FINALS

You might also like

Download as pdf or txt
Download as pdf or txt
You are on page 1of 21

ART APPRECIATION

(BSN 1-A-21) BATCH 2021


COLLEGE OF NURSING - OUR LADY OF FATIMA

TRANSCRIBER: JOCELYN DELARA REFERENCE: PPT LECTURER: JIAN LUCIDO

MEANING AND ORIGIN OF ARTS 4. Art expressed through a certain


medium or material.
ART
From its derivatives: ART APPRECIATION
“Ar” Aryan means “to join” / “put ➢ Is the ability to
together” interpret/understand
“Artis”- craftsmanship, skill, mastery ➢ Admiration and satisfaction
of form and inventiveness. (Italian)
“Ars”- “ability or skill” (Latin) SUBJECT OF ART
From the greek word: ➢ Present on the art
“Arkiskein”- “put together” ➢ Object, person, event and scene
“Artizen”- “prepare” ● Objective - tangible
● Non-objective - in the
ORIGIN OF ARTS mind. Abstract.
➢ Begin with humanity.
➢ The time when superstitions and FUNCTION OF ART
beliefs are still common. 1. Aesthetic Function (Personal)
➢ Manifested through genres of art 2. Utilization Function (economic,
➢ Made from durable materials like physical)
metal, stone, clay, bone and 3. Cultural Function (historical,
glass. religious)
4. Social Function ( psychological,
NATURE OF ART political)
➢ We can communicate through
art SCOPE OF ART
➢ Valuable sources of inspirations ● Fine arts- primarily aesthetic,
enjoyment through senses.
➢ We get a glimpse of the thoughts, ○ Example: music, painting,
feelings, and beliefs of people sculpture, etc.
who lived in that period and the
external factors. ● Utilitarian arts- for practical use
through development of raw
FOUR ESSENTIALS OF ART materials.
1. Art must be man-made ○ Example: household art,
2. Art must be creative fishery art
3. Art must benefit or satisfy man
GENRES OF ARTS gives a feeling of
1. Visual art- perceived b eye rest.
2. Audio-Visual art- perceived eyes ➢ Repose, stability
and ears
3. Literary arts-writing and read KINDS OF BALANCE
4. Combined arts- 2 or more forms ❖ SYMMETRICAL
of arts. BALANCE- the work of art
is the same on one side as
● Visual arts (graphic, plastic) the other
● Performing arts (theater, play, ❖ ASYMMETRICAL
dance, music) BALANCE- lighter/farther.
● Literary arts(short story, novel, Imbalance.
poetry, drama)
● Popular arts(film, newspapers, ● PROPORTION
magazines, rado) ➢ Pleasing
● Gustatory art of the cuisine(food relationship
prep.) between a whole.
● Decorative or applied arts(
beautification of houses,cars, ● EMPHASIS
establishments) ➢ Tends to carry the
eye from the center
KIND OF VISUAL ARTS of interest.

1. Graphic arts- painting, ● HARMONY


drawing, photo, print, etc. ➢ Impression of unity
2. Plastic arts- sculpture, through the
architecture, crafts, dress, selection.
and costume design, etc. ➢ The quality that
unifies every part of
PRINCIPLE OF ARTS an arrangement.
● RHYTHM
➢ Regular, uniform, MEDIUM OF VISUAL ARTS
related movement. 1.) PAINTING
➢ Repetition of a unit ➢ Is the art of creating
or motif meaningful effects on a
flat surface by the use of
CLASSIFICATION OF RHYTHM pigments.
❖ Formal Rhythm- Uniform ● WATER COLOR
❖ Informal Rhythm- form, ➢ Dry pigment mixed
size, arrangement with water.
● PASTEL
● BALANCE ➢ Dried paste made of
➢ Condition which pigment round with
chalk and substances in the
compounded with absence of oxygen.
gum water.
● ACRYLIC ● SILVER POINT
➢ Synthetic paint ➢ Silver stylus
mixed with acrylic ● PRINTMAKING
emulsion as binder ➢ Duplicating
for coating the process.
surface of the ➢ Direct result.
artwork.
● ENCAUSTIC 3.) MOSAIC
➢ Painting with wax ➢ Pictures or decorations
colors fixed with made of small pieces of
heat. inlaid colored stones or
● FRESCO glass called “tesserae”
➢ Moist plaster often are cut into squares
surface. glued on a surface with
➢ Paint in the wall. plaster or cement.
● TEMPERA
➢ Mineral pigments
with egg. ● STAINED GLASS
➢ Combining many
2.) DRAWING small pieces of
➢ Using pencil, pen and ink colored glass
or charcoal.
● TAPESTRY
● BISTRE ➢ Fabric consists of a
➢ Brown pigment wrap upon which
extracted from the colored threads are
soot of wood and woven by hand to
often used in pen produce a design,
and wash drawings. often pictorial, wall
hangings and
● CRAYONS furniture covering.
➢ Pigments bound by
wax and 4.) MUSIC
compressed into ➢ Art of creating sound
painted sticks. through humans voice

