2022AAmA Album - 复件

TAGUS INTERNATIONAL CENTER OF ARTS
ASIAN & AFRICAN & MED & EUR AND AMERICAS

INTERNATIONAL ART EXHIBITION
2022
TAGUS INTERNATIONAL CENTER OF ARTS

目录
CONTENTS
1
前言
FOREWORD
46
主办 / 协办
SPONSOR/CO-ORGANIZER
79
艺术家作品
ARTIST WORKS
19th 2022 AAmA
雷纳托·加尔布塞拉
Renato Galbusera
Italy 意大利
前言
与艺术家洛齐的合作和推动下，在准备为 19 届 AAmA 展览 ( 美丽的 )

撰写文稿时，我的思绪转向了目前正在经历着戏剧性变化的世界。
我眼前浮现的画面是涉及欧洲的战争，但实际上世界上有 160 个冲突
局势。
我们每天在媒体上看到的持续不断被破坏的景象正在提示：我们希望
能够定格在上个世纪的记忆中。如今事态日复一日地在继续，加剧了这一
大流行病的严重后果，并对我们世界的健康状况发出警报。
为什么要把这些思考写在一个促进视觉艺术的项目上，这个项目正在
对来自各大洲的艺术家进行研究 ?
我们的时代常常给我们提供了一种畸形的艺术愿景，它被框定在奢侈
品的商业范围内，它是国家“寡头”的金融产品，没有思考、意义、和情感。
世界上所有时代的文化艺术都是良知的再现，通过观察、判断，转喻
使它获得更深层面的集体情感共享，随着时间的流逝，这种经典的情感和
价值不会消失。
Tagus International Center of Arts 8 19th 2022 AAmA
Renato Galbusera
Italy 意大利
荷马的特洛伊战争、伦勃朗的裸体女性、塞尚停留在苹果堆上的目光， Presentation
他们至今仍是我们情感的寄托。它给我们建立了一条界线，使艺术成为我
们文明共存的不可或缺的部分，就作品而言，艺术家用情感创造作品，注
As I prepare to write some considerations for the presentation of the (beautiful)
视并记录日常的生活，它成为集体良知的遗产，一种对恐怖、悲伤和堕落
nineteenth edition of AAmA, prompted by Master Luo Qi's friendship and
的救赎。 consideration, my thoughts turn to the dramatic moment our planet is currently
我们阅读这本目录 :120 位艺术家把自己奉献给我们。 going through.
他们无疑是更大社区的一部分，一个乌托邦式的国际联盟、UNO 或 The immediate image that comes to my eyes is that of the war involving Europe,
G20，认定世界是由标志、图像、色彩构建的语言 ; 一种可以立即被理解的 but in reality there are one hundred and sixty conflict situations in the world.
语言，或者说是更神秘、更隐晦的语言，但如果我们愿意，如果我们拒绝狭隘， The continuous stream of images of destruction that we see flowing daily in the
看得更远一点，它总是能激起全人类的情感。 media tells us that what we hoped could be confined to the memory of the last
century, continues to reappear, day after day, adding to the nefarious consequences
国际艺术活动的网络遍布世界各地，从历史上最知名的威尼斯双年展、
of the pandemic and to the alarm over the state of health of our Earth.
卡塞尔文献展、欧洲宣言双年展到其他不那么出名的艺术活动，所有国家
Why premise these considerations on a project promoting Visual Art, present in the
男女之间的对话都是通过这些渠道发展起来的，这是一个令人欣慰的事实，
research of dozens of artists from all continents?
也是一个希望的迹象。
Our time often offers us a deformed vision of art, constrained within the mercantile
正是在这样的前提下，洛齐的工作是与艺术家的共同建立起来的友谊
terms of a luxury consumer good, a financial product for 'oligarchs' of every
和通道，这条道路将在今年 8 月的阿根廷圣马丁艺术中心、9 月在意大利、 country, regardless of any consideration of value and emotional involvement.
10 月在北马其顿、11 月在波兰、12 月在中国、2023 年 1 月在葡萄牙陆续
Art in all epochs and all cultures of the world has always manifested itself as an
被实现。 expression of conscience exercised in looking, judging, transferring to a level of
deeper sharing the collective sensibility, thus giving a statute of consolidated value
雷纳托·加尔布塞拉 to emotions or events that could have disappeared in the course of time.
米兰布雷纳美术学院教授 The Trojan War, a female nude or the gaze resting on an apple composter, are still
洛齐
Luo Qi
China 中国
emotionally in our present with the works of Homer, Rembrandt, Cézanne.
This attitude establishes a line of demarcation that qualifies art as an indispensable

moment of our civil coexistence insofar as the work, acting through emotional
syntheses that the artist brings into being, implying the sensitivity of the beholder,
veils or highlights, exalts and eternalises what the daily chronicle offers to our gaze,
making it become a heritage of collective conscience, a redemption of horrors,
sorrows, falls.
We scroll through the catalogue: one hundred and twenty ar tists offer
在史无前例的时期进行艺术见证
themselves to our gaze.
They are part of an undoubtedly larger community, a sort of utopian League of 尽管疫情时代阻碍了我们的旅行和聚集机会，但我们发现，或许有点讽
Nations, UNO or G20 that professes an Esperanto made up of signs, images, colour 刺意味的是，这些困难却扩大了我们的思想、概念和已经实现的艺术交流。
fields; a language that is immediately comprehensible or, often, more mysterious and
2022 年第 19 届 AAmA 国际艺术展的筹备工作比以往更加顺畅。展览得到了
cryptic, but always capable, if we want it, if we refuse to look only a little beyond
the mere chronicle, of stirring the sensibilities of all humanity. 来自 80 多个国家艺术家的支持和响应，最终我们确定了 60 个国家的 120 名
艺术家参加了此次展览。
The network of international art events stretches all over the world, from the most
艺术作品数量的增加并未影响 AAmA 国际展览的学术质量。相反，由
historically recognised, Venice, Kassel, Manifesta to others that are less famous. It
is a consoling fact and a sign of hope that dialogue between women and men of all 于概念和严格的美学准则，它巩固和加强了我们在创造力方面的地位和信念。
nations develops through these channels. 它增强了我们今天和明天的精神生活。艺术自诞生以来从未抛弃过我们，在
整个大流行期间都与我们保持着密切的联系，艺术在不同时期给我们带来了
And it is in this context that Luo Qi's work is set, in weaving on the basis of
不同的精神体验和力量。我们对特殊期间的境况有了新的对应。
knowledge and friendship with artists, a path that will unravel over the course of
the year with forthcoming exhibitions in August at the Saint Martins Art Centre in
Argentina, in September in Italy, in October in Macedonia, in November in Poland, in 今年，AAmA 艺术展试行了新的国际交流方式，与世界各地艺术机构的
December in China, and in January 2023 in Portugal.
合作，此次展览并不仅仅局限于在中国开幕。我们已将 120 位艺术家的作品
Renato Galbusera 纳入视频制作，并在 8 个国家的艺术博物馆展出。同时，我们还与这 8 个国

Professor of Brera Academy of Fine Arts 家的艺术家举行了线下展览，使 AAmA 成为真正的国际交流。
艺术家生活在世界不同的地区和城市，接受自身历史文化的影响，思考我们的展览于 2022 年 8 月开始，并于 2023 年第一季度在亚洲、欧洲和

艺术在社会和生活语境中的意义。我们一起探索不同的艺术语言。AAmA 国美洲持续六个月。
际展览是世界艺术的苍翠森林，由世界上一些最杰出的艺术家共同培育。
衷心感谢 Teija Lammi（芬兰）、Joris Brantuas（摩纳哥）、Vlado Goreski
在阿根廷杰出艺术家玛丽亚·德拉维加（Maria de la Vega）的策划下，和 Lili Boshevska（马其顿北部）、Philippe Chitarrini（法国）、Arlindo Arez（葡
AAmA 国际展览于 2022 年 8 月在布宜诺斯艾利斯国家圣马丁艺术中心开幕。萄牙），以及所有作出贡献的艺术家和策展人。
圣马丁艺术中心同时举办了 5 位重要阿根廷艺术家、8 位特别确定的国际艺我要感谢我的母校中国美术学院和仓艺术机构总监刘思琦，以及此次展
术家以及 120 位艺术家作品的视频同时并列，通过这种方式，创建了一个具览的学术成员马丁·肯尼迪（塞舌尔）、瓦莱里奥·维维安（威尼斯）、马丁·布
有重要和实质性内容的展览。拉德利（英国）和穆罕默德·罗贾纳（泰国）。最后，我要感谢学术主持人、
在马里奥·夸达拉奥利（Mario Quadraroli）、马里奥·迪戈利（Mario 备受尊敬的意大利艺术家雷纳托·加尔布塞拉教授对此次展览的支持。
Diegoli）和米兰布雷拉美术学院（Brera Academy of Fine Arts）教授雷纳托·加今年的 AAmA 国际展览是历史上最大规模的一次。它策划并见证了流
尔布塞拉（Renato Galbusera）的倡议下，AAmA 国际展览于 9 月在比安卡迪行病时代的记忆。最后，感谢所有艺术家的支持，期待着我们在未来的美好
别墅（Villa Biancardi Biennale）开幕。10 位意大利著名艺术家和 10 位亚洲、生活中相聚。
欧洲和美国艺术家的作品与 120 位艺术家的视频并列展出。
此次展览还出现在马其顿北部的比托拉文化宫、摩纳哥国家艺术中心和洛齐
葡萄牙的波尔蒂芒艺术博物馆。博览会得到了其他具有国际地位和重要艺术 AAmA 国际艺术展主席
家的支持。
洛齐
Luo Qi
China 中国
incorporated the works of our 120 artists into video productions and exhibited
Bearing artistic witness throughout them in art museums in 8 countries. At the same time, we have also held
an unprecedented period offline exhibitions with artists from these 8 countries, making AAmA a truly
international exchange.
Although the epidemic era has hindered our travel and networking opportunities,
Artists live in different regions and cities in the world, accepting the influences of
we have found, a little ironically perhaps, that these difficulties have expanded our
their own history and culture, and thinking about the significance of art within the
exchange of ideas, concepts and realised art. The preparations for the 19th AAmA
context of society and life. Together we explore different artistic languages. AAmA
international art exhibition in 2022 have proceeded with unprecedented fluidity. The
international exhibition is a verdant forest of world art, which is collaboratively
exhibition has received support and response from artists based in more than 80
nurtured by some of the world’s most outstanding creatives.
countries, interest which has informed the selection of 120 artists from 60 countries
for participation in this exhibition.
Under the planning of Maria de la Vega, an outstanding Argentine artist, the
AAmA International Exhibition opened in August 2022 at the St. Martin Art
The increase in the number of art works has not affected the academic quality
Center of the national visual archives in Buenos Aires. Video exhibitions of
of the AAmA International Exhibition. On the contrary, it has consolidated
5 important Argentine artists, 8 specially identified international artists, and
and strengthened our position and our faith in creativity because of the high
work created by an additional 120 artists were held simultaneously at the St.
standard of concepts and aesthetics. It has enhanced our spiritual life, today and
Martin Art Museum. In this way an exhibition of significant and substantial
tomorrow. Art has never once abandoned us since its birth, and remained close to
content was created.
us throughout the pandemic. Different periods have brought us different spiritual
forces and experiences and the recent past has generated fresh responses to
Under the auspices of Mario Quadraroli and Mario Diegoli and Professor Renato
extraordinary circumstances.
Galbusera of the Brera Academy of Fine Arts in Milan, the AAmA International
Exhibition opened in September at Villa Biancardi (the site of the Villa Biancardi
This year, the AAmA art exhibition has piloted new protocols for international
Biennale). The works of 10 famous Italian artists and those of 10 artists from Asia,
exchange. Through cooperation with ar t institutions around the world,
Europe and America were jointly exhibited, juxtaposed with the videos featuring the
the exhibition has not confined itself by opening solely in China. We have
full cohort of 120 artists.
迭戈·贝拉多
Diego Berardo
Argentina 阿根廷
This presentation also appeared in the Cultural Palace of Bitola in northern

Macedonia, the National Art Center of Monaco, and the Portimao Art Museum
in Portugal. The exposition was complemented and supplemented by work from
additional artists of international stature and importance.
多元化和包容性
Our exhibition commenced in August 2022 and has been on display in Asia, Europe
and America for six months during the first quarter of 2023.
在其 50 多年的历史中，圣马丁文化中心已将自己确立为一个创新、广泛、
Sincere thanks are due to Teija Lammi (Finland), Joris Brantuas (Monaco), Vlado 多元化和包容性的机构。它具有强烈的多元性和多元文化的神秘性，在其所
Goreski and Lili Boshevska (Northern Macedonia), Philippe Chitarrini (France), 有活动中都得到了文化部的支持，以达到卓越的内容。
Arlindo Arez (Portugal), all contributing artists and curators. 这是一个在戏剧、舞蹈、音乐、电影、文学和数字文化方面最多样化的
体验蓬勃发展的空间。此外，El Cultural San Martín 是民主回归期间计算机中
I would like to thank my alma mater, the Chinese Academy of Fine Arts and Liu siqi
of the Cang Director of art organization, as well as the academic members of this 心的所在地，也是 Conadep 的总部。文化圣马丁是思想和想法可以相遇的地方，
exhibition, Martin Kennedy (Seychelles), Valerio Vivian (Venice), Martin Bradley 因为重要的是要重视和讨论它们，以反思我们可以从文化中做出哪些贡献，
(UK) and Muhammad Rojana (Thailand). Finally, I would like to thank the academic
以提高我们的生活质量，加强尊重、情感和批判性思维。
host, Professor Renato Galbusera, a highly regarded Italian artist, for his support
for the exhibition. 纵观我们的历史，我们已经形成了强大的多元文化、多元化、包容性和
创新形象。我们希望共同打造一个空间，进一步提升使我们成为拉丁美洲文
This year's AAmA international exhibition is the largest in history. It bears witness 化灯塔的价值观。我们希望您 AAmA 在这里找到一个可以自由体验、发展和
and curates memories of the epidemic era. I close by thanking all the artists for their
享受任何形式艺术的地方。
support and I look forward to our meeting in a better life in the future.
Luo Qi 迭戈·贝拉多
Chairman of AAmA International Art Exhibition
阿根廷布宜诺斯艾利斯圣马丁文化中心总监
迭戈·贝拉多马丁·肯尼迪
Diego Berardo Martin Kennedy
Argentina 阿根廷 Seychelles 塞舌尔
Diverse and Inclusive

上升的一切必将汇聚
In its more than 50 years of history, El Cultural San Martín has established itself 这是美国作家弗兰纳里·奥康纳（FlanneryO'Connor）创作的短篇小说
as an innovative, broad, diverse and inclusive institution. With a strong pluralistic
集标题，于 1965 年首次出版。与现代主义时期许多其他创造性冒险一样，
and multicultural mystique, it has the support of the Ministry of Culture in all its
activities, in order to reach contents of excellence. 本书引用了法国牧师和哲学家皮埃尔·泰尔哈德·德查尔丁（d.1955）的理
论主张“Omega Point”。他写道：“保持对自己的忠诚，不断向上迈入将会
This is a space where the most heterogeneous experiences in theater, dance, music, 获得更大意义的爱！在顶峰，你会发现自己与所有从各个方向汇聚的人团结
film, literature and digital culture flourish. Also, El Cultural San Martín was the site
在一起，因为一切提升都必须汇聚。”
of the computer center during the return to democracy and was the headquarters of
the Conadep. The Cultural San Martín is a place where thought and ideas can meet,
because it is essential to value and discuss them in order to reflect on what we can 我一生中的大部分时间都在艺术教育中度过，因为我相信创造艺术和感
contribute from culture to improve our quality of life, strengthen respect, emotions
受艺术可以提升一个人，这样我就成为集体意识的一部分。通过艺术，我认
and critical thinking.
识到了自己，增强了我们对混乱生活的感受：在越来越疏远和复杂的环境背
Throughout our history we have developed a strong multicultural, diverse, inclusive 景下生活。但是，通过艺术，我们理解我们其实并不孤独，并从这种知识中
and innovative profile. We want to build together a space that further enhances the 获得安慰和力量。
values that made us the cultural beacon of Latin America. We want you (AAmA)
to find here a place in which to experience, develop and enjoy any form of art in
freedom. 多年前，在与一名中学生的交谈中，我对他能够清楚地表达：为什么某
些艺术作品对他有意义并印象深刻。当时我们在一家大型公共美术馆。他将
Diego Berardo
自己与特定艺术作品的共鸣解释如下：
Director of The Cultural San Martín, Buenos Aires, Argentina
马丁·肯尼迪
Martin Kennedy
Seychelles 塞舌尔
Everything that rises must converge
“有两个原因可以解释为什么，一件作品能完全抓住我的精神和想象力， This is the title of a collection of short stories written by American author
而其他数百件作品却不能。第一个原因是当艺术证实并强化我已经相信的东 Flannery O’Connor and first published in 1965. As with a number of other
creative adventures of the modernist period this title references the ‘Omega Point’,
西；第二个原因是当艺术挑战我所获知的东西，它向我展示了我从未想到过
a theoretical assertion by the French priest and philosopher Pierre Teilhard de
的概念和机遇。” Chardin (d.1955). He wrote: "Remain true to yourself, but move ever upward toward
greater consciousness and greater love! At the summit you will find yourselves
united with all those who, from every direction, have made the same ascent. For
有时，我们在他人来之不易的审美中认识到自己。在其他时候，我们被
everything that rises must converge."
照亮，开悟，永远改变。当这种情况发生时，我们达到了我认为德·查丁所
写的状态。 I have taught art for most of my life because I believe that creating and consuming
art elevates a person, and that in so doing we become part of a collective and aware
convergence. Through art we realise ourselves, we enhance the sense that we make
2022 年 AAmA 国际艺术展将再次由干练的洛齐担任总监，将提供富有
of our confusing lives – led as they are against a backdrop of increasingly alienating
挑战、自信、深思熟虑、激情和直觉的作品。在参与这一重要展览的过程中， and complex environments. Through art we can understand that we are not alone,
观众将有机会与我们多样化的作品进行互动，并与其保持联系，本着人性、 and draw comfort and strength from this knowledge.
协同的精神进行交流和反思，我们都会相应地站起来。
In conversation with a secondary school student many years ago I was impressed
by his ability to articulate why he found certain works of art meaningful. We were
马丁·肯尼迪 in a major public art gallery at the time. He explained his sense of resonance with
塞舌尔国家艺术委员会主席 specific works of art as follows;
莉莉·博舍夫斯卡
Lili Boshevska
North Macedonia 北马其顿
当艺术以世界的名义“言说”
当艺术在描述世界并以世界的名义“言说”时，我们看到和体验到了全
世界的人们都在以自身的力量进行各种方式的表现和创造，人们的内心越丰
“There are two reasons why one piece will completely capture my spirit and
imagination whilst hundreds of others do not. The first is when art confirms and 富，唤起的体验就越强烈。艺术带来了所有的生活经历、恐惧、创伤、欢乐、
reinforces something that I already believe. The second is when art challenges what 爱……艺术营造和创造了人与人之间的情感与思想的联系。艺术以自身的方
I subscribe to and presents me with concepts and opportunities which have never 式解析、批评、品评、赞颂、提升我们对周围世界的感知，把一切放在放大
before occurred to me.”
镜或显微镜下，给我们展示存在的理由，给我们希望……
At times we recognise ourselves in the hard-won aesthetic victories of others. At 本次展览无国界地连接了所有国家和城市，其能量与洛齐作为中国美

other times we are illuminated, enlightened, and changed forever. 术学院艺术家、AAmA 国际展览总监的理念相呼应。Bitola 文化中心感谢
AAmA 国际展览将宇宙空间作为一个无限的艺术空间展现在我们面前。像音乐
When this happens we reach the condition which I believe de Chardin was
writing about. 和所有其他艺术一样，图像的艺术为世界提供了一切审美形式。在平庸或刻
板的日常生活里，艺术家们总为我们编译和传达了一种美好的审美世界，这
The 2022 edition of the AAmA International Art Exhibition, again ably overseen 是一个艺术的编年史时代。所有这些复杂的组合：现实、想象、人物、事件、
by Luo Qi, will offer up work that is provocative, assertive, considered, passionate
情感，都是二维的，并在同时传递可能、感知、怀疑和观点。所有这些都为
and intuitive. In engaging with this important exhibition, the audience will have the
opportunity to interact with work which is as diverse as we are, as well as connect 通过 AAmA 国际展览的理念汇集起来，为各个地域、国家、城市和人民开启
with others in order to converse and reflect together in a spirit of humanity and 了新的理解之门。
synergy. And we will all rise up accordingly.
Martin Kennedy 莉莉·博舍夫斯卡

