
^'7 i)

^i
[_f r jr f ^^

é
i ^^ h ._£
s^ ^ 7
^
U 7^=7iiz7
?^

35 r ^ - ^
r
3Et
f
7 I
^^ 7
^ 7
?r7P7
14400
 1«5

tu - ro p^s-sia- mo
p'os-sia- mo_al
al - trai pre
trui - dir. See eon-sul-tiam le
(/on-sul-tiam
bid (leu And yields be - fore our speli. Hold forthyour band, fair

É
^ /
m
n
^^
Jn
tó /8j;!£f^!-f

p4 >
I

V-lt p ? P 7 p 7 > 1 H ''ll''ti

•>
I

stel-le iminul - lav- vi_a

vi a noi do-scur, e_i
e i ca-si del fu - tu - ro possia-mojdtruipre-
Dossia-moaltruiore-
la - dy,N"aught can from us be hid, The_ fu-turecoinesun -bid-deii,Andyieldsbefore our

^ìhì^ ìm # f yS 1 g J j-

fff ^3 i ^

^>=^i;^tl >!'/

i>p-
J) ^ ! 7 ^'7
f j>r|^ 7 J)7 Tt-

g V» ^hjr.^'jj, Jj J^
r i piiJ?p c;i' J p IP ^ Lfp i;p [/ P
dir, e i ea-si deL fu- tu- ro, e del fu
i ca-si tur, e_ i ca-si del fu-
speli; t}ie fii-turecomesiin-bid-den,andfrom us there'snothing hid, no,the future comesun-

CfLgLCL

mt m 'j \
[jjf^^[j rB OTJ.fJ
^V^ -^^"ffp p-7^.i Js^ b} J^JM^:jJ->gj. rj g
tu- ro pos-sia-mo^al - trui, pns - siamo_al-trui pre dir, e__, i ea- si del fu
bid - den,andnaught,no naiight^naught can from us be hid, vea.the fu-turecomes un

tìI ^ fff f 7,f ''

^ M4^
«y

.'>
i
;''»
r
I
tV y .^f #^ ^ ^ f -'rìr r :r rcJ
14400
126

J
li r r
f
'
'-' P L; ^ ff ? P
LT?
— rjTLf

^ ^
tu - ro, e 1
i ca - si del fu - tur, p i ca - si del fu
bid - den, and from us there's no - thing hid, no, the fu - ture comes un

^
^hh
tó
r* ij]

^
lu
i

^
.

.pHJ'^f
zMzÉz

3
m^^
L_U^ f ^'

^
>
^ Ft
P T fp f

p,q; /p
tu - ro pos-sia- mnjil
j r- - —j -
-

trui,
-- -^
pos-sia-mó_al-trui
f
i'H
pre
J
dir.
'

bid - den, and naui^ht, no naught,naught can from us be hid.

&
tì
ti
à^ *i ^ *i ff ,tf f h,r Mi
f
fc^^ 1 è

^^
'> \\ !
/]
.

•y Fi
K ^ lì ^ P
1 V ^ S i
=3?==^
^^^^^^^^
^e
*»
^1^ Ve
Al
-
-
fe^
7 ^'r

dia- mo!
low me.
(scanning Flor.Vs band-)

n
*è r p^r p^ i p-^p^ i
rp-^r'p p 7 ^p 7 r i

^^
«^ jUStr.

j) P77 Jìh^p"
^ p ? y Nr^P
P ^ y ff
hy^ ì>

a^ A part of the Chorus.

^~mrTT
S
Yoi,
Ah,my
si - pno - ra,
^^^^^
fe

ri - va
*
lijil-quan
valwould
-
^
tf^a-ve-te.
tzt

la - dy, a ri a-busevou.

Another part of the Chorus.

P
(rcading the band of the ^Marqnis.)^

> 1.M J J t

Mar-che- se, voi non

Good Sir, none can ac

I^W\fhfh'^'^h\ \ i rpif'pTl^^^p \
^t
'j'\h
14400
ì^-^ì^ ^ -
Jì yP^J-i-yP-
f
P7P^P#7 > P7>P? p^T i -^-
p-^ti
p
r-»-
 m
127
Flora, (tothe Marquis.).

Fa-te_^il ga-lan-tejin -

You Ktill are tbcn a

ì "li*» -i
, , J j'-> : ^'
1 1
"
^,'1^
]
^"^^^^=^

^
sie - te mo - del di fé del - t:'

riise you of con stan-cy in love.

m «
*1
0-
[_1
/>JL» legg
M »T »

7-% p^F^p-fe ^ *^ J=±=i

{ Jl-^
•?
T ; 7

Marquis. (fo Flora.)

lA
ppg 7B p j< ; PF fi=ft
i
j; j B''f
f
i

co-ra? ben,vo'me
la pa-gliia- te.Chediacin yi pen - sa - te?rac-cu-S£ièfal-si -
roamer? Withtormentsj'oushallpay me.Youranp:er,dear,'wnuldslay me,Myheartnomoresliall

fa. ja voi - pe la-sY'iajl pe lo, non ab - ban - do-na^il

rove Thp|W'oIf may cast his' par ment.Yet neVr the less ^e

vi - zio.Marche-s€mio,giu - di -'zio,o vi fa - rò pen-tir,Marchese mio, giù

eru - el,Givp mysuspicions fu - el,AiKUIarquis,thoultrepent,oh Marquis mine, be.

^ ^ t^J^ # l^ U l^
#
è^^
ii-zio,o vi
(li-zio^o fa
Ì-A - rb
ro pen - tir, Marche- se mio, giù - di-ziOjP
mio.eriu di-zio.o vi fa- rb pen.
ware, or sore thou shalt re - ppnt,oh Mar-quis mine,be -ware, or sere thou shalt re

f^ P p r »p p yi^ ff 'f P P ^'

'T-»rt^fl p T p r 1
,

^ i
«i!
4tt P ^U-J 'T

14400
 128

m —
Flora.
^. o ~ É Et
firT
pent!
uunur.
Doctor. m m
p,
^
H _t^m i,

1 V 7TT
f.,+ +; Ar^ì
Su via, sfen-da^un
si ve - .»
Io l'i,;
s'ui fat - ti del r..,r.
pas
A- way, \\'here joy iìi - vites yp, And bid a truce to

^
Chorus.

Jl J^IJ^nJ^-J^
1^
Su
A-
via^
via,
way, wliere
Il
èi sten-dajin
sten-
joy
d
m -
A \e
vites
lo
US, We
sui fat
bid
- ti

a
del
truce
pas
to

m
Pitc. Oh. & VI.
tì
^S =¥=^»-^
3JJ

m i
;^?=c^

^
1^
leggero

tiE y=T^ ff^^ '^rwT ^^^É

^ sa
a -
fo:
fo;
=^
già quel eh'
V^ylfff 7T7 g gE
D'<^'>|
sta-toje sta to, hh - da - tejil-Fav - ve
sor- row,
-•^-4 — ,
Ye thhik not ot' to - nior

-^-^
row, Wliilejilea-surp gives con

IV f.|j-r^jHj^ji
)*-

W™
sa - to:
fi;i tr :ià
<'-\:t nurl ch'c
qurl ch'i' sta-to è
sta-to_è hta ti), ba - da - tejìl-1'av- ve -
sor- row, We think net of tÒ^ - nior rowWhile pica- sure gives con -

.? "? •

m^^
.

&h ^ 4' ^ rf ^ zjx:

^
.
s»^
T 17
Tutti

gtrt I W !H i
:;c=t= 2^^^
^S Flora.

F ì Pf
*
s ^^.-^ r n ^^^ J-
Sul via, si sten - dajni \e - lo sui fat - ti del pas
A - A^aj' \\ luTP Joy in - ^ites us, We bid a truce to
3
^\% P^^f ^P ,-P F
nir. Su_ _via, sten
SI da^un ^e - lo
1, c-i,;
sui f^TT^-
fat Ti
ti hTì
del ^X;
pas
tent. A - way where joy ili - vites yc, And bid a truce to

^
Marquls.
'
r-mt 'ff V j£^^ 5=5 I' T F ; M' ^ J' 1^ ; P
Su via, sten
si dajin ve - lo sui fat - ti del pas
A - wav where joy in - vites US, We bid a truce to

Su
7- ,
,
n^^ ì >i
^'
nir. via, si
SI steji da'un Ve 1^> kEì f.n"- li del pas
tent. A - way
Wav where
wher j'iy vifes US, ^^e bid a truce to
r-

*aMi i /fi pf l

^^^Mitff ^"F it ^ 4^ ^±
1*400 5tr. pi//.
 129

^^ sa fo;_già
= 2=
E£
quel
^^ cli'è sta - tq_è
f
sfa <o, ba - dia,niojiI-lav - \e
sor row, \Ve think not of to - mor row, WIhIp plea-sure gives con

nh^ n ^ ^ CJ P ^ ^'
P I P 7
^^^
P
» ff ^
P
^^^
1- ^ P
sa to;_ già quel ch'è sta - toè sta to, ba
da - tc_al - l'av
- - ve
sor roM, Ye think not of to - nior row, Wliile plea-sure gives ron

7-hh p ^
p ; p Jm' J-
1'
; h J' 7 f ì P J' i J- P ì P

^
sa - to; già quel clfè sta - to_è sta to, ba- dia- mo al-l'av - ve
sor - row, We think not of to - mor row, While ])lea- sure gives con

i.

y
sa tO;_ già quel eh è
e sta-
sta tiU- sta - tn, ba - d;ì~^ tejil-l'av - ve -
sor row, We think noi of to - mor - row, While pica- suro gives con -

IL ii PP —^

nir, già_quel
già_ quel ciré stato è sta-to,
statojs diamo al-l'av-ve- nir,
sta-to. ba - diamojil-l'av-ve- nir. ba - diamo al-l'av-ve
al-l'av-vc
tent, We thinknot of to -morrow While pleasuregives content, whih' jileasure gives con-

nir, già_quel ch'è statoè sta-to, ba - da-te^al-l'av- ve- nir, ba - da

tent, Ye think not of to -morrow While pleasuregives content, while plea - -ure

FnT?p pTr \r'?W^? fr^ i

f, ^p^^
nir, già_quel ch'è stato è sta- to, ba - diamojil-l'av-ve- nir, ba - dia
tent, We_think not of to-morrow While pleasuregives content, while plea - sure

) VI.'».
nir, già^
(rio mtf.l
quel /.liV
ch'è L:f o_fn ii
sta-to è sta-fo,
i^i u ii\ ba
lìM _
- dan
il _tp a
-te^al-l'av- ve - nir, ba - da-teal-l'av - v(

tent, We_thinknot of (o - morrow While pleasure gives con-tent, while_pleasure gives con-

14400
 130

fe
nir,
^m
ba - dia - mo, ba - dia-mo^al-l'av - ve nir; già_qDel ch'è sfafq_è

^fe m^
tent, whilp plea-sure pives, while pleasuregùvfs con tent; we think not of_to-

PP
7 l^
7 I
g fe^g^ :^=i ^ r r r r p ff ^>^
fé, ba - da - te, ba - da-te^al-l'av- ve - nir; già_quel ch'è stafo_^è
givps, ^\ bile plea- sure pives, while pleasure g-ives con tent; ye think not of_t^-

y^^à r ^ j)7 j)7 ^'7 ^' « 5^5

^i3
'—0-
"ri/ ^j p
I

P p er
mo, sì, ba - dia-moal l'av - ve nir; gìa_qiiel ch'è statole
giVPS, no, while plea-sure givf's con tent; \\e think not of_to -

^m
i PPìorm
[ j' i^'r
i

ttfj^^ ì

ì^f >0-- i
j
f f
nir, ba - (la te, ba - da- tejil-1'uv - ve nir; già quel ch'è sta-to è
tenf, while plea- sure gives, while p]ea-sure gives con tent; \ve think not oLto"-
3.

m
tó
P
:n^h-n•p
ptH^'U IP ^
[isdi '^m ms^
^
sta-to, ba - dia-niojil-l'av-ve nir, ba-diamo al-l'a - ve -nir, ba - dia
morrow" while pleasure gives con- tent, while pleasuregives content, while plensure

^% r^p ttp^t^p p?r |^ tp

,
I
f£:Q
sta-to, ba - da-te^al - l'av- ve nir, ba - da - - te, ba - da
niorrow w bile j)leasure gives con- tent, while ])lca - sure gi\es, while pleasure

mh r ' P *r£:ff p 4i^ ^ ^P ^ f^ t=jBaM

^
sta-to, ba - dia-nwal-Fav-ve nir, ba - dia - - mo, sì, ba -
niorrow wliile pleasure gives con- tent, while plea - sure gives, no, while
^
_ "^
, -^

;e
zuu^ L'p ir

m
sta ha - da-tej)l-l'av- ve - nir,
- to, ba - da-te^al-l\u-ve- nir, ba - da
mor- row while pleasure gives con- tent, —
while pleasure gives con-tent, while pleasure

hh rr]i^^ m M-tifi-M-itM. fi-fiM- 9- fc:_

^^^

^ W^-M
Uind

i^i gr ^^^^^ ^
y i' V y =f=^

14400
 131

Zi
1^
ino,
''
r
iia -
p p p
dia-mojil-rav
^

-
J'^'
ve
iJ-^
inr,
^P~ l
aJi si, lia-dia- iiio_al-rav
P r
-
p
\e
p:ives, -wliilt' jilea-sure f;i\t's con tt'iit no, no, \\>' think not of to

M
,

^
3
/.
F ^ ^ r ^ r ^

ba-da
^ ;=?^
fc, ba - da-lejil-rav - ve - nir, sì, - te_al-rav - ve
pi\t's while iiltM-sure aives con - tcnt, nn ve think not of to

"r-^^i'i J' 7 J'7 J' ^H-p •<

J'.
J*r- ^ Jì j'i

dia - mo_^;il rav ìe - nir, si, ba-dia- nioal-l'av - ve

pica - sure ai\'cs con - tcnt, jj]|
no, \\"c think not of to
no,

V
^
i

\i V» p f ^
J' ^ J •-

te, ba - da -te_al - l'a\- - \c nir,

iir, SI, l'a-da
l/;i-(ia - fcjal-l'av - \t'
te
gives, while pica- sure ^ives con tcnt, no, we think noi of to

Vfff ^ f f f ^ ^'^ »
/ liitii
^
lF ^
r

(
iì^ih J'M ^ 7 J) 7
f ^ '
h ^

um ^ ^^
(Thi'Marquis presses

311
Flora's hand.)
as
P r P P J ^=T
nir, SI, sì, ba-dia-moal-rav ve - - nir._
nior-row, no, while plca-surc pivcs con - tcnt.

'm p-

nir,
P
sì, sì,
r P
ba- da
p-
p f
- tt^^al - l'av -
p
ve -
~rr

nir._
r * - n\
inor-ro\\", no,\\hilc ]ilca-sure ^i\'es con- tcnt.

»frff-^
irrp' p
nir, sì,
J'-

sì,
j^ p-
ba- dia-moal-Fav
eP m^ - ve -
xn
nir._
m
mor- row, no,\\ bill' i)lca-sure g-i\"cs con - tent.
*

^mm
•

%j
*

jì rh ^ zssz
=8= s
nir, si, s'^i, bft -
f
da - tcjil-Pav- ve nir._
mor-row, no, while pica- sure gives con tcnt.

m^
14400
^f^-^f^ fJ-ì^/jJ^U-i e
tì
132 N9l8."Di Madride noi siam mattadori,,.
Chorus of Spanish Matadors.
fOaston and others, disguised as Spanish Matadors and Picadors, rush in R.Hj
Allegro assai mosso. .3

Piano.

Chorus. GdStoniwith

^
Ist Tt-nors.)
TENUR.s- >

^ #^|0''r
:<

t ^^•/ tf^* J^-':/ttJ^Jl h^

Di M.i - dri - de- noi tìi;iiii_mat - ta - do-ri, sia-iiHT^i prò - ili del cir"~r' co dei
\Vc are brave Ma - ta -dors,_come in fflo-ry Fromthe biilL^fiphts of Spain,_pay and
tiAoS
ì# ÉÈ ^;^^?rjtrr^
* ~

2
Di Ma -
^^^^fmm
dri - de noi >iaiii_mat- ta -
^.
do -ri,
dì±:
si:i-iiioi prò - di del cir '
eo
-
P
dei
\Ve are brave l\Ia - ta - dors,_conie in fflò-ry From the bull - fif(hts of Spain,_gay and

to-ri, te-stè :iun - tiji f;o-de - re dei ehiasso eheji Fa ri - gì si fa pel Bue

^ PSli
go-ry; VVe bave come_ to this fair town uf Fa - ris For the feast_of the bull_here yet

fflr:,n£^-*rTff m à lgjL..,F Ur*f j

to-'ri, te-stè f,^iun - ti_a ^o-de"- re del chiasso ehe_a Fa ri - gi si fa pel Hue
go-ry; VVehave conie_ to this fair town of Pa-ris For the feast_of the bull_here yet

p
grasso; eu-na
-*
sto -
w .
f=^
SES
,.
ria, seji-di- re ver - re - te, qua-liji man -
J:
ti
Ji
noi sia -
r ^^^
P
mo, sa-
tarries; We will teli ye, an if ye will bear us, How in love and in war-fare we

é ^^M^
#^sf^ Mé^
^m ? -
1
' è '

^:==^

^
^ grasso; e_u-na sto - ria, se_U-di - re vor - re - te, qua-Iiji man
iian - ti noi sia- mo, sa-
We wiU How and war-fare we

m^
tarries; teli ye, an if ye will bear us, in love in

i=^ ^nih
-

mi^ 4'ì^

m
-

PP S.r, 3
*
f f I
Sfa fri

m^ t?zt

U400
 133

il
Flora.

^ ^ 'F '
>
! n
¥

^
Sì, sì, bra - vi, nar-ra, - te, iiar - ra - té, con pia
wehear

M^^
Yes, yes, brave ones, ve witli \\on der. Teli thp
Doctor.
3 n^ ft
:^ 3
^
^
Sì, sì, bra - vi, iiar-ra - te, nar - ra - te, con pia
Yes, yes, brave ones, wehear ye \\ itli wonder, Teli the
Marpuis,

(.
Si,
51,
r
SI,
sì,
i

r
bra -
r
vi,
p r
nar-ra -
r
te, nar
I

f - ra - te,
nar-
r r ^^^^^
con pia
pi;
Yes, 3'es, brave ones, wehear ye with wonier, Teli the
Chorus Ladies.

^aÉ
of

tj-^-
81, sì,
I

r
bra -
f f^^^^
vi, nar-ra - te, nar - ra - pte,
5S^
con pia
Yes, yes, brave ones, wehear ye. with w under, Teli the

u—
ce - re
t^

lìi -
È
fire-nio.
m \r^

tale of ^^our owe s s

m
iir

m r^f r-^
ce re lu - dre-nio.

m
tale if your prowess.

S
ce - - re 111
lìi - dre-nio.
dre-ni(
tale of 3'our prowess.

li
;^_ ^
^^: ^f-.^
^- i:
m
M
ce - re l'u - dre-iìio
tale of your prowess. Gaaton (with

m
ist Teiior.s

$ F
^
Matadors and A-seol- ta
Picadors. He>ir and pon

m
(icr.
Sì.

m3 .?