● CHARCOAL and different musical


➢ Obtained by Instruments.
heating wood or
other organic THE VOCAL MUSIC
➢ Oldest and natural form of
music. ● MUSIC HUMANA
➢ Our voice is produced by ➢ Music of human
the vibration of the vocal spirit
cords in our voice box. ➢ To understand the
➢ Voice differ in timbre greater meaning in
the aesthetics of
VOICE CLASSIFICATION compelling works of
music.
1. WOMEN'S VOICE ● MUSICA
● SOPRANO- more INSTRUMENTALIS
flexible- high ➢ Music we can
● ALTO or physically
experience.
CONTRALTO- MUSICAL INSTRUMENTS
richer and fuller-
low ● STRING INSTRUMENTS
➢ Stringed instrument,
2. MENS VOICE any musical
● TENOR- highest instrument that
voice of mens produces sound by
the vibration of
● BARITONE- stretched strings,
between tenor and which may be made
bass of vegetable fibre,
● BASS- lowest and metal, animal gut,
deepest voice of silk, or artificial
mens materials such as
plastic or nylon.

3. LEVELS OF MUSIC WIND INSTRUMENTS


➢ 6th century text ➢ a musical
De Musica by the instrument in which
Roman Philosopher sound is produced
BOETHIUS. by the vibration of
➢ Philosophical air, typically by the
Approach player blowing into
● MUSIC MUNDANA the instrument
➢ Music of the
cosmos. ● PERCUSSION
➢ Source of INSTRUMENTS
inspiration for the ➢ Percussion
Musician instruments include
any instrument ● PROTAGONIST
that makes a sound ➢ Leading character
when it is hit,
shaken, or scraped.
... Some percussion
instruments are
tuned and can ELEMENTS AND VISUAL ARTS
sound different ELEMENT
notes, like the ➢ Parts of something. -Meriam
xylophone, timpani Webster Dictionary
or piano, and some ➢ Aspect of something abstract,
are untuned with no especially one that is essential
definite pitch, like .
the bass drum, ELEMENTS OF VISUAL ARTS
cymbals or
castanets 1. LINE
➢ Various marks, outlines
5.) LITERATURE and implied lines.