Chairperson of the Seychelles National Arts Council 马其顿 Bitola 文化部主任
莉莉·博舍夫斯卡拉斐尔·罗梅洛
Lili Boshevska Rafael Romero
North Macedonia 北马其顿 Spain 西班牙
When the Art “speaks” in the name of the World
When the art describes the world and “speaks” in the name of the World, various 希望和转变 19 AAmA 艺术
representations are created in the one who sees and experiences it. The richer the
inner world of the receiver, the more intense experiences it evokes. The Art brings 第 19 届 AAmA 展上，人们热切地展示了高品质艺术。在 AAmA，在其
out all life experiences, fears, traumas, joys, loves… creates links of connection to
组织者和参与艺术家中，有一个伟大的教学和教学领域，一种和谐的精神，
the feelings and ideas of the one who conceived and created it and the one who sees
and perceives it. The Art analyzes, criticizes, evaluates, celebrates, exalts, gives us a 他的本质是情感和感受，产生创造力和艺术。当读者者到中国和世界上许多
new interpretation of the world around us, puts everything under a magnifying glass 其他国家，通过知名机构，会发现艺术家、家庭、儿童、老人、受人尊敬的
or a microscope, show us a reason for our existence, give us a hope ... 公民们在选选择作品时，他们之间的感受没有什么不同。一般而言，艺术作
品显示出对人类的希望和信任，是对和平、爱与和谐的渴望。AAmA 解决了
This exhibition, without boundaries, connects all countries and all cities whose
energies are in resonance with the idea of Luo Qi as an Artist, Director of AAmA 这些原则，表明艺术是每个人的事，甚至所有人都带着艺术的种子，如果他
International Exhibition and a member of China Academy of Art. The Cultural 们用耐心和感情关心艺术，它将结出伟大的果实，我们都渴望这种结果，梦
and Informative Center –Bitola is grateful to AAmA International Exhibition for
想就可以实现。我对参与的艺术家和作品的变化着迷，他们每个人都用他的
opening the space of the Universe as a limitless Art space in front of us. Like music
and all other arts, the graphics art gives an aesthetic form to everything in the world. 灵魂创作了自己的作品，这是一个精神问题，从内心展现最伟大的灵魂，一
Even the banality or stereotype of everyday life, experienced and conveyed by 个人必须把它交给别人。AAmA 艺术家给了我们一份很棒的礼物。我建议人
the graphic artist, becomes an aesthetically translated art that is a chronicler of its 们安静地、一点一点地去感受这份精彩的礼物，一点一点地回味这些作品，
time. All that complicated mixture of: reality, imagination, people, events, emotions,
与作品简历互动，灵魂对灵魂，你会感受到艺术家的灵魂向我们的灵魂讲话，
gets two-dimensional and is transferred on the graphic sheet that communicates
conditions, feelings, views, doubts and opinions at the same time. All of that opens 并低声说出难以想象的故事。
new portals to new understandings of continents, countries, cities and people united 通过 AAmA 图录、其美丽的视频，艺术作品将我们引导到我们存在的中
through the idea of the AAmA International Exhibition.
心，带给我们在困难时期迫切需要的希望。我敢说，在经历了进入这种广泛
Lili Boshevska 的作品和艺术家之后，我变得不那么自私了，我感谢艺术所呈现这么多的形

Director of Cultural and Information Center – Bitola, Macedonia 式、颜色、肢体展现的男人和女人，它从这个星球上许多不同的地方带了的
拉斐尔·罗梅洛
Rafael Romero
Spain 西班牙
AAmA 19. Art, Hope and Transformation

With great emotion comes the 19th edition of AAmA, an exceptional opportunity
创造。我也意识到，他们正在和我谈论一个更美好的、生态的、可持续的、 to showcase high-quality art aimed at citizens. In AAmA, in its organizers and
平等的世界，这是我必须从我存在的深处感谢的。 participating artists there is a great didactic and pedagogical vocation, a conciliatory
spirit of man with his essence, his emotions and feelings that are what generate
我必须感谢 AAmA 的组织和参与者帮助我实现自己的存在，感谢艺术，
creativity and Art. When visitors to China and many other countries in the world,
增加我的自尊心，培养希望，并激励我继续从艺术工作，以造福他人，从 through prestigious institutions, discover the selected works of the participating
而在一个虽然看起来很黑暗但仍然保持大量光明的世界，从他们那里获得 artists, entire families, children, the elderly, respected citizens, they discover that
光明。 what the artists talk about with their works it is no different from what they think
and feel. The work of art in general shows hope, trust in human beings, in their
AAmA 在变革的经历中，充当大使，这种传播不仅对我有益，相信对
desire for peace, love and harmony. AAmA addresses these principles, showing that
任何人都是一种获益。我的数百名学生已经从艺术学院的教学中获得了美丽 art is everyone's business, even that all human beings carry within them the seed of
的启迪，年轻的艺术学生，我可以为他们提供一个很好的例子，为他们的创 Art and that, if they care for it with patience and affection, it will bear great fruit,
the fruit that we all yearn for, our dreams can then be fulfilled. I am fascinated by
造力发展提供一个非凡项目，因为他们对自己在不久的将来成为我们的艺术
the variation of artists and works that participate, each one of them has created his
家充满信心。 work with his soul, it is a matter of spirit, recovering from within the greatest thing
谢谢 AAmA ！ that one has to give it to others. AAmA artists give us a great gift. I recommend
reviewing the works calmly, little by little, establishing the most motivated of
connections, soul to soul. It is when the soul of the artist addresses our soul
拉斐尔·罗梅罗·皮内达
and whispers unimaginable things. The artist addresses our soul and whispers
巴塞罗那大学艺术学院西班牙 unimaginable things.
Going through the AAmA catalog, its beautiful video, the participating works of
斯特凡·扎琼兹
Stefan Zajonz
Germany 德国
艺术是一种促进最大可能个性的知识媒介
art, directs us to the center of our being, generating above all that hope that we
badly need in these troubled times. I would dare to say that, after the experience of 一
entering this breadth of works and artists, I become less selfish and I am grateful
现代主义的历史，尤其是过去 100 年的历史，可以被理解为一个不断溶
for such generosity in the face of so many forms, colors, gestures of men and
women who create from so many places on this planet. . I also realize that they talk 解、爆发和回归的过程，这个过程的有效性在欧洲大陆依然存在，且体现得
to me about fighting for a better, ecological, sustainable, egalitarian world, and that 尤为明显。亚洲和非洲艺术的影响在 20 世纪的西方艺术中起到了显著的作
is something that I must thank from the depths of my being. 用，反之亦然。波斯和伊斯兰艺术也影响了西方艺术和对收藏的热情，直到
今天，博物馆和文化机构中仍然可以看到这种现象的存在，看到他们的身影。
I have to thank the organization and participants of AAmA for helping me to reach
my own being thanks to Art, increase my self-esteem, develop hope and motivate 在艺术中，变形通常表现为一种过渡，并被理解为形状或形式的变化。这种
me to continue working from art to benefit others and in turn receive from them 变化往往是不可逆转的，不连续性和短暂性，成为了当代艺术的两大核心特
their light in a world that, although it seems dark, still keeps a lot of light.
征，成为了艺术发展的基本学术现象。我们一直喜欢艺术中伟大的隐喻。但
From an experience as transformative as AAmA, one can only act as an ambassador 是，在整个 20 世纪中，对艺术最基本的结构和形式给予了彻底解构，重要
and spread what has been good for me, convinced that it will be good for others. 的潮流给予艺术界产生了极大冲击和争议。达达（Dada）、激浪（Fluxus）、
My hundreds of students are already receiving the beautiful seed of AAMA, young 波普（Pop）、流行（Everging）、表演（Performance）和新媒体（让·阿普
art students to whom I can deliver a great example of an extraordinary project for
尔 Jean Arp、约瑟夫·博伊斯 Josef Beuys、草间弥生 Yayoi Kusama、艾伦·卡
their creative evolution, for their confidence in themselves as our artists for the
immediate future. 普罗 Allan Kaprow、马丽娜·阿布拉莫维奇 Marina Abramowić 和白南准 Nam
June Paik），他们代表了今天艺术的“液化过程”，这个过程充满了想象，
Thank you AAmA!
且超越现实。这一现象背后与那些引发对存在的反思、对普遍原则的探索、
Rafael Romero Pineda. 世界的客观化、超越和灵性的现象与当时的哲学潮流密切相关。这些都是个

Professor of Faculty of Fine Arts University of Barcelona 体经历，从长远来看，仍然作为心理意象存在。[1] 然而，与此同时，这一过
程形成了生动活泼、相互联系、回归本源的基本条件，并表明对主体、自我抵制都是无助的，而且仍然没有回音。我们确实生活在一个极端的时代。我
的彻底质疑，导致了当代艺术的最终发展。艺术的多样性在自由基础最好的们经常受到两种同样可怕的命运的威胁，尽管这两种命运看似截然相反：不
地域最为繁荣。因此，保护艺术自由，尊重现代版权法，保障市场价格的权利，间断平庸和难以想象的恐怖。[6]
成为了负责的担当，文化政策的首要任务。[2] 世界已经完全为人所知，并在
三
这里结束。今天我们给世界一个图谱，数字化在这里起到了重要作用，值得
目前，我们正在经历社会或政治对艺术的承诺，艺术通过具体行动确立
注意且更重要的是，它可以在地区和全球范围内使用，除了经典展览之外，
地位，无论是在文化和政治活动中，还是在合作关系和城市发展中，艺术都
还可以在许多地方通过屏幕投影展示移动展览。我毫不怀疑，在人工智能（AI）
提供了新的参与形式。因为它不基于其他美学理论概念，所以它遵循自己的
的帮助下，这种创造力可以增强，智能文明的设计，这种推动力已发生在我
策略和游戏规则。虽然少了保护，多了滋养，所以艺术在这一点上直截了当
们身边。我们已知它的潜力、方向和特征，数字作为价值工具给我们带来了
地揭示了它无力的一面，而这正是它寻求克服的。最重要的是，我参加是因为：
新的创造。[3]
人性、智慧、天赋、勇气和爱。艺术以令人难忘的方式激发了人们对当今社
二会模式与价值观的讨论，它做了这项巨大的—有远见的工作—为了更人
过去两年，无论在大都市还是在各省城，世界给我们带来了全新的、意道的未来。我们不乏历史事实。有些人说，真理使你自由，有些人说，真理
想不到的挑战。在此之前，人们认为，如此大规模的大流行病（新冠肺炎）使你快乐。[7] 但一个人不能两次踏入同一条河，赫拉克利特教导我们。[8] 有
会在如此程度上关闭我们的私人和公共生活，造成危机，破坏生计，引发飞一点是肯定的，在这种情况下，每个项目都是需要策展和编辑的高效率，展
行的困难和经济战争，这是不可想象的。在这个问题重重的时代，艺术家仍览的成功，需要有人来应对，在 60 个国家的 120 位艺术家共同参下获得圆
然致力于艺术，这一事实不能被视为理所当然。其动机隐藏在听起来几乎悲满成功，这不仅仅是一个简单的组织。值得注意的是，该项目的每个参与者
鸣的话中，也许是我们在本次展览中传达的信息—或者，也就是说：艺术，最多展示 6 件作品，尤其是将这么多艺术家聚集在一起，同时需要尊重每一
[4]
给予了什么！此外，它也适用于艺术家和文化工作者：我们不仅要展示经位艺术家，这不是一件容易的工作。
久不衰的精彩作品，而且要用我们的艺术经得起环境的考验，以正确的眼光
四
展示友谊。[5] 艺术和伙伴关系是生活中相互渗透和互补的两个方面。对艺术
本次展览项目的总监洛齐任教在中国美术学院，他友善和乐观的精神
作品的普遍熟悉使我们对现在和过去的印象更加牢固。我们自己的创造性生
以令人印象深刻，不畏艰险地致力于这一巨大的项目。他的直接合作者雷纳
产是对集体财产的一种适度贡献—而且没有进一步的限制，通过努力，它
托·加尔布塞拉，他是意大利米兰布雷拉美术学院的艺术家和艺术教授。加
可以在远离我们生活的地方呈现出新的存在形式。事实证明，对任何变革的
尔布塞拉为这次展览提供了一个令人难忘的介绍，提供了大量帮助，作为联
合策展人给予支持。来自阿根廷、中国、英国、芬兰、法国、北马其顿、塞解读，但展览的目录真实地起到了媒介作用。
舌尔、西班牙、泰国和乌拉圭的教授和博物馆馆长作为项目委员参与到了第
六
19 届 AAmA 工作中 [9]。鉴于这些事实，项目给我们带来了重要的生活内容，
在今天，艺术作品本身的传播力已经很脆弱，视觉作品已经转变身份，
幸运的是它呈现了文化的多元样板，并富有成效。各个文化机构的配合与合
被媒体掌控。在可见和可想象之间的这种非常复杂的相互作用中，艺术作品
作，实现了文化互动的国际化，在世界各地的传播，组织者成为了文化大使，
的时间、空间都被模拟及数字化储存。他们的基本意图大多是自主的或批判
成为东西和南北之间文化桥梁和建设者，在今天，我们已经把它视为理所
性的，并且能够保持自己的立场、观点和价值判断。我们首先必须将这些崇
当然的桥梁，彼此沟通。我认为这是一项重要的任务，以作出了特的贡献，
高的力量结合起来，并将它们转化为具有不同潜能的细胞，这些功能在实际
并使该项目更加知名，有助于我们的文化记忆，没有它，任何个人和文明
生活中变得显而易见，我们是这些创造力的主角，思想的发起者，我们需要
都不存在，因为它是社会的支柱。这种文化填满了我们的生活，它是自然、
建立安全感！ [13]
[10]
人类和友谊的永久伴侣。另一方面，艺术本身是一种知识媒介，可以促
进最大可能的个人表达，并带来极大的快乐。弗里德里希·席勒曾在一首七
诗中惊呼：“欢乐，众神的美丽火花，来自极乐世界的女儿” [11]。它的歌洛齐总监已经为以上立场做出了努力。在隐喻意义上，艺术家形成了一
词和器乐于 1985 年被采纳为欧盟的国歌，表达了所有成员国共享的自由、个包罗万象的器官，一个超大的集体，除了个人的艺术任务外，也可以被设
和平与团结。[12]2022 年第 19 届 AAmA 艺术项目，其本质是不断地在跨越想为相互间的漂流，我们加入了自 20 世纪以来的世界流动、移民和过境的行
各大洲之间空间和知识边界，在对话中建立一种所有人都能理解的语言，列，成为经常徒步旅行并出发去新地方的人。[14] 艺术家们因普遍相信观看和
吸引我们的内心深处，激发我们反思和新的创造力。识别的效果而团结在一起。诗人保罗·塞兰（Paul Celan）写道，面对这个世

界上的“穷困”，我们常常感到格格不入 [15]。我引用他的话：“被驱赶到 /
五
terrain/ 带着无误的痕迹 /grass，写得四分五裂。石头，白色 / 带着草叶的阴影：
创造性地工作，重新设计或转化为整体形式，所有这些都是自由被实现
/read no more–look ！ /look no more–go ！ go，你的时间 / 没有姐妹，你在家
的结果。在第 19 届 AAmA 展览中，我们正在经历一场超越边界的展示，具
/ 在家。”[16] 具有创造性氛围的地方：地区、城市、住宅、花园、祭品、符
有创造力的、品质的、风格化的作品在不同地域、国家和城市传播。在这里，
号和标志，为我们提供了许多证据，证明这个地方的特殊性，它的天才所在地，
知名艺术家、自由职业者、讲师和教授的作品都得到了展示，包括绘画、版
是一种保护精神，代表着一种有价值的生存状态。由于他们的地理位置和地
画、书法、图像、摄影、雕塑、装置、设计、混合媒体、可视化视频和新媒体。
域差异，他们是对社会生活质量有影响的特权地区之一。物体、图像、电影、
虽然我们不能对全部的作品作出详细的描述，或以艺术史的角度给出满意的
雕塑本身没有身份，目录是一个美好的汇合。作为第 19 届 AAmA 项目，并
没有标示一个明确的集体的共同主题和计划。团体的动力来自于对个体的创
作经验的融合，这些经验主要建立在文化、艺术、自然和科学的交叉点。创
造力在这里是认知，与复杂关系、过程、现象和知识的新表现形式。AAmA 1 瓦尔特·本杰明，登比尔德，苏尔坎普·维拉格，法兰克福美茵河畔
对选定的艺术家的工作只做出区域划分，这是创造性的工作。 1984 年，第 128 页。
2 莫妮卡·格林德斯，MdB，2013-2021 年文化和媒体国务部长，2014
年柏林 BBK Zeitzeichen，第 8 节。
八
3 Leon Tsvasman、Infosomatische Wende、Ergon Verlag、Nomos
第 19 届 AAmA 展览是加强和反思社交平台和友谊的绝佳机会，它是对 Verlagsantalt、巴登巴登 2021。
现实的一种理解 [17]，也是对多个社会情感状态的一种反映，以解析我们共同 4 迈克尔· 科特伦德，迪格罗斯 20/21，VVK e.V. 目录，杜塞尔多夫
2021 年。
生活的世界是否可被理解、折射和接受。人们可以进行推测并进一步研究。
5 斯特凡·扎琼兹，《面对面》，柏林克劳廷，2022 年，第 9 页。
在一次关于展览活动的谈话中，安塞尔姆·基弗说：“我立刻觉得我可以正 6 苏珊·桑塔格，《反对口译和其他文章》，Wydawnictwo Karakter，
常地与贝尤斯交谈。我不需要向他解释任何事情。我所要做的就是把这幅画波兰克拉科夫，2018 年，S、 299。
7 彼得·斯洛特迪克，《审美的必要性》，菲洛，菲洛美术，汉堡，2007 年，
或任何东西挂在墙上，就这样。我们不需要做任何其他事情。”[18] 从这个词第 310 页。
的良好意义上讲，这个片段并非没有某种竞争。第 19 届 AAmA 展览因其跨 8 https://de.wikipedia.org/wiki/Heraklit
9 洛齐，第 19 届 AAmA 总监，邀请，2022 年。
学科特点、流派多样性和创作立场而成为一个有趣的展示。人类的视觉感知
10 Stefan Zajonz，《二元目录》，Verlag Franz Schön，波恩，2010 年，
是一个选择性的过程。当我承认我对所有这些问题的考虑，即私人选择，将第 8 页。
始终具有欧洲特色时，也请理解我的立场。不应该错过神奇的资讯，尤其是 11 弗里德里希·席勒，《弗洛伊德之死》，第 3 卷，温克勒·维拉格，
慕尼黑 1968 年，第 115 页。
那些有创造力的人，无论他们属于哪种文化，他们都是人类生活的表现和存 12 https://de.wikipedia.org/wiki/Europahymne
在 [19]。图像语言的智慧来自原始的和现实的两个层面，我们无法回避和脱离 13 Stefan Zajonz，《天才轨迹目录》，西德尔塞科学学会，西德尔塞 / 华沙，
波兰，2016 年，第 7 页。
其中一个方面。我们希望赢回观众，无论时间多久，这是我们的期待。我祝
14 Gabriele Uelsberg（LVR Landesmuseum Bonn 馆长），时间置换目录，
愿所有的艺术家、文化工作者、贡献者，当然还有那些对艺术感兴趣的朋友 Troisdorf 2016，第 3 页。
和客人，一个成功的展览，会使得更多的人振奋和留下美好的印象，遇到充 15 Paul Celan，Engführung，第一卷，Suhrkamp Verlag，法兰克福美茵河
畔 1983 年。
满喜悦的所有参展者，祝一切顺利！
16 Paul Celan，Engführung，第一卷，Suhrkamp Verlag，美因河畔法兰克福，
1983 年，第 197 页。
斯特凡·扎琼兹 17 乔治·施泰纳，《真实的存在》，费伯与费伯，1989 年伦敦。
18 https://cafedeutschland.staedelmuseum.de/gespraeche/anselm-kiefer 汉
诗人、学者、国际艺术项目策展人娜·阿伦特，《人类状况》，芝加哥大学出版社，1958 年。
Stefan Zajonz
Germany 德国
Art is a medium of knowledge that promotes the