^V
timi Htit£f 9 »-»
't?:t^^ ì^ m
^ J^f
I
^«^
^ s
14400
P'^ Allegro assai vivo.

m à ^=à
^
Fi quii - lo un
-^4
^
bei
'

'
^' m
lia'r - (lo - sca

W^ ^^
1)1
1)1

p Younu Pi qui - Ilo in. Bis - cav was thu

^m
gs J -
r I F -
g
^^
E Pi - ijuil - loun bri Lca-gliar - do bi - ^ca-
Young' Pi - qui - ilo Bis- cay - a was the
" y*^
Allegro assai vivo

^ ^ f=^
<j:\\ - no mat - la - dor- for - tejl brac-uio, fie - ro__il g;uar- do, 'del - ìe
Ma
^^^
first of - ta - dors-, Strong_ and stal-wart, fierce in com-bat, pride_ and
1- ^ ^
'

-li - no mat - ta - dor^ for - tHl brac-cio, fie - rojl i;'uar-do, del - ìe
first of Ma - ta - dors; Strong and stal-wart, fierce in com-bat, pride and

fol - le men - te in -na - mo - ro; ma la bel - la ri - tro - set - ta

^^ mm
when he of - fer'd his band and heart, This re - ply the h.iugh - ty fair one

^
ÌE ff lff ff ffff I ;è

u
l

^ U U m I 't
14100
^m
135
FP
m^ £S3 —
$ =F W ffi
-y

^
va ne par Cin que

^
co si al Ljio - - Io;

to- suit - or did ini - part: When fivi-

P? 1
, >^J

M
V fO SÌJll i^iO va - ne
et
ri n
par' 1 1
Cin - qui'
fo her suit or did p.irt: \MiL'n fi ve

ff^t
h=^
s^^
gE=lflMt

In -
H

ri m
i

^ ^^
un_
^^ à

sol
1

fjior
^
- no
fi
— »—f•-

\o'
%i

ve der
M
-
m
ti_ad
f

J13.J' ^f=r
at
f

ter -
rar,
spear has van sin band ed one

^m
bulls thy - quish'd, - e\e - in- d,iy,

g^ì^ ^^^^^ E ^ i -7-^^

f
^ ^
to - rijn un sol i;ior - no vo' ve - der - ti^ad
ti a at - ter - rar,

M
bulls thv spear has van - quish'd, sin - ^le - band - ed in one day,

ÉÈmm ^^ ^^ m ^^; f
m^ e s ^
9
^ ^ m m t
fetf^
f^^
e,
Claim
se
my
t^f-^

vin
band—
- eij^al
al
m^
tuo.
fhy_
ri
re
-
-
tor
turn
^ no
ing".
f^ ^m
ma
and
no e
r
eor_
wiU.
ti

not

W^ f^^^ ^^^ ^^^^^

S
e, se vin eijil tuo ri - tor no ma nojì eor ti

^m wm 1^ ^m
Claim my band thy re - turn ing", and I will not

^^^
^ ^fc«
»— » — 3^ tE* K
i M4=
feì Pi ^ P f^^
m
vo
say_ thee
ilo iiar.
nay.
Sì,
I_

^dis
bey
- sp^ejl
thee,
mat
said—

m
- ta
Pi
io

^m
ui
-
- Ilo,
re al
to
- le
the

^
>

^
F ^

mM
T vo' do nar. Sì, gli dis - se^ejl mat ta - do re l, 1
e
I,;

S
s.iy thee nay. I V- bey thee, san
said Pi - qui Ilo, the

^
14400
*4
i
ti 1 11 L^I
^M
 ^^
130 (The Pipadors strikf thr yround with fhrir staves wliL-ri'ver the sigri +

P^
oceurs.)

g-io - strp
if
mo
=53:
- se^il
f
pie;
fei cin - que to - ri, vili - 1-1 -
É
to - re,
bull - f iffht btraif,-ht_ he flew; F"ive _ the buUs.that (iay_ ere suiidown

11
m^4r:i=S=
r^^ é »r=F=f ^ F=r =

v:\q - sire Ilio - sijl pie; (•in - qua to - ri, vin - ei - to - re,
bull - f iglit straight he flew; Five tlie bulls_that day_ ere sundown

^
..*^'
•- #
^ a fe^fel
Al
m %X i
s p

^ ^ ^^
+

mm sul - la - re -
i
na
#
e-j,'-]] sfen -
s^-^
dt^, e in que to - n,

ém
he in the__ a re - na slew, five the bulls_ that
1
g^Eg ^^ >;;]]• ^ ^E
/
^m
^
sul - la - re - na e-g-li sten - de, em que to - n,
he in the a re - na slew, five _ the bulls_ that

t'Ht
mePf:
ì ^ ti t
*
mmm \m
day_
- el

ere
*=±
to - re,
^uIldo\vn
^^
sul
he
- la
in
- re
tlie_
na
a -
UN

e-g-li
re -
:^

sten
na
de.
slew.

>t.-,l. tr-r^
-
g sul -
i^ »fr
M la - re
r
na
mm #e-^li sten -
vili - ei to - re, - de.
day__ ere sundown he in the _ a - re - na slew.

14400
 137

^ m
Flora.

i -i—r ~r-T- m^ r^Mr 'f i

rr^'^MQT mo
Bra - vo, bra-vo^il fa- do-
mat - re, ben g-a - gliar-rto si stro,

^^
Strong in - deed the vouth, and vai - iant, well his pas-sion did_he prove;

pp. Doctor.
\
S 2ZZ; j
b'^
W 7 7
«r ?! "^^^S^ -r ffi fe
Bra vo, bra-vojl niaf - <a - do - re, ben ga - gliar-do si mo-strò,
Sfrong in - deed the youth, and vai - iant, well his pas-sion did_ he prove;

pp Marquis.
'^•1," 1 -i—r
l'
-.
\ X' -• 1 \\ l>

Bra vo, bra- vo_iI niat - fa - do - re, ben ga- gliar-do

ffliar-do si mo •
sfro,

Strong in - deed the youth, and vai - iant, well his pas-sion did he prove;

^Ladies

^
Bra - vo, bra-vojl
bra-voil mat - fa - do - re,, ben ga - gliar-do si nio-str
nio-strò,

mm^
deed the youth, ami vai did_ he prove;

S
Strong in - - iant, well his pas-sion

m mm ^t TI h~
m
K r- r f
PP S<r. pi//.

m t^ ^ttrLU ^^
tt"^ '^'j
•<
~i
' '

m ^^ m lzrr. \p 4^^ "rnj^

se^al - la gio -
p
va
I

ne
; ^^
la - mo -
p
re in fai gui - sa e -gli prò -vò!
Teli US how„ his. brave_ en - coun - ter did the haugh - ty dam - sei move!

3 i.^r..r
se al - la
i
^fn^r7r r^MP-r
gio - va - ne la -
i

mo - re in fai
i
fì'^nfe
giù - sa
^
e-gli prò- vò!

m
Teli US how_ his brave_ en- coun - ter did the haugh- ty dam- sei move!

ì^ tt2
se ài - la gio - va - ne la -
rr
mo - re
i

.p^r
in fai
i

r.
gui -
p
sa e-gli prò- vo!
i
Teli US how his brave en- coun -ter did the haugh - ty dam - sei move!

11400
m^ ^
138 Matadors and Picadors.

m ^
l^tlENORS.

m
Casto n \vith

^=S
tSE5^ r'-'j \f

^
Poi, _ tra plau- si, ri - tor - na - to al - la bel - la del suo cor,

^m
Witli a ten - (ier smile she met him. wheii 'mid plau-dits he re - turn'd.

^i
r-
-t L-i T 1_J7 ^MF-^?
1 LJ l_^i 1^ 1_C 1 l_j.
-ft— ^^_I_]

*m
[

Poi, tra plau- si, ri - tor - na to - al - la bel - la del suo cor,

Witti a teii - (ier niile she met him when 'mid plau-dits he re-turnd,

mM^S
V, 1 .

M
f
è èÉ è p i
pji^r
n
m^ I
btt i ^ÉS il
^ fi
l 14 ^m
é
''' s ^ ^A • 1
^ ^^ m
m ±1

mp ^^'Mn I i
^

^
f^"^ f^ -r r

^
eoi - se^il pre - mio de - si a - IO fra le brac-cia del - Ta-I mor.
And her heart and band he stow- inp;, love for love the maid had leani'i

^-^1'
P
col -
7?
sp_il pre - mio de - si
P 7 M -
[^

a
?[^
- to tra
tra le del - la -mor.
brac-cia del
And her heart and band he - stow- ing, love for love the maid had learn'd.

Con tal prò - ve 1 niat - la - do- ri san— le bel - le con- qui -star,
Thus by prow-ess fierce and dar-ing Provesliis love the Ma - ta - dor.
Dortor,

^:> - l a» Is »
^
\ V \
!
> Is^ Is - M
Con tai prò - ve^i mat do -ri
- ta - saii_ le lu'l - le con - qui -star.
Thus by prow-esR fierce and dar-ing Proveshis love the Ma- ta-dor.
Marquis.

-n 'Tl
P ±z ^^^ r
Mr nr
Con tai prò ve_i - niat - ta - do -ri san le bel - le con - qui-star.
Thus by prow- ess fierce and dar-ing Proveshis love the Ma- ta-dor.
Ladies.

m mm^^mfe
'
Con tai prò - ve i
ve^i mat - ta
la do-ri
- do - ri san_ le bel _ le con-qui-st£
con - qui- star.
Ttuis by prow- ess fierce and dar-ing Proveshis love the Ma - ta-dor.

*M4

m
14400
^ HH ti
1

^*
11
'-J

^ 11
^^^
 139
Chorus of Men.
Gaston with i^À TENORS.

^^ m m^
^^
Ma
Soft -
-V^
qui son
er aims
più
and
p^
=f**

mi - co
ti 1n, a
plea-siires s-har-ing, Joy
^
noi
01
a -
m^
ba - sta
Ione Olir hearts
fol - l'fj;

a
triar.
dorè.

'')\v~r'^ ry
I
[1 7 [I
I
[T 7 M [TTir | ^ 7 ^ |
[i ? [y |
^^
? 5 l^il^
Ma qui son più mi - tij co - ri, a noi ba - sta fol - lei; iiiar.
Soft - er aims and plea - sures shar - iiif^, Joy a - Ione our liearts a dorè.

(The Gipsies strike their tambourines * and the Pieadors their piki's + on the f^round.)
Flora. -— _
^
Sì,
-r •/
I p
al
-l^lJXJ
le
P I

-gri,or pria ten - tia - mo del

Lr n I

P
g
~r — ».

- la
r- =a=
.sorteci!
^
variqji-mor;
^^
Come and tempt we Fortune's chanc-es, See, the- fiek-le goddess smiles,

^
Doctor.
i..

nh- Sì,
1
p^
al
n
-
^ I
l;
le-gri,or pria ten - tia -mo del -la
M Pv •
I ^M ^^ p e}
sortejl
I e
\ario_u-mor;
i
=?=t

Come and tempt we Fortune's chanc-es, See, the fick-le goddess smiles;

^
Marquis.
PPP
•^ r-

Sì,
-T-r-

al
-^H^
-
\'

-gri,or pria ten - tia - mo del

le
\
\ \'
ir^Mp^p - la
i

r
sortegli
f
i

r M
va-rio^-mor;
Come and tempt we Fortune's chanc-es, See, the fick - le god-dess smiles;

4 PPP1-^
Si,
— l-r-r
al
ài -
m
le - R-riiOr pria ten - tia - mo
ifn del -k
13
sortejl
#ìm
va-riou -nior;
-y-^

M#
we

^^
Come and tempt Fortune's chanc-es, See, tlie fick-le goddess smiles,
Gaston with l^t TENORS.

wm
+ +
03

3
li
O
Si,
Come
al
and
-r-r-

le - grij_or
tempt we
pria tt-n - tia - mo
? ortune's chanc - es.
f^ (Kd
See,
- la sortijil va-ruui-mor:
goddess smiles;
I 7 7

tlie fick -Te

m^ PPP
7-r- -7-7-
^È^ ^^ ^^ ^^ -T-r-

Sì, al - le -t,'TÌ.or pria tin - tia - mo del - la sor-tejl va-rio_u - mor;

Come and tempt we Fortune's chanc-es, See, the fick - le god-<less smiles;

< 7 7
$
tt feSEE Età
W T^ ^ m gȴ < 7 7

e »
pp Tutti

m
14400
t3-i
**
»-»
m ^ u>"
»-r ti té
P
140
(TPSC cresc. ancora

$5EEEg
la pa -
S
le - stra
P I
L
di -
J Hr
,

scliiu-dia -
P
mo
I
P ^ P
a - plijiu
I

-
"-^
da -
P
ci
i»-r
giuo-ca-tor,
"i^^

Play a - Ione the heart en-tranc-es, Play our life^with bliss be-guiles,

j:» F.^itr^ir
la pa - le - stra di -
r MP'f
schiu-dia - mo
LJ-^-p
a - g-'ijiu -
i
^^P
da - ci
i
Om^
giuo-ca - tor.
dtrt

Play a - Ione the heart en-tranc -es, Play our life_with bliss be-guiles,

^^» P V
la pa
M r
le -stra
p
di -
i
schiu-dia
ia
P '
-
P
mo
I
P - VP
a-glijiu-da
a erli au - da
I
r ^ - ci giuo
rtrt±ì= r
ca - ter,
,
; *i

M mm
Play a •
Ione the heart en-tranc - es, Play our life with bliss be-guiles
« cresc.
_
cresc.
ancora

^m i pa
t
sfhiu- dia - mome
PP -da
fe
-f-^

^ ma
la le - stra di
ai - a - glijiu - ci giuo - ca - tor,

Play a Ione the heart en - tranc - es, Play our Iife_with bliss^ be-guiles,
+ +P— +

m.
ii

É ^i

^ sin
la pa - le - stra di - schiu -dia - me
ilio & - Ifjiu da - CI ^iuo - ca - tor,
Play a Ione tlie heart en -tranc - es. Play our life^with bliss_ be-gTiiles,

'^j^r^TìT
v^ ^^ VI J 7 7

1^ W^
:

r p r

* M 1^ "T-^
cresd cresc ancora

jjipij^ a m
'

m jdfc

s
i

^ pa
#-»

-stra
p
niu-dia
i p^p
mo
a-glijiu
lp i
da
p I
Q>
giuo-ca
i'

^
la - le di - scìiiu-dia a
- rho - - ci - tor.
Play a - Ione the heart en-tranc-es, Play our life^with bliss be-guiles.

'rrp.,P tfr| #;f;

r p F-F ip.p
| i
I

^
la pa - le - stra di - schiu-dia a-glìjiu- mo - da - ci giuo-ca - tor.
Play a - Ione the heart en-tranc-es, Play our life^with bliss be-guiles.

7-^ P ^ P P P p^ ^
B iB r ir

^^
p
I I

p i
p
la lia - mo
pa - le - stra di - schiu-dia rfio a -gli au -da
a-gli^au a - ci giuo - ca
C£ - tor.

m
Play a - lone^ the heart en-tranc-es. Play our ife with bliss be-guiles.

IE£*:
a pa le - stra di - schiu-dia - mo
me
^^ a - gli^au da - ci giuo-ca - tor.

en-lranc-es, Play

^
Play a Ione the heart our life_\vith bliss be-guiles.

fc
+ +
:JU^ S
I
W^ ^i 9=?^ ^
la pa - le - stra di - schiu-Qif
scBiu-cfia - mo a- gu a
glf_au da - Ci giuo-ca - tor.
Play a Ione the heart en -tranc - es, Play our life-with bliss be-gujles.
m
§i

M ^m. Ma ws
^
moo wn i=t
 141
j5^
m ^ ^ * im ^
Si, al - le - gri,or pria— ten - tia-mo
no del - a
la sor - tejl
Come and

m
tempt \ve For tunes chances, See

m^é
- the fick

Et M
- le

S 1 rt:
iu
Sì, al - le - s:rMr pria_ ten - tia-mo dfl - la sor - ftMl

^^ S
Come and tempt we For - chances, See,._

m
tune's the fick - le

^ff"Sì,
eSe

al -
^
le -
£:
ES

srMr
:^
f
pria_ ten - tia-mo del -
P
la
I

m
rr
sor -
f
tejl
I

Come and tempt we For - tune's chances, See,_ the fick - le

Mi

14400
 ^
i42
-m >

m > I
J' M p

^^
a - glijju - da - ci giuo - ca - tor, si, di-schiu - dia-moai

P Q
Play our life with bliss„ be - guiles,yps, play our life with

m a
P
glijìu -
\

da -
^
ci
\Q ^nuo -
^
ca -
\ ^
tor,
t \^
sì, di-schiu - dia-moai
Play_ Olir life with bliss_ be - guiles.yes, play our life with

( The mt-n u nniask ; sonu- disp erse, a nd some be ^in fo play at the gambling-taWe.)

giuoca tor..
^m
bliss he - guiles.-

^^
M. /O
fe
giucca tor._
bliss be guiles..
r\
3 r#4 ^m
giucca tor._
bliss be guiles.
^
B
*-
tfiuoea - tor
tr
bliss be p;uiles.
/r^

PP {Jiuoca
bliss be
- tor.
guiles.
É E

a^r-rfjpf
t.t .r i.i

141100
 -
-
-

143
N? 14. "Alfredo! Voi!,,

Continuation of Finale II.

(EnttT Alfr.'d.)

Allegro.
^ Alfred.

Flora.
i W=^ I il - fre - do! Voi! Sì,
r t Jy^
a -

What, Al - fred! TJiou? Yes, you

Gastor 1^=^
^Al - fre - àol
do! Voi!

^^
What, AI - fred! Thou?

Doctor. ^W^
m •
È
Al - fre - do! Voi!
What, AI fred! Thou?

MM
-
SOPRANO d- ALTO.
=R=^
1 ^.
Al - fre - do! Voi!

TENOR. Wtjat, AI - fred! Ttiou?

Chorus. S i r'f
Al - fre - do! Voi!
Marquis with BASS. What, Al - fred! Thou?

Piano.

mici,
t
Flora.

7 [iir
Vio-letta?
-
^Alfred.

Non ne
3^ Flora.

Ben ai-sin-
so. ai -sin

m
.wonder. Vio-letta? Naught of her. What, are you

Ben di-sin-
What, are you

¥ j^
^
Ben
Wliat,areyou

Ben
What ,
di -sin

di -sin
are you

Ben di -sin
What, are you

FP
_• •_

^™ì^
0. .

S
 — ^ g ^

m^
144

i J
voi -
J
to!
-
bra-vo!
^^ Or via,g:iuocar
"^m si
:?z=

può.

r^ rp rpir
l)art - fd? Wondrous! Come on,lefsj)lay at cards.

-
r - ippi

^
voi - fo! bra-vo ! Or via,giuocar si pub.
part - t'd? Wondrous! Come on,lft's]ihiy at rards.

a Ìee^
voi - to!
^
bra-vo
j .y
^ Or
i
rrrT
via.giuocar si può.
i r

^
!

part- ed? Wondrous! Come on,letVplay at cards. \

«) ^)i - S ^-#^ —É £

^
^ '-j j - i 7- ,1
voi - to!
part - ed ?
lira-\ii!
Wondrous! Come
1 via,t;iuocar si può.
on,ietVplay at rar<l^

4 ''^ ^S i V jH 0- MI J /-

voi
part
-
-
P
to!
ed?
h^a--fo!
^^'onliro^I^!
t
Or
Come
viaj^nuocar
on,Ìet'splay at
si può.
l'arils

^y- J J - ^E^ Efes

f F f ff È
i
S
T) voi - to! bra-vo! r via,i^iuocar si può.

^^^à\
p art - ed? Wondroub! Come on,let'splay at rards.

"^^^^m ^
—m
1

cJ
•

^^
m

cJ
^
mm * ;. à-

tì

s
V

ì^
k < k,

±, fc^
•-^- P ^;7;m»'^}'^«'ì y*^|7 \w mf4i4f
..-.l'J

'>
i p il M II paia
^^
AUejrro ag'itato.

t ^ -
P H (Oaston goes to t he t ablc. Alfred and oth rr s stake monpy.^

* ^
jj i

^
^
K^^

* K^ tltlt^^
^ì i - 1^'ìHi ^^ S^
r {r
^'. S^
-^H "i^Tf-

t:^:^
(Enter Violetta leanins on the

i^
v^^h> -i'^.^p^r^-^
—^
±
— — —^ ititii
rp rp ^. a ^^-^^
> j-p ^ >» 5
^— ^
^

im
^
Bnron s arm. Flora t;oes forwnrd to meet them.)

77m; jj É *=E« s^
* ti t. z
i
ì

14400
'^U'^y
fja cXir
>>r
J*
 145

A Flora. Violetta.
.

___^ ,

5EÈ

^
*-
Qui de-si - a - ta giungi. se_in-vi-fo.
Cos-sij!lcor-fe-se_in-vi -fo

H How I havelong'd to see ynu. Tlianksforyourfriendlj' greeting.

U J~i iUlstl k
-.^.u ->j>r,>tr>^r^'ta
tì
g?^^
-

( n^'^h

*^
ba-ro-ne,
(ira-ta vi son, ba-ro-iie, da
da-ver-lo
-ver -io pur gra-di - to.
Kind'tis of you,goodBaron, to bringhf-rback a-moiigus.

im
tf^

m^^
•n''i>
ti
'-vv^-
L Ài.
I^
'>tr
^ HU .1
i >
ui Jtf
*.
_i:p

t^
,> I
^
,d
f* ff
*.lH

Baron. (aside to Violftt-i.)

^
>
É^ :^

Germont e

S
Gcrmont is

a
^
( ^^^t.V''

cp
jf>f a
^^
^
|,*Ì0*
»^ ^^^ . ^1^^
^^^S ^r^
^^^ .^id
^ J. I. .^

^^
Baron. (frownin;;'.)
Violetta, (aside.) (to the Bar<in.)