➢ Literature in stanza form. ➢ Has a width, length and


➢ Nearly always rhythmical, direction
usually metaphorical. ➢ A lines with is sometimes
called “THICKNESS”
● PROSE ➢ Lines sometimes called
➢ written or spoken “STROKE” especially in
language in ordinary form digital arts.
with metrical structure.
2 CLASSIFICATION OF LINES
● PLOT 1. STRAIGHT LINE
➢ literary term used to ➢ Means basic framework
describe the events that ○ Horizontal lines
make up a story. ■ Repose and
➢ Chronological sequence of serenity
a story ○ Vertical lines
■ Denote
● SETTING action
➢ location and time frame ■ Poise,
where narrative takes balance,
place. force,
● ANTAGONIST aspiration,dy
➢ Actively opposes or is namism.
hostile to someone ○ Diagonal lines
■ Suggest
action, life f. Neutral colors - white, gray and
black
and 3. TEXTURE
movement. ➢ The way a 3 dimensional work
actually feels when touched or
2. CURVED LINE the visual “feel” of a 2
➢ Suggest grace, subtleness, ➢ dimensional work4. SPACE
direction, instability, ➢ Artist provides for a particular
movement, flexibility, etc. purpose.
○ Crooked or jagged ➢ Includes the background,
■ Express foreground and the middle
energy, ground.
violence, 5. VALUE
conflict and ➢ Use of lightness and darkness in
struggle a piece of artwork.
3 CLASSIFICATION OF 6. VOLUME
➢ Amount of space occupied in 3
CROOKED AND JAGGED dimension
1. Lines which follow or repeat one 7. SHAPE
another ➢ Space that can defined edge
2. Lines which contrast with one 8. FORM
another ➢ volume/ perceived volume
3. Transition lines which modify or
soften the effect of others. ELEMENTS OF PERFORMING ARTS
REPETITION ➢ Artists use their body, voice or
➢ Two or more lines are being objects to convey artistic
repeated. expression as opposed.
2. COLOR TYPES OF PERFORMING ARTS
➢ Produce when light, striking an THEATRE
object, is reflected back to the ➢ Acting out stories in front of an
eye properties of color. audience
● Hue - name we give to the
color ➢ Using a combination of speech,
● Intensity - vividness of the gestures, music, dance, sound
color and spectacle.
DANCE
a. Primary- red,yellow, blue ➢ Refers to human movement
b. Secondary- green, orange, violet either used as a form of
c. Intermediate - red-violet expression or presented in a
d. Adjacent- next in the color wheel social, spiritual or performance
setting.
e. Complimentary - opposite in STATUE AND SCULPTURE
each other in the color wheel SCULPTURE
➢ 3 dimensional work of art which ● ELONGATED
is formed through different ➢ Lengthened/
materials such as stone, jade, extension
ivry, metals, etc. ● MANGLING
● Stone and granite ➢ Cut,
● Marbe lacerated,mutilated,
● Jade and ivory or hacked with
● Metals ( Ali and Nino) repeated blows
● Clay ➢ “WILLEM DE
● Glass (Carol Milne’s) KOONING” ARTS
● Wood (Sergei Borkov) ○ Light in
August
ARCHITECTURE (1947)
➢ 3 dimensional art of designing ○ Asheville
buildings and other physical (1948)
structures.
● Concrete CUBISM
● Wood (Himeji Castle) ➢ Style developed by “PABLO
● Plastic PICASSO
● Glass (Louvre ” with the
Pyramid-Paris) representation of geometrical
● Steel (Walt Disney Concert figures
Hall)
FAUVISM
METHOD OF ART ➢ First important art movement of
PRODUCTION AND the 1900’s
PRESENTATION ○ HENRY MATISSE led the
movement
ABSTRACTION ○ ANDRE DERAIN, RAOUL
➢ When the artist becomes so DUFY, GEORGE
interested in one phase of a ROUAULT (FRANCE)
scene, he does not show the ➢ Artists paint comfort, joy and
subject at all as an objective pleasure
reality but only his idea or his ➢ Uses extremely BRIGHT
feeling about it. COLORS
➢ Means “to move away or
separate” DADAISM
➢ Moves away from showing things ➢ Explicitly political overtones
as they really are ➢ Senseless slaughter of the
➢ Not like life trenches of WW1.
● DISTORTION ➢ It essentially declared war
➢ Misshapen against war.
condition EXPRESSIONISM
➢ Distorting it radically for · Neolithic
emotional effect in order to evoke PALEOLITHIC PERIOD
moods or ideas The Paleolithic period (old stone age) is the longest
FUTURISM phase of stone age culture.
➢ Capture the speed of modern a. Lower Paleolithic (2,500,000-200,000
industrial society BCE)
➢ GONCHAROVA NATALIA b. Middle Paleolithic (200,000-40,000 BCE)
HYPERREALISM
➢ Painting or sculpture resembling c. Upper Paleolithic (40,000-10,000 BCE)
a high-resolution photograph MESOLITHIC PERIOD
REALISM
➢ Organization of details in the ● Mesolithic period is the
work seem so natural transitional phase after the
➢ Example is the artworks of Paleolithic, the beginning of
FERNANDO AMORSOLO farming,with its cultivation and
animal husbandry-ending with the
SYMBOLISM spread of Agriculture