greatest possible individuality
1. The history of modernism, especially that of the last 100 years, can be understood connectedness, for a return to the origin and shows that the radical questioning of
as a constant process of dissolution, eruption and regression of a previously valid the subject, of the ego, leads to the final development factor of contemporary art.
self-image of art presence, which could be observed above all on the European Diversity in art thrives best where freedom prepares the ground for it. Protecting
continent. The influence of Asian and African art played a notable role in Western the freedom of art, respecting modern copyright law and guaranteeing the right to
art in the 20th century and vice versa. Persian and islamic art also influenced sell at market prices is therefore the top priority and foremost duty of responsible
western art and the passion for collecting, whose constant presence can still be seen cultural policy.[2] The world is completely known and ends here. We give the world
in museums and cultural institutions today. In art, metamorphoses are very often a face. Digitalization is also useful and noticeable here; what's more, it can be used
presented as a transition and understood as a change in shape or form. This change regionally and globally to present mobile exhibitions with projection over the screen
is often irreversible. Instead, the apparent discontinuity and ephemerality, which in many places in addition to the classic exhibitions. I have no doubt that with the
are the two central characteristics of contemporary art, have further developed its help of artificial intelligence (AI) this creativity can be increased and numerous
progressive terminology. We continually love the great metaphors in art. But the impulses for an intelligent civilization design will reach us. We already know that
permanent deconstruction of the most elementary building blocks and basic forms potentiality, orientation and attention are its primary characteristics and a tool for
led to highly controversial positions in art throughout the 20th century. Dada, digital value creation.[3]
Fluxus, Pop, Happening, Performance and New Media (Jean Arp, Josef Beuys,
Yayoi Kusama, Allan Kaprow, Marina Abramowić and Nam June Paik) today stand 2. The past two years have presented us with completely new and unexpected
for a fundamental "liquefaction process" that is filled with imaginary reality and challenges worldwide, whether in the big city or in the provinces. Until then, it
more often surpasses reality. The philosophical trend underlying this phenomenon was considered inconceivable that the pandemic (COVID-19) of this magnitude
is linked to those currents that provoke reflections on being, the search for universal would shut down our private and public life to such an extent, cause crises, destroy
principles, the objectification of the world, transcendence and spirituality. These livelihoods, trigger flight and economic wars. The fact that artists are still committed
are personal experiences that continue to exist in the long run as mental images.[1] to artists in this problematic time cannot be taken for granted. The motivation for
At the same time, however, this process forms the basic condition for liveliness, for this is hidden in the almost pathetic-sounding sentence that can also be our message
with this exhibition – or is, namely: ART is, what remains![4] In addition, it also China Academy of fine arts in Hangzhou, China. He is committed to the mega
applies to artists and cultural workers: Not only do we present wonderful works that project beyond measure, against all odds, with impressive optimism and with good
endure, but also that we can withstand the circumstances with our art and present nerves. His direct partner in this event is Renato Galbusera, who is also an artist
documents of friendship in the right light.[5] Art and partnership are two aspects and art professor at the Brera Academy of Fine Arts in Milan, Italy. Galbusera gives
of life that penetrate and complement each other. General familiarity with works of this encounter a memorable profile, he helps intensively with the editorial support
art solidifies in us the image we have of the present and the past. Our own creative and will support it merit as co-curator. Other professors and museum directors
production is a modest contribution to collective property – and without further from Argentina, China, England, Finland, France, North Macedonia, Seychelles,
effort, it can take on new forms of existence far from where we live. The resistance Spain, Thailand and Uruguay are involved in the multinational committee of the
to any change proves helpless and remains without an echo. We truly live in the age 19th AAmA project.[9] In view of these facts, the project is the dominant factor
of extremes. We are constantly threatened by two equally horrifying, if seemingly in shaping our lives. Fortunately, the cultural cooperation is diverse and fruitful.
opposite fates: uninterrupted banality and unimaginable horror.[6] The personal commitment of the cultural mediators, as well as some political and
private foundations, prove the cultural interaction and the international educational
3. Right now we are experiencing that socially or politically committed art has exchange. The traces of the work are carried on all over the world. This makes the
established itself through concrete action and offers new forms of participation, organizers ambassadors of their culture and at the same time builders of bridges
be it in cultural and political events or in partnership and city development. Since it between East and West and between South and North. Bridges that we take for
is not based on any other theoretical-aesthetic concept, it follows its own strategies granted today and communicate with one another. I see it as an important task to
and rules of the game. Though less protective and more nurturing, art at this point make this unique contribution and to make the project better known. It contributes
bluntly reveals its impotent side, which it seeks to overcome. Above all, I take part to our culture of remembrance, without which no individual and no civilization can
because what is associated with her name is: humanity, intelligence, talent, courage survive, because it is the backbone of society. This culture fills the middle of our
and love. With its public presence, this art stimulates a discourse on values and lives, it is a permanent service of friendship to people and to nature.[10] On the
models in today's society in a memorable way. It does this enormous – visionary other hand, art presents itself as a medium of knowledge that promotes the greatest
work – in favor of a more humane future. We have no shortage of historical facts. possible individuality – and gives great pleasure. "Joy, beautiful spark of the gods,
The truth makes you free, said some, truth makes you happy, claimed others.[7] daughter from Elysium"[11], Friedrich Schiller once exclaimed in a poem. Its lyrics
But one cannot step into the same river twice, Heraclitus of Ephesus teaches us.[8] and the instrumental version of it were adopted as the anthem of the European
One thing is certain, every project in this context is a curatorial and editorial high Union in 1985 – and is an expression of freedom, peace and solidarity shared by
performance. For something like this to succeed, it always takes individuals. Tackling all members.[12] The 19th edition of AAmA in 2022 deals with art, the essence
such an exhibition and bringing it to a successful conclusion with all 80 participants of which is to repeatedly overcome spatial and intellectual borders across the
from 50 countries is more than simple organisation. It should be noted that each continents, to develop a universal language in dialogue that appeals to the innermost
participant in this project can present up to six works. It is difficult not least because part of us humans, as well as to create new facts that stimulate this reflection.
the goal of bringing so many artists together in one exhibition requires great respect
for the work of each individual. 5. Working creatively, redesigning or transforming into holistic forms, all of this is
part of the fruits of freedom. In the 19th edition of the AAmA exhibition, we are
4. The mentor of this exhibition project, Luo Qi is an artist and an art master of currently experiencing a presentation that overcomes these borders and transports
artistic quality to places, countries and continents that can be stylized as places house, garden, cult objects, symbols and signs, provide us with many proofs that
of power, real sites of creativity. Here both present selected. Established artists, the specificity of the place, its genius loci, which is a protective spirit, represents a
freelancers as well as members, lecturers and professors present their demanding valuable condition in order to exist to be. Thanks to their geographical position and
works from: Painting, drawing, calligraphy, graphics, photography, sculpture, territorial differences, today they are among the privileged places that have an impact
installation, design, mixed media, visualization, video and new media. A detailed on the quality of life of society. The objects, the picture, the film, the sculpture –
description or art-historical interpretation of the works is impossible to deal have no identity per se. This is the final chord that illuminates the contents of the
with satisfactorily at this point. The planned catalogue, the opus magnum of the catalog and fully fulfills our search for a plastic modus extendi. And this is not an
exhibition, will assume the mediating function, clearly encompass the presence and application that is easy to download from the Internet. The international group
offer the material offer as an aesthetic edition. of artists working and presenting their works as part of the 19th AAmA does not
formulate a common program. The impetus for the group performances is the
6. The diversity of the arts is fragile. Compression is fragile. Today, visual convergence of previous creative experiences, which lie primarily at the intersection
compositions and media control the paradigm shift of identity and reality. In this of culture, art, nature and science. Creativity has a cognitive component here and
very complex interplay between the visible and the imaginable, one primarily wants is connected to new forms of representation for complex relationships, processes,
to devote oneself to the motifs. Whether analogue or digital, works of art store phenomena and knowledge about them. The classification of the working areas
time. They are mostly autonomous or critical in their basic intention, and always of selected artists from the AAmA circle takes place within the current social and
able to maintain their status, which evokes the value of an unbiased view. One humanistic discourses. That's all it takes. All we have to do is filter through society's
must first unite these sublime forces and transform them into a mother germ cell filters, stand our ground and identify with our creative work.
with different potentials. Their function soon becomes perceptible in practical life.
We, the creative protagonists, are only the initiators of ideas and we don't have the 8. The 19th AAmA Exhibition is a great opportunity to strengthen and reflect on
comfort of security![13] the social platform and friendships. It is an approach to the real present[17] and a
reflection on the emotional state of multiple societies to understand if the world
7. The curator Luo Qi has visibly succeeded in embracing and combining this to we live in together is comprehensible, mappable and acceptable. One can speculate
the best of his ability. In a metaphorical sense, we artists form an all-encompassing and go further. In a conversation about his exhibition activities, Anselm Kiefer
organ, an oversized collective that, in addition to the individual artistic task, said: "I felt immediately that I could talk to Beuys normally. I don't need to explain
envisages various flows of migration and transit. We join the people who have been anything to him. All I have to do is hang the picture, or whatever it is, on the wall
making things – moving – around the world since the 20th century. People who and that's it. We don't need to do anything else."[18] This fragment is not without a
have always hiked and set off to new places.[14] The artists are united by a universal certain rivalry, in the good sense of the word. Due to its interdisciplinary character,
belief in the effect of viewing and recognizing. Poet Paul Celan wrote that we the variety of genres and creative positions presented, the 19th AAmA exhibition is
often feel out of place in view of this world's "Engführung/The Straitening"[15]. an interesting showcase. Human visual perception is a selective process. Please also
I quote his wording: "DRIVEN into the / terrain / with the infallible trace: // understand my position when I confess that my consideration of all these issues, the
grass, written asunder. The stones, white / with the shadows of grassblades: / private option, will always have a European character. Magical interrogations should
read no more – look! / Look no more – go! Go, your hour / has no sisters, you not be missing. Especially not where creative people, no matter which culture they
are – / are at home."[16] Places endowed with a creative atmosphere: region, city, belong to, devote themselves to the manifestations of human existence in their vita
瓦莱里奥·维维安
Valerio Vivian
activa[19]. The intelligence of the pictorial language marks encounter and primeval Italy 意大利
distance as two levels of reality. As soon as this character arrives, the unified image
can no longer entirely escape us. Of course, we also hope that our exhibition will
win back its audience after such a long time of waiting. I wish all artists, cultural
workers, contributors and of course those interested in art and our guests a
successful exhibition, many stimulating impressions, an encounter full of joy and all
exhibitors every success! 攀登寻找“真我”
Stefan Zajonz
洛齐在他的演讲中写道：“艺术从一开始就没有离开过我们，在大流行
Poet, scholar, curator of international art projects
期间一直与我们保持着密切联系”，这增强了我们今天和明天的精神生活，
1 Walter Benjamin, Denkbilder, Suhrkamp Verlag, Frankfurt am Main 1984, S. 128. 这是对的。如果说这种流行病所造成的孤立和疏远对人类来说是一种非自然
2 Monika Grütters, MdB, Staatsministerin für Kultur und Medien 2013–2021, Zeitgleich &
的状况，考验着我们在一个问题日益严重的世界中脆弱的平衡，那么这种限
Zeitzeichen, BBK Berlin 2014. S. 8.
3 Leon Tsvasman, Infosomatische Wende, Ergon Verlag & Nomos Verlagsanstalt, Baden- 制对艺术家来说就更具破坏性了。在这种情况下，艺术活动和艺术作品也必
Baden 2021.
然具有治疗性质。其他充满厄运的乌云使得我们的天空更加阴暗。最近发生
4 Michael Kortländer, DIE GROSSE 20/21, Katalog, VVK e. V., Düsseldorf 2021.
5 Stefan Zajonz, Face to Face, KRAUTin, Berlin 2022, S. 9. 在乌克兰的战争在全世界都产生了影响，但这不是唯一正在进行的战争，只
6 Susan Sontag, Against Interpretation and Other Essays & Wydawnictwo Karakter, Poland,
是最具灾难性的战争。那么，多年来，全球变暖和对自然环境的系统性破坏
Kraków 2018. S. 299.
7 Peter Sloterdijk, Der Ästhetische Imperativ, Philo & Philo Fine Art, Hamburg, 2007, S. 310. 威胁着我们在这个星球上的生存。在这种令人沮丧的情况下，“……世界艺
8 https://de.wikipedia.org/wiki/Heraklit
术的苍翠森林，由来自世界各地的一些有创造力的人共同培育”（洛齐），
9 Luo Qi, 19th AAmA (Director of Asia, Africa, and Mediterranean International Modern
Art Exhibition), Invitation, 2022. 增加了其治疗作用，即通过视觉艺术的通用语言刺激个人和集体意识。这就
10 Stefan Zajonz, Dualität Katalog, Verlag Franz Schön, Bonn 2010, S. 8.
是 AAmA 的价值观和意义，这是一个耐心地编织东西方和整个世界之间个人
11 Friedrich Schiller, An die Freude, Bd. 3, Winkler Verlag, München, 1968, S. 115.
12 https://de.wikipedia.org/wiki/Europahymne 关系的展览：这是一座不同文化和文明之间的和平桥梁。
13 Stefan Zajonz, Genius loci Katalog, Siedleckie Towarzystwo Naukowe, Siedlce/Warszawa,
为了从不同的角度观看这场激动人心的重要展览，并向洛齐的伟大而热
Polen 2016, S. 7.
14 Gabriele Uelsberg (Direktor des LVR Landesmuseum Bonn), Timedisplacement Katalog, 情的组织努力致敬，我试图与艺术史建立一座小小的“桥梁”。王履和卡斯
Troisdorf 2016, S. 3.
帕·大卫·弗里德里希是两位来自过去的画家，他们仍然非常相关，在时间
15 Paul Celan, Engführung, Bd. 1, Suhrkamp Verlag, Frankfurt am Main 1983.
16 Paul Celan, Engführung, Bd. 1, Suhrkamp Verlag, Frankfurt am Main 1983, S. 197. 和地点上都很遥远，这是两个显然不可调和的艺术个性。在这篇简短的叙述
17 George Steiner, Real Presences, Faber and Faber, London 1989.
中，我试图让自己被艺术家自己的绘画和文本所产生的建议所冲昏头脑，这
18 https://cafedeutschland.staedelmuseum.de/gespraeche/anselm-kiefer
19 Hannah Arendt, The Human Condition, University of Chicago Press, Chicago 1958. 表明相比之下，对他们作品的象征性阅读可能会带来不止一个接触点。这就
是艺术的奇迹。瓦莱里奥·维维安
Valerio Vivian
华山是中国的一座名山，危险但迷人，崎岖而雄伟。王履是一位医生、
Italy 意大利
诗人和画家。一天，明朝刚刚开始，也就是 14 世纪下半叶，这位奇怪的老
主人决定爬上这座山来描绘它的各种景色。当王履走在平坦的道路上，他发
现自己在反思大自然的伟大，他认为仅仅观察华山是不够的，要了解这座山，
你必须走下去，你必须攀登，你必须登上山顶。画家描述了自己的一个幻象：
“那时，云朵开始漂移，被风吹动。无论它们是前进还是后退，开放还是关闭，
它们似乎不时地变厚或者分散。云朵在四座山峰的顶峰来来往往，不断移动
和磨损。我被吸引住了，忘记了我为什么会在其中。”面对着纸，用蘸着墨
水的毛笔，王履意识到自己必须以精神为指引，必须在他所经历的山的结构
中寻找自己作品的想法。画家写道：“我师心、心师目、目师华山”。在王
履绘制奇妙的图画中，岩石、植被、云雾高耸、壮丽随时会展现，但人物在 Climbing the mountains in search of the 'true self'
景观所暗示的无限画面前显得很渺小。
吕根岛位于波罗的海，是德国北部一个非常大且崎岖不平的岛屿，茂密 Luo Qi is right when he writes in his presentation that “art has never left us from
the beginning and has remained close to us throughout the pandemic”, enhancing
的深绿色植被停在陡峭的白色悬崖上，构成了寒冷的普鲁士蓝色海洋。这一
our spiritual lives today and tomorrow. If the isolation and distancing imposed
年是 1818 年，卡斯帕·大卫·弗里德里希 44 岁，他的童年和青年时代都受 by the epidemic has been for humans an unnatural condition that tests our fragile
到了家庭丧亲之痛的蹂躏，他是一位著名画家，德累斯顿学院的成员，许多 equilibrium as people in an increasingly problematic world, this limitation has been
诗人和文学家（如歌德）的朋友，他认识宫廷和国王，但他仍然像僧侣一样 even more devastating for artists. In this case, artistic activity and works of art have
necessarily also acquired therapeutic properties. Other doom-laden clouds have
生活和绘画，寻求内心的平静。1818 年是快乐的一年，因为他娶了年轻的卡
contributed to darkening our skies even more. The recent war in Ukraine is having
罗琳，带她去一个荒野、孤独但浪漫的岛屿度蜜月，这场活动以一幅画来结束。 repercussions all over the world, but it is not the only war going on, only the most
吕根·弗里德里希思想中的白色悬崖并不沉迷于风景如画的一面，但这个地 disastrous. For years, then, global warming and the systematic destruction of the
natural environment threatens to seriously jeopardise our survival on this planet. In
方令人不安的魅力使他把宜人的景色变成了迷人的景象，因为他的座右铭是：
such a gloomy situation, "...the verdant forest of world art, collaboratively cultivated
“闭上你的肉体之眼，以便用精神之眼看你的画……”考虑到“艺术的唯一 by a few creative people from all over the world" (Luo Qi), adds to its therapeutic
真正来源是我们的心，这是一个绝对纯洁的灵魂的语言。一件不是来自精神 action that of stimulating individual and collective consciousness through the
之源的的作品只能是技巧”。同年，他还创作了最著名的作品《漫游者》。 universal language of visual arts. These are the values and meanings of AAmA, an
exhibition built with the patient work of weaving individual relationships between
East, West and the entire world: this is a bridge of peace thrown between different
意大利威尼斯米开朗基罗·古根海姆艺术学校教授 cultures and civilisations.
In an effort to see this stimulating and important exhibition from a different point sense of infinity suggested by the views.
of view and to pay tribute to Luo Qi's great and passionate organisational effort, I
have tried to establish a small 'bridge' with Art History. Wang Lü and Caspar David Rügen is a very large and rugged island in northern Germany, situated in the Baltic
Friedrich are two painters from the past who are still very relevant, distant in place Sea, the dense, deep green vegetation stops at the steep, white chalk cliffs framing
and time, two apparently irreconcilable artistic individualities. In this short narrative, the cold, Prussian blue sea. The year is 1818 and Caspar David Friedrich is 44 years
I have tried to let myself be carried away by the suggestions produced by the old, his childhood and youth were ravaged by family bereavements, he is now a
paintings and texts of the artists themselves, suggesting that a symbolic reading of well-known painter, a member of the Dresden Academy, a friend of many poets
their works in comparison perhaps brings out more than one point of contact. This and men of letters such as Goethe, he knows men of the Court and kings, yet he
is the wonder of art. continues to live and paint like a monk in search of his own inner peace. This,
1818, is a happy year because he marries the young Caroline, whom he takes on his
Hua Shan is a Chinese mountain carved in stone, dangerous but fascinating, craggy honeymoon to a wild, lonely but romantically evocative island; the event is sealed
and magnificent. Wang Lü was a doctor, liked to write poetry and loved to paint. with a painting: The White Cliffs of Rügen. Friedrich's thoughts do not indulge
One day, when the Ming Dynasty had just begun, i.e. the second half of the 14th in the picturesque aspects, but the perturbing fascination of the place makes him
century, this strange old master decided to climb the mountain to paint its various turn the pleasant view into an intriguing vision because his motto is: “Close your
views. As he went along his peaceful path, Wang Lü found himself reflecting on the physical eye, in order to see your painting with the eye of the spirit...” considering
greatness of nature, he thought that observing Mount Hua was not enough, to get that “The only true source of art is our heart, the language of an infallibly pure
to know the mountain, you have to walk it, you have to struggle and you have to get soul. A work that does not spring from this source can only be artifice”. In the same
to the top. The painter himself describes one of his visions: “Just then, the clouds year, he also produced his best-known work Wanderer on a Sea of Fog, where his
began to move, pushed by the wind. Whether they were advancing or retreating, spiritual yearning embodies the concept of the romantic Sublime. A figure with his
opening or closing, they seemed to thicken and disperse from time to time. Coming back turned loses his gaze above the misty clouds, a feeling arises in front of the
and going to the summit of the four peaks, the clouds kept moving and fraying. contemplation of the universe: the longing for the infinite.
I was enraptured, oblivious of why I was there”. Facing the paper and with his
brush dipped in ink, Wang Lü realised that he had to be guided by the spirit and Luo Qi with AAmA, with great effort and enthusiasm, is climbing his and our
that the idea for his work had to be sought in the structure of the mountain he was mountain, and like the back-to-back figures in the above-mentioned paintings, he is
experiencing. The painter writes: “I have my 'spirit' as master, my 'spirit' has my eye showing us the way forward, perhaps difficult, but certainly luminous.
as master and my eye has Mount Hua as master”. In the marvellous maps painted by
Wang Lü, the rocks, vegetation, clouds and mists tower above the traveller with their Valerio Vivian
grandeur, sometimes present, but always from behind and tiny in the face of the Pro. of Art History at the Artistic High School "Michelangelo Guggenheim" in Venice, Italy
弗拉多·戈雷斯基
Vlado Goreski
寻求存在的理由
2022 年，第 19 届 AAmA 国际艺术展在洛齐的概念、组织和美学组织所有的形态只是实物的表象，我们应该向精神世界回归，因为精神的意