'):Lk^ f ., ,f fe È
qui! il ve- de-te? tCip-Ìo!gli3
tCie-lo!cli i ve-rol) Il ve - do. Da
bere! Do you see bini? (Ohlifa\V,trs Al-fred!) I see bini. Take

Én m
&
T*

7V'i> '-ìr^ ^ ^}
> ^E^ig^EÌS
l^itS^Sj:
^Ì^,.h!.-^^^.^!
*ì
^If ^
W
t
' h
'%
?
rj^ l^ [ IP 7 7
r 7 7

'ji,u r H^rr., r i r rr F i f :., .

voi non un sol det-to si voi - gaa que^stoAl-fre - do,
w itbtbisin- truder word in ^ tèr-cbangennt,

ie
care, a you

14400
air
:
7 ^

j ^g^ gJJ^r'^J
< , ,7
i
thHH^
'
ife=5^ it tltgét ,7
146

Violetta. (aside.)
ir^
(Ah per - cliè
(Whj', ah wh}'
é- 'i)
.v:[, i

>i> \ 7 -^r T^i' ^\ ^\\ ^ ^p n| H^v^ ^

non un det-to! non un def-fo!

mark ni}' words, mark niv
^
w ords.

h^
fU,.

um w^
ì

^^mk nm ii

^^^
>>/ j>>P Ìfafc^==E=E
i"fc;*/^ . > p
~ %
% I
——
1 I

?^ -->H .=*^
i

^::+-
.

:i-j o-^
:PP

> r' r ir r p ir' r r

i TJ ?
f J
i
i

ven-ni^in - caii - ta! Pie - tà, gran Dio, pie - ta, gran Dio,
tà, di me!)
rame I hith - er! For- sake me not, He av- en , for - sake me noti)
"r" •'^__^ 7?i^ore?ido

s
^- J. J.
1^
^^ ETT u à i
I i

^- • ^ : 7
i Q^^ rr 1~~ J li-

^^^ P •^^ > ^

-^"^^Tf
VP
*# if*
'

:^:j '
•
^*
i
: * 5^
(Flora invites Violetta to sit on the sofà heside her, the Doctor stands beside theni-, tlu- Marquiseon-
versrs apart with the Baron; Gaston euts-, Alfred and others sfakc, some saunter about.)

H
Flora.,
i^ i' j^ J^'J^ JM .\J '

I' \ ^UJ) JWO ^^

Me-cot'as-si- di; nar-ra-mi; quai no - vi-ta veg-

Sit herebeside me; speakto me-, sav^^hat of late has

^^ ^^W^
fi.il. ri

aMifeaè ^ r i
"
1 r i

^E>rp ,^(F'

tó ^è^tó ^
?iKF^^# u^ /p^^ >> >* .

EJ CU g^ i^ i^ l

e '

(Flora and Violetta converse aside.) *''''^'' '

C ^ IX^
unon
 1

147

Gaston. Alfred.

quattro! An-co-ra liai vin-to. Sfor - tu- na nel- la - mo - re for

tour! Oncemorcii win-ner They mischancein
say, lov - ing; makes

tr\ (sfakes and wins.)

\
l^-\>
^
r F r MT ^a
^n r J:
i5=£
I

tu - na re-ca^al giuo - co_

good sue - cess in gam - ing.
Gaston.
if^ >) j' j' r p I
p p M 7

^
E seni-pre vin - ci - lo -re!
He al-waj's is the win-ner!
Marquis.

M P r
E sem-pre vin- ci - to-re!
"M p M ^ ^

^m
He al-\\ays is the win-ner!

ma
?f
Chorus of Men.
i j j 7 i ^
E sem-pre vin - ei to - re!

M
He al-ways is the win-ner!

^H
^ p r j' ^ 4v
^''
7 t 7
e;sem-pre vin - ci - to - re!
He al-ways is the win-ner!

Alfred.

^'
\ > fTp r PiT' prpi r J J
'

J'N'^
0)i vin- ce - rb sta - se ra; e lo- ro gua - da - gna - to
Yes, fortune sniiles uj) - on me, and ali mygold-en trea - sure

Im
^ k
^"i^ ^^H
^
^
1

^^
s^ ¥^ ^ ^3^
*
M yJ
gTgj
1. k7
i ^ì . .

moo
148

vjy
pyi PM ^ ^^
Flora.
5_

^
i
> p ,;
7
p I
r
l^'' po-sci;»_a go-der tra' cani pi n for - ne rb be - a
- - to.
my re,tnrn my a-bode A
O
Oli 111 slio\\ er, in of plea - surp.

p^^^-^ jÌb4 V^
i I u

^ ^ .V ^#. i*.^
^^ ^ 'ì
' ì' t. ì
>-r-' /-r>^
,

*Mr Mr
=e== ^
*>.i-Z ti-.h
ffl

*s
, , S _h

So -lo?
Ione?
Alfred.

^
No,
No!
r
no,
no!
7 i 7 | ì ^ con
^\ith onp
ta
who
=^=^
le che
ere-

^kWf # ffi^S S ^ ìa*i*ipy

^
(Ih. i Kne.

tJ-#-
^^^.
>. -^ > w . iw> i^^!^
2^ :/ •; •
-^31—t^ ifc^fci
mi
ffi
^^ C-^"'
tt

Gaston .

(to Alfr.'d,
if.dicatinK
Violetta. Vidl.-tta.)

*È T m '"
ri^r
vi fu me. co an-co - ra, poi mi sfiig- gi- a.TMio l)i-o!j(rie-
while hassbar^d my pas times, and since has left me.'GreatHeavenlj(Cli

m
-

5*fi
^\lt '
Vrm
-
• M »d*
^V¥*V*^
^{É ^
^'--'é
ij
f
*
f
*• » •

^i>
X>,
1^
^ .If .
• i>.V^
=1^:»
^..^
IGtp:
±SÌ:
t/» /»
^^^ iir^
at>'-|>
u^
i

^ ^^ ^
Baron. (m .Mfrcd, with
Alfred.
il supim-.sedanii.T.) violetta, fasidrtothe Baron.)
(car'-lessìy.)

i^ '??''
^

^
F= ?
ià di lei.
lei.) Si - gnor!- (Fre - na - te-vi^o vi la-scio.) Ba-

^
pare ber, pray.) Good sir._ (For - bear, or else I leaveyou.) "^'by,

^
*^ è
-y-r »
^^ gr^ ^>*»P|irp
-WJii»*W»

^ ^^
r
^ l

fc.^^* ;-*^i
j
t^J^ \Uìé

f f- r~^-
mon
 149
Baron. (ironieallv-)

r rip
^^.n f rr r ? r i
r =^=^
r p P
ro - iic, m'ap-pcl
m"ap-p('l - la-ste?
la-sti Sie-tejnsi gran for-tu na, cheal
Ba - ron, dici you cali me? Surb is your \\'on-drnus for lune, that

Violetta. (asidr

1Pi i 1 i
?

^
(Che

^
fi -

(What will be
Alfred. (irnnicallv.)
r f r f r f ^^ ^
:

Ir ^ I ^
P p r p ^ I

f,Muo-co mi fen-ta-ste. Sì? La di- sfi- da^c- cet - lo.

I to play am tenipt-ed. Do I ae-cept the ehallenpe.

a? nio rir mi scn - to! pie- ta, gran Pio,pio-ta, gran Dio, di
tide? oh I must part them! for-sake me nnt, ohHeav''n,for-Kake me

A^ ^3 morendo
i
^^^^^
^ ir^ '^^^
w^
ff
trtr 'tr
* 'rr

^^^^
S r grp^U^
M=*t=^tt #- ! »!
'• »•
mtf
x^
S
te:
mev
^ Alfred. (stiikcs.)

p p p r p P P
Ed ai-la man- ca cento.
I
^=^
not!) Andl a hun - drcd ;il-so.
Baron. (stakes.)

!'!
> ff Ff ^=^ 3EE
i
*'
Cen-to lu-i - pia dc-stra.
1 stake a hun - dred lou-is.
FI. & ("1.

=te
F=g 53 li 7
-pfpfiFp
"y
fS^^(« ^ ^i*W
^s -^
:^=ì
PP
^È^
'e >-tin

S^-P:
Mxtf
-•7" ^*^^
i
tbÉÉMMzXMMMXW:
ir
14400
150

Gaston.(cu<ting.) Baron.
(to AlfredA
^|^
l
,''
t ,> p4^^'7 1
p
hk
{f-i'vi n |
rjì¥^pg

^^ ^^^m
Un as-so_ un fan-te_ hai vin-to! Il

^s
An ace_ a knavc you've \^on! Two

1."
ri
^
^J
-K
7i|
i=^
3 ^^
yìXT «t^
I
J JJJ J I^ ^ Mtfna
-ir/-
m mx.
57
jJ
ijttjàÉi

Ì7
JjJJi
w^^m
Alfred. Gaston. (cutting.)

'J^^i'i> r 'i'n r Ph J'7> 7 i ^ i n

1^

^
dop - pio si- a. Un

^
dop-pio'.' 11
hundred?The stakes are doublé d. A

> r> /. .
7 l
if
f^f*fti 7if
if
l
\ •y

m ^
•J-U',1. !»»^4E Mm ^ Jmmt J mJJJA
l

i^t
\
SBBS ^^ g=T^

iJ" *)

Alfred.
>:b
n>
.Nj^,
f^'^\i p IP P ? i np p p r p i-jT-J^T-r

^
quattro- un set-te_ Pur la vit-to - riae mi- a!
four_ a seven_ Mustl be stili a win-ner?
Doctor
—R—
É t^t
-H
V.

An-co-ra!
ForAl-t'red!

§^ Marquis

t ?PPr
An-co-ra

^
!

ForAl-frert'

pi
An-co-ral

S
o ^ «
?br Al-fred!

pr^
^
An-co-ra!
Kor Al-fred!

^g An-co-ra!
Kor Al-fred!

f*P»f»I

^^ DJ
^^^
f'V^^p r f u!£^
I

S-
Jéi» i J *»^ '

:^z±±±±*t±±r: I
' ' ' '

0j ' ' '

14100
 te
Gaston.

^^ ^ ^ ^m I I
151

^
Hra-vo dav-vt'r! la S(ir - te e (ut - ta per Al - fre - do!
Well done, in-deed! and eaeh tinie the game has turn'd for Al - fred!

S Vb
f f f B , ff i f f > ? ^-^-^
Bra-vo dav-ver! sor per Al-

^
la - te è tut - ta fre - do!
Well done, in-deed! and each time the game has turn'd for Al - fred!

v\ì
p p p
Bra-vo dav-ver!
\r^
la sor -
P
te
: M
è
J
tut -
J'
ta
J
per
^Al- fre - do!
-^H^

Well done, in-deed! and each time the game has turn'd for Al - fred!

'p\> III ì-^hr y,^

Bra-vo dav-ver! la sor - te e tut - ta per Al fre - Xi
ao!
Well done, in-deed! and each time the t,^ame has turn'd for Al - fred!

P^-flHhf^ Rra- vo dav-ver! sor

^
la - ti' è tut - ta t)er Al fre
're - doo:
Well done^in-deed! and each time the game has turn'd for Al fred!

3?S
w i^a - vo dav-veir! la
t f
sor
,g ^ F ^mm^^^
tut - ta per Al - fre - do!
-*i—*ì-

Wi'l! done, in-deed! and each time the game has turn'd for Al - fred!

Del vil-leg-giar la spe - sa fa - r;Hl ba - ron, giìul ve- do.

Plain-ly, our friend the Ba - ron will bear the night's ex-penses.

ÉTig ,4 Si^
...'j r [
.jj!;; ; , I
f-j
É

è^
Enter a Servant.

'>" fe^
Alfred (to the Baron.) Flora.

fe i:
v '. ! ,<; 'r
P r p I
r
Se- gui - te pur! La ce - na^e pronta, An-
Will you go The sup- per's read-y. Let's

^^
on'.'

w
^ • 7
f^••*^
^SF
Vi»,

^ t*5<P?*
Il
^^
II I
I

^^
g..^^
l'éiOO
 f ^
152 (^Thfy goout, Icaving

n
Violetta (asiilr.)

/ ^ ^"^^^
j
P
dia-nio
P
7 ^ -
^
=P
An-
¥
dia-
H-
nio. (Che fi -

/•
I

^r=^
^
go then. Gaston

i — Ali- dia- nio.

Let's
I

go
.F P
then.
^ ^
Let's

^
g-o

1^
then. (What

=S
Ali -
We
will

diam.
come.
^ j
be

"y

Doctor. i»
^
-•-
f>-

ÌE^
An - dia- mo. Ali - diam.
Let's go then. We come.
f/iarquis. -p-

Ali- dia- mo.

-0- -»

fi y 3 ^
.Ali -
P
diam.
^^ V
go come.

^
Let's then. W'e

E^ t
V\ì i '/ t

An-
ff
dia - mo
7 ^ 7 h
An - diam.
^ÌEE±

Let's go then We come.

VV hi
ì ^=^ i f
1
i •> i . y ^

in - dia - mo. diam.

iikii

Let's pò then. We come.

^fe ^'
i ^=^ ì; §m ^ riti
An - dia - mo. An - diam.
Let's p;o then We come.

a.' nio - rir mi sen - to! pie -tea, gran Dio, pie- tà, gran Dio, di
tide? Oh must part theni! for-sake me not, oh Heav'n ,for-sake me
5~3
I

eJe^ J=i
—.TTi — —
-J. J- J

m ^m^^ ^m #S
• • ^
i

i
tf^ ^L
'
•!if<ltf If •lifif ^ ^
'
"f
_
pp
mrfM
p .
4

M me!)
1 t 1

noti) Baron.
Alfred (to the Baron.)
*:

fSe con-ti-iiuar
Would you the
vag-gra-da
game con- tin-ue?
Per
To - night
- ra noi
it is
pos-siamo:
con-cluded.
più
an-

i]!' fj
'

7rj 7 l iMM p i '~WÌ~^

pp

14400
 153
Alfred.
'

f-,h> ^ ^^ h^ ^^ 4Fir pr
co che
M-'
vor- re
^'
^ *

far - di la ri - viti - ci-ta. Al giuo - - te

^^m
oth - er tinie 111 take revenge. At an - y game you please. sir.

.bfct^
^P^^ FfFfFfF ^ W^ É jtjij

'•)'\j]ì^
L>J^J ^S ^m^^^^ -^ ;*/

i^ n i Pi
Se- guianiglia- mi
P I
P
-
p

ci
^
m
Our friends a - wait us.

m
U
^^t^^^^^s É^ffli
Wff/T^
^dlLiTclir
ife^
.^^ ^^^^te
a^ IJ-3 s^^ fi
mw
^t*iW
">"J >»>i

^ pò
Af
-

-
^:f'pi
scia_
ter _
Alfred.

Sa -
r
ro
shall
r
qiial
te
r
bra
at
-
r
me-
your
U'J^^^
re - te.

ser-vice.

m
I

J-^
^
^^ ^^
I

*;--

A
Li'

.
|
ji
b"^ tfìf
f?
P^
^
(they g-o OUl.;
(.iney out.)
^^ ^ ^^
^^^^ H
Saron vun
uaiun me
(off the
N
li

aug
>.h

stag-e.)

«??*«'
7 f J
7

^^
/Vti-diam. Ari-dia m.
A - way A - way.

±ì
\m^
[
^i
PPP
')'\ì]\>
i. tr > r -^
i^pj^P iJ-p^p ^P> P 'r.>.'^
Li=^
;>>p

o
^ 7 F 7

èfe in^
^
.*ST^ ^
^^t

^
P 7110 re rido M>P ppppr\
^eeJee
'.^ -^=^=^
f'rt fedE^E^
_I 3EIEE / 7 i 7
^
r ^ i
14400 n:^
 -

154
(Re-enter Violetta in great agitation, afterwards Alfred.)
Allegro ag"itato assai vivo.

guirmi ver-rà des-so? vor-rà u- dir- mi? Ei ver-

m
follow; will he see me? oh will he hear me? He will

i ^
iffe •-»
i
^ 84: I ÌS^ ^ M 3EEE

m
a te mpo

rà.
n
CI piacere

J^ J-
Che
Jm J-
l'o-dio^a - tro - ce
J^ J- i^ J-
può- tejn lui
I
^^
piìi di mia vo
come. But dead- ly ha-tredwill pre-vail be-fore my plead
colla parte 2» -p- -^

14400
 155

m Alfre d.

Mi cliia-nia-ste?
You bave calili me
,

cìw bra-ma-fe?
Say yourpleasiire?
Violetta

Que-sfi
Ah! de-

lun-g}iijiljban - do-na- te,- un pe-ri^lio vi so-vra-sta. .Ali com-

^
pari fromhence, I pray thee; na;i;?htbut prrils bere surround you. I can

P ;»*^
i S ^^^É^é*'-

n nì> 7 JVJ)/- ; 4^ 7 4VJ )7

f i^ ffi

^^
Violetta.
I

pren-do! Ba - sta, basta, E sì vi - le mi ere- de- te'? Ah no, no.

guessthem! Shame, be silent. And so vile indeed vou hold me.'Ah no, be-

^^^ m^
fm^4
. te K^
^
te
JVl>. . I

^ ^^=
Vjf=^ I
I I

* «Jl
^^
^••d',k
t^
^N r^
i 7
h
> 1^ S? ^ I
.?» 7 1

n
J^7J^=

1^
Violetta.
Alfred. Alfred.

mLp ma-
rfMa i!
r'
che
p
te - me-te?
'^
J) i)
Tremo sem
|

g=^
r^^JV^
- prede] ba - ro-ne. E fra
lieve me!Then why your terrors? Ah, I trem - ble lest the Ba-ron We are

noi
»

mor-tal
p- m.

qui-sfione.
pj-'f i i'-i
r
Sei ca-drà
'l

per
p
ma
^'
-
Mf
no mi -
r
a, un sol
my band

m ^m
foes in mor - tal quarrel If in-deed shouid slay him, your prò

mi
ÉS
'i\_ ^i: f^ 1=^
m w^ H'
\

^^^ffi g .T J n
l»[^
19400
 » .

156

fi

col
tect
-

-
pò vi
or and
tor -
your
ri
-lev
-
-
a,
er,
^^
un sol col
your pro-tect
-

-
pò vi
or and
• •
e

tor- ri - a
your lov - er,
col-l'a
By one

*=^* 1 TE^
èfe
1^ I
-m^'V' j^^^ s ^S=£ ^ ^ nLy ^--^
'

«rriK ,7 i)y _
T^^:
ft
Violetta.

^r s

^ ^
eS F r- P ir r
^-f p i
r p
p- if^

^^^
r.
man - tejl prò - tet - to - re _ Vat-ter- ri - sce tal scia-gura? Ma s'ei

blow you lose for ev- er; AH your joys would then be over. Bui if

fe
W^i *
i t* n
^
^W^=¥^ ^ «^
M»
qf— — PI»
jvjs ja^_ 5^
^^5^^^
!>
fe
£
-#-

^'i,^i, f P p p ^ r ^ p- e
Bqc
g
fos - selue - ci - so - re! ec-co Tu- ni - ca sven - tu - ra ch'io pa
he should be the slay- er! ah, bethink thee, I im - plore thee, 'tis for

r=^ Jf 7 J = :

^^1
t v
^EÈ!P
L i

•-^^
7 PP f ^J 5=^ 1^ ìt
¥f^

# ^^ &È E ì b J'f <

Alfred.

irrn r
i

^
:

ven - tq^a me fa- ta - le. La mia mor-fe! che ven

that a- Ione 1 trem-ble. If he kill me why should

a ^i^ ^ •• * ^
'^^v ^ p.vp f ^
l

^^
M^ ^:5 ^z£
^^"^X-^^r^y^ r
^
T p ^
L-

TJ^
Violetta. _ L - Alfred, u.
^^TT

^
I , ^

^'i\
p ''p ? i F < I T P i

ca - le? Deh, par- ti - te e sul - l'i- stante Par- ti -

you care'.' 1 be-seech thee. go hence, de- lay not. I will

m^ ì^ y ^
f ^^ '4
'
f
i

sh
,
,

ii:»»9 -
U'^' r ' r /^^rf'r r^"~~r& ^"

-^^rn pS è >
14400
? ^P^P^^ 7 L7j)7 :
 «

137

«
w
^>
xJ
l
^^

rò,
go,
^ -

ma giu-rain- nan-fe
if first
r

thou
I
r

swearme
y ^r
che
that from
do - vun-que
hencethou
^ se-gui
too wilt
-
b
ra - i,

tear thee. that

3
m
se-gui-
my

s ^g
Violetta.

t riir P i
r'r
Ah no, giam-ma- i. Va, sciagu-

^m ^t=^ m A-las, I can-not;

jq^
giam-ma- i?
Ohme,un-

m
rai i pas-si mie - i. No,

^^^^^^^
footsteps thou wilt fol - low. What! you can-not?
$1
i^^^:
T
^=^
iU^ #
è
l^i ES
it-
i^^
^ ^^ --^^:
#—
[>
-JP ^i'^P

àK ^J'?
r'a-to!

happy!
j^J-'Jm't
r
scordaiin no-me
Go, for-get me
< i
>ff i^r'r
ch'èin-fa-ma-
and my
fo,

sor- row,
<
pp
va, mi
i r
la- scia
con-jure thee,
r ^
^
sul mo-
nor re-

^^^^ ^^^
I

à F^
pps é
»^ TW^ ^ *

m f ^JT /P
V-i,'' i

^^P f^^^
>, T
(..T r ~y
F
s7ff ?
^j/P
T KTffT

L 1
>->——~~^ ~~

M, r^r ^r F E T r- ^
i^'ii^
^
men-to di fug- gir - tiun giù - ra - men - to sa- crocio
mem-ber that a fa - tal oath com-pels me to re-

^^^^^ma f^mi"''% '^^i '^ ^

^s y^ ' y^' j.'F '
yr yr y^' ^
14400
 ^

158
Vicbtta.

h^
Alfred.