➢ Run-of-the-mill sign. NEOLITHIC PERIOD


➢ Assumes a new and fresh
meaning ● Neolithic period (New Stone Age)
➢ Example is JUAN LUNA This era is characterized by
SPOLARIUM (spoils of war, farming ,domestication of
tyrants and the king) animals,settled communities and
➢ Another example is VINCENT the emergence of important
VAN GOGH THE STARRY ancient civilizations Portable art
NIGHT (1889) and monumental architecture
dominate
PREHISTORIC ERA
● Prehistoric art refers to artifacts from ● Paleolithic man lived solely by hunting
ancient civilizations such as and gathering,while his successors
Mesopotamia,Egypt,Greece and Rome. during the later Mesolitjic and Neolithic
● Artists employed resources from their times developed systems of agriculture and
natural environments such as clay,rocks, ultimately permanent settlements
minerals,animal hair,bones,wood,fat and ● The stone age ends as stone tools
blood to create images. become superseded by the new products of
● The Prehistoric era is also known as the bronze,thus followed by the Bronze Age.
Stone Age Culture. ● The lower paleolithic,Middle paleolithic and
There are three(3) phases or periods under the upper paleolithic each marked advances
Prehistoric Era which shows the transition of (specially in tool technology) among
the stone age art. different cultures.
· Paleolithic
· Mesolitic LOWER PALEOLITHIC
(c.400,000 – 300,000 BCE)
● This is the earliest period of the
Paleolithic age.It runs from the first ● Clactonian describes a culture of
appearance of man as a tool- making European flint tool manufacture or
mammal to the advent of important "art",associated with Homoerectus.
evolutionary and technological changes
which marked the start of the Middle ● Clactonian tools were sometimes
Paleolithic. notched,indicating they were attached to a
● Lower paleolithic period witnessed the handle or shaft. The earliest recorded
emergence of three different tool based examples of human art were created during
cultures: the Lower Paleolithic in the caves and
· Olduan culture (2,500,00-1,500,000 BCE) rockshelters of centralIndia.
· Acheulean culture (1,650,000-100,000
BCE) ● The next oldest prehistoric art from
· Clactonian culture (c.400,000-300,000 theLower Paleolithic comes almost at the
BCE) end of the period. Two primitive figurines -
the Venus ofBerekhat Ram (found on the
Golan Heights) and the Venus of
NOTE: Stone tools represented the “art” of this period
Tan-Tan(discovered in Morocco)were dated
– the key form of creative human expression.

to between roughly 200,000 and 500,000


BCE (the former is more ancient).
OLDOWAN CULTURE
· describes the first stone tool used by MIDDLE PALEOLITHIC PERIOD
prehistoric man of the lower Paleolithic. • The dominant Paleolithic culture was Mousterian,
· The key feature of Oldowan tool flake tool industry largely characterized by the point
manufacture was the method of chipping and side scraper, associated (in Europe) with
stones to create a chopping or cutting Homoneanderthalensis.
edge.Most tools were fashioned using a
• Tool forms featured a wide variety of specialized
single strike of one rock against another to shapes,including barbed and serrated edges. These
create sharp-edged flakes. new blade designs helped to reduce the need for
humans to use their teeth to perform certain tasks,
ACHEULEAN CULTURE AND ART thus contributing to a diminution of facial and jaw
● Was the most important and dominant features among laterhumans.
tool-making tradition of the lower
Paleolithic era. MIDDLE PALEOLITHIC ART
● Acheulean tool users with their signature One of the few works of art dating from theMiddle
style oval and pear-shaped hand-axes were Paleolithic, is the pair of ochre rocks decorated with
the first humans to expand successfully abstract cross-hatch patterns found in the Blombos
across Eurasia Caves east of CapeTown.