下建立，洛齐全力致力于艺术的全球化，继续对艺术的国际背景进行评价、识是艺术的海洋，它是真的过去和人类未来的原型。
肯定和探索。在今天，艺术的再现将面对巨大的挑战，这将是一种光与希望的汇集，
它不是在某些“流派”和文体框架中对艺术创作进行分级和设置的概念，也是一种全面的坚守，抵制普遍的视觉混乱。
而是对当今人类创造力的哲学、反思和广泛的综合。这就是 AAmA 的理念和宣言，在第 19 届 AAmA 国际艺术展（2022 年）
美术作为一种具有远见卓识的路标，为大众提供了深入的交流。的哲学与艺术、描述与视觉中继续创建和具体化，洛齐在组织和美学方面发
艺术是一种通用语言，是一种将人类对理解的渴望和复调联系在一起的挥了领导作用。
语言。今天的艺术生活与存在主义的现实社会直接相关。
在各种视觉“信息”的巨大混乱中，大多数是物质的，或者说是物质主在当今社会，艺术与其真实而非形式主义共存。
义的消费过程，应该将这种物质性转移到对个人情感、诚实、深思和理想主艺术作为人类唯一的、必不可少的、纯粹的表现形式之一，在未来生存
义中，它意味着对个人更加人性化、更加公正和对世界的未来充满信心。的理想中依然必不可少、毫不妥协。
确切地说，从更高的情感角度来看，绘画和大多数艺术都在散发着善良、 2022 年第 19 届 AAmA 国际艺术展继续在一条非常广泛、多样和相互联
意识和生命闪光，实际上这是普遍的现象，是文明创造本质的一种特殊关系。系的道路上行进，在这条道路上，它试图收集、实施、确认、强调所有复杂、
未来人类真正的生存威胁将来自黑暗和困难。重要的艺术信息，以便在地球的普遍意义和创造意义的理念下工作，而不仅
今天的形式和内容本质上是在推进存在的意义，寻求存在的理由。但仅是物质的存在。
最终的目的是在特定社会关系中构建批判性机制，色彩与形式虽然是艺术
的原则，但是它最高本质的目标是是一种禁欲主义—我们在哪里，我们弗拉多·戈雷斯基
北马其顿比托拉当代美术馆馆长
要去哪里。
Vlado Goreski
Seeking the cause of existence
The 19th AAmA International Art Exhibition, 2022, formed and under the And all this not as a fact or a certain document, but a return to mysticism, mystery,
conceptual, organizational, aesthetic leadership of LUO QI fully committed to spirituality, because in these ideological, artistic oceans is placed the total human
her survival on a planetary levelcontinues to valorize, affirm and explore the archetype of the past and the real future.
international context of art.
It is not a concept of grading and setting the artistic creation in certain "genre" and It is a great challenge today to organize artistic phenomena and manifestations,
stylistic frameworks, but a philosophical, reflective and broad-based synthesis of which will be a kind of anthology of light and hope, as well as full commitment, as
human creativity today. opposed to the "world order" of universal visual chaos.
Fine art as a kind of visionary signpost for general deep communication. That is the concept, the manifesto of AamA that continues to be built and crystallized
Art as a universal language, as a speech that unites human longing for understanding in this philosophical, artistic, essay-visual edition of 19th AAmA International Art
and polyphonic connection. Exhibition, 2022, with organizational, aesthetic leadership of LUO QI.
In the huge chaos of various visual "messages" with mostly material, materialistic Art today, in direct correlation with survival, existentialism, life, society.
and consumer agendas, the transfer of one's own emotional, honest, thoughtful and Art and its real, not formalist coexistence in today's society.
idealistic habitus, means above all a complete commitment and determination to the The role of art as one of the rare, essential, uncorrupted human manifestations,
future of a more humanistic, more just and humane world. necessary, uncompromising in the future dream of survival.
Exactly that painting and that fine art, and art in general, which radiates a certain 19th AAmA Asian, African and Mediterranean International Art Exhibition, 2022
light, light of conscience, consciousness and life from a higher emotional point of continues on a very wide, diverse and connecting path, in which it tries to collect,
view, is in fact the general message, a kind of special connection of creative essences to actualize, to affirm, to emphasize all the complex, important artistic messages for
of civilization. the true direction of our creative and not only material existence in the context of
Оf human real survival in the future quite endangered by dark and difficult visions. planetary universality and created comprehensiveness.
Form and content today are essentially evolving in meaning seeking the cause of Vlado Goreski
existence. The final painting that will leave the dominance of the principle of color, Director of Bitola Museum of Contemporary Art, North Macedonia
form , usually in the context of a certain market and critical establishment, is a kind of
asceticism directed to Gauguin's essential point - Where we are, where we are going. ..
Co-curators 联合策展人 Aet Presided Over 艺术总监

Pan Jing Pan Xue / China 洛齐 Luo Qi
潘靖潘雪 / 中国中国美术学院/塔古胥国际艺术中心主席
Li Huizhan Lin Zhu / China China Academy of Art
Director of Tagus International Center of Arts
李会展林竹 / 中国
中国-意大利-葡萄牙 China-Italy-Portugal
Zhang Yixin Luo Tian Wu Shiying / Europe
张艺馨洛田吴诗盈 / 欧洲
Arlindo Arez / Portugal Academic Chair 学术主持
阿林多·阿雷兹 / 葡萄牙 Renato Galbusera 雷纳托·加尔布塞拉
Ovidiu Petca / Romania 意大利米兰布雷拉美术学院教授
奥维迪乌·佩特卡 / 罗马尼亚 Professor of Brera Academy of Fine Arts
Philippe Chitarrini / France & Monaco 意大利 Italy
菲利普·基塔里尼 / 法国 & 摩纳哥
Curators 策展人
Maria de la Vega / Buenos Aires, Argentina
Liu Siqi
刘思琦
玛丽亚·德拉维加 / 布宜诺斯艾利斯 - 阿根廷
仓艺术机构总监
Margarita Asuar / Spain Cang Director of art organization
玛格丽塔·阿苏尔 / 西班牙
中国 China
Lili Boshevska / Bitola, North Macedonia
莉莉·博舍夫斯卡 / 比托拉 - 北马其顿
Stefan Zajonz / Germany & Poland
斯特凡·扎琼兹 / 德国 & 波兰
Exhibition Coordinator 展务统筹

Tagus International Center of Arts 塔古胥国际艺术中心
E-mail 邮箱 13606640707@163.com
yixinzh@yeah.net afly885@gmail.com
Facebook www.facebook.com/qi.luo.1426
Academic committee member

学术委员会委员
Joris Brantuas
乔里斯·布兰图亚斯 The manager and curator of the Entrepôt Gallery, Monaco
摩纳哥 Entrepôt 画廊总监和馆长
Luo Qi
洛齐 Director of AAmA Exhibition, China
AAmA 国际艺术展总监
Maria de la Vega
玛丽亚·德拉维加
Curator at Cenit7 Microespacio, Buenos Aires, Argentina
阿根廷 Cenit7 Microspace 策展人
Martin Bradley
马丁·布拉德利
Founder and Editor in Chief of The Blue Lotus magazine of Asian Arts and Cultures
亚洲人文艺术《The Blue Lotus》杂志创办人兼主编
Martin Kennedy
马丁·肯尼迪
Chairperson of the Seychelles National Arts Council, Seychelles
塞舌尔国家艺术委员会主席
默马·罗亚纳
Muhammad Rojana
Vice-President of the International Association of Visual Artists, Thailand
泰国国际视觉艺术家协会副主席
奥维迪乌·佩特卡 Ovidiu Petca

President of Foundation International Graphic Biennial, Cluj, Romania
罗马尼亚克卢日基金会国际平面双年展主席
菲利普·基塔里尼 Philippe Chitarrini

法国艺术家、中国美术学院特聘教授 French artist, Distinguished Professor of China Academy of Art
拉斐尔·罗梅洛 Rafael Romero

西班牙巴塞罗那大学美术学院教授
Professor, Faculty of Fine Arts, University of Barcelona, Spain
雷纳托·加尔布塞拉 Renato Galbusera

意大利米兰布雷拉美术学院教授 Professor, Brera Academy of Fine Arts, Milan, Italy
泰亚·拉米 Teija Lammi

芬兰国际图形三年展主席 Chairman of Graphica Creativa Triennale, Finland
瓦莱里奥·维维安 Valerio Vivian

意大利威尼斯米开朗基罗·古根海姆艺术学校教授 Pro. of Art History at the Artistic High School "Michelangelo Guggenheim" in Venice, Italy
弗拉多·戈雷斯基 Vlado Goreski

北马其顿比托拉当代美术馆馆长 Director of Bitola Museum of Contemporary Art, North Macedonia
Luo Qi 洛齐
2022 第 19 届 AAmA 国际艺术展总监。 Renato Galbusera 雷纳托·加尔布塞拉

任教中国美术学院 30 年，生活和工作在杭州、里斯本和米兰之间。他是一位著名
艺术家、学者、策展人，书法主义倡导者。佛罗伦萨国际艺术双年展“美迪奇·洛 2022 第 19 届 AAmA 国际艺术展学术主持。
伦佐奖”、泰国王子大学“国际艺术贡献奖”和欧洲 BITOLA“国际当代艺术发展奖” 生活工作在米兰，米兰布雷拉美术学院教授、著名艺术家、学者、策展人，一位
获得者。他的书《是我》和《水墨戏剧》《书法主义文献》获得年度中国最高荣誉奖，具有内在史诗意义的画家。1950 年生于米兰，毕业于艺术学校和布雷拉美术学院，
他出版了 30 本著作。AAmA 国际艺术展创建人，如今由他主持的 AAmA 国际艺术担任绘画系主席。自 20 世纪 70 年代末以来，他一直是文化倡议的推动者，包括
展已有 13 年。 Ventaure、Naturarte、Europe art and languages 和 Arte nello spazio pubblico 的所有项目。
自 1983 年以来，他以“米兰五位艺术家工作室”的名义与皮诺·迪詹纳罗、玛丽亚·詹
The chairman of the 19th AAmA international art exhibition in 2022. 内利、安东尼奥·米亚诺和克劳迪奥·扎尼尼一起工作，并对视觉艺术与建筑之间
He has been teaching in China Academy of fine arts for 30 years, living and 的关系进行研究。雷纳托·加尔布塞拉是一位具有内在纪念意义的画家。
working between Hangzhou, Lisbon and Milan. He is a famous artist, scholar,

curator and the founder of the painting and calligraphy movement. In 2001, he The academic chair of the 19th AAmA international art exhibition in 2022.
won the Florence Biennale Lorenzo award, The prince of Thailand University Living and working in Milan, Professor, famous artist, scholar and curator of
International Art contribution award and The winner of the special award for the Milan Brera Academy of fine arts, Born in Milan in 1950, he graduated from art
Development of World Contemporary Art at the International Triennial of Graphic school and the Brera Academy of Fine Arts, where he held the Chair of Painting.
Art Bitola-ITG Bitola. He is a scholar. His works "It's me" and "Ink Drama" and Since the end of the 1970s he has been a promoter of cultural initiatives, including
"Calligraphic literature" have won the highest honor award in China. He has all the editions of Venature, Naturarte, Europe art and languages and Arte nello
published 30 books. He is the founder of Asia Africa Mediterranean international spazio pubblico. Since 1983 he has exhibited with Pino Di Gennaro, Maria Janelli,
art exhibition. Now he has hosted AAmA International Art Exhibition for 13 Antonio Miano and Claudio Zanini under the name of "Atelier/5 artists in Milan"
years, Artists and their works from nearly 60 countries are exhibited in different and has developed a particular interest in the relationship between visual art and
countries and cities. architecture. Renato Galbusera is a painter of intrinsic monumentality.
Artists
Lou Haiyang China 中国 Refki Fathy Razzaz Egypt 埃及
Abdoul-Ganiou Dermani Togo 多哥 Eugenia Di Giorgio Argentina 阿根廷 Luo Qi China 中国 Renato Galbusera Italy 意大利
Alejandro Cantor Argentina 阿根廷 Eve Eesmaa Estonia 爱沙尼亚 Maria de la Vega Argentina 阿根廷 Robbert de Goede Netherlands 荷兰
Alejandro Montini Argentina 阿根廷 Fabio Valenti Italy 意大利 Maria Jannelli Italy 意大利 Rodolfo La Porta Italy 意大利
Alejandro Ortiz Chile 智利 Fabrice Matondo Congo 刚果 Maria Fosca Rosselli Italy 意大利 Samanta Krivec Slovenia 斯洛文尼亚
Alexandra Haeseker Canada 加拿大 Fang Limin China 中国 Marija Maja Dujovic Montenegro 黑山 Sameer Rao India 印度
Alexandra Hinz-Wladyka Germany 德国 Fernando García Delgado Argentina 阿根廷 Martin Kennedy Seychelles 塞舌尔 Sandra Lima e Silva Brazil 巴西
Alyson Souza USA 美国 Fernando Gómez Alvarez Cuba 古巴 Martin R. Baeyens Belgium 比利时 Sandro Bracchitta Italy 意大利
Ameneh Moayedi Iran/France 伊朗 / 法国 François Maurel Madagascar 马达加斯加 Mateusz Otręba Poland 波兰 Sasho Sazdovski Macedonia 北马其顿
Ana Vivoda Croatia 克罗地亚 Francoise Issaly Canada/France 加拿大 / 法国 Michael Reed New Zealand 新西兰 Satawat Chuaynum Thailand 泰国
Angel Angoh Mauritius 毛里求斯 Frederick Bamfo Ghana 加纳 Milan Krajnovi Bosnia and Herzegovina 波黑 Shefali Ranthe Dubai 迪拜
Antonino Miano Italy 意大利 George Camille Seychelles 塞舌尔 Mohamed Najib Dawa Malaysia 马来西亚 Shin Youngho Korea 韩国
Antti Salokannel Finland 芬兰 Gregory A McCullough Canada 加拿大 Monique van Haasteren Netherlands 荷兰 Solveig Lehtonen Sweden 瑞典
Arlindo Arez Portugal 葡萄牙 Hedieh Jafari Iran 伊朗 Muhammad Rojana Thailand 泰国 Silvio Ferragina Italy 意大利
Avi Yair Israel 以色列 Herman Noordermeer Netherlands 荷兰 Natasha Norman South Africa 南非 Sonja Cvetkovi Serbia 塞尔维亚
Azim Hassan India 印度 Ilija Trajkovski North Macedonia 北马其顿 Nicole Papaefthimiou Greece 希腊 Stefan Zajonz Germany 德国
Bransha Gautier Austria 奥地利 Jaana Paulus Finland 芬兰 Niku Guleria India 印度 Stéphane Kenkle France 法国
Carrie Meijer Netherlands 荷兰 Jeltje Van Houten Netherlands 荷兰 Oltsen Gripshi Albania 阿尔巴尼亚 Supantono Suwarno Indonesia 印尼
Charly Lesquelin France 法国 Johannes Vandenhoeck France 法国 Óscar Varona Spain 西班牙 Tansel Türkdoğan Turkey 土耳其
Chia Fan Ivonne Chile 智利 José D. Trejo-Maya Canada 加拿大 Ovidiu Petca Romania 罗马尼亚 Tengiz Sepiashvili Georgia 格鲁吉亚
Claudio Zanini Italy 意大利 Josette Lenders Netherlands 荷兰 Pandora Sazdovska Macedonia 北马其顿 Valdeta Vuciterna Kosovo 科索沃
Cleo Wilkinson Australia 澳大利亚 Juan Rodrigo Piedrahita Colombian 哥伦比亚 Percy Kuta Zimbabwe 津巴布韦 Valerio Vivian Italy 意大利
Črtomir Frelih Slovenia 斯洛文尼亚 Jukka Korkeila Finland 芬兰 Peter Augustovic Slovakia 斯洛伐克 Victor Gomez Cuba 古巴
Daniela Gorla Fossa Italy 意大利 Kalli Kalde Estonia 爱沙尼亚 Philippe Chitarrini France 法国 Victor Castillo Mexico 墨西哥
Diana Eliza Roman Romania 罗马尼亚 Kono Raymond Yves Cameroon 喀麦隆 Pico Romagnoli Italy 意大利 Vladimir Simonovski Macedonia 北马其顿
Dijana Radevska Macedonia 马其顿 Laslo Koscso Hungary 匈牙利 Piotr Pandyra Poland 波兰 Vlado Goreski Macedonia 北马其顿
Domen Dimovski Slovenia 斯洛文尼亚 Laura Dimitrova Bulgaria 保加利亚 Prajak Supantee Thailand 泰国 Weronika Siupka Poland 波兰
Edem Elesh USA 美国 Lenka Vilhelmová Czech 捷克 Rabearivelo Dina Madagascar 马达加斯加 Xia Jiqing China 中国
Elham Hamedi Iran 伊朗 Lin Jichang China 中国 Radoslava Hrabovská Slovakia 斯洛伐克 Yuichi Sawada Japan 日本
Emanuel Ranny Czech 捷克 Ling Jiachun China 中国 Rafael Romero Spain 西班牙 Zakaria Hamid Brunei 文莱
Ernesto Álvarez México 墨西哥 Luo Tian China/Germany 中国 / 德国 Ramin Nafikov Tatarstan 鞑靼斯坦 Zaneta Vangeli Macedonia 北马其顿
主办
Sponsor
杭州仓美术馆
Cang Art Museum
塔古胥国际艺术中心
Tagus International Center of Arts
亚非&地中海国际艺术协会
Asian&African and Mediter ranean Inter national
Ar t Association
协办
中国美术学院 Co-organizer
绘画艺术学院 DECHANG Art, China
拉姆艺术中心 The Villa Biancardi, Italy
中国印学博物馆 Museu de Portimão, Portugal
青岛日报报业集团 Qingdao Daily Press Group, China
意大利比安卡迪别墅 China Sphragistics Museum, China
摩纳哥当代艺术中心 Hangzhou L'amour Art Space, China
葡萄牙波尔蒂芒博物馆 Bank Popular of Lodi Foundation, Italy
青岛德昌阿特文化机构 Nazli Kalaici Art Dealer Center, Argentina
韩国国立庆北大学美术馆 Centre D'Art Galerie L'Entrepôt Monaco, Monaco
北马其顿比托拉文化宫殿 School of Painting Art China Academy of Art, China
青岛日报报业集团新闻书画院 Kyungpook National University Art Museum, South Korea
意大利Popolare银行洛迪基金会 Cultural and Information Center, Bitola, Northern Macedonia
阿根廷Nazli Kalayci艺术品运营中心 MAPI - former Columbus and Aboriginal Art Museum, Uruguay
乌拉圭MAPI-前哥伦布和土著艺术博物馆 Qingdao Daily Press Group Painting and Calligraphy Academy, China
马其顿比托拉当代艺术馆&比托拉艺术中心 Bitola Contemporary Art Museum and Art Center, Northern Macedonia
中国美术学院杭州·中国
China Academy of Art, Hangzhou, China
中国美术学院始建于 1928 年，是中国第一所拥有完整学术课程的艺术学院，享誉海内外的卓越