JVJH-|tJ)J J'^^)t J^ff i'

-

i i J^ . } ^'.
\

fé- ci. A clii? dil- lo chi pò - te - a? -V chi

^^
fuse thee. For whom? Teli me. who com-pels thee'-' One to

^"^ s^
é 4' '
f jjjjj '
-t 3=

a jr r
'
yi- i
^-

F
'
j' i '
'

F ^
i,-F

Ér r; F r ^^
^^ ve
Alfred.

P
¥n
^E?E^
^ Dou-phol?

m ^ ^^
drif - fu pieii ii"a - - a.

whom I owe sub - mis-sion. Was't Dou - phol'.'

\^^m fc*
^^J 5
f-'y
é
m y? '

i)'F i^F ^
i'^F
t p. /

i'^F ^
i^F

m —r
Violetta.
A(\vi t h p.-iinfiil cffort.; Alfre d Violetta.
r-
m ^E^ i f ^
^'

sì. Dilli- que la - mi.' Eb.

Yes. Then vou love him? A-

i *{;• • > •
t
^p
s i^F ^
yi-
Alfred.
É ^^^^E£t^^—
^ ^
throw open the door.)

i^
(furiously rushini^ to

ben
?^^ la - nio.
< ^ P
Or
f
tut
F
tiji

las! love him. Come out and

mm^
I

^ j^j y n m

^^
' '

ff
=t^=^
f^^ t^t J ti » ti
* ì= ^=T^^ 9=^

(Ali re-enfcr hurrirdly.)

me!
hearl

itEgEEi
'^ '

B li

^ t ^^ *i
4^^

"F^^
I '441)0
 #

Flora.

Neap -
m
pel-laste? che
^
vo-le-te?
159

Alfred (pointing to Violetta, who,overwhelmedwith

Why
^T^
What hashappen'd? this summons? grief, leans on a tablej o support herself.)

Questa don -
^ ^
na co - no-
Gaston. As ye ali -haveknownthis

Nejip
r -
l

pel
ii
-
jj-
laste?
ir-
che
1
vo - le - te?
What has happen'd? Why this summons?

^>-f
fa-ste?
liei - che
P
vo - lé-tr?
What has happen'ii ? Why this suinnioiis?

P =t

o Xejip pel -la-lt(

- te? che vo - le - te?
\'o ie 1
\Miat has happen'd? Whv this summons?
Baron, Doctor and Marquis wilh BASS.

Faf;
^^Ophicleidf & D.-b.

i *-
- r:J^U
Chi!Vio-let-ta?
Violetta.

^3 M
Àh!ta-ci.)
(Àh!ta-ci.)
Flora.

Ne
INO.
/O r\

Who,Vio-let-ta? (Oh, silence.) No.

-«- r\ /O
#— -
^P P
sce-te? Che fa - ces - se non sa -pe-te?
woman, Haveye known_ Jhebond between us! r^ r\
s
^^È^
Chi!Vio-let-ta? No.
Who,Vio-Iet-ta? No.
O /T^

Chi!Vio-let-ta
Chi!Vio-let-{a? No.
Who,Vio-let-ta? No. r^ r\

Chi!Vio-let-ta?
Chi!Yio-let-1
t-ta No.
Who,Vio-let-ta? No.
r^ /^
'^^^r^nr

14400
160
Allegro sostenuto.
/" Alfred

t j
-
J'Jtj-
g'iiisuojiver tal
F I r Jijji
fem-iiii-na
J
per
J'J^J^-
a-nior mio
p i

sper-de-a,
r jj'
io
i

'Twas up-on me this crea-ture vile lav- ish'dher whole pos-sessions, I

É ^^
a
1 ^mwim
iiii %%ii \4 1
7- J <
-
g
S
(i

^f
J'Jw
eie-co,
pg
VI - le,
j i r
mi ~-
-
pr
sere,
'sere,
< ir
flit -
rf^^"
toaccettar
to accettar pò-
pc
^
te
^M
wretched, blinded, cred - ulous, trust- edher base
'
pro-fes
8

i
4* Ai
\.'M''?^ », M.9.trÀ
tu i ti t v
^=^ =¥=^
r r
animato
' '
p

r P'pr p i
r' [;^, <
Ma^è tempoanco ra! ter ger-mi da tali- fa mac - chia bra - mo,

w
- -

Ali I ac-cept - ed, lov - ing her, but since I bave un - mask'd her,
8

^^
animato
M-MMA Mi
^fff
3 :Ec:c=~K;cB;e
I

tffi =^
>p r- tf

sti-mon vi
^^TWfjP^ [^"^^""""^r
chiamo, or te-sfimonvi chia mo,
qui te -

I cali on you to witness, I cali onyou to wit - ness

*W
tE£
i P
lE
^
3
^^45«Li^*mÌ

r^=^
7 ^ ,^ i
^vTT'TT^
1^*1»* J=lf T

±^
blfljl
ri^»
M
fe^^p y
"^
or t^-flti-mon
r
vi
iJ_^r
chia
cliia - mo
r
che
ir
qui,
--R^ s
che
t^
pa - ga-
qui pa-
chequi ga - a^io
fa^i
f

friends, up-on you to wit ness I cali, fhat I have paid her

14400
 161
CWith furious disdain he throws a purse at the feet of Violetta, who faints in Flora s arms.)

^^ Velocissimo.

l'ho!
iiow.
(EntiT Germont.)

Gaston

Olun-famiajir-
01i.in-f;imia or- ri -fii-le
-fii-lc tu commct
eommct - tc-sti!
te-sti! dn
un cor sen
scn - si-bi - le eo-si uc-ei -
Sliame oii itie rni-el-ty tliy lipshave spoken! A foiid and faithful lieart foul-lythou'st
Baron,Doctor and Marquis.

—,*

^
^ r> U rr» r~~» ^^ ^^ '-
\

Ohjn-faniia_pr - ri - bi -le tu commet te-sti! un cor sen -si-bi - le iio-srijc-ci -

Shameoiithe oru-el-tv thy lìps bave spoken! A fond and faitlifiil heart foul-lythou'st

tu commet
.Li
$ ^I
tc-sti! iln
'f^
cor sen
é
SI -1)1 - le
Bà
C0-S)JJC-C1 -

M
bave spoken! A fond and faithful lieart

m
tliy lips foul -ìy thou'it

ì ^^
co

3
M iEEl

^
;-i

o commet
Oluin-famiajir - ri - tu te-sti! un cor Sen - Si -bi - h co-suic-ci -
A fond and faithful heart

m
Shaine onthe cru- el-ty thy lipshave spoken! foul-ly thou'st

P^l
^
A
H 4 gE^ Velocissimo.
Ma ÈE^ 4
^MéM ^M BS #
è É
m\ ì J
Tutu.

cj m ^ ^

14400
 i — r

162

^ i^zr

^
h i. r i
f it
l

a - na - ti, ne de-sli_or- ror! Va, va, va, va, va, va, ne

shunn'd from our mid'st shalt dn - p;irt. Go, go, go, go, wc will not

^EÈ^^^m ^m^ ta - na - ti, ne

igEEÈ
de-stijjr - ror! Va, va,
Marquis 2nd Bass
va, va, va, va, ne
shunn'd from our mid'st shalt de- part. Go, go, go, go, \\e will not

^''1.

ta -
^ ^
L-A
na -ne
p
ti,
^^
ae-sti^ir-
ae-sti'ó rnr!
à EÈ
Va,
P
i^-T-f-

va, va,
=2=

va, va,
^va, ne

^ ^m
shunn'd from our midst bhalt de -part. Go, go. Ko, go, \ve will not

$ s
k=3Ì
ta
shunn'd
- na - ti,

from our midst shalt

ne de-stinr - ror;
de-sti_nr
de part.
Vi,
Go, go,
*
va,
go,
va,
go,
va,
\\e
mva,
will
ne
not

p s É ^r^=^ m
mAi f ifr

^
:sc
I
^^ ^^ r ^m=^
TT3
ffi
de-stipr - ror!
-^^

thee friend!
^
Di
He
pr
don-nqj- gno-bi - le
^
in - sul - ta
who a wo-man de- fence-less in
^
Ii^ to - re,
•=^

iaal4on
di ;jnajil4on-
.shunn'd and des-

M
cali sult - ed,

^^4 ì l 'h\i \:u t^H ^ Qw

^
}
de-sti_pr
\

- ror!
\

Di don-nej gno-bi - le
\ \

in - sul ta fo - re, di (jua^l-lon-

^m
-

^ ^
cali thee friend! He who a wo-man de- fence-less in- sult - ed, shunnd and des-

^ ^^ ^
^ -t t--r ^ ^ r r
de-stij)r - ror! Di don-ne_i gno-bi - le in - sul-ta to - re, di quajil-lon-

m^
cali thee friend! He who a wo-man de fence-less in sult - ed, shunn'd and des

y^ k^
de-sti or - ror! Di don-neJ gno-bi - le in - sul-ta to - re di
&:
7—
quaal-lon-
thee friend! He who wo-man

è^
cali a de- fence-less in sult - ed, shunnd and des-

tj:

^.!.. fa

m ^m ;l-a iuJ)
rnt f}\t h
jxji

s f felf ^ ^n n
f:
±
-
t
- m^_^ n 2Z "E I

^
,

^r^ ^^ ]• \}* ^9^^ ^^

1440 \^
 163

^
Uv
w r
F 'N
de-sfij)r-ror, ne
'.-M'hr
de-stior- ror,
y \f r
de-stipr
\
'

ne
i r r ir
ror,
f
ne
ta - iia - ii, ne_ -
^

liis'd fromour midst shiilt de-part,shunnd and des-pis'd tliou shalt de - part,shunncl

na - fi, ne de-stior -ror,

de-stij)r-ror, ne de-stior
X ^-^^
ne de-stij)r ne

i^^^ ^ m
ta - df - ror, - ror,
pisci from our midst shalt de-part,shunnd and des-pis'd tliou shalt de - part,shunn'd

T r iP T i
ta na ne
- ti,ae-sfi_or-ror, ne de-sti_pr - ror, ne de-sti_nr -
ror, ne
pis'd from our midst bhalt de-part,shunnd and des-pisd fhou shalt (ie part, shuiin'd

^mè * fei i ^^ m i
^ 1^ ^
ta - na - ti, ne dc-stijir-
(Ic-stior ror, ne de-sti or - ror, ne de-stij)r ror, ne
pis'd from our midst shalt de-part,shunn'd and des-pisd thou bhalt de - part, shimnd

P^ m h=if
1 mp=^
^=t^
^m
m
m - dr^ ^
Ìe
I y
^^
s

it^njj^ i ^
^^
'

i.
r
r
de-sf ijr - ror,
i
rf
ne
i
r
»
^#^
de-stij)r-ror, ne de -
-P-

siior -
^ ror, ne de-sti_pr-

^m
and des-pis'd thou shàlt de -part, thou shalt de - part,shunn'd and des-

B^ éAU
de-stij)r- ror, ne
4
i
de-stij)r-ror, ne
h
de -
h
stior ror, ne de-sti_or-

^
and des-pis'd thou shalt de -part, thou shalt de part,shunn'd and des-

de-sti_nr- ror,
and des
*=±

pis'd
ne
^
de-sti or ror,
thou shalt de- part,
ne
thou
E
de
shalt
^^?
sfi or
de
- ror, ne de-sti or-
partjshunnd and des

im de-sfi_or
—
^m
-I

ror,
t-
ne
^
de-stijir-ror, ne de ne de^ti or-

u tì
stij)r ror,
and des pis'd thou shalt de -part, thou shalt de part,shunn'd and des

^4^ S i;

14400
164

ih r p
ror,
pis'd
ne
thou
i r
de
shalt
r
- stij)r
de
-
ir
ror, ne
'f i
r
de-stij)r
part,shunnd and des
r i
T
ror,
pis'd
f
ne
thou
^ de-
shalt
:«

sti_or -
de -
ror,
part,

É^
-

^ ne
é
de-sfi_or
i
ne de-s(ij)r ror, ne de-sti_or - ror,

^ P^ i^
ror, - ror, -
pis'd thou Khalt de - part, shunn'd and des - pis'd thou shalt de - part.

^:fci
^m ror, ne de- sti_or ror, ne de-stk)r ror, ne te-
=«t
sti or -
it
ror.

^
pis'd thou shalt de part, bhunn'd and des pis'd thou shalt de - part,

-^ ^i^
m af ^Eàt
W ror, ne de - stij)r - ror, ne de-sti_pr ror, ne de-sti_or - ror,
shunnd and

^
pis'd thou shalt de - part, des pis'd thou shalt de - part,

4^ *^=^
f
m r te
S
^ i Umm ^—^ ±-.

14400
 ^ P #

N9 15. "Di sprezzo de'^no se stesso rende.,, 165

Continuation of Finale) II.
Germont (dig-nifii'd, but aiigry.)

M
Larg-o

MP V PP'MP V feg:
Voice. P?uT-J
Di
^'"

sprez-zo (le-^''no
de-U'iio
P
^
se stes-so ren-
rcii-de,
de,
f
chi pur nel-
chi
'Tis shame to man-hood t'in-sult a wo-man. of o-dious

T ^TTT ì: M—S-m^-à^ ^— fe

s
t

Piano. ì*
i^
.Sfr. pi//

^b^c; i
I Thr rw

^
grand/oso

Sffi è -^ ^^^^fe^ è É
ra la don- naof - leu - de. Dov' e imo

^
l'i -

harsh- ness thou hast been f^uilt - y. The son I

3 3

t»
ti m—azi^
'JUJT^
^m
^
j

^
<

PE^ glie?
lio? più non ve do;
^
in
p ]y

in
F ^
fi - lo fé, te piùj\l-

m
eher ishd for ev must. must

m
- is lost er, I I re -

w
^
E5 —=:
TTT
j
IT *• t ^# ì^

3& ;^
f ì? r/pip

^ a Hi
fre - do tro-var no, no, non so! Dov' è mio fi-glio? più non lo
nounce thee, my child thou art no more! I must renounce thee, I must re
-f

i —
^
=: •

^
7 i
I
:

ttt j~r
l

i 4t I
=?
*
^0

S ^
fe ^*^
—
#M
cow forza

^
r
ve - do;
P JH in
sempre
te piùj^Mfre
f
- do_tro -
acccl.
var.
r^ r
no,piuj\lfre-do
F^»
tro var nnon
- oi
•^.

J)
^
f
nounce thee, thou art my child, ah, . no, no, thou art my child, my child now no

yF^
rirr-.
i -i-J^
LT *
U'\U~n
mm
14400
rì!i
f
fiÌL^ àéà
^^I ^
aerei, colla

7
i^ parte Wì o
166

^ Alfred (asidr.)
'—
5
(Ah
Ui
mtto vóce"

si! cne le-

che
am
ie -

wretched!
ci! ne sentopr-ro-re!
now
sento or- ro- re!
have
Ge-lo-sa sma-nia,
My jealous ry
de fu -
- In sqji-
so

Germont. '^Oh, I I lost her! fu - tor-ments has

Pr ì
so.

^^ ^
more.

7 7

P
1^ ir *

S fc-,^^
Str>Ì^

^^
^^
^
.-[ i'ftir ff ff
.- .^ ^•l-'^^^^J^^
JE
P p p
mo-
mo - re mi sf razian lai-ma,
ìal-ma, più non ra-gio-no_.
ra-e-io-nc da lei per-do-no più non a
cost her, Madness inspir'd me, hopeless of pardon-deathwould be welcome, ali hope is

m
^
f'jl'

i^' i>
p

-ìpV;^ p
m
fi-

-à

s
-*
7

^^'^
7

Fpn ^^
^
fe^
3
• -•^
p

f?
* —•-

P^F^
vrò. Vo - lea fug-gir-la, non ho po-lu-to, f dal - li - ra spin-to son qui ve-
o'er. Vain- ly to fly her when I en-deavor'd, My heart de-vot-ed would not be

^^ ì E
b? t^-^-^ t|ir ^

m \}\
jj^ '^=ì
m P

-u m ^m
>P

1
^'^ iOsr
nu-to! Or che
ifp g^.^^
lo sdegno ho
F W^F
di- sfo-ga-fo, me
B 1

scia- gu-ra
.^'F p
- to!
^l'^^J^
ri-mor-so
sev-er'd! While I with hatred fainwould pursue her, Hersweet remembrance stili I a-

É trr n ?I
i»
P ^
m
g^
14400
i -9 -* n
 167
Violetta.

* Flora. (fo Violetta)

4m*~
=a ^
Sad
pan -IO pe - hi!
qilan-io
heart,havecou-rage,
ma
t\
we
pur
share
fta
thy
Alfred.

i W=^ n'ho'.
ì
1Im
he
dorè!
Gaston.

m Sad
^'
^ F ^'
quan - to pe - ni!
heart,have cou-rape,
'^'

ma
^\e
m ^f pii
share
- te
in
fa
thy

=^
^^
GprmoṇasidiiL
PPP^-

(Io_
f rr
sol fra
LTr
tan
s
ti
=^
so qiial vir
(Ah, none but l must know what
Baron. (aside to Alfred)

'H\ ?P
IVP- _ :.

P
i>

\>
T.

\' ^^^
t
t. fi
7 7 7 ^"P F P P P^^P P P
A que-stajji que-sta don-na, a que-sta don-na la-tro-ce^in-
I warn thee.for this in-sult, that for this in - sult I will have
Doctor.
 — —
168

m
s cor,
wop,
qui
Ali
^ —r —-ff—
r
ff

sof-fre_o-giiii
f r
no
hfre tlivlifarts truf
-
r
del
de -
'

tuo
vo
fdo
tion

i^ E
fe ci!
ì :5±
(Si

m
wretch ed!
A-

^ ^^^ & :^
^ 4:

cor, qui '

sof-frc_o- gnu - no dv. tu do

wop, ;ill here thj- lit'art's triif de vo tion

^^^
feE^
k
^
k
f
P
» *- >-

tn - de di quel -la mi - se - rail scn rac

vir - tue dwells in tliat lieart so be - reft and for

V%'l. ^P
sul - to
d^^
P
qui
M
tut -
^ f-^ !>
ti_of-fe - se,
. 7 yP
ma
^-f
' r
non i-nul-to
,

f-
^.
'?,
r,
^^^
fia
g -^

tan-to_ol-
vengeance both swiftandspeedy, wher eer I meet thee my .sw ord is

^
cor, qui _ -gnu - no
sof-freo-gni del tuo do

m^i ^ ^r=^
woe, ali - here thy heart's trup de - vo tion

cor, qui sof-fre_p-gnu no - del tuo

s
do
woe, ali here thy heart's true de \0 tion

^^=^
IW cor, qui
?
sr)f-frp_o-gnu - ho lìr] tuo
woe, ali . here thv heart's true de VO tion

m àEÉ=
=^ m: m m
^
eor, qui sof-fre_o-.t;riu - no tu - do
woe, ali - here thv hearts true de vo tion

PS^ v=^
i
eor, qui s'of-fre_o-,i;nu - no del tuo do
woe, ali . here thv heart's true de - vo tion

14100
 —
109

i
y 1 M

^
lor; fra ca - ria - nii - ri qui sci sol
se -

know; The friends that love tliee .hall re - as -

^ ^ ff ^^ ff 7 »
^
me! ohi - me, che te
fé - ci! ne sen - fo_pr
las! Ah, I have lost her! hope less of

i gE 7 7 J^' > J^ 7 7 J-)

^> J)
^- ~r lor,- fra ca - riji - mi - ci qui sei sol
know; The friends that love thee shall re . as

m
i^'^L k
diiu
^
- de,
7 7
7
10
,ff

so
F
che la
g
-
P
ma,
^ ^ g
che
F
Kli_è
g
fé

^
sak - en, A - las, she loves him, her lieart is

p^
trag
,ff

- gio,
^ ^ F
prò -
F
var
i
vi vo
^
-
F.
glio,
^ ^ r
prò -
F
var
p
vi
rea - dy, ìAy sword is rea - dy, my sword is

m^ lor,-
1 1
F
fra
F
ca
Ce -a ri
F
- mi
e
-
^
ci
' '
F
qui
F
sei
Sei
^ sol
se
know; The friends that love thee shall re - as

S 7 7
-F- p
r 1 1
lor, fra
P
ca -
F
ri a
riji - mi
ni
j

t j
F.
qui
F.
sei
F
sol

^^
know; The friends that love thee shall re - as

is
t Fi' vh ì
d: 7 7
b
ji
:^
j.
1)

lor; fra ca - riji - mi - ci qui sei sol

TVm
kiiow: The friends that love thee shall re - as

i.i=^
-w^^ 7 7
^i i i \ i
i .
^ . .

lor; fra ea - riji - mi - ci qui sei sol

know; The friends that love thee shall re - as

^^ 7 7
F P f 8 p
7 7 »
lor; fra ca - ria
ri a - ini
tni - ci
i-i qui sei sol
sol
know; The friends that love thee shall re - as

s \ ^-
7 7 j ^m 7 7 f

si^=^ 7 7 =7=^ ||
I
:

14100
170
'wifh a faint vo ice,

m
Teturned to eonsciousness )

^ ^
Al- fre- do.Al-
Al - fred,

i^ tiin - to,
sure thee,
ra
give
- sriu-t^ail pian-fo
o'er tliy sor-row,
dir
tii rie
fi -
will
non
re -
- dò.
store.

i ro - re, ila per- do -no

lei
U-
lit
più
£
non a - vro.)
par- don, deathwould be wel- come, al i hope is oer.)