3. Clactonian Culture • After Blombos, comes the Diepkloof eggshell


engravings, dated to 60,000 BCE different directions. And although most ancient art
remained essentially functional in nature, there was
UPPER PALEOLITHIC PERIOD a greater focus on ornamentation and decoration.

UPPER PALEOLITHIC ART JADE CARVING


• The Upper Paleolithic period witnessed the • One of the great specialities of Chinese art - first
beginning of fine art, featuring, drawing, modelling, appeared during the era of Neolithic culture, as
sculpture,and painting, as well as jewelry, personal does Chinese lacquerware and porcelain.
adornments and early forms of music and dance. PORTABLE ART
• The three main art forms were cave painting, rock • With greater settlement in villages and other
engraving and miniature figurative carvings.Upper small communities, rock painting begins to be
Paleolithic Cave Painting During this period, replaced by more portable art.
prehistoric society began to accept ritual and
ceremony - of a quasi-religious or shaman-type CERAMICS
nature. • The major medium ofNeolithic civilization was
As a result, certain caves were reserved as ceramic pottery
prehistoric art galleries, where artists began to • The finest examples of which (mostly featuring
paint animals and hunting scenes, as well as a geometric designs and animal/plant motifs) were
variety of abstract or symbolic drawings. produced around the region of Mesopotamia (Iran,
Iraq) and the eastern Mediterranean.
• Aboriginal rock art began in the north of
Australia, where the first 'modern' humans arrived OTHER CULTURAL DEVELOPMENTS
from Southeast Asia. • Other important art-related trends which surfaced
during Neolithic art include writing and religion.
MESOLITHIC CULTURES
As the ice disappeared, to be replaced by grasslands
and forests, mobility and flexibility became more
important in the hunting and acquisition of food. As BRONZE AGE
a result, Mesolithic. ● In europe, 3000 bce - 1200 bce
● Characterized by the development of
MESOLITHIC ROCK ART metallurgy, in particular copper mining and
Mesolithic art reflects the arrival of new living smelting, along with tin mining and
conditions and hunting practices caused by the smelting, as reflected in the exquisite
disappearance of the great herds of animals from bronze, gold and silver sculptures.
Spain and France, at the end of the Ice Age. Forests
now cloaked the landscape,necessitating more ANCIENT ARCHITECTURE
careful and cooperative hunting arrangements. ● The beginning of architecture must be
placed within the Neolithic Age, the New
NEOLITHIC ART stone age, which lasted roughly 8000 to
• In general, the more settled and better-resourced 3000 BC
the region,the more art it produces. So it was with ● Man used caves for shelter and most
Neolithic art, which branched out in several probably for religious ceremonies
EGYPT
ARTS IN THE ANCIENT WORLD ● Egyptian art was expressed through
1. Arts of Mesopotamia painting, sculpture and jewelry
2. Arts of Ancient Egypt ● The artwork embodies a unique style and
3. Aegean and Ancient Arts makes use of an ancient form of symbolism
4. Etrucsan and Ancient Roman ● Much of the remaining art comes from
from tombs and monuments
MESOPOTAMIA
● An ancient empire in what is known as a EGYPTIAN SCULPTURE
modern day Iraq. 1. FIRST DYNASTIC PERIOD - the subject matters
● Generally, art was made by carving stone of the sculpture are the sun, moon, stars and sacred
relief used to decorate imperial Animals.
monuments. The reliefs depict royal affairs,
such as hunting and war. 2. OLD KINGDOM PERIOD - portrait sculpture was
● Animal forms, particularly horses and emphasized. Five lifelike sculptures existed in every
lions, were represented in great detail, home. The faces of statues were always calm and
grave.
while human figures were of less 3. MIDDLE KINGDOM PERIOD - faces of statues
Significance. depicted individual moods but their bodies were still
rigid and straight in posture
ARCHITECTURE OF MESOPOTAMIA 4. NEW KINGDOM - figures were lifelike and
● The temple becomes the predominant vigorous looking. The figures were depicted in usual
building type in mesopotamia poses such as walking, dancing and bending
a. Architecture of the sumerians - the typical
building of the sumerians was ziggurat. ARCHITECTURE OF THE ANCIENT EGYPT
b. Architecture of the assyrians - the sargon’s a. ARCHITECTURE OF THE OLD KINGDOM - the
palace stood as a representative of the assyrian mastaba, the stepped pyramid of Zoser, and the
sculpture Pyramids at Giza are examples of architecture.
● The Palace of Sargon, was built above the b. ARCHITECTURE OF THE MIDDLE KINGDOM -
ground level of the city to convey the idea among the characteristic remains of the Middle
that the king stood between the Gods and Kingdom are the rock-cut tombs.
his people. c. ARCHITECTURE OF THE NEW KINGDOM - it
c. Architecture of the Neo-Babylonians - the Ishtar represents another version of the combination of the