成就。目前拥有杭州南山校区、象山校区、上海校区。杭州校区坐落在美丽的南山西湖之旁。
中国美术学院具备独特多元学术结构，设有绘画、设计、建筑学、戏剧电影学、公共艺术学等
19 个二级学院，26 个本科专业，是中国国家家重点大学，人文研究基地。
Founded in 1928 as the first art academy offering complete academic programmes in China, the China
Academy of Art, having undergone modifications in name and location, continues to deliver outstanding
cultural outcomes which are recognised domestically and internationally.
Currently the Academy comprises three distinct campuses - Hangzhou Nanshan campus, adjacent to the
magnificent Nanshan West Lake - the Xiangshan campus and the Shanghai campus. The China Academy
of Art has a unique and diverse academic structure, with 19 secondary colleges with courses dedicated to
painting, design, architecture, drama & film, and public art. 26 undergraduate majors are offered. It is a key
national university and one of China's leading humanities research bases.
Cang Art Museum, Hangzhou, China

Xiangshan Art Commune, Hangzhou, Zhejiang, China
仓美术馆·中国
Cang Art Museum is located in Hangzhou,China. It is dedicated to the research, collection, exchange,
exhibition and communication of contemporary art, and strives to become an important venue
Cang Art Museum, Hangzhou, China
Xiangshan Art Commune, Hangzhou, Zhejiang, China
for inspiring Chinese contemporary art. It focuses on local attributes, establishing the symbiosis
between the museum and the city, the public and the community. Cang Art Museum is rooted in the
fertile cultural environment of Hangzhou, meanwhile it actively participates in the development of 仓美术馆位于中国杭州，致力于当代艺术的研究、收藏、交流、展示和传播，努力成为激发中
contemporary art and culture industrial system, it’s committed to becoming a global art platform. 国当代艺术的重要场域。深耕在地属性，建立美术馆与城市、公众、社群的共生关系。根植杭
Cang Art Museum is located in a culture and art industrial park around 70,000 square meters, adjoining to 州这片文化沃土的同时，积极参与打造当代艺文产业体系，成为全球艺术交流展示平台。
China Academy of Art and Zhejiang Conservatory of Music.It is founded by Dothink Group in 2021. Cang art 仓美术馆地处 7 万平米的文化艺术园区内，毗邻中国美术学院和浙江音乐学院。2021 年由德
museum is total about 2000 square meters, with five professional exhibition halls and a multi-function lecture 信产商文集团投资创立，美术馆总面积约 2000 平米，共设有五个专业展厅，配套小型多功能
room, an art store CANG GOODS and over 2500 square meters of outdoor space for exhibiting artworks. 报告厅、艺术品商店及超 2500 平米的户外艺术驻地空间。
AAmA 美术馆·中国
AAmA Art Museum, Jiaxing, China
AAmA 美术馆位坐落在中国嘉兴，位于上海和杭州之间，长江三角洲平原腹地，中国历史文化
名城，距今已有两千多年历史，自古为繁华富庶之地，素有“鱼米之乡”、“丝绸之府”美誉。
AAmA 美术馆由旧粮仓改建，依托于塔古胥国际艺术中心，常年举办各类国际艺术项目。
AAMA art museum is located in Jiaxing, China, between Shanghai and Hangzhou, in the hinterland of
the Yangtze River delta plain, a famous historical and cultural city in China. It has a history of more
than 2000 years. It has been a prosperous and prosperous place since ancient times, and is known as
the "land of fish and rice" and the "house of silk". AAMA art museum is reconstructed from an old
granary and relies on tagushu International Art Center to hold various international art projects all
year round.
比安卡迪别墅·意大利
The Villa Biancardi，Italy
Viale Risorgimento, 19, 26845 Codogno LO, Italy
比安卡迪别墅是伦巴第地区最美丽、最雄伟的建筑之一，建于 1900 年的新艺术风格建筑，一直

是该地区居民的胜地，是具有巨大历史、文化和建筑价值的遗产。
继 2021 年 9 月比安卡迪别墅艺术双年展的恢复取得重大成功，并听取了建筑师马里奥·夸德拉
罗利的意见后，在雷纳托·加尔布塞拉教授的提议下，2022 第 19 届 AAmA 国际展览纳入比安
卡别墅，展出来自各大洲的独立艺术家。这次展览将是与这一背景相关的一个联系，也是考虑
到明年 9 月将举行的 Zorlesco 双年展的下一个版本。
联合馆长雷纳托·加尔布塞拉、马里奥·夸德拉罗利和马里奥·迪戈利。
Villa Biancadi is one of the most beautiful and majestic buildings in Lombardy, an Art Nouveau
building built in 1900, which has always been a destination for the inhabitants of the region, a heritage
of great historical, cultural and architectural value.
Following the major success of the restoration of the Art Biennale at Villa Biancardi in September
2021, and following the advice of architect Mario Quadraroli, in Renato Under the proposal of
Professor Renato Galbusera, the 19th AAmA International Exhibition in 2022 included Villa Bianca,
featuring independent artists from all continents. This exhibition will be a link to that context, and also
to take into account the next edition of the Zorlesco Biennale that will take place next September.
Co-director Renato Galbusera, Mario Quadraroli and Mario Diegoli.
El Cultural San Martín, Argentina

Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
圣马丁文化中心·阿根廷
Since 1970, El Cultural San Martín has established itself as an innovative, broad, diverse and inclusive Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
institution. With a strong pluralistic and multicultural mystique, it has the support of the Ministry of
Culture in all its activities, in its permanent search for the generation of quality contents, promoting
自 1970 年以来，圣马丁文化中心已成为一个创新、广泛、多样和包容的机构。它具有强大的多
the most heterogeneous experiences in theater, dance, music, cinema, literature and digital culture.
元文化神秘性，在其所有活动中都得到了文化部的支持，长期寻求高质量内容的生成，促进戏剧、
In 1994, the Buenos Aires Video Library was created with the idea of setting up, for the first time in 舞蹈、音乐、电影、文学和数字文化中最异质的体验。
the city, a video archive open free of charge to researchers and anyone interested in this language. At 1994 年，布宜诺斯艾利斯视频图书馆成立，其目的是在该市首次建立一个视频档案馆，向研究
the beginning, it had 300 titles. Today, transformed into the Núcleo Audiovisual Buenos Aires, it has 人员和任何对该语言感兴趣的人免费开放。一开始，它有 300 个标题。今天，它被改造成布宜
more than 7,000 works. 诺斯艾利斯的努克罗视听艺术馆，拥有 7000 多件作品。
我们的使命是促进与地方、国家和国际各级不同文化机构的融合和交流政策，并制定艺术、思
In El Cultural we aim to give rise to projects, serving as a showcase, experimenting and encouraging
想和文化领域的教育、实验和研究计划；并为与媒体秘书处协调开展的不同项目和活动制定沟
further reflection, and promoting the encounter of different actors of culture to carry out a profound
通和传播战略。在 El Cultural 中，我们的目标是产生项目，作为展示、试验和鼓励进一步思考，
debate of ideas. It is part of the essence of the CSM to promote emerging projects, stimulating the
并促进不同文化参与者的接触，以进行深刻的思想辩论。
exhibition of works by new creators, generating and building new audiences, being home to emerging
促进新兴项目、刺激新创作者的作品展览、创造和建立新的观众、成为新兴社区的家园、艺术、
communities, the crossroads between the arts, technology and contemporary debates.
技术和当代辩论的交汇点，是 CSM 的精髓之一。
Throughout our history we have developed a strong multicultural, diverse, inclusive and innovative 纵观我们的历史，我们形成了强大的多元文化、多样性、包容性和创新的形象。我们建立了
profile. We have built a space that enhances the values that made us the cultural beacon of Latin America. 一个空间，加强了使我们成为拉丁美洲文化灯塔的价值观。我们希望每个人都能在圣马丁 El
We want everyone to find in El Cultural San Martín a place in which to experience, develop and enjoy any Cultural San Martín 找到一个自由体验、发展和享受任何形式艺术的地方。
form of art in freedom. We are home to creativity. Here WeThinkCulture, here WeMakeFuture. 我们是创造力的家园。这里是我们的文化，这里是我们的未来。
摩纳哥当代艺术中心·摩纳哥
CENTRE D'ART GALERIE L'ENTREPÔT MONACO, Monaco
22, Rue de Millo -MC 98000 Monaco
摩纳哥艺术中心致力于当代艺术。中心为摩纳哥 Daniel Boéri 的财产，他毕业于 HEC，是摩纳

哥国家委员会和文化委员会主席。目前中心由以下三位负责人担任策划和组织 :Joris Brantuas、
Dave van Dorst 和 Daniel Boéri。艺术中心在欧洲组织了各种方式的展览、艺术家采访和交流活动。
艺术中心从 2021 年开始与 AAmA 建立合作关系，共同主办第 19 届 AAmA 国际视频展览。
The CENTRE D'ART GALERIE L'ENTREPÔT MONACO is dedicated to contemporary art. The
centre is the property of Daniel Boéri, a Monaco national and graduate of HEC, an elected member of the
Monegasque National Council, and president of the Cultural Committee. Currently the centre is steered and
managed by three principals: Joris Brantuas, Dave van Dorst and Daniel Boéri.
The Art Centre organises exhibitions, additional cultural activities and exchange programmes across Europe. The Art
Centre will establish a cooperative relationship with AAmA in 2021, and will co-host the 19th AAmA International
Video Exhibition, as well as starting to envisage cooperation with other exhibition projects from 2022.
克卢日·纳波卡艺术博物馆·罗马尼亚
Art Museum of Cluj-Napoca, Romania
Piața Unirii 30, Cluj-Napoca 400394, Romania
克卢日艺术博物馆成立于 1951 年，是特兰西瓦尼亚和罗马尼亚最大的现代和当代艺术博物馆之

一。在它建立的七年以来，博物馆不仅成为艺术品的储存库，而且成为促进当代艺术家（20 世
纪和 21 世纪），特别是“克卢日学院”的作品重要艺术空间。通过与学术和文化组织的成功合
作，博物馆成为当地和区域协同效应的一部分，其中包括促进绘画、雕塑、图形、凹版印刷、
照片视频创作等艺术创作。现在它将从 2022 年开始与 AAmA 建立合作关系，共同主办第 19 届
AAmA 国际视频展览。
Established in 1951, the Art Museum of Cluj is home for one of the largest modern and contemporary art collection
of Transylvania and Romania. In his seven decades of existence, the museum became not only a repository for
artworks, but a living entity that promoted the work of contemporary artist (XX and XXI century), especially
those of the “School of Cluj”. By a successful collaboration with academic and cultural organizations, the museum
managed to become a part of the local and regional synergy which involves the promotion of artistic creations like
painting, sculpture, graphic, gravure, photo-video creations. The Art Museum will establish a cooperative relationship
with AAmA in 2022, and will co-host the 19th AAmA International Video Exhibition.
比托拉文化宫殿·北马其顿
Cultural and Information Center, Bitola, Northern Macedonia
28FP+PV6, Makedonska Falanga, Bitola, Northern Macedonia
比托拉文化中心（MKC Bitola），中心投入了大量的精力和资源，在文化、青年和志愿者的发展
领域有效运作。在 2001-2004 年期间，MCC-Bitola 开展了一项由欧洲文化基金会和 FOSI-M 新
文化支持的为期三年的计划和机构强化计划。这一过程以及对其成员技能和资源升级的持续投
资，MCC-Bitola 已成长为马其顿比托拉领先的青年组织之一。2010 年，MCC-Bitola 的年度计划
得到了 CED 和 SDC 在马其顿共和国 Civica Mobilitas 计划中的机构拨款的支持。我们为过去 13
年在提高会员和用户的技能和资源方面取得的成果感到自豪。该设施位于中冶比托拉老房子代
表处，位于比托拉老城核心的文化古迹保护地。
Cultural Center – Bitola (MKC Bitola) in the long continuous development center invested much energy and
resources for effective functioning in the field of development of cultural, youth and volunteer programs.
In the period 2001-2004, MCC-Bitola conducted a three-year program and institutional strengthening
program supported by the European Cultural Foundation and FOSI-M – New Culture.
This process and the continuous investment in upgrading the skills and resources of its members, MCC-
Bitola has grown into one of the leading youth organizations in Bitola,
In 2010, the annual program of MCC-Bitola is supported by an institutional grant from CED-and SDC
within Civica Mobilitas program for the Republic of Macedonia. We are proud of our results in raising the
skills and resources of our members and users in the past 13 years.
The facility, which is located MCC Bitola old house representative, protected cultural monument in the old
city core of Bitola.
波尔蒂芒博物馆·葡萄牙
Museu de Portimão, Portimao, Portugal
Rua D. Carlos I Zona Ribeirinha, 8500-607 Portimão, Portugal
波尔蒂芒博物馆自认为是一个永久性的观察站和文化中介机构，旨在调查、保存、解释、传播
和重视与当地社区的历史、遗产、领土、记忆和身份最相关的物质和非物质。保持区域文化与
世界的互动。波尔蒂芒博物馆，代表了居住在这里的人口、社会经济和文化道路的历史综合，
并标志着他们的身份和领土的独特性。
In 1996, the need to preserve all this historical relationship motivated the acquisition, by the Municipality
of Portimão, of the old fish canning factory “São Francisco”, located on the riverfront of the city.
It is from this renovated factory building, dating from the end of the 19th century. XIX, which opens
on May 17, 2008 the Museu de Portimão, a center for cultural dissemination and space for discovering
the origins and evolution of the community, its territory and the most striking aspects of its industrial
and maritime history.
国立庆北大学美术馆·韩国
Kyungpook National University Art Museum
80 Daehakro, Bukgu, Daegu, South Korea
韩国庆北国立大学美术馆成立于 2006 年，旨在为社区服务，增强其在全球化时代的文化能力。

美术馆是社区内第一所大学艺术博物馆和公共博物馆，设有三个展厅。我们开发和管理了关于
现代和当代艺术的展览、各种研讨会和教育项目。它为公众和大学成员提供了一个文化体验场
所，它也是除了具有音乐、建筑和文学相互关联的多元文化场所外，具有艺术机构的专业性。
Kyungpook National University Art Museum was established in 2006 to serve its community and
strengthen its cultural capability in a global era. The museum is the first university art museum and public
museum in the community with three exhibition halls. Curators have developed and managed exhibitions, as
well as initiated seminars and educational programmes on modern and contemporary art. These initiatives
are accessible by both the university community and wider society. The museum is multi-functional,
applying the specialisms of a professional art organisation whilst creating hybrid statements which realise
the interrelation and interaction of music, architecture and literature. People who visit Kyungpook National
University Art Museum can spend a relaxing time and simultaneously fulfill their cultural desires.
比托拉当代艺术馆 & 比托拉艺术中心·北马其顿

Bitola Contemporary Art Museum and Art Center
Bitola, Northern Macedonia
比托拉当代艺术馆与艺术中心是比托拉三年展的举办地，三年一度的比托拉国际平面艺术展，
是欧洲及其他地区规模最大、最重要的展会之一，经历了 20 多年的发展，迄今，来自世界各地
约 160 个国家和 6000 多名艺术家参加了这一艺术盛会，现在也是 AAmA（亚非 & 地中海国际艺
术展）的合作机构。
Bitola Museum of contemporary art and Art Centre is the venue of the bitola triennial international
graphic art exhibition - one of the largest and most important graphic design expositions in Europe.
This important event has developed and grown over the last twenty years and, to date, more than 6000
artists from 160 countries have participated in the festival. Now it's also a cooperative institution of
AAmA (Asia & African and Mediterranean International Art Exhibition).
蒙特古多·德拉斯·维卡利亚斯城堡博物馆·西班牙
El Castillo Museo de Monteagudo de las Vicarías, Spain
Pl. Mayor, 2, 42269 Monteagudo de las Vicarías, Soria, Spain
比托拉当代艺术馆与艺术中心是比托拉三年展的举办地，三年一度的比托拉国际平面艺术展，
是欧洲及其他地区规模最大、最重要的展会之一，经历了 20 多年的发展，迄今，来自世界各地
约 160 个国家和 6000 多名艺术家参加了这一艺术盛会，现在也是 AAmA（亚非 & 地中海国际艺
术展）的合作机构。
Bitola Museum of contemporary art and Art Centre is the venue of the bitola triennial international
graphic art exhibition - one of the largest and most important graphic design expositions in Europe.
This important event has developed and grown over the last twenty years and, to date, more than 6000
artists from 160 countries have participated in the festival. Now it's also a cooperative institution of
AAmA (Asia & African and Mediterranean International Art Exhibition).
Presenting the works of 呈现

120 artists from 60 countries 世界 60 个国家
around the world 120 位艺术家作品
阿布杜尔·加尼欧·德马尼
Abdoul Ganiou Dermani
Togo 多哥
生于多哥 , 工作在德国斯图加特 , 入展威尼斯双年展、哈瓦那双年展、孟加

拉国亚洲双年展、佛罗伦萨双年展、伊斯坦布尔佩拉博物馆、约翰内斯堡等。
获得达芬奇国际奖、柏林艺术表演奖、葡萄牙乔托国际奖、第 17 届国际电
影节“最佳视频艺术奖”，第 18 届 AAmA 国际艺术展。
Abdoul-Ganiou Dermani was born in Togo and currently lives in Stuttgart,

Germany. His work deals with African identities, as well as social and global issues.
His exhibitions have travelled internationally, including representation at the Venice
Biennale in Italy, Havana Biennale in Cuba, Asian Art Biennale,Bangladesh, Florence
Biennale in Italy, Los Angeles Center for Digital Art, Bortolami Gallery in New
York City, CICA Museum in Gimpo, ZKM Museum in Karlsruhe, Pera Museum
in Istanbul, Hazard Galley in Johannesburg. He has earned numerous prestigious
awards for his work, including the Leonardo Da Vinci International Prize 2020
in Florence, Italy; the Artfacts Performance Award 2019 in Berlin, Germany; the
Giotto International Prize 2019 in Lisbon, Portugal; Finalist at the Global Art
Awards 2018 in Dubai, UAE; Best Video Art Prize at the 17th International Film
Festival "Zoom-Zblizenia" 2014 in Jelenia Gora, Poland. Human and Nature 2021
Human and Nature Coffee, Pen and Marker on Paper 42×30 cm 2021 Fula Woman Coffee, Pen and Marker on Paper 42×30 cm 2021
亚历山大·辛格
Alejandro Cantor
Argentina 阿根廷
1963 年出生于布宜诺斯艾利斯，综合媒体制作人。个展：“从窗口看”布宜
诺斯艾利斯 Y.MC.A、布鲁马 Galería arte y parte；在 Festival de la Luz 的框架下
展。集体展览：跨大西洋展览 Efti Madrid；Jardin Secreto 集体摄影展；Banco
Nación 奖；布宜诺斯艾利斯 Cenit7“无迹可寻”展；Palais de Glace 国家
沙龙；环境和可持续发展部“环境的清晰性”展。代表作品入选 2019 年马
德里 Efti 跨国界展览、入选 Nación 银行奖、作品“Bruma”系列照片入选国
家沙龙。
Alejandro Cantor, Born in Buenos Aires in 1963. Integral Media Producer ORT II.
Individual Exhibitions: From the Window, Y.MC.A Buenos Aires (2001) , Bruma,
Galería arte y parte. In the framework of the Festival de la Luz (2014). Collective
Exhibitions: Inter-Atlantic Exhibition Efti Madrid (2019); Collective photographic
exhibition Jardin Secreto (2019); Banco Nación Award (2016); No Trace Remains,
Cenit7, Buenos Aires (2015); National Salon, Palais de Glace (2014); Claroscuros
del medio ambiente, Ministry of Environment and Sustainable Development (2004).
Awards, distinctions and grants. Selected for the Inter-atlantica Efti Madrid 2019
exhibition. Selected for the Banco Nación Award (2016)Selected in the National Resplandor toma directa, edición digital 50×70 cm 2013
Salon, with a photograph from the series "Bruma" (2014). Polvareda toma directa 50×70 cm 2021
亚历山大·蒙蒂尼
Alejandro Montini
Argentina 阿根廷
曾定居火地岛，在国家 Córdoba 大学和 Espa 文化中心教学，进行视觉艺术项