(^ ^'1,
J' Jw ^^r ;fe

tan - to, ra-sciu-^''a il pian-to che l'i - non- dò.

Sure tliee, sive oVr ttiy sor-row, tiiiie will re - store.

^^ ^ i de -
?le; ep -
:±z

pur
^èeI 77
cru-de - li'
r
ta - eer
ff r-
do - vroD

faith-ful;

m:
I must he rrii-el,
PP^
*=ehyr
for
——
tJiey
:
must parti
->^

S vo - "-'Ilo
trli(
T=^ i
V
chtMl
i;
- L
- \

vo-atro_or-f<o-^;'l!0
i

fiac-ear sa - prò!
rea-dy, thou shall be pun-ish'd, of that be sure.

^^'1. i'

tan - to,
J'r'fr r
ra- sciu-gajl pian-to
r
F f^M'T]- che fi - non - dò.

^S ^ ^ ^^^
sure thee, give o'er thy sor- row, time will r e - store.

s tan-to,
*'n .r
^^fr
''
r
r
ra - seiu-g-ajl pian-to
j'
ehe
j'
t'i - non - do.
j

sure thee, give o'er thy sor- row, time will re -store.

^^^
ws
i tan - to,
^SL w^m
Fa-sciu^fj^inl p^an-t^)
^FT:
che
fe^ i
^ i' t^
t'i - non - dò.

sure thee, ive o'er tìiv sor- row, time will re - store.

tan-to, '' ra- sciu-fcail pian-to che

(-ne non - dò.
ti - ilor
sure thee, give o'er thy sor-row, time will re- store.

- ? »
but impassioned maniier)

fre - do, di que . sto eo - re non puoi eonipren - de-re tnt- to la,
Al -fred, a-las, thou knowstnot How true and ten - derly this heart hath
5;

14400
 ^
171
/.I
i.
Cir r f'T P i
r'jr^ r-
P^P lIrr '
'-^•'^'
mo - re, tu non co- no- sci chenonfi - prcz-zo del tuo di
Iov'd_thee, Withfaithun- daunt-ed, \vhentri - ais prov'd me, I brav'd thy
=^

iu g^ y !f
'ii HHi si*
-'i •ìfi{ii\^.^^

^9 « J ir 9" »

^m ^
ancora pianixximn
fi;
:5±
sprez - zo pro-va-trH(i 1 ho.
if
Ma ver- ra

^
scorn - ing- but that is o'er. Buttimewill

fe F
Quan-to pe - ni! fa cor!
Oh have

^
cour - age, sad heart!
PP ? s

^ ^
Oliiihe!('he
ine!('he fé - ci!
òi! ne !ientó_orror!
fie sento o

m
Oh I havelosther, allhope is oer!
^pp

Quan-to pe ni! fa cor!

ss Oh have cour - age, sad heart!

s^ :Ì= %S Xjv^
^
Pro-var VI Vfig-llO
,? Wher-e'er j> I meetthee.
PP
P P P P F
Quan-to pe ni! fa cor!

^?i^
Oh have cour age, sad

^ heart!

^
3? J:
Quan-to
J' J) ]' J'
pe cor!

m
ni! fa
Oh have cour age, sad heart!
rp-K
= ^:
J: > J> l !•
j

^
Quan-t(i p hi: la cor!
Oh liave rour as^'p, sali heart!

uan-to
(^uan-to

^
pe - ni! fa cor!

mE m
n
<tli have

(^uan-to
j'
cour

j.
pe
at;e,

•}

ni!
sad

j.
fa
heart!

cor!
Oh have cour age, sad heart!

144110
172

Ig tcm
show
-
£
pò,
thee.
^m 6
in('lip_il sa

a-las, too
- pra
sure
-

-
i
i_
ly,
i^
co--me ta -
Howthouhast

P }>
quan-to
i' J>
pe - ni! fa
Oh have cour- age, sad
'}'
i>
cor!
J

heartl
i

a ^P
ini<'!chpn'-ci
01)ini<'!6hp fé- 'ci or-ror
.'^en-t6_or-ror!
riest'ii-to
rie
!

Oh I havelosther, allhopeis^ o'er!

ii rP
quan-to
P F
pe - ni! fa
P P
cor!

^ ^ :S±
(Io so
(A- las,
che l'a
she loves
Oh have cour- age, sad

ma,
him.
ì
heart!

S fe
1S
chejlvo -
P^
stróprgoglio
mv sword is ready,
«
3S P P P P P
quan-to pe - ni! fa cor!

s
Oh have cour. age, sad

^^
heart!

P P P P P
quan-to pe ni! fa cor!
Oh have coiir- age, sad heart!

I ^m$
quan-to pe .
f=t
ni! fa ror I

Oli iiave cour ape, sad heart !

fe !E^?
quan-to pe
pp - ni! fa r r !

^S
f)li have cour ape, sad heart !

quan-to
uan-to pe - ni !
; fa
la cnr!
Oh have cour age, sac heart !

14400
 173

mas - si_ _con-fps- se - ra Dio (lai ri -

wrong'd one _who lov'd thee pure That on that

# : ì' ].'

quaii-to
oh have
i'
pe - ni
i'
fa
cour - age, sad
!
i' J
cor!
heart!
i

m ^tM
ohimèlche ir -ci! ne sen-to or-ror!
oh I have lost her, ali hope is c'eri

És
^ ?
quan-to
p p p
pe - ni! fa
p r
cor!
^

oh have cour- age, sad heart!

S
7-\}\ r P
I /P'
'
Dt
chpg;lij' fé- de -
-le;
^

S
herheart is faith fui,

i±
wm
fiac-car 5a-pro!

m
of that he sure.
fC

quan-to pe - ni! fa cor!

oh have cour - age, sad heart!

3Sm ^'P p r^ ^ ^
quan-to pe - ni! fa cor!
oh have cour- age, sad heart!

m, quan-to pe - ni! fa cor!

m
oh have cour - age, sad heart!

quan-to
nian-to pe
pf - ni! fa cor!

^s
oh have cour - age, sad heart!

^p p p p p r *
quan-to pe - ni! fa

^^
cor!
oh have cour - age, sad heart!

^M
H
^
Jet-
èeeI

wm
14400
174

S mor-si ti saiil -
Mf^p
vi_al-lo
r'p
- ra,dai ri- mor-si,dai
r^ »f##
^'
ri - mor-siDioti _ salvi, salvijil-
p y'p rr'r

day fpll re-morse niay spare thee.that remorse,remorseraaysparetliee,IHeavn,IHeavhwillim-

in IZt
^^ SE
^ ^
Fra ca - ria - mi - ci sei!
share thy bit - ter woe!

:5± r T r t
p r I

^
Ge-lo-sa Sina - nia,(le-lu - so_a - mor!
Myjralous rage I invaio de - plore!

f
I P 7Ì
Fra ca - ri a mi CIi 1

^
We share thy bit ter woe!

g fef
Ep pur cru - de le!
I must be cru eli

B
??F^ ^^ '- i ? 5*
riie il vo - stro_pr - ìì;o - glio,
Yes, thou shalt be pun ish'd.

S^^^ i ^
^
Fra ca - ri a mi CI sei !

We share thy bit ter woe!

i^
S Fra ca - riji - mi - ci sei
5EE
!

We share thy bit ter woe!

P^
-

i
^
ia gp
--^
:à±^
p= i
'd ! é^ ^ àit
¥^
^ ***»^'Tj-m

és^ FCrf Md
t:!rt:
sa
i

[EÉ£fe

14400
^*.ff Jff
fmri
*-+-
-\

\
.^ ffjff/frf
ùJ PB -wtj
^^^ L!!

staccato
 175

•'
P f'
oiiimèlohe
P P
fé -
P ^ P P F
ne sentojor-ro- re!
ci!
t' P'H F F P ^ ?
ge-lo - sa sma-nia, de -
? F
lu-sq_a-
Oh I ani wretched, now I have lost her! ali hope of par-don for me is

SSÈ S 1
ra sciu - - gajl
ali bere thy

^m ep pur cru -
they must

3^
for

cheil vo -
P
stroor
thou shalt be

^9f¥ ^
ra -
^
sciu
ali bere thy

99i=P
ra seiu ga_il
ali bere thy

i gs ra -
m
SCIU
^s
a li

ali bere thy

m EE3E 1ra sciu

bere
^'a il
tbv-

14400
 •

176

ffi
m
co
morse
-
^
ra
may
t a
spare
P
me
thee,
-
r
ro,
"r
fa
Heav'n
me
im

=^
lìl.

^r^ m ^
pian - to che t'i non-
heart's true de - vo tion

p
p
'r r p f l'tftn 'i' r p(t '{ m
^
mo-re mi strazianTal- ma, più non ra-gio-no; da lei per-do-no più non a

i ^ o-ver, madness inspir'd me, hope-less of par-don, deathwould bewel-come, allhope is

^
pian - to che ti non
heart's true de - vo tion

& S;
de - ta - cer
g
do -

part now for ev er

^m
-

^o
S
glio
^^
fiac- car
m
sa
pun

^m
- ish'd of that be

glio
m^
fiac-car
m
sa -

mm
heart's true de - vo tion

pian
i^
to
m^
che t'i
m
non
heart's true de - vo tion

m=$ — EÉ

^
•"

^
pian - to che t'i non-
heart's true de - vo tion

pian-
T
to che ti
P
non-
heart's true de vo tion

5?P3?
pian-
3
to
^m
che t'i non-
tieart's true de - vo tiou

t=:
ta
:w- :t_]L
3 ^^
14400
 ^M^
177

is ro. Dai. ri-

plore ! Oh_ my

do,
know.
f
SI ve

3vro.
J»
Vo -
J''

lea
^.'^

fti^; - )j:ir
P
la,
P
non
P
ho
P
po-
o"er. Vain - ly to fly_ her, when I en -

1^ (lo,
ì È :e
ra
know, give

a^ P p ^P e / F t-
p

J ^
vro, io so cho l'a ma, che gli è fé-
more, ah yes, she loves him, her heart is

'^^\
UJ ^'
Ej- P
^' S^
prò,. a qiie sta don na Ta
- - tro -ce in-
sure. will have ven- geance both swift and
I
—
m
'? • .9 ^ ^.?

& UJ
•

•3Ep

prò,
^\
ahi
UJ
quan -
^'
to
u-
pe -
P
ni! ma pur
È fa
know^ the friends— that love thee shall re - as

'''i>\ r r r j' r.; r i' rr n J'

r r P
^' '

dò, ahi quan - to pe _ ni! ma pur fa

know, the friends__ that love thee shall re - as-

14400
178

^
sul-to qui tilt - ti of - fé- se, ma non_ i - nul-fo fia tan-to ol

speedy, wher- ev - er I meet thee, my sword is ready, wher- ev- er I

'>%^t
co
'

- re,
ì'

qui
^t
sof-fre
'

o
^'
E;r
giiu-no
i'

del
^F
tu - o
^'

do -
i
''

C P
lo- re, fra caT^ri a
5

#
sure thee, give o - ver thy sor-row, and lime wiU re - store; the fr|ends that

HE^r i'
-^r
^'
E/ f J'
^F ^' f'&^
co - re, qui sof-fre o gnu-no del tu - o do - lo -re, fra ca-ri a -

sure thee, giye o - ver thy sor-row, and time will re - store; the friends that

14400
Uu inJ
 179

sde - giio ho di - sfo sa to, me scia-gu-ra - fui ri

ha - tred fain would pur sue her, her sweet reraem - branca yet

* s^ — c)ie fi - 110)1

time

m LI
will re

f f-f
de - le fa- cer do - vrb,
pari _ now for ev - er - more.

^ ^'1.
^P
f rag- gio,
i'

prx) -
^var
^^rS^F
vi voglio
^^'
^r
che fan- to or
V~^^ -
^'

go-glio fiac- car

^ sa
f
-

my sword that_

^
meet thee, is read-y, thou soonshalt he punish'd, of be

Mì:t i' ^> là-F ^^' -^

F J'
'

^F J"^ J>
mi - ci fu se - i sol fan-fo, ra - seiuga il pian-fo che t'i - non
love thee, shall re as sure thee,give o- ver thy sorrow. time will _ re

^^
-

^b'i.
[j'p
ji ^' j' i^p ^J'
^^ ;, ^p i>

mi - ci tu se - i sol - fan - fo, ra - scinga il pian-fo che t'i - non

love thee, shall re - as - sure thee, give o- ver thy sorrow, time will_ re -

14400
 -

180

^ ro, ah
al -
speli
thou;^h
- fa
thou
an
for

m dò,
i
ra
store. .^^ ^. /^ oh ^-
,- , give
:^
i ffi
n'ho,
t
ri-mor-so n'ho ri-mor-so n'ho! or clie lo sde
dorè, oh my re- morse, oh my re - morse! when I with ha

^^ dò,
$
ra -

^
store,. give

"JM
S "^^ ^' ^
ep-pur eru-dcl,
r T^

ep-pur
t» I :

cru-del, ta
I must be stero, I must be stern. and

.'nh.i^
prò,
sure,_
_ prò
p

my
-
.gi-^^F
var
sword
vi
is
vo-glio
read-y,
^'

clie
thou
^
tau
shalt_
-
p
foor
be
ii^i]
go-glio fiac
punish'd,
i:

of
-
^ii
car
that
sa
be

'H\. \

^ F :73
'
^r T ^ ; F iì^i> P
^jp j'

^
dò, fra ca - riji - mi - ci tu sei sol - tan- to, ra - sciu-ga il

store, _ the friends that love thee shall re as - sure thee, give o - ver thy

'>^i,i'i. i
i^ P J?] ^ E^p ^F [ i^i> t'^^^
dò, fra ca - riji - mi - ci tu sei sol tan - to, ra - sciu-ga il

store, _ the friends that love thee shall re - as sure thee, give o - ver thy

14400
 181

is ^m n£.

m
e?^
co
get,

SCIU
oVr
- ra,
tho'

^
speli
thuu

thy
- fajiii
for -
CO
get

piaif^
sor -
- t
to
^
ra,
me,
fa
I

clie
-

fi -

row, time will re-store,

me
am

ìhn
- ro,
thine

- (lo,

* g El
*-
giio
e-iio ho di - sfoga
si lo, ri-mor-so n'ho, ri - nior
tred wouldfain pursue hersweet re- meni brance
^
her, - I

de :fc
fe ^ SCIU ga
1il pian -
~yi'
to
^'
che t'i-non-do,
p r
che fi
^
non •

m'
ver thy sor - row, time will re - stor e, time .will re -

m r
cer,
'
r
ep - pur cru
i
f
de - le,
^
ep -
^
pur cru -
r
del
r-r
la - cer do
they must part, for ev - er, yes, they must part for ev er

Vi'',. ^
prò,
^
prò -
i| ij]
var
^^

vi
i b^;P ^;>r
vo-glio che tan-to
or- go-glio fiac-car_
^j- p n j
sa
sure,_ my sword is read-y, thou soon shalt be punish'd, of that. be

M:
'

*fe^
Jaj'
pianto che
7
w» fi - non
^ f^j
dò,
P
ra -
,gj-P
sciuga il
m^
pianto che
nj
fi -
P
non
sorrow, time will_ re store, _give o-ver thy sorrow, time will re -

VA jgJ'
pianto che
^ ij?i
fi -
^
non -
k^
dò,
P
ra - sciuga il
ni>^' m^
pianto che
n-j
ti
e
non
sorrow, time will re - store,_give o-ver thy sorrow, time will. re -

m
ti non dò, lic ti - non - dò, che ti non
will re store, time will re store, _ lime >will
^
- re -

^\ i 'i y ^^^ ^ ^
ti nnn dò, ra sciu - ga^il pian

^^
will re store, time will, time will

n=^^fi=2:
t'i
~^'l
non
^ mt r^m^Tin
dò, ra - sciuga il pianto che
•
tì
d*
- non
will re store, give o-ver thv sorrow, time will re

11400 —
18S

nho! Vo-lea fug--gir - la, non ho pò tu fo,_ dal

dorè Vain-ly to fly her when I en deav or'd, ah,

ì ì
ra - SCIU-
dò,
siore, give o'er _

pp
^m vrò; io so
1»—Si»

che Fa
/
-
P f
ma, che glie
F B=Ì
fé - del,
more, Oh yes, she loves, him, her heart is true.

>-
A a-,

pròi_
^'

a que -
^'
sta
L-
do-na
p
^' ^'
la- tro-ce
^'

in -
I
ar
sul-to
P^^ qui tut - ti of
sure,_ I wilL have vengeance both swift and speed-y, wher-ev- er I

^F -^f i
'^^^'i.
a"
dò;,
^'
ahi
LTT
quan
^'
to
e;
pe-ni!
p
^'

ma pur— fa co - re,
J'

qui sof-fre<,-
>

store. the friends that love thee shall re - as sure thee, give - ver thy

'^'i\
LIT J'
ahi
^
quan
^'
to
n; r
pe-ni!
^'
ma
^
pur_ fa co-
H re,
1'

qui
^^
sof-fre
dò; o
store. the friends that love thee shall re - as - sure thee, give o - ver thy
PP.

l't'iOO
 .

183

i Dio
^ s
fi sai - vijil -
P
liir, speli - tajui

m thou. tho' thou

-
I'

g;ijl
thv
for -

pian
sor
get,

;>
-

-
;.
tu
row,
i
oh my

k.

spili - to_ SDII qui ve or che lo sde - giio ho di - sfo

be_

m
heart wouid not sev-er'd! when I with ha - tred fain would pur

È ì ì I
gajl pian - to che
thy sor - row, time

^^ e fé - del,
'
. [^[.
ep-pur cru - de -
LT t'

le
P sfeì
ta - cer do
she is true, yettheymust pari. now for ev - er

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sorrow, and time will re - store thee. the friends that love thee shal! re as

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14400
 —
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ga to, me ri - mor-so

sue ber, ber s\\ eet remeni - brance \tt I a - Oh my re

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ti non do,

i^
will re store.

m,s
vro, ep-pur cru-del,
more, I must be stern,

M. flTF
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vo-glio, che tan - fo or - go-glio fiac-car sa - prò,_ prò - var vi

read-j-, tbou soon shalt be punish'd, of that_ be sure, mj' sword is

^n'-i.
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tan-fo, ra sciu-ga il pian-fo clie t'i - non dò, fra ca riji - -
sure thee, give - ver thy sor-row,time \\ill_ re store,_ tbe friends that

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-15400
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^
pian - to che fi - non - dò, che fi non - do, ah!,

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sor - row, tinic will ro - store tinie ^w'ill re - store, ;ih!-
--_ M.

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her,

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1*400
 --

187

t a - me - rò, io speiitajin-cor, pur f'a-me-ro, pur fa -ine

oh iny love, thouiihtlioutbr-j;et, stili I ain thine, thine ev-er-

la cor, (lui
(jui sol-fre_o-giiun,
sol-Ire o-triiun, (jui sotlrc o-ciuui del tuo
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ra-to! ri - luor - so io u'Iio. ri-mor-so ri-nior-so nho, ri-mor-so

ii'lio,

menibraiice I stili must oh re -morse, oh my remorse, oh niy re

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pianto che t'i - non - dò, qui soffre_o-gnun del tuo do-
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sor-row, and time will re store, time will re-store, time will restore, time will re.

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Ta-nia, che gli_è fé del, che gli_è fé - del, ep-pur crudel, ta - cer do-
loveshim,biit yi't they must part, but they must i)art, but they must part l'or ev - er

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pian-to clie t'i - non dò, fa cor, fa cor, qui sof-fre_o-gnun del tuo do •

sorrow, and time will re store, time will re-store. time will restore, time will re-

a i^
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a cor,
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ro, ah t'a - me ro, 10 spen-tajin-

more, ah, oh my love ,
though thou l'or

n'ho, me scia- gu - ra - fo, ri - mor-so io nho, n - mor so

morse, a his! her re-membrance I stili must a dorè, oh iny re -

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n'ho, ri - mor - so n'ho, ri - mor- so n'ho, ah si, che le - ci! ne seni cor-
morse, oh my re - morse, oh my re - morse, oh 1 have lost her! hopeless of
PP

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(Vllo &C.U.
14400
 j

190

da lei pcr-ao-iio più non a - vrb!)

pardon, deatliwonlilbewelcouie, allhope is -AfoVr^

BE i i
cor, fa cor'._

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351
S^ f • P
pian - to die ti non - dò!
^or - row, tiine wilL re - store!.

f U
(Oermont leads ~off his son,foUowed by the Baron. The Doetor and Flora eonduet Violetta a-
disperse. way; the resi

^
w 1

1*400
* « • =5=

End of the Second Act.