gate of Babylon was built for Babylonian King horizontal and vertical axes. The structure rises
Nebuchadnezzar II. from the valley floor in three colonnaded terraces
● Ishtar gate is lined with several beasts connected by ramps.
done in brightly colored glazed bricks and
dedicated to the goddess Ishta. d. GREECE
Architecture of the Persians - the royal ● Sculpture and architecture from Greek
palace at persepolis is a representative of civilization have influenced others
persian architecture. throughout history.
● Known for their architectural monuments
as well as sculptural masterpieces, the
greek’s were also expert craftsmen. They 1. DORIC ORDER - was the earliest of the Greek
crafted and painted beautiful vessels used architectural orders. Doric order is massive and
for everyday life. severe in appearance.
2. IONIC AND CORINTHIAN ORDER - were
GREEK PAINTING GREEK ART (PAINTING) regarded as feminine. It does not consist of volutes
WAS SEEN IN FOUR PERIOD: but of stylized acanthus leaves.
1. FORMATIVE OR PRE-GREEK PERIOD - motif
was sea and nature ROME
● Greatly influenced by Greek culture, the
2. FIRST GREEK PERIOD - largely egyptian ancient Romans excelled in painting,
influence sculpting and architectural design.
3. GOLDEN AGE ● Mythological subject matter predominated
4. HELLENISTIC PERIOD - heightened art at this time.
individualism, tragic mood and contorted faces.
GREEK SCULPTURE PREHISTORIC GREEKS ROMAN ART THE PREHISTORIC ROMAN
SCULPTURE HAD GONE THROUGH THREE ART HAD GONE THROUGH PERIODS:
PERIODS: 1. ETRUSCAN PERIOD - subject matters of painting
were on ancestor worship; catacombs and
1. DAEDALIC PERIOD - marble was used as sarcophagi.
material. Nude male statues were usually executed. 2. ROMAN PERIOD - the subject matters of
2. CLASSICAL AGE - this was the golden age or age painting were commemorative statues, sarcophagi,
of pericles. Temples of Gods and Goddesses were frescoes, designs with vine motifs.
adorned with sculptured figures. ROMAN SCULPTURE
3. LATER GREEK PERIOD - male and female figures ● The roman sculpture was more represented
were shown with very little or no clothing at all. in bust forms of famous men and women.
● The figures showed their individual
AEGEAN AND ANCIENT GREEK imperfections as if they were in real life.
ARCHITECTURE
a. THE AEGEAN ARCHITECTURE - the palace of ETRUSCAN AND ANCIENT ROMAN
knossos, crete is an example of aegean architecture, ARCHITECTURE
the oblong shape of the court and the general layout ● The etruscan house was a simple
of the palace shows a centralized arrangement. rectangular structure which grew
b. ANCIENT GREEK ARCHITECTURE - is progressively more complex
essentially columnar and trabeate. The columns ● Etruscan temple was intended to function
taper towards the top. primarily as an interior space
● The ancient Roman architecture is a
THREE PARTS OF GREEK TEMPLE: combination of axis and center
(ARCHITECTURE ORDER)
1. Platform or Base OVERVIEW OF ART HISTORY
2. Columns
3. Superstructure or Entablature THE MIDDLE AGES TO CONTEMPORARY ARTS
ARCHITECTURAL ORDERS MIDDLE AGES (200-1400)
● The middle ages marks a period in between
classical and modern history (hence architecture. Very ornately designed
“MIDDLE”). It was at this moment that cathedrals with luminous stained glass
christianity was being spread throughout windows were commonly constructed at this
Europe, and so the art and architecture Time.
follows a religious tradition
NOTE: Big window, has a sharp edge,
MEDIEVAL
natural light, monumental architecture
● MEDIEVAL is a term used to describe the
art created over a span of 1,000 years
during the middle ages
● Art was largely produced at this time with
a variety of medium including illuminated RENAISSANCE (1400-1600)
manuscripts, paintings, sculptures, stained ● Known as a period of “REBIRTH” this was
glass, metal works, mosaics and even a time when artists looked back to ancient
textiles traditions while applying new scientific
knowledge.
BYZANTINE
● With the spread of christianity throughout ● The development of linear perspective and
Europe, art and architecture during the a greater understanding of human anatomy
Byzantine era followed a religious theme. became two concepts that would forever
● Paintings, mosaics and sculptures were change the way that artists render the
common forms of artistic expression. Also natural world on a two dimensional surface.
important at this time were illuminated ● Common forms of artistic expression
bible manuscripts. during the renaissance include painting,
fresco and sculpture. Centered around the
church, art was commonly themed around
NOTE : byzantine is mostly Gold religion, mythology and portraiture
● However, the artists of the renaissance
were mainly interested in capturing the
ROMANESQUE essence and beauty of nature.
● Following tradition at this time, the ◆ Botticelli
romanesque period is marked by lavishly ◆ Da Vinci
decorated architecture, manuscripts and ◆ Raphael
embroidery ◆ Michelangel