目的研究。作品在阿根廷、智利、法国、德国、奥地利和中国举办展览并被
私人和公共收藏。参加第 18 届 AAmA 国际艺术展。
Born in Argentina. he became interested in photography and enrolled at the

Cinematography school of Córdoba University. In the mid-1980s he settled down in
Tierra del Fuego, teaching photography and carrying out visual art projects.
He returned to Córdoba (Argentina) in 2005. With the advent of digital
photography, he turned towards experimental photographic collage. His work was
shown in national and international museums and galleries. His work remains in
private and public collections in Argentina, Chile, France, Germany, Austria, as well
as at the National Córdoba University and Centro Cultural España. Dama de Honor 1 Fotografía sobre tela 100×105cm 2022
Dama de Honor 2 Fotografía sobre tela 100×105cm 2022 Dama de Honor 3 Fotografía sobre tela 100×105cm 2022
亚历山大·奥尔蒂斯
Alejandro Ortiz
Chile 智利
亚历山大·奥尔蒂斯，智利著名艺术家，1971 年出生于智利塔尔卡，他一直
是智利画家和雕塑家协会任命的代表，负责内梅西奥·安图内斯委员会。作
品展览在世界各地被博物馆永久收藏。
Alejandro Ortiz was born in Talca, Chile, in 1971. He currently lives and works in
Santiago de Chile. He has been an appointed delegate of the Chilean Painters and
Sculptors Association (APECH) for the Nemesio Antúnez commission, whose
mission is to bring art into public space in Chile.
2002 at Artes "Moneda" hall in the Instituto Chileno Norteamericano de Cultura
and at "Ante-Sala" hall at Viña del Mar Municipality. He has taken part in collective
exhibitions throughout Chile and Argentina, Peru, Brazil, Spain, France, Denmark,
Argelia, South Korea, Vietnam and USA.
Partial Constructed Oil on canvas 160 ×130cm 2016

亚历山德拉·海瑟克 RCA
Alexandra Haeseker RCA
Canada 加拿大
参加主要国际双年展包括：罗马尼亚纳波卡国家美术馆、墨西哥克雷塔罗的
当代艺术博物馆、波兰克拉科夫博物馆、德国纽伦堡、贝尔格莱德国际展、
荷兰马斯特里赫特博物馆、西班牙伊比沙岛当代艺术博物馆、瑞士格伦琴艺
术协会三年展。曾荣获韩国首尔双年展国家现代艺术博物馆最高奖、美国德
科尔多瓦博物馆奖、罗马尼亚马弗洛拉博物馆艺术家奖、卡尔加里市杰出文
化奖、比利时利日美术博物馆奖等。
Alexandra Haeseker RCA, Participation in major International Biennales include:The

National Gallery of Art Cluj-Napoca, Romania; Expo in Seville, Spain; Instituto
Nacional de Bellas Artes, San Miguel de Allende, tour contemporary art museums
in Guadalajara, Monterrey, Aguascalientes, and Queretaro, Mexico; Krakow, Poland
/Nürnburg Deutschland; Belgrade Biennale International Invitational; The MECC
Maastricht Museum, Holland; Premio Biella Internazionale, Italy; Museo de Arte
Contemporaneo Ibiza, Spain; The Bronx Museum New York City USA; The
Grenchen Art Society Triennale/ Switzerland.
The National Museum of Modern Art Superior Prize in the Seoul Biennale,
Korea in 1983; The De Cordova Museum Purchase Award / Boston Printmakers
Exhibition, USA 1977; Selected for the Florean Museum Artists Award in
Maramures, Romania 2003; Immigrant of Distinction Arts + Culture Award, City
of Calgary 2006; Museum prize for Le Musée des Beaux-Arts, Liège, Belgium 2013;
The Shanghai Art Museum, China for VOICE project + exhibition 2008; Matrices
Award, Magyar Electrographic Art Association, Budapest Hungary 2013.
Fleur du Mal UV latex ink on synthetic paper components 300×120×10cm 2022

亚历山德拉·欣茨·瓦拉迪卡
Alexandra Hinz-Wladyka
Germany 德国
1963 年出生于波兰格但斯克，生活和工作在德国波恩和汉堡，作品展现在许
多国家和国际展览中。她是多个展览和艺术项目的策展人和联合策展人。德
国联邦美术协会、德国 & 奥地利女艺术家及 VG Bild-Kunst 委员。
Alexandra Hinz-Wladyka, Born in 1963 in Gdansk, Poland. She lives and works
in Bonn and Hamburg. A freelance creative artist in the disciplines of artistic
photography and painting. Graduated from the State School of Fine Arts in
Gdynia. Her works appeared in a number of national and international exhibitions.
She was curator and co-curator of several exhibitions and art projects. Member
of The Federal Association of Fine Arts - Germany. Member of The GEDOK-
Organisation of German and Austrian Female Artists. Member of VG Bild-Kunst.
Day House- Night House V Fine Art Print 60×60cm 2021 Day House- Night House II Fine Art Print 60×60cm 2021
艾莉森·苏萨
Alyson Souza
USA 美国
生活和工作在美国，策展人和讲座教授，作品展览在美国重要的博物馆和画
廊，休斯敦 Nau-haus 画廊、加州 Robert Berman 画廊、纽约库珀促进科学联盟、
梅萨当代艺术博物馆、达拉斯艺术博览会，圣莫尼卡艺术博物馆、旧金山国
际艺术博览会等。讲学于休斯顿大学、德州休斯顿、Ucross WY 基金会等。
Alyson Souza, Solo and two person Exhibitions: 2018 Life Among the Polygons,
Coagula Curatorial, Los Angeles, CA; 2014 The Speed of Dark, Coagula Curatorial,
Los Angeles, CA; 2012 Extraneous Objectives, Nau-haus Gallery, Houston,
Texas; 2010 Oddly Content, Nau-haus Gallery, Houston, Texas; 2003 Anatomy
of Dysfunction, Robert Berman Gallery, Bergamot Station, Santa Monica, CA;
2002 Alyson and Al Souza, Moody Gallery, Houston, Texas; 2000 Mind Matters,
Robert Berman Gallery, Bergamot Station, Santa Monica, CA; 1990 Alyson Souza
& Ezra Talmatch, The Cooper Union for the Advancement of Science and Art,
New York City. Group Exhibitions: 2018 Show Me Your Hand, Coagula Curatorial,
Los Angeles, CA; 2015 Artillery: Contemporary Art Influenced by Weaponry, Mesa
Contemporary Art Museum, Mesa, AZ; 2014 L.A. Woman, Aqua Art Miami, Miami,
FL; 2014 Dallas Art Fair, Dallas, TX; 2012 Twisted Vision, University of Houston,
Houston, TX.
Perfect Vascuum Oil on wood 39×39cm 2021 Small Change Oil on Wood 25.5×24cm 2020
阿梅内·莫耶迪
Ameneh Moayedi
Iran/France 伊朗 / 法国
生于伊朗，生活工作在伊朗与巴黎，平面设计师和自由艺术家。创建独立平
面设计师工作室 La beetroot blue；参与组织“Rouz de Booshehr”艺术节；担
任 Booshehr 绘画与创意节评委会成员；作品入选伦敦、威尼斯、罗马国际展
览、《Peru Design Biennial》秘鲁海报展、卢森堡卡罗维发利国际电影节海报
展、韩国第一届 B.I 国际海报艺术双年展、瑞士沙夫豪斯 FATart 博览会、巴
黎 Creative Ambulations 展。
Aménéh Moayedi, Graphic designer and freelance artist.

Creation of independent graphic designer collective《La beetroot blue》;
Participation in the organization of the《Rouz de Booshehr》 Festival; Member of
the Jury of the Festival of Painting and Creativity, Booshehr.
Selected for collective exhibition in London, England 2021 Selected for collective
exhibition in Venice, Itali; Selected for collective exhibition in London, England;
Selected for collective exhibition in Rome, Itali; Selected and finalist for a poster
for《PERU DESIGN BIENNIAL》, Peru; Poster for the film《SAVING
ONE WHO WAS DEAD》; FATart Fair in schaffhouse, Switzerland; Collective
exhibition CREATIVE AMBULATIONS at ON-OFF Studio, Paris; 《Works》
with Gérard Lelong Galerie Au Médicis, Paris.
My Home | At your home N4 Digital art work 20×20cm 2021 My Home | At your home N6 Digital art work 20×20cm 2021
安娜·维沃达
Ana Vivoda
Croatia 克罗地亚
安娜·维沃达，克罗地亚视觉艺术家和教育家，扎达尔大学艺术系教授，她
的研究领域包括艺术实践、环境问题，代表作品参加了 150 多个国际展览，
获得了许多奖项和荣誉。
Ana Vivoda is a visual artist and educator, Associate Professor of art education
at the University of Zadar, Croatia. Her research fields include print-based art
practices dealing with questions of identity, feminist or environmental issues,
while her art educational projects nourish collaborative and participatory aspects
of art. Her work has been shown in solo exhibitions in the country and abroad,
she participated in over one hundred and fifty international exhibitions worldwide
(Poland, China, Germany, USA, France, Taiwan, Spain…), receiving many awards
and acknowledgements.
Interactions digital print linocut 2018

安吉尔·安可
Angel Angoh
Mauritius 毛里求斯
生活和工作在毛里求斯首都路易港，在毛里求斯大学和毛里求斯科技大学担
任绘画和艺术史教学，在毛里求斯举办个人艺术展，参与众多国际艺术活动。
参加历届 AAmA 国际艺术展。
Born in Mauritius, Angel Angoh was trained in fine art in London and Paris and has
studied under the guidance of Claude Rogers, famous English artist and professor
at the Slade School of Art. She is a lecturer in Art and History of Art and has had
numerous solo and group exhibitions in Mauritius and abroad. Angel’s childhood
was filled with stories of Chinese culture, myths and legends told by her father, who,
by his closeness with the spirit of nature, nurtured her awareness of the universe.
Her artworks explore the relationship of man, nature and the universe and the
never-ending search for peace and identity within chaos and are multi- layered
expressions of her own experience of the world and that of others with whom
she interacts. Behind her artworks, there is a lifetime spent drawing, studying and
teaching Art.
As above so below Acrylic on canvas 40×40cm Diptych 2021

安东尼诺·米亚诺
Antonino Miano
Italy 意大利
生活工作在米兰，入展罗马 X Quadriennale 展、第 26 届 Salon de la Jeune

Peinture 展；1982 年与多位艺术家共同创立“工作室”小组，并在米兰的杜
格纳尼宫举办了首次展览，继续与意大利 Atelier 集团合作。
Antonio Miano was born in Roccafiorita,he lives and works in Milan. His
participation in the X Quadriennale in Rome and in the 26th Salon de la Jeune
Peinture; he continued his activity in the following years with a series of exhibitions
in Milan, Limonges and Paris.In 1982 Antonio founded the "Atelier" group together
with various artists, which made its first exhibition at Palazzo Dugnani in Milan.
Today the exhibition activity continues with the Atelier Group which has promoted
important art exhibitions in Italy and abroad.
Indian Crow 120×90cm Oil on canvas 2022 Nipsey Hussle 48×27cm Oil on paper 2022
安蒂·萨洛坎内尔
Antti Salokannel
Finland 芬兰
The Bird and the Branch 40×50cm 2022

1950 年生，工作生活在芬兰拉赫蒂，多项国际奖荣获者，作品被收藏在芬兰
国家艺术博物馆、芬兰国家美术馆、拉赫蒂艺术博物馆、奥卢艺术博物馆、
图尔库艺术博物馆、Kerava 艺术博物馆、坦佩雷现代艺术博物馆、Sara Hildén
艺术博物馆、Västerås 美术馆、赫尔辛基东哥德兰郡议会、艾因艺术博物馆、
Wäinö Aaltonen 博物馆，图尔库、博伊曼范伯宁根博物馆、维也纳阿尔贝蒂
娜博物馆等。
Antti Salokannel born in 1950, Lives and works in Lahti, His works have been
collected by many art museums, such as: Finnish State Art collection, Kiasma
collection, FI, Finish National Gallery collection, Collection of Lahti Art Museum,
FI, Oulu Art Museum, FI, Turku Art Museum, Fi, Kerava Art Museum, FI, The
Modern Art Museum in Tampere, Fi, Sara Hildén Art Museum, FI, Olivetti Ltd
Collection, Västerås Art Museum, SE, Kunsthalle Rostock, BRD, County Council
of Östra Götaland, SE, City of Helsinki, FI, City of Hyvinkää, Fi, City of Jyväskylä,
FI, City of Kotka, FI, City of Lahti, FI, City of Nokia, FI, City of Tampere, FI, City
of Valkeakoski, FI, City of Vantaa, FI, Bank Collections: Merita Nordbank, SKOP,
LSOP, Bank of Finland, Repola Ltd Collection, FI, Aine Art Museum,Tornio, FI,
Wäinö Aaltonen Museum,Turku, FI, The National Art Museum, Oslo, NO, Bojman
Van Beuningen Museum, Rotterdam, NL, Albertina Museum, Wien, AT, Collection
of Wihuri foundation.
Inspired After a Detail of Repin’s Painting 25× 60cm 2021 Branch and Flowerstics 40×50cm 2022 Branch / Wing 30×40cm 2021 Branch 40cm x 50cm 2021
阿林多·阿雷兹
Arlindo Arez
Portugal 葡萄牙
1957 年出于波尔蒂芒市，葡萄牙国际艺术策展人，画家与雕塑家，代表作
品展览在欧洲及中国。参加第 18 届 AAmA 国际艺术展。
1957 Born in Portimão, Portugal.

2019 Curator of The II Simpósio Internacional de Pintura Portimão Portugal; 2018
Curator of The I Simpósio Internacional de Pintura Portimão Portugal; 2011 Curator
of The II Simpósio Internacional de Escultura em Cera, Monchique, Portugal; 2011
Curator of The III Ruralidades - Arte em Espaço Rural Portimão, Portugal; 2010
Curator of The II Ruralidades - Arte em Espaço Rural Portimão, Portugal; 2010
Curator of The I Simpósio Internacional de Escultura em Cera, Monchique, Portugal;
2009 Curator of The I- VII Simpósio Internacional de Escultura.
Exhibitions: Portimão, Porto, Monchique,Roma, Vila Nova de Cerveira, Seixal,
Sintra, Porto, Viseu, Funchal, Leiria, Rincón de Ademuz, Sabugal, Marinha Grande,
Austria, Nazaré, Grécia, S. João da Madeira, Sur Ene, Thusis, Apatin, Alvor, San
Luís Potosí, Ubon Ratchathani, Monastir, Comitán Chiapas, Tultepec, Coreia do
Sul, Normandia, Limassol, Almazan, Síria, Elbasan, Spinetoli, Nicosia, Toluca,
Changchung, Penza, Goyang, Santa Maria, Nicosia, Damascus, Sonderborg,
Andorra, Verzegnis ,Vergnaco, Ostraka, Kikinda, El Trebol, Frank, Pingtan, Costa
Rica, Silves, Baku, Macrana, Xi-An, Songyang, Marijampole.
Agua 2 Acrylic on paper 76×57cm 2022 Agua 1 Acrylic on paper 100×70cm 2019
阿维·耶尔
Avi Yair
Israel 以色列
Sea of Galilee chine colle' 39×40cm 2021
1957 年出生于特拉维夫，以色列著名艺术家，代表作品在以色列、意大利、
爱尔兰、德国等欧洲重要城市展览。参与第 18 届 AAmA 国际艺术展。
1957 Born in Tel-Aviv.

1980 – 1984 Ramat Hasharon Art Teacher's College, Ramat Hasharon; 1992
"Objects" – Peer Gallery, Tel-Aviv; 2006 "Naked and Bare", Dwek Gallery,
Jerusalem; 2009 "Tuna Cans", Zimmer Gallery, Tel-Aviv; 2010 "You Are Here",
Rawart Gallery, Tel-Aviv; 2012 "Mostly Collage", Rawart Gallery, Tel-Aviv; 2013
"You Are Not Alone", Bahnhof Kropelin, Kropelin, Germany; 2014 "Mostly
Collage", The White House, Nir-Oz; 2017 "Believe, The Day Will Come", Zadik
Gallery, Tel-Aviv; 2018 "Topographic Iconography", Urban Gallery, Tel-Aviv; 2021
"Peopleless", Urban Gallery, Tel-Aviv; 2018 "Back Shortly", Zadik Gallery, Tel-Aviv;
"Collagistas Festival #5", Temple Bar+Gallery, Dublin, Ireland; 2019 "Collagistas
Festival #6", Maison du Peuple, Brussels, Belgium.
布兰莎·戈蒂埃
Bransha Gautier
Austria 奥地利
布兰莎·戈蒂埃，奥地利著名演员、艺术家，作品参加第 20 届伦敦双年展、
第八届北京国际艺术双年展、罗马当代艺术博物馆电影节、Film Aid 电影节等。
参加第 17、18 届 AAmA 国际艺术展。
Bransha Gautier is an award-winning visual artist, who's work specializes in Culture–