 Act III.
[
19i
Vìoleftiì's brdroniii. curtains half-drawn at the baok; windowoloscd by shuttcrs; oi' a smal) fable
A bed with
by thf bed are a decanter with wafer, a ^dass, and various medieines. In the eentre of the stage is a toilet-table,
and beside it a sofà; other furniture; a nightlight is burning. There is a door L. IL; fire is in tlie grate.

N9 16. "Addio del passato.,,

Recit. and Aria.
Andante. (J; 66.

i^^À^^^ bf H^^i d J J
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Piano.

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(Violetta discovered asieep on fhe bed, Annina seated by the fireplaee, also asleep.)

o
WSe
i
« U
m
dùn.
ppp morendo
o
m ìé
^ Violetta ^waKing.
vioieiia (wakine:.)

^fe
,

ì^ t 7 t)
F F F
^ JU> I J^
An-ui-iia! Dor-mi- vi? pò- ve - ret-ta!
An-ni-na!
Poor maid-en! you were sleeping!

^^
/O
I
Annina (rousin^ herself.)

Co -man- da- te? Sì, per- do -

Did you cali me? Yes, pray for-
a
r^ Recit.

(
m
(Annina obeys.)
4' 4 - [
p ^^
d'ac- quaun sor- so.
Dani-mi d'ac-qua
Let me bave some wa-ter.
- i ^
Os-
Look
j-)

fe m EÌEE
^

m
na- te.
give me. I
Ti

^^
^ f f
f f _

^
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14400
* i -e-
O" 42-^

9^
^
 193
Annina. Violetta.

ser-va! è {jie-nqjl gior- un? Son set - t'o - re. Dà ac-ces-sojijjn po' di
yon-der, is it not luorningV Eiglit has sound-ed. Letme liave the \\iii - dow
ffi
i

(Anilina oprns the shutter.s, and looks out on the strrct.)

Annina Violetta.

^ .''l1.ì
- V ì' }i i' J^ fei'
hr ' P
^'
P
lu - ce. Il -gnor di Gren - vii.
si Olijl ve - roa-
- pen. 'Tis the Doc-tor be - low. Oh friend true-

%^-- % j i
m \ \r?

^
\

u 19
9
P-
9-

(She essays to rise, but fails- then, supporfed

^
by Anninaj n;nes slowly to the sofà; the Doe-
tòr enfers m time to assist her to se;it herself.)

h ^\^i t^^ ì\ Ili'

p^; r ip
mi - co!_ Al -zar - mi Vo ma - i - ta.
hearted! I \i.ish to rise. oh lielp me!

Doctor (feolinij her pulse.) Violetta.

tà! pen-sa-stea me per fem-po! Sì! Co-me vi sen-ti-fe?

sen-ti-te? Sof-fre_il mio
mi
friends! ah, do you bring me com-fort! Yes. Doyounot feel better? Yes, spite of

S :i -

m
121400
12^21
 —
194

ih })i.h }i ;i
r.
^'
1
^^'^' ' ^ ^ ^ p*"? i
v~tt^^^
cor- pò, Jiui tranquil-lajio Tal-ma. Mi con - for- tò ier se - ra un pio mi-
faintness, for niy mind is tranquil. A heavn-ly con-so - la - tion hathdawnVl up-

PP

S fe i ^ •

^'à} J-
ni-stro, ali!
on me, ah!
re
P

n;iup;ht else
-
j
li - gi - o-ne è soUie-voai sof-
but prayereanrelie\>' the suff ring
J^' ff-hJi i
i.J'jir^^^^
fé - ren-ti.
sjìirit.
Doctor.

E
^que-s(a
Have you been
'±
È ^
— P—~—0-
\t
S¥^ p
S
0-

Violetta. Doctor. ,

not - fé? Eb - bi tran-quii - lojl son - no. Co - rag-gioa - dun-que_

sleep-ing? Yes, I this night slept sound - ly. Then have good cour-age;

^^:
S Se

^M la
now
#
±
con -va
n-

be sure your
-
:t
le - scen-za
- za non
lion
ill-ness will soon
è lon
fon
be
- ta - na.
fa
con-quer'd.
^^ Violetta.

Oh!
Ah, tho'
la
my
bu-gia
^m
case
pie
were

ft
S fe

fe flrlr
%
fo - sa
hope-less,
ni^
7 ^^'
ai
you
me
^^
J'

-
J^
tf/'

would
di -
,J'
jfJ;
eie
^i^
J,.
con
to
I

-
\r
ces - sa!
eheer me!
i iJ'
"--^^^

Ad
Good-bye,
^
Doctor. (presses her band).

- di - o,

now,
^^2
fc—

a
till
ft

più
this

m
stili trj^

^
l't'lOO
tei:
 19S
(Exit Doctor, Annina goes oiif wifli him.
Annina (in a rapid whisjuT.i Doctor.
Violetta. ,
^-^
:^=ft
:?==2
tar-di! Non vi scor-da-te. Co-nie va, si - gno-re? La ti - si non lejic-
evenins;! Do not foraet me. Is she really bet-ter? It can but be a

O
S
iKxif) Annina.

n. T r
cor - da
F
che
rpò -
^>

che o re.
3E5:
; ^
l
- Vi'
Or
i' liJ'
fa - te
few hoiirs ere ali o ver. Be of iiood

m
is

iiij KÌM
m rìZit.

-M^
^
^»-
4.
=^
{ ^^ 7?~^

Violetta. Annina.

cor. Gior-no di le-sta_è

le -sta è questo? Tut-ta Pa-ri-KÌ
Pa - ri - giim-paz-za _ è carne-vaie,
im-ijaz-za_ car
cheer. Do I not bear re - joicing;? Yes, 'tis the time of inasking, Paris is crazy.

iSE m^
i^
S tm-

P^P
Violetta.

SE
Ah
\h nel co-mun tri-pu-dio, sa
sal-lojd- di-o quantijn-fc-li - ci soffron! Qua - le

Ah,mid thethrong of pleasure,manj/ji mournersi-lently bears bis -bur-den! How uiurh

fe UE ^ 3rr
\

\m fe
-o-
^1^
J'ilii_;i'[^ ì
j^'l.
sonmia vh;un quello sti-po? Die
p.
- ci
p
ne
P' p,^
re - caji' pò - ve-ri
P f^ tu
money is in my drawer? Ten thou shalt pive thy-self un-to the
^Annina and

^
(njii'ns coiints.)

7* 0^
^^ J> l J)jW
Ven-ti lu - i -gi.

^
But twenty lou-is.

^
196
con dolore

-y ^J^
I
Ù I
j)

stes- sa. Oh mi sa-ran ba - stan-til Cer-ca pò -scia mie

need-y. Oh, 'twin be ali - suf - ficient! Go and see if a
'
P p-
P P F I
i;<
Po - co ri - maii-\i al- lo- ra.
Lit-tle will then be left thee.

SE 3^^S
^ p
(Exit Annina)

ài'p- Ji j'7 : j- i'^J) | J t''p p-

^ p ^f |i'~r < Ite

^
let-te- re. Nul-l'oc-cor - rà, sol -le - ci - ta, se può - i.
let-ter's come. I shall be safe, ah hast-en, as thou lov'st me.

^^^= T
i j)

xMa
è
voi?
\

^
But you?

i h -

^
'^-l!\. i ^ -
^f

(Draws a Ictfer from her bosom and reads.)

W Andantino. (•)= 88.)

(In a low voice, Teneste la prò -messa— La disfida ebbe
Il» VI.
but intime.) '
}o//hnie ki'pf iju/ir promise- the diiel took

V^ £ 2^ VI., 2Vio

^
i'ChIIo, 1 C.b. fi

luogo— Il barone fu ferito, però migliora— Alfredo è in stranio suolo. Il vostro saeri-
jjfiiee- ffie Baro/i iriis irninuled,hitf ke l's recor'ring: Alfred l's in a foreigit land. I hnre myself

14400
^ l'izio io
rcri-dled
stesso gli
i/mir
ho svo
snrr/ficf
- lato-
la liiiii.
Egli a voi
Ile irilì r>'
tome- rea
-
pel suo perdono;
tu ni In iiiqJurc ijdiir /iurdaii.
io pur ver
I tao
-
197

rò;
slnill

^te
(in a hollow voice.)
^^
ss Cura+evi .... mertate un avve - nir migliore. — tìiorgìo Germnnf.^, É tardi!
ciinif. Tdkr curi iif ydiir licdl Ili- (Uidlnist in a /«//y;y ///A/ /v'._ George Germont!' // is lutt!

(rises) (looking at herself in the mirre

r h J ^^y, j)
At-ten-do, at
I
J ^J)'/r ii ii i^
ten-do,
- iiè^a me
giun-gon nia-i!
J) I
J' li -
\
\\ p
Oh co-me son
^j niu-
iVe trusted, and waited, but a-las, he comes not! Oh,can I be so

TT- £ee:
xr
i
S ì^
-o-
^- w^- 3
ta - ta! Ma il Dot-to-re
Majl Dot - to - re à
a spe-rarpu-re
s'pe-rar pu - re m'e -
i t=i:
sor-ta!
ir «1 —

Ah, con
^m tal
al-ter'd! But the Doi'tor said that soon I should re - cov - eri Ah, but this

4 f3. tf

3
Adagio. Andante mosso. fJ- = BO ) dolente e pp

'i

^
i h\
mor-bo
lor-bo ó - gni
e:ni ^peranzae
speranza è mor - ta! Ad-
faintness tells plainly ali is hope - less. For

^
14400
# ^é ±±1
^ f y^n f ^- S: litit
 .

198
legato e dolce

i} pJ^-^ i
p r" ?£:L' i

r r~r^^i^-^'isì
di- o_ del pas - sa - to, bei — so - gni ri dea - ti, le

ev- er. I_ must leave tliee, tbou fair world of sor - row, Mv

m s ^^f^
ii=t ^^
3 ^ ^^p ^ -^^^r ^ y *ì

às
P r p iffl»
I

p r ? &a' I

F r r
U
j*^^^ ^E

W
ro-se del vol-to- già so - no jjal - leu - ti,- l'a-

^m
roses ali fad-ed no sun-light can bor - row, The

"mi
^
^ *ì
\)
y y y y

m ^ i ^^ * ^ y y y y

(?o« e'i'jo.

nio - re
£
d'Ai - fre -
r r 1
do_ per - fi
1
r-
r r
^

no_ mi man - ca,

m coii-for - to, so-
hope that sus-tain'd me, a - las, now" hath per - ish'd, In vain are the
Fl.Ob.&fl. ^ ^

m
2V

i^
dolc/'ss.

t=ii
JL M.
F
U
Ct^tJ^
il! i

^^
l- ìi} \
/ /

i
u=M
OJ OJ

ste -
ine

gno
:t

dcl-l'a
^=P=F=

ni -
ÈEÌ^
ma stanca,
^P con -

^
dreams that so fond ly I eherish'd,^ I'm_

#« ^ ^ i
F^^^F
|>f| | :
ttA p é
^^ T^
pp
i=li It
«t<e A *— w-
3
IMOO
 ^

199

M
do - na, tuac
S
- co
^^ é
gli-hij3 Di - o!

^
lent - less, there's mer ty in He;iv-en!

h fdr^rTg^
É i.r
gS
M^
,
i

^m
I*

p ^^ J-^
y y |) y ^^ 1
P
7 ^
allarg. e morendo ppptin

fr[fv rrr r li'

r rfr
Ah!_ tut- to,^ tut-fo- fi_ 111, or tut - to, tut - to fi
Ali!_ for me now all_ is- o'er, for^ me, for me now ali is

J-l g% 7 7 ^-r ^ 7 7
^ 7 T ^ T
I |
j;^7 7|jj;7
l
I parte
[

^^
co//fl'

SÉ y y p ^ y
-

y y r r r= 1 f f —-»— è -r-r- y y
f
I^HOO
 -

?00 /;/ di voce

dolente e pp

^ ^
legato e dol.

^
''
1 j -
>
j
l
' ' ' I
r

m
Le gio-je, i_ do
With plea-sure and with

rrrr'^^ ^ 5=t 1
tt f
*!

^'

^^ ^^
* pp
7 j)f i^n y l tei 7 7

P
Io - ri
T'f &^ip
fra pò -
r
co.
ptfj?-^
a - vran
i ^„^'F
fi ne;
i^'

la tom-ba
i
^
ai_ mor-
r"p
—
^^
m
sor- row a like I_ now bave end ed, The grave \\ ili— soon dose
—

^
yt y *
f fr^^
i
r- *i

tn
) ì

ttt I
-y — r-
y y

m w^ y y

o'er
pr
ta-li
me,
"~T

p&££j'i
y^

di
un
p¥^^è_;;;ì
tilt -
wept and
to.
un -
con
be -
-
i
j.

fi
friend
/^p
PIA ne!
,]
,

''
Non
.
i r
la
cross
Fl.ob.£ri.
-
n
con espress.

gri -
or
ma_p
a

fio re a vra la mia fos sa! non ero ce col

flow'r shall not mark where they lay me, No sign to the
\ A Al*
fssa
» * « «

H
« * t-^t

J/uLfiJJ LU iSJ

no
scorn
me_
of_
m che
the
co
world
-
s
pra_ qua
shall be
- st'os - sa!
- tray
tt
me!
7 y

\ *

i\' .[1j \-
llf

##
\
. ,

s y=ii
14100
 ^
201

-^
r^
-^1-^r-
^^
Non
No
ero -ce,
flov\-er,
i ^ y ^ E/' I

r
fior!
cross!
^r-
Ah!
Ah!

^w
!

| >: . «f f r U
e«
?I
del - la Tra
5
via- fa-
P rrrr
sor -
M'f
- n -
F
di
^^ al_ de
yoii - cUt niy- er - rors inay_ Vft bf. for
 r
203 ^1
NO 17. Largro al quadrupede.,,
Bacchanal Chorus.
Allegro vivacissimo.
SOPRANO.

^^
A
Lar-fi'cTal
S
qua- dru -
^
pe-de air
i=3?
del - la fr - sta,
^^
di fio - ne

^^
TENOR Lo, wfipre tlie pride of the peo-ple ad vane es, Crown hirn with

S3=t
-

Chorus.
toutside.)
or ?rT-7 ^^^^ S^ P^
Lar-go^al qua dru pe-de ~zr.

^ ^^ É ?^
- - sir del - la fé - sta, di 110 - n_e

^
Lo, -where the pride of the peo-ple ad- vane - es. Crown him with
RASS.
ff
^tì 1
Y"
Seì^ ^^^y—
AlleH"ro vivacissimo.
% k k

Piano.

J4400
 203

1
if '
" 8
gi - ni,
^^ da - ta
r F
pas-so
r
al
ff

tri
i rp
-on-fo
r
del
p
Bue gras
r
=fc:

-
rr p
on-fo
so^al tri
f^ del Bue

^^
fnt-ted bull pass the faf-ted bull

^^ m
ri-sians, quit yoiir lious-es,wliilp tlie is - iug', is

r^w gi -ni, da - ta pas-so al tri - on-fo del

^
Bue gras -
#é:
so^al tri !
on-fo del Bue
ri-siaiis,quit your pass - ing, the fat-ted bull is

m
it^

é "'
f==f
vi- dell
t

can boast a

J ì
^
più Quel-Io,

^m ^tì ^m^^ i m^
i
fi - ner.

i
van - toed or - go - li - o
^^
do-gni ma
Pride of the slaugh-ter-rer, Joy of the
^ i
SEè
rei -lo. Al -
di- ner. Come,
^ >—
le -
mer-ry
\-

gre

vi -de il più Quel-Io, van-toj'd Or- go - li - o do-gni ma -lo. Al - le - gre

cali boast a fi - iier. Pride of the slaugb-ter-rer. Joy of the ner. Come, mer-ry

9ES ^^^ ^^ é ^^
F^ ^ ^=H V V
laÈE^
=

^ :^£
«7

o ?^
14400
m
r r
i^M
i m ^ m
pp
^4^=U,
 >
204

m niasdie - re, paz - zi gar - zu - ni,

*
r
;ut -
tut
M
ti plau
ITdi
-
^
-
i' J
te - Io con
^ canti_e

^^ ^^i
masked throne come, lads and lass- es, Fraise him with dance and song-, shout as he

m tì
=9=
EÈ
masche - re,
^^^
paz - ZI par
Ì=É ^^ ^

^
zo - ni, tut - ti plau - di - te - lo con cantile
masked throng, cóme, lads and Fraise him with dance and song,

^^
lass- es, shout as he

^-tr^iT ^m ^f=M
-li
È

^^ ^3E* f ^ l
't - rr

s ^•—

lì
^ ^
é ii • (T
g^i^

suo
pass
ni.
es!
^
^^¥# ^

^
Pa-ri
Come, Fa
'/
^ r
gi-ni,
F r
da -te
F I

pas-so al tri
r

risians,quit your houses,While the

F r M -
r
on-fo
r
fat-tedbull
del
p
Bue
is

mi suo ni.
^^ Pa-ri
Ff
ni, da -te
gi-ni,
ffir
pas-so al tri
p r piron
on-fo
- f
- IO del Bue

m
pass es! Come,Pa risians,quit your houses,While the fat-ted bull is

m 3ÉE5 f ìTf fif f f ^ f f f f

il
2z:
m i
/ir--

^ i

i P e£* ^PF# $ fct ffUi' ì

i'i
''*'^
gras so^al tri on - IO del Bue grasso, al tri on Bue
-fo del grasso!

^^ «
-
pass the fat-tedbull passing. whiJe the fatted bull is passing!

^^
- ing-, is

$ so^l tri on - IO del

Ipódel
É
Bue
r^
al tri on-fo 1
del Buegtasfeo!
vi i

ing, the fat-tedbull is while the fatted bull is passing!

^^S i
14400
velociss. scivolato

m % U i yji
/O
y
 — -
- ^

i
'
M !J f ^ i è T iè i i
205

^
\

dm -

mi
Lar-f^al qua - pe -de sir del -la fé - sta, di fio-rij» pam -pi - ni

p^
_
Iaì, where
i.'here the 'pride of the peo - pie ad - vane - es, Cro^'n him wju fcar-lands,sur
im wjth
^=2^

Lar-go_al qua dru - pe-de sir dei-la fé - sta, di [pam-pi - ni

fio-rij^
Lo, where the pride of the peo-ple ad-vanc-es, Crown him with gar-lands, sur

^^ m
^^ è ?S^ E5 ^^ i 1^ f^
is
± i ^# M ^
m^ rt 1» — #=# t
g # #

^
I»
fcs^

m M=tE
(in - ta la te- sta;
HN^ ir

lar-gojil qua dru -pe-de del -la

sir
fe^ *=i
fé - sta, lar - go,
É

^m^^m m^m
round him with d.inc -es, rome,lads and lass-es Ali, shout as he pass - es, F raise the
Xf
4Ì11 j
ein-ta la
^>j-
te - sta; lar- qua
g-q_^al
£
dru-pe-de sir del - la fé - sta,
i
lar - pò,

'J^h
round him with danc-es.

}J>
MÉ^i
Come, lads and ss-es AH, shout as

'^
f HK
he pass - es. Fraise the

é^m
J
fj \

14400
206 N9 18. Parig"!, o cara, noi lasceremo.,,
Recit. and Duet.

Allegro assai vivo, (n = 108.) Annina (with hesitation. Violetta.

Voice.
4E
(Enter Annina hastily.
^ ^p
Si
Oh
I

-
r
gno-ra.
Madam—
r i
H
Che tac-
What has

^ ^S é K^ i=
if: ^:
^r > q* -^
Piano. -

^ ^m PP^r

1=3=?
0-0-0-

f^T^
m rm i •
:fEF ! £^ [lELJ
Annina.

f i
--F
i r r ^ ^'MT r -i
I
.
b-
^
[
-1^
cad-de? Que - st'og-gi, ve - ro? VI sen - ti - te
happen'd? I left you this moming strengtli-en - ing and

r^
^^
3 n\ r*h ^ l

w
P- '

P-00-^

Violetta. Annina.

r < i r
ma m

^^
ijie-glio? Si, per- che?
3er-chè? D'es-ser cai - prò - ùiet

hope-ful? Yes, \^hy so? Will you prom - ise to be

:^
rr?1
^^ ^^fe *
K
-y-'^ ^ ^^^\@^ & m
^
\
\

Annina.

ì
Violetta.