NOTE: Mostly Curve, half circle, small


window. Mostly found in churches. NOTE : REBIRTH of Ancient Tradition:
● Greek Period
GOTHIC ● Roman Period
● Developing in France out of the
romanesque period, Gothic art began with BAROQUE (1600-1775)
the construction of monumental ● The baroque period can be characterized as
art that conveys a religious theme, through
movement and emotion. Dramatic biblical ROMANTICISM AND REALISM (1700-1800)
depictions are common in frescoes and ● Romanticism marks a period in which
paintings. artists sought to remove themselves from
● During the baroque period, artists social and political influences. Artists were
commissioned to paint portraits were interested in creating images that engage
interested in depicting the wealth and strong emotion within the beauty of a
social status of the patrons. natural environment
● Artists' use of symbolism and focus on the TURNER
detailed rendering of clothing helps us to
understand the importance of the figures REALISM
being depicted. ● In response to the emotion of romanticism,
artists instead began to create images that
depicted objective reality. A focus on
NOTE:CARLO INNOCENZO CARLONE
real-life scenes characterizes the realist
Style.

ROCOCO
● Keeping in tradition with baroque art, NOTE: Realism is in everyday lives.
rococo was a period of ornate interior
design and decorative arts
● From the beautiful frescoes to the lavish SARGENT
furniture, rococo was a period of royal IMPRESSIONISM (1886-1906)
luxury ● Developing out of France, this period is
characterized by vivid colors and loose,
visible brushwork.
NOTE: Theme of Art. A little bit kinky and
● Artists began to investigate the changing
naughty art. Commonly into Cinderella
properties of light in everyday subject
Dresses.
matter.
NOTE: brush strokes. Play with colors.
MONET
THOMAS GAINSBOROUGH
NEOCLASSICISM (1700-1800) POST-IMPRESSIONISM
A reformation of art and architecture. ● post -impressionist such as VINCENT VAN
Neoclassical art sought to bring back GOGH, continued to develop images with
classical elements of the ancient Greeks vivid colors, dynamic brushwork and real
and romans. life subject matter
Art was now moving away from the ● The post impressionists took these
decorative and ornate baroque and rococo ideologies further as they experimented
styles with the expressive qualities of paint
application and an emphasis on geometric
Moving away in Baroque and Rococo forms.
Style NOTE: MOST IMPRESSIONIST is Starry
Night by Van Gog.