behaviour relationships and cross-cultural psychology trough diverse media of
art. Selected exhibitions:The 20th London Biennale, England; The 8th Beijing
International Art Biennale; National Museum of China - Beijing; Vertical Movie
Festival MACRO - Museo d'Arte Contemporanea Roma; 60 SIFF at QFX Cinema,
Kathmandu, Nepal & British Film Institute, London; China International Conference
of Science & Education Producers, Shenzhen; The18th Asian Art Biennale, Shilpakala
Academy, Dhaka.
MOSHED-2021-2-6-17-6-25
卡莉·梅耶尔
Carrie Meijer
Netherlands 荷兰
卡莉·梅耶尔在荷兰阿姆斯特丹生活和工作，定期在荷兰和丹麦的各个地方
展出。她也是位于德国博肯的年度“Deutsch - Niederländische Grafikbörse”
的欢迎参展者。她的作品被荷兰恩斯赫德的 Wilploo 收藏，以及德国明斯
特的 Aldegrever-Gesellschaft e.V. 收藏，在荷兰，她的作品与 Bos Fine Art、
Kunstlokaal No.8 和 Galerie Stijl 合作。
Carrie Meijer live and work in Amsterdam NL and regularly exhibit in various places
in the Netherlands and Denmark. She is also a welcome exhibitor at the annual
“Deutsch – Niederländische Grafikbörse” in Borken DE.
Her work is included in the Wilploo collection in Enschede NL and that of the
Aldegrever-Gesellschaft e.V. in Münster DE and in the Netherlands her work together
with Bos Fine Art, Kunstlokaal No. 8 and Galerie Stijl.
CM_005
查理·李斯邱灵
Charly Lesquelin
France 法国
生活和工作在留尼汪岛，主要作品在巴黎卢浮宫、布鲁塞尔、加西亚拉波特、
米罗梅尼尔等艺术馆展览，在里昂迪尔克斯国家博物馆担任常驻艺术家。
2010-2020 历届 AAmA 国际展艺术家。
Charly Lesquelin, French painter, lives and works in Reunion Island. He perfected
his pictorial technique by becoming a street portraitist with the ultimate goal to
be a painter. A hard worker, he devoted all his time to producing personal works,
strongly inspired by the history and culture of his native island. He staged multiple
local exhibitions.
From 2002 to 2006 he exhibited in Paris, including the Carrousel du Louvre, large
market of Contemporary art with 3 galleries: Garcia- Laporte, Miromesnil Fine Art
and Art'et Miss. Since 2006, he has been collaborating with an international artist
collective 'Foot Bridge' and regularly participates in workshops and exhibitions in
Thailand, Malaysia, Indonesia, India, China and Botswana.
In 2017 & 2018, he was a resident artist at the Léon Dierx National Museum.
2010-2020 Previous AAmA International Art Exhibitions, China.
The Life of the landscape Ink and oil on canvas 220×400cm 2022
贾凡·伊冯娜
Chia Fan Ivonne
Chile 智利
S/T paper (kozo) 10×10cm
生活和工作在圣地亚哥，曾荣获智利国家艺术大会荣誉奖、罗马尼亚国际当
代版画双年展荣誉奖文凭、第 13 届“Iosif Iser”国际当代版画双年展荣誉奖。
代表作品展览在智利当代博物馆、智利天主教大学艺术学院、西班牙国家图
书馆、马德里 Brita Prinz 画廊、日本神奈川县画廊、智利圣地亚哥视觉艺术
博物馆、罗马尼亚 Florean 博物馆、西班牙萨拉戈萨 Fuendetodos 博物馆、西
班牙 La Garrotxa 博物馆、波兰 Oströw Wielkopolski 博物馆、日本冲绳崎见美
术馆、法国多摩美术大学、东京大学雕刻博物馆、智利塔尔卡大学视觉艺术
博物馆。
Chia Fan Ivonne, Awards: Honour Mention in the National Art Concourse:
Painting and Engraving “Concepción una ciudad en movimiento”. Concepcion,
Chile; Nagasawa Art Park Artist in Residence: Japanese Woodblock Printmaking
Program. Awajishima, Japan; Honour Diploma in the Sixth Edition from The “Iosif
Iser” Internacional Contemporary Engraving Biennial. Ploiesty, Romania; Honour
diploma in the Tenth Edition from The “Iosif Iser” Internacional Contemporary
Engraving Biennial. Ploiesty, Romania; Honour diploma in the 13th Edition from
The “Iosif Iser” Internacional Contemporary Engraving Biennial. Ploiesty, Romania.
Artworks in: Alive Contemporary Museum Opening Road, Chile. Art Faculty,
Catholic University of Chile. National Library of Spain, Spain. Brita Prinz Gallery,
Madrid, Spain. Kenmin Gallery, Japan. Museum of Visual Arts,Chile. Astoreca
Palace, Chile. Contemporary Art Gallery, Malaysia. Florean Museum, Romania. Print
Museum, Fuendetodos, Spain. Contemporary Graphic Foundation, Romania. La
Garrotxa Museum, Spain. General Direction of the Woman, Community of Madrid,
Spain. Art Museum, Oströw Wielkopolski, Poland. Nagasawa Art Park, Japan.
S/T 3 block Xylography 35×28cm ST Xylography 10×10cm

克劳迪奥·扎尼尼
Claudio Zanini
Italy 意大利
出生在的里雅斯特。他毕业于布雷拉美术学院绘画系，毕业于米兰州立大学
哲学系，他曾在米兰的多所学校从事艺术史和绘画学科教学。在意大利和
国外参加过多次个展和群展。1983 年，他与米兰艺术家 Pino Di Gennaro、
Renato Galbusera、Maria Jannelli 和 Antonio Miano 一起创立了“ATELIER”团体。
此外，他还参与了评论、戏剧和电影创作。他创作了多个舞台动画和表演：
La ferita purpurea(1986) 和 L'enigma dell'ora(1987)，灵感来自 De Chirico 的
同名画作。
Claudio Zanini was born in Trieste. He graduated in Painting from the Brera
Academy of Fine Arts and graduated in Philosophy from the State University of
Milan, with the thesis "Transgression as Norm in the Spatiality of the Twentieth
Century Avant-Garde: Paul Klee." He has taught Art History and Pictorial
Disciplines in various high schools in Milan. He has participated in several solo and
group painting exhibitions in Italy and abroad. Together with Milanese artists, Pino
Di Gennaro, Renato Galbusera, Maria Jannelli and Antonio Miano, he founded the
group "ATELIER" in 1983. He has, in addition, been involved in critical, theatrical
and film writing. He has created several stage actions and performances: La ferita
purpurea (1986) and L'enigma dell'ora (1987), inspired by De Chirico's painting of
the same name.
Claudio Zanini Work

克莱奥·威尔金森
Cleo Wilkinson
Australia 澳大利亚
曾在 500 多个国际评审团、个展、40 多个国际地点担任驻地艺术家和客座

艺术家。获得了超过 75 个主要的国际和国家版画奖。她的作品被全球 90
多个具有国际意义的机构收藏和展出。
个展包括：纽约、科隆、保加利亚、阿根廷、威尼斯、温哥华、塞尔维亚、
澳大利亚、西班牙等。
Cleo Wilkinson was born in Melbourne Australia she has an Bachelor of Fine Arts
(honours) degree from Auckland University (New Zealand ) and Graduate Diploma
in Information Science (Australia) .Her mezzotints have been exhibited in over
500 international juried group, solo exhibitions and been artist in residence and
guest artist in over 40 international locations. Cleo has been awarded over 75 major
international and national print awards. Her work is held in over 90 internationally
significant collections, galleries and museums worldwide.
Solo exhibitions include: New York, Cologne, Bulgaria, Argentina, Venice and
Trento, Vancouver, Serbia, Australia, Spain.
Worked in over 40 international locations as an invited Artist in Residence and
Guest Artist including: Cité Internationale des Arts, Paris, Cuba, Spain, British
School at Rome, Florence, Venice, Perugia, The Netherlands, Japan, Luxembourg,
Greece, Sweden, Finland, Slovenia, New Zealand, Vancouver, Calgary, Quebec,
New York, Berkeley, Buenos Aires, Reykjavik, Berlin, China, Singapore Tyler Print
Institute, and Oxford. Then IV copper plate 12x12cm 2020
Encounter copper plate 30x30cm 2022 Prelude copper plate 10×12cm 2022
克托米尔·弗雷利
Črtomir Frelih
Slovenia 斯洛文尼亚
克托米尔·弗雷利，斯洛文尼亚著名画家，卢布尔雅那大学教授，斯洛文尼
亚美术协会终身成就奖获得者，因对世界平面艺术的杰出贡献而获得许多特
别奖项和荣誉。
Črtomir Frelih, He has been a full professor of graphic art at the Department
of Fine Art Education at the Faculty of Education, University of Ljubljana. The
most important of the national awards, which prof. Frelih received for his artistic
work, is the Lifetime Achievement Award of the Slovenian Association of Fine
Arts Societies. He received the Award for the Highest Quality at 8th International
Biennial of Drawing in Plzen. In 2015, he received the Award of the 18th
International Print Biennial in Varna. In 2016, he received the Osten Award at
the International Biennial of Drawing in Skopje. In 2018, at the 9th International
Triennial of Graphic Art in Bitola, he received a Special Award for an Outstanding
Contribution to Graphic Art in the World.
Fox 5 intaglio original print 28×20cm 2022 Fox 6 intaglio original print 28×20cm 2022
丹妮拉·戈尔拉·福萨
Daniela Gorla Fossa
Italy 意大利
艺术家兼策展人，主要艺术项目：克雷莫纳 A. 斯特拉迪瓦里圣艺术博物
馆、米兰帕迪廖内意大利博览会、那不勒斯马德雷博物馆“快乐地球日”、
第 48 届 Stunden Neukoelln 多元文化艺术节、卢卡托斯卡纳作为社会事件
的艺术实践，她的作品展览在阿尔巴教区博物馆、巴勒莫国际双年展、由
R.Galbusera 和 F.Vitale Boldini 策划的地下通道动物展等。
Črtomir Frelih, Daniela Gorla Fossa graduated in Painting at the Brera Academy of
Fine Arts in Milan. Pictorials at the St. Artistic Lyceum of Cremona A. Stradivari.
She presented her artistic project at Expo Padiglione Italia, Milan, conference Art
and Beauty (2015). In 2017 she was invited to the PAN, Palazzo delle Arti di Napoli
at the Happy Earth Days, Festival of the Arts for the Earth in network with the
Madre Museum of Naples. She has participated in two editions of the 48 Stunden
Neukoelln Multicultural Art Festival in Berlin.
She designed and coordinated the Land Art project - Colle di Bordocheo, Lucca
Tuscany "The artistic practice as a social event".
GREEN 267 Memory of Land multimedia 300×150cm 2019

戴安娜·伊丽莎·罗曼
Diana Eliza Roman
Romania 罗马尼亚
ARTZ 画廊上海经理兼策展人、中国国际青年艺术家联盟艺术总监、中国国
际抽象艺术协会名誉会长、“她自己的工作室”女性艺术家集体的联合创始
人和策展人。曾担任罗马尼亚国家艺术博物馆馆长兼独立策展人、艺术家、
艺术评论家、艺术史学家，参与众多国际艺术活动。
Diana Eliza Roman, National Museum of Art of Romania (MNAR) Curator.

Present, independent curator artist, Curator, art critic, art historian; National
University of Arts, Majored in Contemporary Art, thesis: "The concept of Mimesis
in Romanian Contemporary Painting of the '80s". Certificate of graduation,
"American Modern and Contemporary Art" course held by Professor Ann
Albritton, Ringling College New York; Scholarship of the Italian Government,
Rome, Italy; Art Management Certificate, “Contemporary Art in the International
Context of Museums and Exhibitions”, Kultur Kontakt Austria and Institut fur
Kulturwiessenschaft in Viena, Austria.
Green Girl with Forest Hair Textile collage and 3d pen on panel 50×60cm 2021 Self-portrait as Monalisa Textile collage and embroidery with various materials 45×60cm 2022
托米克·拉德夫斯卡
Dijana Tomik Radevska
R.N.Macedonia R.N. 马其顿
迪亚娜·托米克·拉德夫斯卡 , 自 2018 年起，她在 Acanthus Gallery 担任策

展人、艺术顾问和设计师，从事艺术版画、绘画、物品和艺术装置、艺术视
频和设计方面的工作。曾荣获 DLUM(AAM) 多项奖项及艺术评审团主席，米
兰莫迪利亚尼画廊的金奖。
Dijana Tomik Radevska, Art consultant and editor for online Poetry and Art
magazine Slovokult::literartour. Selector, art editor and organizer for the group
exhibitions of Slovokult::literartour.She works at Acanthus Gallery as a curator, art
consultant and designer since; Works on art printmaking, paintings, objects and art
installations, art videos and design; Several Awards from DLUM (AAM); President
of Art Jury for DLUM (AAM); Received Golden medal and Diploma from galleria
Modigliani in Milano; “Ljubomir Belogaski” Award for the best exhibition with the
group “Circle” in the Skopje City Museum; “Vangel Kodzoman” award for Small
format Art from KIC-Skopje.
A Spiral object and drawing with indian ink 70×40×6cm 2021

Dijana Tomik Radevska Beautiful Body-Inner Space IV silkscreen print 2021
多门·迪莫夫斯基
Domen Dimovski
活跃于跨媒体艺术领域，包括动画电影、视频、绘画和图形。在数字图形领域，
他既创造了抽象的图案，也创造了现实的当代幻想城市。他的工作获得了七
项国家和两项国际奖项。他有 12 个个展和 55 个群展，并参加了多个艺术节。
斯洛文尼亚美术协会和克拉尼艺术协会成员，2020 年，他成为克兰杰艺术
协会艺术委员会的成员和视频与新媒体部分的策展人。
Domen Dimovski, He is active in the field of intermedia arts, including animated

films, video, painting and graphics. In the field of digital graphics, he creates both
abstract motifs as well as realistic contemporary fantasy cities. He has received
seven national and two international awards for his work. He has had 12 solo and
55 group exhibitions and participated in several festivals. He has been a member of
The Slovenian Association of Fine Arts Societie (ZDSLU) and Art Society Kranj
(Likovno društvo Kranj). In 2020, he has become a member of the artistic council
of the Art Society Kranj and curator for the Video and New Media section.
City 02 Digital print 50×70cm 2021

埃德姆·埃莱什
Edem Elesh
USA 美国
洛杉矶人，国际知名收藏家和艺术家。他是 IAA/USA 的董事会成员，洛杉

矶 LA Artcore 顾问委员会成员。他目前由 Gloria Delson Contemporary Arts、L.A.
Artcore、Joanna Burke Art 代理顾问、LELA 国际画廊和 Ann Koeffler 艺术家
代表。他的艺术包括混合媒体绘画、雕塑、装置和音乐创作。
Edem Elesh, a native of Los Angeles, is also an internationally known, collected,

and respected Fine Artist. He is on the Board of Directors IAA/USA, and an
Advisory Board Member of LA Artcore, Los Angeles. He is currently represented
by Gloria Delson Contemporary Arts, L.A. Artcore, Joanna Burke Art Consultants,
LELA International Gallery, and Ann Koeffler Artist representation. He has
participated in innumerable shows domestically and overseas.
His art has received notice from PhotoSparks Art Review, India; Voyage L.A.
Magazine; Los Angeles Downtown Artwalk News; Channel 7’s “Eye On L.A.”
(The Amazing Art of Edem Elesh); Coagula Art Maga-zine; L.A. Municipal Art
Gallery; The Hollywood Reporter; The Surfer’s Journal (Volume 13.3); “Surf Story”
Volume 2 by Robb Havassy; Eric Minh Swenson (Episode 2: “Stoked”, a feature
focusing on Los Angeles Artist who surf); Random Lengths News (San Pedro, CA);
City of Krabi, Thailand, News Media; Shanghai, China, News Media; TCG Italian
Television; TNN, Thai National Television, Bangkok, Thailand.
Wayfarer
厄勒姆·哈梅迪
Elham Hamedi
Iran 伊朗
1967 年出生于伊朗，国际多媒体艺术家、诗人和策展人，在伊朗和国外举
办多次个展和群展，被选为参加 First International Iside IX Edition-Literary
Arts 2021 的女诗人之一，2022 年荣获“女性文化与和平”奖。
Elham Hamedi was born in 1967 in Iran - Shiraz. She is an international

multimedia artist, poet and curator, a permanent member of the Iranian Visual
Arts Scientific Association, In the “Expired” Videoart directed by Maria Credido
in the Maca Museum of Acri 2021 and in the "Universo donna" exhibition
Cassano delle Murge (BA) 2022, Rivista20 January-February 2022, Art Magazine,
UNICUM 2021,She is one of the winners of the Inrenational 2022 "Women For
Culture and For Peace" award. This selection was made by Marina Pratici (candidate
for the Nobel Peace Prize).
“FRAGMENT” collection Oil on canvas 180×135cm 2019 “FRAGMENT” collection Oil on canvas 100×70cm 2018
伊曼纽尔·兰尼
Emanuel Ranny
Czech 捷克
伊曼纽尔·兰尼，捷克最著名艺术家之一，1943 年生于捷克布尔诺，众多
作品在世界各地展览并被国际重要机构收藏。
Emanuel Ranny, Famous Czech artists, 1943 in Brno, Czech Republic. The works are
collected by many famous museums and institutions. Bitola, Institute, Museum and
Gallery, Macedonia. Catania, Instituto per la cultura e l’arte, Italy. Dresden, Staatliche
Kunstsammlungen / Kupferstich Kabinett, Germany.Kanagawa, Prefectural Gallery,
Japan. Leipzig, Museum für bildende Kunst, Germany.Lodz, Gallery BWA, Poland.
München, Bayerische Staatsbibliothek, Germany. Portland, Gilkey Center for Graphic
Art, U.S.A. Prague, Municipal Library. Prague, National Gallery.Prague, National
Museum Regensburg, Ostdeutsche Gallery, Germany . Shenzen, Guanlan Art
Museum, China Washington D.C., National Gallery of Art, U.S.A.
Landscape of Dalmatia Oil and acrylic on canvas 115×125cm 2022 Summer landscape of Dalmatia Oil and acrylic on canvas 160×180cm 2021
埃内斯托·阿尔瓦雷斯
Ernesto Álvarez
México 墨西哥
生活工作在墨西哥，在 RECINTO 墨西哥城现代艺术博物馆；PORTALES，

萨卡特卡斯的 Manuel Felguerez 抽象艺术博物馆；SIGNOS，伊朗伊斯法罕当
代艺术博物馆；SIGNOS，韩国基金会文化中心，韩国首尔；SIGNOS，日
本大阪梅田天空大厦等举办个人展览。在墨西哥、日本、美国、波兰等地的
博物馆和画廊参加了 200 多次联展，包括国际雕塑三年展、第三届蒙特雷双
年展、ArtFest WTC 双年展、第二届尤卡坦视觉艺术双年展等。
Ernesto Álvarez, Mexico City, 1955. He has had several solo exhibitions in
museums and galleries in Mexico, Japan, South Korea, Iran, among others,
including: RECINTO, Museo de Arte Moderno, Mexico City; PORTALES, Museo
de Arte Abstracto Manuel Felguerez, Zacatecas; SIGNOS, Isfahan Museum of
Contemporary Art, Iran; SIGNOS, Korea Foundation Cultural Center, Seoul,
Korea; SIGNOS, Umeda Sky-Building Osaka, Japan; among others. He has
participated in more than 200 group exhibitions in museums and galleries in Mexico,
Japan, United States, Poland, etc., among others. He has received several AWARDS
and RECOGNITIONS among which stand out: Entry into the National System
of Art Creators awarded by FONCA; Scholarship awarded by the Pollock-Krasner
Foundation, New York, USA; Programme for the Promotion of Cultural Projects
awarded by FONCA; Special Prize, International Sculpture Triennial Osaka, Japan;
Ueno Museum Prize, 7th Henry Moore Grand Prize, Utsukushi-ga-hara Open-Air
Museum, Japan. Movimiento Suspendido 2-a Sculpture
Nautilus-a Sculpture Portal 8 Sculpture

尤金妮娅·迪·乔治奥
Eugenia Di Giorgio
Argentina 阿根廷
1973 年生于布宜诺斯艾利斯。她参加了 GCBA 志愿者计划框架内的交流和

跨文化培训，在该计划中她被选中代表国家在意大利。作为国际志愿营“发
展 Xenia”的一部分，该营与 YAP 意大利合作组织，他们开展了与保护环境
有关活动，自 2016 年以来，她一直在研究纺织品的可能性，钻研编织、刺绣、
染色技术和纺织品绘画，并参加了由艺术家 Viviana Debicki 领导的工作。最近，
面对自然物种即将消失的情况，她开始将她在旅行中发现的自然物品作为库
存或收藏品。
Eugenia Di Giorgio, Eugenia di Giorgio was born in Buenos Aires, Argentina in