'
5
r r' t'

^
te- te? Sì, che vuoi dir -mi? Pro - ve - nir vi
tranquil? Yes, v\hy, I praythee? Ah, I carne to

^±
m^-t* =!±
*ì-
*} ^-
r"^
s •.•H-rì\\
*
S r^
\

*
r^ \

^ ^ S1^ \
'

liif di
W
Violetta

^
J J i J-')|J- J- J- J' i r g I r r i
vol-li_ u-na gio - ja im-prov - vi - sa. U - na gio - ja! di -

teli you ofan un - ex-pect- ed plea - sure. Of a plea- sure! what

r^^ m È.

m ÌSS} S!-S^J^
?

J4'400
\

di^ mcl^
 207
Annina. Violetta. (Anilina nods afi'irmatively)

F r r rpfr r ' ^p i
''r r 'p p pi"r r
^^=^
ce - sfi? Sì, si-giio - ra_ Al - fre - do! Ah tini ve - de - sti! Ei
say youV Ali,dearest la - dy_ 'Tis Al-fred! Andthouhastseen him! He
ii*:-
At:Mt:Af: M.'^f: f^' ft' ft:

vien, ei vien! t'af-fret - ta_ Al - fre - do? A - ma-to_/\l

Comes, he Comes, oh has-ten_ 'Tis Al - fred !
dear- est
Alfred.

ì P P P-

Oh mia Vio
Oh my Vio
j**- M±- M± # %•
f^-ff' f^' ff ff f ,Jr ff' ff'ff' f
J^ Ls
'''ll^^^ \

SH^\§^i^ \

3em
r r^riif i
t'
r r^^ r 'r
i j' ^^ '
tì @
do^a-matoj\l-fre-do^a-ma-to_Al-fre-dqjphgio
fred, oh my lo\e, my love, my dearest Al

3r^^f tó
i^
^
rT^ri^r j^ r-fi i^ ^

fa^olimiaVio -letta, oh mia Vio-Iet-ujJh

-let-i^j gio
- ta, oh my love, my own belov'd Vio-let

3SEE; e
tì
Str. S
»»
g=?=^ m
tì

'Tis
Io
s
so che al-
ali fo~r-

'^~j i .;>;) J'htJ p- p.

i^
^
ja! Col-pe - voi so - no, so tut - toj3 ca - ra-

^^ ^
ta! Oh love, for - give me, what hast thou suf-fpr'd_
:tf

pp^< V T l" jT'-f-j>-'J'- ^ \^i'ti' i

mi.
-m
14400
p^ M p -^
p ^
p ^F ^ p ^ F^ p^ J^^
p
' ^'
208 r

Alfred.

*ft
m J''
|1
p
I
^ J ' J' J J' l il^- ff r-
f! F
'

fi - ne re - so mi se - i! Da iiue-sto pai - pi - to, s'io t'a-mi_iiii-

got no\\", in thy re - tnrn - infi:! Oh, by this beat - inti-heart, learn ho\v f
À T^ ^ JH £ h ^
j) y
f r^^
7 y y J^^ j) ^ J^ 1 ^ j) ^ J)^ J) '/
J'
P *• »

A
m^. p
^ J^^
p
^^ p r ^ ? p r [^ ;t± ^^^
^ m^
Violetta.

^ìi"^ ''r f ff^Ti f^ ÌÈ

pa - ra, sen-za te_e - si - ste-re più non pò - tre - i. Ah s'an-cojn
love thee, no powV in Ileav'n orearth from thee shall move me. If I was

gg^
ftV-f Ji. ^):
^^ I
V
^1
, ^>. j' V
j^ I
,
j>
:

I r^
V-"/» ff
T
i'-'J^ y \

y jiyy II -

f^^^
^ vi -
f
ta
»p
m'hai
p
ri -
M
fro - va
I
'

-
^^
ta,
^i==:i
cre-di ciiejic - ci - de
i - re
^^
nonpuMldo
sjjard till this blessed nieet-ing, l'il not be - lieve that now I am to

jV» ^^j'-j'^ p ^5
^^
^^ r^ i ^ jn^ '
'^

'i-% j)^ P - ;;
^ T^ j) ^ ;^
••

^
Alfred.

lor. don-na a - do -ra

Scor-da Taf - fan - no, don-na_a - ta, a me per-do-na ealce
per-do-na_ej}lge ni-
- ni-
die. A-way with fears, love, that \\ ere but fleet - ing:. And oh, thy par- don not de-
A
^^^•44^n j^^ "w¥^m
k k
4^
k.
->h ih J)f4)f^)
^
#
yMf)
J) ^
itti
,
1^ J>'^ d' I y4''^i>

% >Pr ^
7- Ji^= >r^y j) y
,
1
%i
I i^l'yj) y P J>[^> >/ [^-/

m ^
Violetta.

TT-n^ ^^fc
P? -hr—h
tor. Cliio ti per-do - ni? la rea son i 0; ma so-lo_a-mor tal mi ren-

^ ny.

j)rj,'rj'
Si)eak not of par

r
Jl-'j'-/J^/
- don, I err'd in lov

j^
•'
j^hjV^^L^
ine, none w as to blame but on

IjUJ^Ì-zJ) ^g5
- ly

y % >Fr> ^ ^yy P 7 ^ ; y ^£ ^n p 7 j; » P 7 >p7 >p7

l'tlOO
 —
b 209

n r^^^ ^
Alfred.

Ée j^ r- r I
EÈ^
"T r ^

de. Niil-luo - mq_o de - mon, an - gioì mio, mai più di - vi-der-mi po-tra da
I. No fieiid 01^ an - gel shall have pow - er, oh my on-ly love, to part iis

4 '''j"j'' '
i'^V'i^^ '
à'jY t t ' '^t ^VH 't t^^
y^v
'-
Cor. &

p
7[)t
F:i<. .-u.,*.ii]

I
J>[7 7
J-j?;) S M
y-^^ j) y J)7 Jj f ^^
Violetta.
jj
• •
1 Mf
I

:£
pf p l

?p j ? r r
Nul-Fuo - mqj) de - mon,an - gioì mio, mai più di- vi-der-mi, mai
No fiend or an - gel shall have pow - er,oh my on-ly love, to

^^
:tf
Alfred.

te. Mai più,_ no,

now. To part US,
FI. Oh.
&rl.r. tr
# #• *:_
:E ;_ 1»^ it ±.
J^^l
^^
:tó
|B_tJ

i
m^^ ^
^i)f KJ^Mìf

rf^4?rtf ##w ^e fe

^ no,
pili.,-
^1=^
! 10,
ff f np
no, no, no, no, no,
F

mai più
f =^
da
^ te.

^m ^m
part US, ah, no, no, no, no,naught ean ])art us now.
,o
ii
'f^ r [j
-^^
it
É 1^
i
mai più,_ uo, no, no, no, no, no, mai più da te.
to part_us, no, no, no, no,naught can part us

m
no\\-.

tì^^1— # ^ m—. — \ I *xn i« *v»-

:t=4B
—

^ ^¥# ^ TiiHi

« S-Sfi-

*s
^ ^ Andante mosso.

K
(J)=ii2.)

Émm
^ m
PP Woorl
^s^m
tèe
fete ^Sh''i>;i ,
m m
J

s^=^
^H
.V Psìt. pi../.

^W^
£L O.
"n~ lmr -y-^r-
-
; y y i -y^-r-

l't'imi
 t r r

210
dolcissimo a me^za voce

'a- ri-gijO ca - ra, noi larsce-re- nio, la vi-ta_u-ni- ti tra-scor-re-

Fariromthe bu sy throng' Iwill guide thee, Naughtt'romtìiishourfrom thee shall di -

M
-

;*^^ stncc. sempre^

11:5=

^ ^ ^fe ^P
pagf
B *y ? -T-r v' 7 /
i r-*^- ^
-"?
— -h-^
p "7—r-

É re - nio,,
PP S sijif - fan
cor-sijit-
de' cor-
Pastdays of
s
-
=^
ni
row
^
coinpen-so^a- vra
no more re- inem
2:

- i, la sa-
tua
tUé
Thyhealth re-
n

m
vide me, sor ber,

^
- -

w=^ t^
7-\)'& P •/ 7 ^ t—
g
^r^
-T-r-

:/.
;
^i—
7 •?

P -T-T- p 7 7

s feSE

lu -
p'd/Tp J.-'^r^H
te ri - fio-ri -
i

rà. So-spi-r(ìe lu - ce
i
r v 'fp
tu_nii
i
F
sa - ra -
m 1,

turn-ing, ne\v-ly shall dawn Life,homeand trea-sure are_\viththee on - ly,

tut-toil fu - tu-ro nejirri-de . rà. a-ri-gijP ca - ro, noi la-sce-

Radiant the morrow beckonsus on. Farfromthe bu - sy throngthouwilt

^^^nra i M
^& ^
-7

i ** **
ì
à ff^ - r 1 i2=5: I -f—7- I i5=2i

S
fa^^^

re - mo,
no, la tau - ni
vi - t<yi - ti fra- scor- re - re - me,
mo, del_J5or-
del_J5or siaf-
^
m
guide me Naughtfromthis hour from theeshaJldi - vide me, Pastdays of
Alfred.

-r-T- i

^
Yes,

B>^=r
m i»—W» m jr^r
7-\i\y p 7 / •? •?
itdt
p ? •?
È "?-r S y 7

H'iOO
 211

fan compen-soa-vra la_ mia sa te n Ho

fio

m^m m
- ni - i, - lu - ri - - ri
ri

m
sor - row no more re - mem - ber'd, My health re- turn - ing, new-ly shall

^p
^^ -^^-r- i V y
p -^^-r-
i y y y y *! y

ra.
dawn.
f<

\^
So - spi - ro_e lu
Life.homeand trea
P iMfrtQ-p
-

-
ce
sure
tu _ sa - ra
nii
are with thee on
P i

Q -
- i

ly,
,
l ^g^p pT
tut-toil fu
radiantthe
I

- tu
morrow
- ro

ÉE^
A l fr ed .

-y-^ -t—r- S
\rài-y-^y-

^m m ^ m i m m
So - - spir, lu l
.'e sa rai.
With thee on with thee.

m m i
ì5

pfff
F ? F-^
I y y y -^-^y- è

^^
leggero e stejit_

^^'ir^p II .J' ^ ^
ne^ar-ri - de - rà. De'cor-si^f-
beck-ons us on. Mydays of

w Pa - ri - gijp
eri.o ca - ra, noi la - sce - re - nrrtio,
Far from the bu sy throng I will guide thee,
coìi anivia

\
i ^\}
fan
^'•'p
- ni
^p p
compen-soji - vra - i,
'ip
tm
tut-toil ere- a - tonear-ri - de- rà.
^p p \ ^^ '? ^p ^p p I
J) y y

sor - row no more re- mem-ber'd, my health re- turn- ingshalldawna-new^

14400
 1
213

vra - j, tut-toil fu - fu - ro nejir-ri- de . ra, de' cor_ si af-

mem-ber'd,myhealthre - turn. ing^ shalldawn a - new, my days of

^ "

fan
sor
U' -
-
r
tu
row
'
\
y'

no more
ààÀ
^'^-J"^ -M'^ F7
coni-pen-so a vra
re
mia
-
\

- - i,

mem-ber'd,myhealthre
la
p
sa
l

-
-
-
£i-^'i-
lu - te,
^y
la mia sa-
turn-ing-,myhealthre-

j h''i> ^ l^ 7 1
kM \ ^ \^ \i ^ I
k
-Li' ? P ^M
com - peu-soa - vrai, ali sì, tua sala - lu - te, tua
la sa-
shall be for - g-ot, ah yes,thyhealth re - turn-ing,thyhealtlire-

S^ i\^h fjfp M^^E^

1
'
I
i
i r i

^^^ ^
i

14400
 —
2Ì3
e

fc 7 7

lu - fé fi- rà;
ri- fio- ri - ra, ri -fio - ri
turn-ing shall dawna-new.shalldawn a- new^^-

&kr a^nYlu - te ri- fio -ri- ra.

7
Pa - ri - gijp
f p |rlr>
ca - ra,
I

i
F'^P
la - sce
noi
P

tiim-ing shalldawn a- new, Far from the hu - sy throng I will

m '
p ^if ?^ g
leggero e stent

de' cor-sijif- fan - ni com-pen-sqa - vra - i, tut-tojl ere - a - fo near-ri-de •

Mydays of sor-row no more re - mem-ber(i,myhealthre - turn-ing shalldawn a

^^^
ra;
y r
P^ de' cor- siaf-

M
new; My days of

# r
vi
I
cTlpp
ni
I r^ JP^
tra
'

scor- re
^
la - taji - ti - - re - nio,
Naught from this hour from thee shall di - vide_ me,

14400
214

t *f

fan - ni compensqa-vra - i, fut-fojl fu - near- ri - de

tu - ro nejir- ae-rà;

^ ^^
sor- row nomorere-mem-ber'd,myhealthre - turn- ing shall dawn a - new,

mfe*£ noi tra - scor-

£
-re re-
=
-mo, de' cor- si_af-
naught from thee di vide me, thy daj's of

m»^r^ fan
sor
de'

-
cor
my days of_^

ni
row
- si af

com
shall
-
^p ^p

pen-so^
be for
-

-
i f
com-pen-soa
no

vrai,
got,
more re -
- vra - i,
mem-ber'd,

ah
ih
-^

È
sì,
^
la

la
mia
my health
^

tua
yes, thy health re-
sa-
re-
--

sa-

lu - te, la mia sa - lu-te ri - fio-ri-rà, ri - fio- fi-ra, ri-fio-ri-

turning,myhealthre-turningshalldauna-new,shallda\\na-ne\v, shall dawn a-
PP

lu - tua sa - lu-te ri - f io
te, la • ri - fio - ri-

turning,thyhealth re -turning shall dawn a-new,shalldawn a-new, shall dawn a-

Oh.&fl.

14400
 . ^ —
815

p
-, ì \ ìjìpfr^^m
PPP
t^'^ pp "g ^ o

^
ra. Del corsijiffanni, de' cor-si_af-fancompeti -so_&-vra - i,
- ni
new My_ .daysofsorrow,mydaysof sor-ro^^• no more re-mem-ber'd,
PPJl -^^
\^m^.—P—•
\}Pm •—F-F-ft
P—R
f^PPP. •
^ P
^ p p m
ft p •
ff
l£\
-^—
ra. De' corsijffanni, de' cor-si^f-fan - ni compen-so_a-vra - i,
npw. Thy days of sorrow,thydays of sor-row no morp re-mem-ber'd,

r\

M!*
fi jvjajUiiihJ^iiJ|J'''^'V! ^k^^'^ i*
de' cor-sijif-fan-ni compen-sqji-vra-i, la mia sa-lu-fe, ah si, ri - fio-ri-

mydays of sor-row no more re-member'd, myhealthreturning,ah,yes,shalldawna-

p])' TffJhjna Ji jzj>

^^7J^^,
^ P Jhi'
^
compen-soa-vra-i,
de' cor-si^f-fan-ni la tua sa-lu-te, ah si, ri - fio- ri-
thydays of sor-row no more re-member'd, thyhealthretuniing,ah,j'es,slialldawna-

& fei

ra._
new.-
s
Alleerò.

Ah,
Ah
J)J .J)| J >
non più_ ajin tem-pio. Al- fre-do^an-
no more, oh come, love, and let us
ff
^
O
m ra._
E

14400
 #

216
(falterinff.) Alfred. Violetta.

-mo,dél
dia -Ilio, iJel tuo no grazieren-dia - mo.
ri - ter- rio 'Au"iP''Wi
'Ai inipal-li - di-soi!
di-sT^i! È
Eiui
nul-fa,

^^
bothrendertliiinksto Ileav-enfortliy re- turn- ini;-. Ali,\\hy so j)ale,love? 'Tisnotliinp

inr iiiiiè 1 iiiwi ^

^^
i i

>J=
^ ^tì g

sa- i!
,i —— ,j ^

iiio-i;i_iiiijjrov-vi-sa
notbing;t\\as of-tpn tollnie,
5
non
1,11 lin-fl-.l
eii-tra
that un- ex
KlTl
nia-i i
sbi-za +..«
C-T.., ri..
tur- !,..„ 1„
bar-lo,
^
,-i.
in
„*„
me-sto
- jjfitert Joy af- ter sor-row ean scane-lie

m^§^
I
l?!?:
fi iwitéi Éiii

^
=<L=|: JÉ É

^
ìfiitiài 9~

m 0LJL

^Èm
*$t *pt=t
B ^
M-f-M-

(Vii)li'tta sinks exhausted on a fouch.)

^ ^ '
^

=fe
:p p p 1
?^
co - re. KJlniionia- Io-re! fu de-bo
de -DO - lez-za.
berne Nay, be not anxious,'tis but my weakuess,
^ I
^
(with aiarm,
Alfred, \v,-nn
Miireg. alami, siisTaimiig; ner.)
.sustaiiiinp:.her.)

Gran Di - o! Vio-let-ta!

#^' ti ii
Oh Heaven! Vio-let-ta!

i-tWP ééé é 4 — ^ m l i ti f jf i lif

"fW^
M ff
^^^^ rrrrrr r r b ^rrrfrn^
Violetta.

cDmmxrm/
!4400
 — !

Alfred. Più mosso. 217

^
(with fffort.) 'dcspairiiiKly.) Violetta.

'],'
f- i -ri'P' nJ -igr ' i^'h^T |,j ! 7JiJ;ji i -/ji

di" sor- ri - do_ (Alii cruda sor -te!) Fu nul-la! An-

fui and smil - iiig; (Ali,cruf'l for-tuiit'!j 'Tis over! An-
\f. h (V
^^^ ri^ft,>- mm s :^^ì^
S N V

t t t t t t t

\'
m liJJ-^
\^.

i 1 i -

Alfred.
s
^^^m
I ll'.& Vtt,. -^ii^t..

:
-r?-z
ih^ A:

JiJii
3** -(T^^i |
J !
•>
|
.j.iaJ.' )jii|
t 7
A -des- so?

^
ni- Ila, daruniia ve - sti - re. At - ten di!
lit-lp me to dress now. Not pray

tm^^ti'iWWW^
ni - na, yet, love, I the e.

1 ^j ? j) )
•? =^ì ;7 J )f

g= ^ ^ ^rrjT-Y ^ 1
vi ^
P^ rp
-
V' K 7 [
</.. 7?
h*? j k. 7 K*/, 5=t5-=v5-fì^ 7 K7 , ,
^g-b!£
f^
Violetta, (risini;.)
'''••
-
^5 ii
J >
! n'n-r
No! vo - - glioj-sci - re.
No! I ani we ll now.

^M
w^
V'
r*^^ k 7 [1 ^ K7 J)^ ^,y,v^.j,7j-4|,^^
^Tyr i /^J-'JJ^7 7

^^
l.\iinina fiives hi-r ;i -arment, -A-hi 'li sn- Vi-^ins Ti_. put on, but from faiiitn<'ss is obliged to de-
sist; she j i 'ts it fall- and cxclaims de s pairinKly-)

i
l

^ M m^m^m^S ^
Gran

i
•^ i
ItV^VWgj
^i^^ite
i -^ wJffJ *
h«^<
*-^
»^»
g
ìmi ^^
ge^^ lj ^J^J^/ ^ -!>[£»[; «rTi^r È «p^tóll
i-JV

f*^
Violetta.
/O'f'ills back on the seat (td Aiinina.J ( to Anilina.)
F=# T^
i Di - o!nonpos so!*'(Cie-Ìo!
so!*-'(Cie-Ìo! che
clie ve - do!)
<^o!i Va pel
pel/lot- Ah
/tot- to-re! ^.\h !

iiHeav ,. en! I can not! (Heaven! vhat sor-row!) Go forthe Doetor. AJi!
C1.& Kmc

m^"»^^' J. I J-|J :'

VrTT^ w- ikc

m
Tutti Pstr
(2 r\
È j^ 0-0-

m-
'j)..r.rj)., "rj
"f*
'Collo.
14400
 — .

218

«ppi '
J'p f«p* ^pF P r p pii^f Cip' vp #=F
^f^t l i i

di-gli, di-gliche^.'Ufre-do è ri-tor. na - to, è ri-tór-na-to al-la-mor

tellhiiu, tellhinitliat Al-fred hascoiiiPto eoin - tbrt,hascoineto saveme, saythathe

É« m ^^5=
^
at
asili

S ^
e ^ P
:^
r
mi
loves
pp'pf
0, di-gli che
me,andthat I
i r
vi
now
-
^
ve-rL^an-cor,che vi - ve - re
would live, oh teli l'itn tliat
Mìì^^^
i
au-cor vo
I
i
tJ

now would
J
.
i
(Exit Anilina.)

jg
gl'i-o.
live

TT-^ zr-
Ma se tor- nan-do nonmhai-sal -va-to, a niu-iioin ter- rx sai - var- mi_p
If thy re - turn-ing cannot r^- cali me, no pOM'y on earthcanpre - vept my

*
(rising impetuousljv

Éì^^ da -to.
ì
Ali!
W^
gran
Aiilirreat
dy - ing.