Modern Art Movement (1980-1970)


● Expressionism Fauvism
● Cubism
● Futurism
● Dadaism
● Surrealism
● Abstract
● Expressionism
● Action Painting
● ColorField
● Pop Art
● Minimalism
● Op Art

1900-1910 German Expressionism


Beginning as a cultural reform of art and poetry in
Germany,this period in art history is coined as “avant
-garde”, or experimental and innovative.Artists became Munch
Interested in depicting an emotionalexperience rather
Than. 1905-1907 Fauvism
French for the wild beasts,Fauvism became a
Period where artists kept in tradition with
Impressionist style,while exploring color
And painterly qualities within their work.

Matisse

Kandinsky
1916-1923 Dada
A cultural movement rooted in Switzerland, Dada was a
Response to the seriousness of war.
Rejecting traditional standards of art, Dada artists found
And humor in the meaningless objects of everyday life.

Dada art is characterized as Anti-war and Anti-art.


Dada was a foundation for future art movements
Such as surrealism and pop art.

Duchamp

1908-1914 Cubism
Pablo Picasso and Georges Braque are the creators of this
artisticstyle.Characterized bybroken,reassembled and ab
Forms,cubism transformed art into a unique modern
style.
1924-1940 Surrealism
1909-1918Futurism Characterizedbyit’s dreamlike qualities.
Originating in Italy this style of art sought to transform Surrealism became a way for artists
We see old forms in new innovative ways. To create a unique world of an imagined
The Futurists explored every medium of art including inte reality.Artists such as Salvador Dali experimented
design and theatre. With reality and psychological elements.

Boccioni Abstract Expressionism


A post-world war II movement,abstract expressionism
Is known for it’s spontaneous and subconscious
Style. Instead of working with representational
Forms,the abstract expressionists’ work interprets
Emotional intensity.
O’Keeffe Characteristic of this style.

Rothko

Diebenkorn

Frank

1950 – ACTION Painting

Also known as“Gestural Abstraction”, this


Unique style of painting explores the application
And expression of medium. Jackson Pollock is
Known as the quintessential Action painter.
Drips,drizzles and splatters are characteristics
Of his unique style of painting.

Pollock

Enthaler

1950 - Color Field Painting


Originating in New York City, this
Abstract form of painting is
Known by its application of
Flat fields of color.
A focus on a refined and
Consistent application of paint is
Mondrian
1950 –POP Art
Emerging in Britain in the1950’s, Pop art explored the
Influences of popular culture such as advertising, comic
Books and cultural objects.
Pop art was innovative in that it was a them first style of
Art to emerge that used mass-produced imagery
in a fine arts context.
Warhol

1964 – OP ART
The art of optical illusion.Artists such as Vasarely and
Riley
Sought to explore the illusion of space while
experimenting with
Line,shape,pattern and color.The result is an impression
Lichtenstein of Movement, vibration,swelling,warping and
hiddenimagery.
Vasarely

1960 - minimalism
A post-world war II movement, minimalism became
An expression of the basic and simplified
form.Minimalism
Is known as a reaction against the abstract
expressionists.
Riley

Post-modern art (1970 – present)


Today art continues to Koons
transform. Artists work in a
variety of medium including
drawing, painting, sculpture,
mixed-media, collage,
printmaking, photography,
ceramics and installation art
to name a few.

Stella Some artists create works that reflect


A human message.

Haring

Today’s artists are free to express themselves


in any way imaginable.

Calder Britto
Chihuly

While others explore form Art as we know it will continue to change, as


and function. artists seek to invent new ways to create
Wright fascinating images to capture a world-wide
Audience.

Kalish

Many artists look at our environment for inspiration...

Escher

While others continue tolook within..


Gee’s Bend Quilters

You are so close to the victory, don’t you dare give up


now !

You might also like