Professional Documents
Culture Documents
Venue Packet
Venue Packet
VENUE PACKET
WELCOME!
Check out our annual report to learn more about the inner
workings of our organization!
www.hollywoodfringe.org/annualreport
BECOMING A FRINGE VENUE
Registration opens for the festival each year on February 1st. The registration deadline for
productions wishing to appear in the printed Fringe Guide is April 1st. This two-month window is the
most active time for projects
o seek venue housing. Some go-getters may begin to solicit earlier, and procrastinators can register
right up through the festival opening in June. When should you book? It is entirely up to you. Some
Fringe venues simply want to fill their availabilities as early as possible; others seek to cultivate a
particular aesthetic and may want to wait until they can review a diversity of applications; still, others
may have other commitments that dictate when they will have organizational bandwidth to process
applications. A nice benefit of the volume of shows attempting to produce at Fringe is that there is
almost always someone looking for a venue in the months leading up to the festival. If you want to
book yourself solid, starting early is probably a good idea, but if you are simply looking to fill a few
gaps in your bookings, closer to June may be the time to do so.
Booking productions can be a very passive process in which you only respond to those producers
with the gumption to reach out to you. It can also be very active if you choose to browse projects and
seek out those which fit your venue’s larger sensibilities.
You can easily scale the Fringe to suit your ambition. Maybe it is your first year as a venue, and you
want to test the waters; booking a handful of shows may be the way to go. You can also go full-bore:
Some venues book hour-long slots throughout the day with 30 minutes of changeover between
performances. Part of the Fringe sensibility is that producers expect to have to scale back the
complexity of their staging/design to accommodate the quick turnarounds. A well-organized venue
with a tightly attuned tech staff can serve over 30 productions in a single month. All along the way,
the Fringe community and the festival organizers are here to help you navigate your Fringe
experience.
The Fringe website allows you to receive applications from interested productions. Your venue
comes equipped with a useful “dashboard” to display applications, completed and in-progress deals:
BEST PRACTICES
FOUND SPACES
Fringe spaces run best when they are geared to be nimble. Due to the high volume of shows, most producers
are prepared to work in a more “stripped down” environment. You can arm yourself for success if you are
clear from the get-go about what you are offering in terms of staging/tech. Here are some ideas about a
typical Fringe configuration:
• Slot times are often short. Many venues book hour-long slots, with a half-hour between shows. With that
being said, there are as many ways to configure your schedule as there are venues in the Fringe. Keep in mind
that start times for performances need to be in 15-minute intervals (e.g., 1:00, 1:15, etc.) for the website to add
them to ticketing. Make sure that shows book enough time to run their show, seat the audience, and
setup/strike. In general, it is best to tailor slot- length to the needs of the show.
• A rep-plot for lighting is the norm; do everything you can to make a flexible lighting configuration which can
cover a lot of bases. Most producers will understand that they will not be able to do customizing of focus and
will be happy to work with a rep-plot. LED fixtures which can mix a variety of colors, or color scrollers, are a
great way to diversify the lighting looks you can offer without breaking the bank.
• Standard stage furniture like couches, chairs and tables can be a huge boon to productions. If you don’t have
an existing stock, it’s a great idea to coordinate your productions to share resources. If you can make room to
store one couch permanently, perhaps all the shows can share it throughout the month.
• Keep sound and video simple. The more you can provide a standard setup that works across all productions,
the less you’ll need to reconfigure. If a show has sound/video needs beyond your standard configuration, they
may need to book additional time to set up and load-out the extra equipment; ditto for tech time prior to the
run.
• Be cautious when offering storage. Some venues have a strict “no storage” policy. There is nothing worse at
Fringe than a crowded, disorganized backstage. Producers would much rather make arrangements to bring
their items to each performance than to find items misplaced or missing when they take the space.
• Be clear about House Management and Box Office procedures. Are the producers responsible for staffing
these positions, or do you provide this as a service to your renters? What is the procedure for delivering
money from walk-up ticket purchases?
• Insurance protects the Fringe, your venue, and the producers you house. We recommend that you require
insurance from your productions. As you are required to carry insurance as a Fringe venue, you may find that
your insurance provider can add productions as additional insured to your policy. This may be a great service
to provide to your renters and may make your venue more attractive to producers.
• Communication is KEY! Plan on advising your producers of the Rules & Regulations of your space early and
often. Be available to promptly answer questions and concerns. When producers are kept happy, it drives
repeat business; when expectations are clear, it makes it much easier to say “No!” when unreasonable
demands arise.
The best way to involve yourself in the Fringe is to participate whenever possible. Each year,
the festival hosts public town hall meetings, workshops, and networking mixers for budding
producers. A strong presence at these events can drive bookings to your space.
The Fringe also hosts venue-specific meetings and workshops throughout the festival season.
Watch the festival’s newsletter for details on these and other events (you can sign up for the
newsletter by checking the box to receive updates when you create your account on the
Fringe site).
Successful venues also host their own open houses and mixer events in the lead-up to the
festival. Keep our Communications Director (Carly@hollywoodfringe.org) notified, and we will
help get the word out via our newsletter and social media feeds (the more notice you can
give, the more we can help).
Speaking of social media: It is a great way to assert yourself in the Fringe. Use #HFF23 when
posting about your venue or share on our Facebook group:
https://www.facebook.com/groups/hollywoodfringe. Fringers actively follow Instagram and
Facebook, and engaging helps you book slots, but it also helps drive audiences.
Once your Fringe roster is set, better communication with your producers can lead to
beneficial partnerships through collective marketing, resource sharing, outreach, and more.
In general, the more you and your producers engage with the larger community, the more
successful the festival experience will be for all.
Key Dates for 2023
HAVE QUESTIONS?
EMAIL LOIS@HOLLYWOODFRINGE.ORG