à=^m^.
tv pgg ggjpj
ffrnyr..

^^
Allee-ro.(J = iio)
leccate con espressi mi e

PE
W
Dio!

•'«'Str pi//.
^
mo-rir
Heav'n! and must
si
I
gio-vi-ne,
die

»
so young,
io
I,

^^
che pe-na- tQ,ho tan- fo! mo - rir

P -• —
•-
sì presso_a
that haveknowTibut sor- row?rheflow"rst!iat on my

:cz:t

14400
 ^g • #

219
dii.

s -p
PVP
—
s
I»-

ter-ge-re il mio sì lun-go pian- to! Ah! dun-que fu de - li - rio la

pathhavesprung-Sballseenoblooimng- nior row! De lu siveliope my heart be£:uil'd,But
^
- -

^ - ^ ^i^^
^
-

i ^^À
l ì \ì
^ %
^M
f
P t ì^ftiltJ f f =4M
P
^ ^ ^.
/^ Alfred.

i È
p=^ ȣ -i^
ì
^ r

m• ^m^ ^ ^
I

cre-du-la
cre-au- spe-ran-za! in va- no di - co- staii/ajirnia-toji-vrb, a-vròjiniio cor. Oh

^
fatehathprov'd re - lentless! No hope forme re-mains onearth.Despairing I must die. Oh
a —:
^!
ff *fi /=
ftr?
g fr=*

^ #—
legato espressiv o^
/
wm
^^^^f

E Jij j I
J a ^rr irr^ r
mio so-spi-roe pai-pi -to, di del cor mi - o! le miecol-le tue
_ let - to la-gri-me c'on-

^m m m
mybelovd,my on-lj'one,Mytearswithtbinearefall- ing'.For me ali joy in life isgone.And

wmm
i
/-
fH M^
t^ 5~r t ^ é

—
P
#
:n—
P
#—
:Ere
j FPM m jj J l
-I 1

fon-de-re deg-gi - o! Ma f
j;
m^
più chemai,deh! ere- di-lo,m'è d'uo-po
:2=

di co -
nL
> I
p

stanza_ ah
r^

M^
hope ispast re-cali- inglBut ah! letnot thy con-stan-cy De-sertthee inthis tri-ai; Fate

^
i "
e tf ^Tìf
(11. li

>: t
M*
M ? ? 1*«=^ S
I
t 5 * *

É g^^
X
^ ^
Oh Al - fre - dOjil cru - do
.js:
i^
#=^
(Jb my love, and is it

i ZZI

m
tut-tojil-la spe • ran- za
ra nonchiu-de- rei! tuo cor!
wijlbaveno de
eie - ni - al: Ab! tbat webotbmight diel_

=il

i^ I hittt
S ^m
^ rm—t ^
m^
14400
f=^
w :K=e
rm-u m
 -

•Z20

f
ter
thiis
-
\\
È
mi -ne!
I- partV
1
Ém ^
Al - ffe-(l<ijl crn-(io
Oh love, and is it

i
P È
ìfs^
Ah Vio let - ta, mia, deh! ma
cai - -ti!
FI. Ah! Vio Ir4 - ta, l'ul -n t ;v trou'ole.l h/art!

ter- mi - ne ber- La-tojiliio-stroji-mor!

thus \\e part? wh^nh.ip-pi-nf sswas nigh!
creKc.
ÌL
a-^' F
s:
t -'lìJ' f '

p P P
p f
Vio-let-ta,mia, deh! cai- ma- fi, inuc-ci-de_Lltiio do
Vio4et-JacalTi_iJ.'iv tnub-l-d heart, 'tis I.tliy love.a in

-4 iifM^
Eè? ^5

^
): p r
^ twi r j r j
"
^m m h»

B
* ^ r r r <^ — «^
jillarg.-.

^
^
p
I

Oh Al- fre-do^il cru-do ter-mi-ne ser ba-tqjii nosTroa-inor!

ine
a teìwpo
Oh niy love,aiiil is it thus we p;irt,\\hen hap - pi'iesswiis nigh

f^—f^ j- J- l'ir; È 4fi

1

lor! ;\liVio - let- tamia, deh cai -ma- ti, m'uc - ci- dejltuo do- lor, m'ii c-ci-dciltuo do-
nigli. ')h!\'io - let - ta,cahnthy troub-ledheart,'tis I, thyljve'iam nigh, tis l,thy love,tis

m ^^
^=^=^ i

Ah!
•

gran Dio! mo-rir sì

m
t^ gio-vi-ne,
JH
io
PP
J
che pe - na - tojio tan - to!
m mo.
that haveknow n but sor- row? The

^
Ah! greatHeav'n.andniust I, He sO-ilSHM !•

jm

I,
Wm
lor,deh! cai-
thy love, ani
ma - ti,
nigh,
dolci

cai
Oh
ma
tny
zz:

ti!

love!

i^^ > , #
pp
f
3 -• — •-
14400
 ^
4

/
f^
221
/
r ^
s g

^
li^'^ r
*-'
rir pressoa
si ter- re
f^u - u mio si lun - go pian-to! Ali duui|ue fu de
tluw 'rsthat on niy patii b;ul spruii;: SbaU see no bloo ni-in^ niorrow De ! - ln-sivebope my

i
-éiÀ^Cl»fi
E
Cai ma ti, Vio -let - ta mia!
Calili tby troubledbeart, Vio - letta!

li n- la cre-du - la spe - ran - za: iu - va - no di co

beart bi'pniilU, I5ut l'atebatb])rov'd re - leiit - less, N*j liope t'or me re

^^^eÌ
I J' J' J
1^''
i \ \

«
Vio-let-ta mi- a! deh cai-ma- ti! niuc-ci
Ob mv Vio-let-ta! 'tis I, tliv live 'tis 1, tby

* mi'i^ f
«
fi
—•
^ É i-^ii ji
^m
j
Sf^r Più mosso.
# ^n-.
• f »
^
'-.

^
.

staii-za_cir-ma - t(j a - vrò, a-vrlulmio cor! Al - fre - do

mains on eartb, /Jes-pair-ing I •iiust die! Ab must 1

,A ^ ^^

i
il e il tuo
1
do-
*
lor,
*
il
KJ
tuo do
"ir
- lor!
•?
P p p '^^

Violet-ta,mia, deh! cal-ma-ti!

jm J- JO
lo\'e/tis I, 'tis l| tbj- love, am nigb! Vif ir-t-ta.m l'ii tby troubledbeart!

m'uc^ci- ilt!JItuo do - lor! di m'uc-ci - de, m'uc-

'Tis I , tby l ove,am nigh! di, 'tis I, ah, 'tis
FI.i< I

I '1 1 K
2ZZ

ter mi-ne ser-ba - no - strrwimor! ser-

^
tq_al

^m
is it thus anti is it thus \\e j)iirt! des-

i 5 tó
lor, ah si, n/uc-ci - de tuo
il do-lor!
nigh, 'tis I, 'tis I, tliylove, ani iiìkìi!

14400
 ^

N9l9.''Pi'endi,quest' è lìmniag-ine.,,
Finale.

^
«Allegro assai vivo. Violetta, Alfred.

Violetta. ^ tf 'i^> \ ^ i i

Mio
Voi— si -gnor!
(Bnter Anilina, Germont ami the Doetor.) W^^ tliy sire! Mj'

m
Germont. jj
"
f- f-
Germont.
Ah. Vlo - let-ta!
Allep;TO assai vivo.'Jz9-J) Ah, Vio - let-ta!

Piano.

—
Wi^ìn
Violetta.
p m-

pa dre! Non mi scor-da-ste?

fa ther! Theii you rP-iiieniber'd?

^ K- ^ r f fr È
La promes - saji-dem - pio a
Yes, I gave a prom - ise, and

r-r ^r r^ r ^-tiT
' rrn rfì 0^m ^ tfpj^

^
I

creso.
* —•
ì ^^ — fj^ -J .J^^J
£ f

^O g^
Violetta.

^:r ff t fr'l Tp i
rp | 5:»
stringervi qual fi - glia ven-goal se-no^oge-ne - ro - sa! Ahi-niè!
now I come to elaimthee,genrous heart,to be my daugh-ter! A-las!

i
~n-
ZE^Z -TT"
ì=
^ p fr r rrr rr
^
^ o
^ *r.,p.,^,f.,

(embracing him.)

é ?^
far di ginn -gè- ste! pii- re,gra-ta ven so - no.
too late, to save me! TO'.n myhe
[nyhearts
art stili I thankthee.

i i ^—SS
^-nj r-|Hf ^
t i
t i5=Jf5
'

#-

^P -,f -, ^, P Kf -r.,p., ^.uhr.

14400
224

l it i.H P I

Greiivil, ve - de
Or - fé?
i h
fra
i
• »
g
lebracci;uospi - ro fdi quaii - 1f
fi ca-rihójil
. Ahsee,
Aiisee, popclDoc
pooaiJoc - tnr,
tnr. al]
ali oiifartutliatsdear
ontNirtlitliiit'sdf'ar - est is near me at ~thT
the

'y.^.^J,^ ) «^ P

Germont
»>
P
P Vr'-I-
*r
^p 7F7P7P ^7^7?7ff

(gazing' at Violetta.)
^^

^^^;^^r^
^^M ^ P i
^r
^
rar mi,troppo ri - nior - so l'al-mami di - vo - ra, qua - SI
more donotreiulmy lieart with un - a-vail - iii^- an - guish; 'tis as

•Cello & I .11.

ii'too
 .

'y^TPr
a casket
P»-m
and takcs a

.\li!iialcau-fo
fti
p-
p
,
nii-dallicm out
ri

ve- a;liardo!
lU-advisf (liiLj' prt'-cau-ti Jiis!
|B

^ il
tao
of
.
it

ri-

mal eh io fc - ci,
feel it,
ra
l\etbul
-
^m
sol ve -
Z-i5

do!

^
late- I - ly\\roiig'dlier!

É^ 15- «-
m
*^"r
iS
f*¥ ^t: I
m
lèzi.:
ami.

-^^^^ 4|MJ^:^jjj4-4^^ f
^
i J"jfJ^^
Violetta.
ZZI
r^ r p
;
? r < i
"y ^
^p T"

m^ ^
) I

^f'
I

p
Piiui me t'ap - pres-sa, a-scol-ta, a-riiu-f o_,Al-fre - do ;

Alicome,(li-a\\ iiear-er, ani bear ine olihow 1 love the e!

m
-VTV
i^ ^
m
P st?~ colla parte.

? P ^
ii^
j^g=a
Alliiailte sostenuto. (Jz56)

^
<wilh a

Prendi,
Al-fred,
h(jllo\v vciice.

I-

(luesf e l'im - ma
J:

r^-reive tliis part

ii
I
J-)

-
-
i'
gi
iiig'
_ ne
i'

gitt,
•> - i
de'
Th''

;i ^ 1^i
i^
3: '^E^ ^
PPPP\
rj
^^ r -7
Sit
i
'
^l
-vv -*
^^ ^

^m
for - ni Co che si f'a-nio. No, non nior-rai, non
niov'd me My iin - age'twill re-eall. Tliouslialtnot die! ^ ^ah
G e rmont.

S ^
:a=
ì i
Ca-ra, su
Oliheartof

.^fe^ ^^^EE, =^
'

te^y ^ii^i
53E '^ j)7 ^
-«-•-

w*: T
14400
Z26
bbi
=^
p\K '?-
p p p p F r p a:
É :S:

f dir - iiio-lo, dèi vi- ver, a mor mi 0, a stra-zio sì ter -

turn to me, ohlove.thouìtmine

-"'i'J' ' ,1. for pv fr, I fiin-nnt bf.ai 4Jiis

fe^
)

i» ffi
r .p p T
me
I
P' P
-ma
P' P P
bli - me, su-bli - vit - ti d'un di-spe-ra- tqa-
wo - man, sublime in sac - ri -tice, a - las, I share tlie

i
te
*
^ il ^19# «-•-
^
^^
7^ *
j 1 1 3;
-#•
«-•'
a=i:
^*
S^
"•¥»

^ « —£-•
*r »
^ • *-4-

vV
#—»-
ri - bil qui non mi tras - se_Id - di 0, qui non mi tras sejd-

& ^
,an - auish.frointhee I will lìot sev er,fronithee I will not

^T r ^^p
r
-):j>,h

mo - re, per-
r p
do-na-iiii
P
lo stra - zio
— ^'r^
re-ca-toal tuo bel
r ^K—
an-sniish. a - las I sharethe an - gnish, theirtenderheartsmust

:ì i'hiio a ( .b

Poco più ani malli. (J = 76 1

Violetta.

P^^ ^^ r ir r
é né
S^-na pu - di - ca ver - gi - ne, de-fjli^an-ni suoi sul
If e'er thou meet a gen - tle niaid, Ho-lj- and pure aiid

VSind.
* V W
11J00
 • . -

m ^^
287

^
i |J J J

^
1

fio re, a te do - nas - se^il co - re, spo-sa ti

der, If she her lieart sur- render, Alithen, I

^ 1^
V -r S # » »»^

')'Vti Svi i I
j^r^a m=^ - _
\^i i |C77
i^ ^^
é é
ra^^n
'
é
' Il
Hii.a.
: i • .
Wind.
V
A
ir ì«

é ^=f %K^ f>nì

É si - a, spo
«pò - sa fi
ti si -
SI a, io vo'. Le por- giquest'cf-
ask thee,tliiitthouv\ilt tnake licr thy wife. Tlien^ve tohertliis

m fi

te
-
-
gie,
ken,
J t
Vf
rr
dil
tt'll
rrrsr.

-
#—
£
le elle
lierwliosegiftit'
m
accentato con passione

do-noel-1'è
is,
.
ff^
di
that
chi
one
m
nelcielfra
inyonder

^
gli_ange-li pre-ga perlai, per fé.
shining sky prayeth forher, for the e.
Annina.

i^m k^
T=f ^
Fili- che a-

^
te
So long'
A lf r ed. |É

Sì pre - stOj^h
as

^^
So soon, ah

Germont.

FinchèavT.xil ci-glio la-gri-me io pian- gè

A-lasj^ so long as fronimineeyesthetearecan

14400
 1
Z28

1
ft^ J ^ i ^5 J) J) I
J) J'- ^ ^E^
vra il ci - glio la - gri - me
from iiiin t^ eye s the tears can flow,

^ S;
PPg ^ ^^
no, ah no, ah no di vi - der

^
- ti
no, iih no, I can- not part iirom thee,

—
m: f^Pl^P m^ È
i»
!•

^
ro,_ io pian- gè - rò per te, per te; vo - laa' be - a - ti
flow, the tears can flow, lìl weep Ibr thee,'tis Heàv-'n that ualls thy

» < I
> \J' J' J' I

r' g p •' '

^^
vra ci- glio la - gri - me

^m
il

from inint^ eyes the tears can flow,

^
i ^9=^
I
^ m^
1

^ ^ i i

m^
:^:

^
10 pian gè ro per
m
^
weep, weep for

m
111

d*
i mor te non può, no, no, non può da

HH
thou shalt not (he, na, no, ah live for

>:, ,h i
f P
spi- ri - ti, Id - lio ti
I
cJr
cliia -
M
ma, Id -
^n
dio ti
I
rTrM"VF
chia - ma, ti chia-ma_a
spir-ithome,froin earth-ly sor - rou, troni earthly sor - rowthou shalt be

l't*0
 229
t¥
pÉ3 7 r r F p

^
Le jjor - gi (luest' ef fi gie,

m
'flieii Liìvi- to li'T this ti) ken,

t^ t
¥=^ T=^^
te. Vo-hi^a' be - <i- ti

thee. 'TisHeav'nt'iat c;ills thy

m
Mp
r
.ne.
i i^ n
Ah vi - vijO
: n
so-lojin
ine. Or if the an^eTs

SS
m ^=r jr
Vo - hijC he - a -
r t^-f-
se. ti

tre e. 'Tis Heav'n that calls thy

SS
è^ ^^ •? w J> J^ JW)

^
te. \'o la a' - be - a - ti
thee. 'Tis H.^ivh tliat caUs thy

MM^
^
#''''- =i^=^
-'jjjii
I ^
^^ ^
r^
-?
i i -^h^T
t t t

^^
i^ì^fei £ èì^eS
/ g £ p- n ir
à
Lf-H
dil - - le che dono^el - 1'^' ili chi_ fra
teli h r\\hosegil't it is,. that Glie. in

i KJ
i \
^ jrr I I
•>
J' J' i^' .'' J' zuz

spir - ti, M-dio ti chia-i!i;i^a se, Id

Mk
spir - it, 'tis - 'avii t lat eaUs thee honie^ from

S±Se
'•p
p F j^_^ P F P P ^
fé - re - tro ni'acco - glie - rà con te, con
cali thee home, me

n
oh l't die \\ i;h thee, A\ith

^
1»

E^
'y-M p Pi i I
, r p r^

^
spir Id-dio chia-niaji sé, Id

^
ti, ti
spir it, 'tisHeav'n tliat caUs thee home, troni

. J' J- J- J J
sfcerr B ? !
spir ti, Ili-dio ti chia-maa se, Id
spir it, 'tis Ileav'ii that cali s thee home, from

di \
j j
^e^
^^^- 1-^"; /^j^y'''"|j^
14400
 —

^
230

m^ ^s
u n-
^
o_

^
Andantino.

t=^ M^ -^
l
i^
h"iiV^
rt^
lijin geli pre - ga per lei, per te.

^
on der sky
—
prays for h^r,
f^
and thee

^Wfe^
^ f ll ii p.^^ IhV^g
dio ti chia se.
grief thou shalt be free.

^^ -A
p p^ 1^' pf H:
mac-co glie-ra con
P i ii!^^ ihV ^
^
te, ni'ac - co-glie - rà, - te.
thee, oh, let me die, oh let me die with thee.

^
ffi r
dio ti chia - ma, ti chia-maa
W
se
\
^ ^
HV .¥
earth sor - row thouwhalt bè^ free

^ES :^ \y- il
^'•'•'
m^slm
^
dio ti crua nia_a se.
grief thou shalt be free.

^K ^m
Andantino.
o
Me
g^
tm^
^
4 Vl.S. lo.

/i n s _^^
VPPP
tól
i^
I

<—»-• *-•-
\ E?: < — T-«-«-
'-444
^ ^^^ ^^i ii
4
revivintr.)
H
M:
^^ S
(speaking.)
vi s ^
-r-r- ^?-T- •? ^- ^r-^ ^. < ? ?• ^

/i ^1 ^ I

E strano! Ces-sa-ro-no gli

'Tis wondrous! Thedeadly pains that

ii
F
=^^^^^
Che!

^ WhatV

^ ^h^
^ Che!

^
Wliat?

S
Che!
Wtiat?

P ? •?

Che!
What?

4 2d V. &2 Viole.
14400
 ^ L. }] j\ > -^
-7
i^t i^ I
> > Ul > I
J.' ^ r }^\^^i^^ -T ^
231

spa mi
- SI - del do - lo - re, la me ri - na-sce, ri -
Lonquer'd me, and the faintness, are gene my pulses are

y^
M
S

f^ $ *^ .^
^
tt/b!

n
m na-sce,
beating
8-
5
fc:si^-^ iti i^.-fi|^ feil. JìiJJ'lJ-'
m'a-gi-ta
herewithin
l

in
I
.

feel
i

so - li-to vi -

renewing
gor!
lite!
-, , l
CM'SC.

'jr, yJl
ah!
ah!
ma
I

i ^ ^

f=
'

té^ 3 W'M
'>m=^
^U''l::^
"t. \ »=<r ^S
w
p Tutti
creso, a poco
Str.& U.„h1.
poco

^m w^ h^r
\^M i -

«É
f I.
il'

10,
1 1
w^w
ah!
agìtatìssìmo.

ma io -
rrrfi
ri - tor - no a vi ver!
^E oh
feel, ah, friel my life - tum ing! what

y&^r
I T^'
-A
U > Il b I I ^g <
r fe
-
I Il

/i ^T^'r^
i

¥
r
^a^ Allegro.
^(faUs back on the sofà. Annina.
^ E

w^
ì'(^=iP

gio
"V o etta.
i l

^
muor!
3^
ja!

^
*'^''«<*
rap ture! Annina. Death!
k^
^ r ff i r r ^£3 I
Oh eie - lo!
GreatHeav- Germont.

^^ ^
en! Vio-
Germont.
^^==^ ^#=# i
Oh eie - lo! muor!
(ìreatlleav- en! Death!
D oct or. —•-r-# 0- D o ctor. •

14400
 v
23 2

i % i r p f F i
p'
pr
Dio, soc-cor - ra-si!
(J help, thougracious Heav'n!

M
m^
let - ta?
let - ta?

'y-^\y. i r r i^ i
f ff
ODio, soc-cor - ra-si!

help, thougracious Heav'n!

fAfter feeling her pulse.

73 rr T} -a

14400
End of the Opera.