June 1973. She participates in the training on exchange and interculturalism in the
framework of the volunteer program of the GCBA in which she was selected to
represent our country in Italy. Being part of the international volunteering camp
"Developing Xenia", organized in partnership with YAP Italy, who have carried out
among other activities related to the preservation of the environment, a cleaning of
the Riserva Naturale Foce del Fiume Belice e Dune Limitrofe. link note
Since 2016 she has been investigating the possibilities of textiles, delving into
weaving, embroidery, dyeing techniques and painting on textiles, participating in
the work clinics led by the artist Viviana Debicki. Lately she has begun to include
natural objects that she finds in her travels as an inventory or collection in the face
of the imminent disappearance of natural species.
Necesidades basicas I Liencillo gasa hilo objetos naturales 28×42cm 2020 Recuerdos del Paraiso Liencillo gasa hilo objetosnaturales 40×45cm 2021
伊芙·伊斯玛
Eve Eesmaa Connexion MIxed intaglio and relief print 26.5×26.5cm 2021
Estonia 爱沙尼亚
1963 年生于爱沙尼亚，任教于爱沙尼亚帕拉斯应用科技大学，荣誉及奖项
包括：2021 年阿根廷第三届国际多样性组织 Grupo humano Paraná 荣誉奖、
爱沙尼亚奥布拉“曾经在雨中”奖、2018 年爱沙尼亚 Eve Eesmaa“最佳作
品奖。参加众多国内国际展览。
Eve Eesmaa, Last Honours &awards: 2021 Third International competition of

small prints "Water, Fire, Earth, Air/ Diversity" Organizatión - Grupo humano
Paraná, Argentina. "Jury Mention" - Eve Eesmaa; Obra: "Once in the rain". Estonia;
2018, Eve Eesmaa, "Winner of best work", submitted in the 3rd Jogja International
Miniprint Biennale (JIMB) Indonesia; work titled: HIDDEN INFO, mixed intaglio
and relief print; 2017, Eve Eesmaa, Honorable Mention: Meeting the curatorship
committee and reviewing the proposals presented in the IV International Exhibition
of Contemporary Graphics Colombia , took into account the use of traditional
graphic printing techniques, commitment, work, dedication, dissemination,
contribution to the massifcation of the engraving as a current artistic technique
and the quality of the work presented, is granted on: Eve Eesmaa, Estonia, with his
work titled: “ W ”.
Win G MIxed intaglio and relief print 24×29cm 2022

法比奥·瓦伦蒂
Fabio Valenti
Italy 意大利
现工作生活在米兰和科莫，作品展览于米兰当代美术馆、米兰斯帕齐奥塔科
里、瓦雷泽玛索里诺美术馆、德国柏林、第 54 届威尼斯双年展、斯莫博物馆展、
科穆纳莱宫、参加历届 AAmA 国际艺术展。
Fabio Valenticurrently lives and works in Milan and Como. He previously worked as
Milan art director and designer in Beijing.
Main exhibitions: the International Exhibition of the Museum of Contemporary
Art in Milan; The Spazio Tacori Exhibition in Milan; 5-person exhibition at
the Varezema Sorino Gallery; Galerie Kuhn Exhibition in Berlin, Germany;
Paddy Glio Exhibition in Turin; 54th The Venice Biennale; Giza Rossi Chrismo
Museum Exhibition; Comunale Palace Exhibition; Participate in previous AAmA
International Modern Art Exhibition.
Clouds on the hill Oil on canvas 50×70cm 2022 Cloud Oil on canvas 40×50cm 2022 Cloud subliminal Oil on canvas 120×180cm 2021 Clouds Oil on canvas 50×60cm 2021
法布里斯·马通多
Fabrice Matondo
Congo 刚果
生活工作在刚果金沙萨，2013-2014 创作丝印绘画、2015 年创作了 MIDEMA

建筑绘画、2016 年创作了天主教学校墙上的“ 涂鸦”、2017 年参加了
polyv'art 空间展、2018 年金沙萨的 BILEMBO 活动、2019 年参加了喀麦隆飞
越中非展、当代艺术家喀麦隆草原展览和瓦加杜古画家国际会议、2020 年金
沙萨博物馆杰出青年艺术家、Mount-Ngaliema 博物馆展。
Fabrice Matondo, Lives and works in Kinshasa, Congo.

2013-2014 Silkscreen (banners, polo shirts); 2015-Building painting on the houses
of “MIDEMA”; 2016-Graffiti” on the walls of Catholic schools; 2017-Collective
exhibition at the polyv’art space; 2018- CFAO Young Talent competition in
Kinshasa; 2019-FLYING OVER CENTRAL AFRIC Exhibition. Residence of
contemporary artists in the Grassland, Exhibition of International meeting of
painter, Of Ouagadougou (RIPO),2020 Exposures of the young promising artists
(JAA) in the 3 museums of Kinshasa. Museum Main road of Kinshasa; Museum of
Mount-Ngaliema Museum of the Exc.
Lazy Oil on canvas 85×100cm 2020 The divorce Oil and acrylic on canvas 121×121cm 2020
方利民
Fang Limin
China 中国
1964 年 11 月生于浙江省 ;1999 年毕业于中国美术学院版画系并获硕士学位 ;

中国美术学院绘画艺术学院版画系教授 ;1999 年获中国版画家协会颁发的“鲁
迅版画奖”。
Fang Limin, born in Zhejiang Province in November 1964, received the Master
degree in printmaking from China Academy of Art in 1999. He is a professor of
printmaking department, School of painting and art, China Academy of Art.
In 1999, he won the "Lu Xun printmaking Award" issued by the Chinese printmaker
Association.
Golden Week Watermark print 138×69cm 2011 Homecoming for Chinese New Year Watermark print 138×150cm 2014
费尔南多·加西亚·德尔加多
Fernando García Delgado
Argentina 阿根廷
Paideuma N ° 071-516052 FGD Cap and made 60x61cm 2015
1960 年出生于布宜诺斯艾利斯。从 1996 年起，他创建了 Vortice Argentina 项

目，致力于邮件艺术和视觉诗歌活动，各种项目、出版物和国际活动的艺术
家和组织者。1999 年至今，每年在 12 月 5 日组织国际项目“邮件艺术日”。
他与艺术家胡安·卡洛斯·罗梅罗共同编辑了“阿根廷邮件艺术”、“阿根
廷视觉诗歌”和“阿根廷漩涡，项目历史等书。2010 年至今，他的个人作品
包括绘画、综合艺术和物品；参加了许多国内外重要展览。
Fernando García Delgado, Born in Buenos Aires in 1960. From 1996 he created
the Vortice Argentina project to devote himself to the activity of Mail Art and
Visual Poetry, as an artist and organizer of various projects, publications and
international events. From 1998 until today, he directs the Barraca Vorticista in his
private home/workshop, the first room in Argentina dedicated essentially for the
presentation of projects, exhibitions and meetings of Mail Art and Visual Poetry.
In 1999 and until now, it organizes annually on December 5, the International
project "Mail Art Day". From 2010 to the present, he works his personal work in
paintings, assemblies and objects.
Paideuma N°101 F Wooden sanding 2012 Paideuma N ° 0225K FGD Painting on chapa 33×55cm 2014
费尔南多·戈麦斯·阿尔瓦雷斯
Fernando Gómez Alvarez
Cuba 古巴
1957 年出生在古巴哈瓦那 , 生活工作在古巴和巴西，举办了 20 余次个人展览，

近百次国内外群展，巴西圣埃斯皮里图联邦大学 UFES 艺术中心、视觉艺术
系副教授。
Fernando Gómez Alvarez, Born in Havana, Cuba, in 1957. First solo show was
in 1983. Since then have made 21 more individuals exhibitions. Have already
participated in 71 selected group shows. In 1995 moved to Brazil, where still live.
Worked as a guest teacher at the Brasília University/UNB (1996-1999). After that,
Achieved an MFA at the Campinas State University/Unicamp, São Paulo, Brazil
(1999-2003) and a Ph.D. at the same university (2003-2007). Have been working as
Associate Professor (Printmaking, Woodcut, Etching, and Drawing) at the Visual
Arts Department, Arts Center, Espírito Santo Federal University/UFES, Brazil,
since 2004. Have published two books on Printmaking (2011 and 2017) and several
articles about arts.
After the Fountain of Ingres 32×24cm 2021 The broken pitcher 32×24 cm 2021
弗朗索瓦·莫雷尔
François Maurel
Madagascar 马达加斯加
生活和工作在法国和马达加斯加。在法国和国外长期拍摄作品和纪录片。如
非洲、巴西、哥伦比亚、印度、古巴、欧洲等，自 2005 年起担任人道主义
协会“Pearl In”的主席和创始人，他也是 Poupos 基金会的主席，2018 年戛
纳电影节评审团成员，属于泛非短纪录片节，在马拉喀什会议宫的艺术与文
化类别中获 Sigef 奖、获日内瓦社会创新和全球道德论坛获奖、巴黎文化学院
奖，2016 年作品在巴黎卢浮宫卡鲁塞尔展出。
Francois Maurel, French photographer, freelance from Franco Malagasy, since 2007.
He makes long-term works, reports, documentaries in France and abroad.President
and founder of a humanitarian association “Pearl In” since 2005, he is also president
of Poupos, a foundation created in 2016. Humanistic and committed photographer,
he organizes expeditions all over the world. nd co-author of a geopolitical book,
Fabert editions, January 2018, preceded by the Director General of UNESCO,
IRINA BOKOVA.Member of the jury at the Cannes film festival, April 2018, in the
pan-African short documentary festival film category.
Equilibrium & Time 2 Photography Time Photography

弗朗索瓦丝·伊萨利
Francoise Issaly
Canada/France 加拿大 / 法国
生活工作在法国、加拿大、中国，20 多年来 , 一直作为驻地艺术家在佛蒙特、

中国、东南亚、欧洲艺术中心工作。参加历届 AAmA 国际艺术展。
Francoise Issaly has, for more than 20 years, been involved in the Visual Arts scene
as a professional artist, art instructor, and as the editor of her own publishing house,
Editions FrI. She has shown her work both in solo and group shows in Canada and
the USA, as well as in Europe, Malaysia, Thailand and China. Her work can be found
in many private collections and is represented by Galerie Uno in Quebec City. She has
completed several artist residencies (Vermont Studio Centre, the Chinese European
Art Center, and Untitled residency in Shanghai). She was invited to the 1st Langkawi
Art Biennial in Malaysia, and the Asian, African & Mediterranean International Art
Exhibition in Hangzhou, where she had her first solo show in 2019. In 2020, she
exhibited in Shanghai in a solo show "The painter in the clouds" and in a group show
at the Cube Art Museum – 'One Blossom- One World'.
Shield II Acrylic and pencil on wood panel 30×30cm 2022 Under my skin I Acrylic on canvas 60×60cm 2022
乔治·卡米尔
George Camille
1963 年生于塞舌尔，作品在塞舌尔、毛里求斯、马提尼克、留尼汪、英国、
法国、中国、德国、俄罗斯、布鲁塞尔、马里和象牙海岸举办了许多个展和
群展。第 56 届和第 58 届威尼斯双年展，荣获 2017 年塞舌尔双年展金奖，
塞舌尔艺术基金会的主席，Arterial Network Seychelles 创始主席。
George Camille lives and work in Seychelles. Numerous solo and group exhibitions
held in Seychelles, Mauritius, Martinique, Reunion, UK, France, China, Germany,
Russia, Brussels and Mali. Represented Seychelles at both the 56th and 58th Venice
Biennale in Italy. Winner of the Seychelles Biennale in 2017. The artist has original
work in many private collections and has completed a significant number of public
and corporate commissions.
Currently chairman of Seychelles Art Foundation and is the founding Chairman of
Arterial Network Seychelles. Both associations have realised a significant number of
projects that have helped shape the local art and culture scene.
George Camille work George Camille work

弗雷德里克·班福
Frederick Bamfo
Ghana 加纳
In Memory of Peasants. (Detail 1) 2021
非洲加纳艺术家，并拥有多项成果，包括参考出版物和原著、奖项、展览与
研究，探讨艺术与社会关系。曾在克努斯特大学绘画与雕塑系担任助教。参
与 2021 第 18 届 AAmA 国际艺术展。
Artist with 7 years of related work experience, with a portfolio of diverse

accomplishments, including referenced publications and original works, awards,
exhibitions, residencies and exceptional academic achievements. Project explores
the limits of specific materials and concepts through the context logic of storied
traditional Ghanaian designs and symbols in public spheres to respond to social and
structural crises in the 21st century; a critical work that looks into the artistic futures
and renovations in relation to social and built environment.
Self-Employed, Kumasi, Ghana, June, 2015 – Present; Research Assistant, KNUST,
Department of Painting and Sculpture Oct., 2013 –Aug., 2015; Teaching Assistant,
KNUST, Department of Painting and Sculpture Oct., 2010 –2011.
In Memory of Peasants. (Detail 2) 2021 In Memory of Peasants. (Detail 3) 2021

格雷戈里·麦卡洛
Gregory A McCullough
Canada 加拿大
加拿大艺术家，参加国内国际外重要展览并获奖。AGN 第 43 届评审展、诺
森伯兰美术馆、南部阿勒格尼艺术博物馆、美国加利福尼亚州圣地亚哥、多
伦多艺术与文学俱乐部、奥里利亚艺术与历史博物馆、安大略诺森伯兰郡艺
术画廊等。
Gregory A McCullough has participated in numerous group exhibitions domestically

and internationally. His works have garnered “Public choice” and “Best of ” awards.
AGN 43rd Juried Exhibition, 2021 Art Gallery of Northumberland, Coburg,
On; Paint Ontario, 2021 Lambton Heritage Museum , Grand Bend, On; Southern
Alleghenies Museum of Art: Almost Endless, 2021 Altoona, USA; San Diego
Museum of Artists Guild 2021 Show, 2021 San Diego, Ca, USA; AGN 42nd Juried
Exhibition, 2020 Art Gallery of Northumberland, Coburg, On; N3XT Exhibition,
2020 The Arts and Letter Club of Toronto, Toronto, On; 2020 Carmichael Canadian
Landscape Exhibition, 2020 Orillia Museum of Art and History, Orillia, On.
Hillside in sunlight Hand transfer on aluminum 12×16cm 2019

赫迪耶·贾法里
Hedieh Jafari
Iran 伊朗
参与了众多国际群展如：第 19 届瓦尔纳国际版画双年展、保加利亚瓦尔纳、
伊朗、意大利、德黑兰、奥斯陆、芝加哥、克尔曼沙赫、马什哈德、温哥华
双年展、伊斯坦布尔国际版画双年展、德黑兰科特迪瓦大使馆文化处等
Hedieh Jafari was born in Tehran, Participate in various national exhibitions,

such as: The 10th biennial international miniature print exhibition, Vancouver;
Printmaking group exhibition, Shirin Art gallery, Tehran; “MUTUAL LANGUAGE”
international printmaking portfolio Exchange organized by Ryan O’Malley and
Mehdi Darvishi, O Gallery, Tehran. The 19th international print biennial Varna,
Varna, Bulgaria; The 7th mini print exhibition in with Iranian, American, and Italian
printmakers in six cities Tehran, Milan, Oslo, Chicago, Kermanshah, Mashhad. The
9th biennial international miniature print exhibition, Vancouver; The 5th biennial
international printmaking Istanbul, Istanbul; Printmaking group exhibition, cultural
section of embassy of Côte D'lvoir , Tehran
Hazard Technique Mezzotint Plate 10×15cm 2018

赫尔曼·诺德米尔
Herman Noordermeer
Netherlands 荷兰
荷兰著名版画家，奥芬巴赫奖、Litho-Kielce 奖、波兰罗兹特别奖、伦敦今日
版画家奖、索非亚奖等众多荣誉获得者，作品参与了世界各地众多艺术双年
展与国际展、第 18 届 AAmA 国际艺术展。
A renowned Dutch printmaker and recipient of many honors, his works have been
shown in numerous art biennials and international exhibitions around the world. 2016
8 st. Bienal Int. de Gravura Douro, Portugal; 2017 Print biennial Cremona, Cremona,
Italy; 2017 Print Biennial Varna,Varna,Bulgarije; 2017 Print Biennial Yerevan, Yerevan,
Armenie; 2018 Print Biennail Lodz Special Award, Lodz, Polen; 2018 Osten Biennial
of Drawing Special Award, Macedonie; 2019 Di Carte/Papermade, Schio, Italy; 2019
Print Biennial Guanlan, Guanlan, China; 2019 Graphic Encounters, Leeuwarden,
Nederland; 2019 print art triennial Sofia, Bulgarije; 2019 BIPB.BOEKAREST,
Roemenie; 2020 Mini maxi,galerie Heike Arndt Berlijn, Germany; 2020 Second int.
Bienniale of Lithography, Servie; 2021Osten Bienniale of Drawing, Skoje, Macedonie;
2000 Printmaker Today Award, Londen, Engeland; 2000 Honorable Mention, Sofia,
Bulgarije; 2003 Tai-he masterpiece Award, Beijng, China; 2009 Space int.print biennial,
Seoul, Korea; 2011 Kili Kalit Award, Isatanbull, Turkije; 2018 Special Award int print
biennial Lodz, Lodz, Polen.
Looking at myself Litho 100×145cm 2019 Januari Litho 145×100cm 2022

伊利亚·特拉伊科夫斯基
Ilija Trajkovski
Untitled Ink on Paper 50×34cm 2022
生活工作在北马其顿斯科普里，主要展览：镜子面对面、国际平面艺术三年展、
意大利和马其顿艺术家作品展、第 10 届国际平面艺术三年展 -ITG、第四届
国际版画双年展等。
Ilija Trajkovski was born in North Macedonia, Important exhibitions: Mirror-

Face to Face, 2022; International triennial of Graphic Art Vicenza, 2022; Italian
and Macedonian Artist Exhibition, 2022; 10th International Triennial of Graphic
Art-ITG Bitola, 2021; Fourth International printmaking Biennial Chachak, 2020;
Mirror-Face to Face, 2016; International triennial of Graphic Art Vicenza,2016;
Italian and Macedonian Artist Exhibition, 2016; 7th International Triennial of
Graphic Art Bitola, 2012
Influence Digital Print 61×39cm 2022

亚娜·保卢斯
Jaana Paulus
Finland 芬兰
任教于拉赫蒂艺术学院，芬兰木刻艺术家协会会员。芬兰个展：Sivuraide 画
廊、萨罗艺术博物馆；Duetto 画廊，赫尔辛基；萨斯基亚画廊，坦佩雷；旧
教堂之家画廊，波尔沃；Grafoteekki，G 画廊，赫尔辛基；Liisa Ekqvist 画廊，
Noormarkku；Harmaja Oulu 画廊；新火花画廊，拉赫蒂；乔拉画廊，图尔库，
纳坦利艺术厅。国际群展：第一届国际城市艺术交流会，新西兰惠灵顿；首
届国际城市艺术交流会，图尔库；Global Matrix IV，美国克利夫兰州立大学
的画廊；Global Matrix IV：喷泉画廊和林格尔画廊，美国印第安纳州西拉斐特；
Global Matrix IV：罗伯特和伊莱恩斯坦画廊，美国俄亥俄州代顿；从这里到
那里，科罗拉多大学，美国。
Jaana Paulus, Lahti Polytechnic Institute of Fine Arts, Finnish Graphic Artists,
Society of Lahti Graphic Artists, Finnish Woodcut Artists Society
Solo exhibitions in Finland: Gallery Sivuraide, Salo Art Museum; Gallery Duetto,
Helsinki; Gallery Saskia, Tammpere; Gallery Vanha Kappalaisentalo, Porvoo;
Grafoteekki, Gallery G, Helsinki; Gallery Liisa Ekqvist, Noormarkku; Gallery
Harmaja Oulu; Gallery Uusi Kipinä, Lahti; Gallery Joella, Turku, Naantali Art Hall.
International Group Exhibitions : The First International UrbanArt Exchange,
Wellington, New Zealand; The First International UrbanArt Exchange, Turku;
Global Matrix IV: Galleries at Cleveland State University, Cleveland, USA; Global
Matrix IV: Fountain Gallery/Ringel Gallery, West Lafayette, Indiana, USA; Global
Matrix IV: Robert and Elaine Stein Galleries, Dayton, Ohio, USA; Passing from
Here to There, University of Colorado, USA.
Earthly Woodcut, gilding and silvering 66×95cm 2020

Rowan on the beach after the rain Woodcut and silvering 60×91cm 2021 Unknown Female Saint Woodcut and gilding 91.5×60.5cm 2021
杰尔特·范·豪顿
Jeltje Van Houten
Netherlands 荷兰
Cover story no.71 Bookcovers/Bookpages 20×20cm 2022
生活和工作在阿姆斯特丹，代表作品被放置在荷兰的各个艺术机构等。
从 2008 年起一直负责社区艺术项目 , 致参与者之间更好的社会联系。常年
与海牙的博斯美术馆合作。2021AAmA 国际艺术展。
I live and work in Amsterdam.

Geometry and minimalism are keywords, and play an important role in my work.
I have worked with many different materials in the past until I started using linen
covers and pages of second-hand books and created a new composition.
I work both two and three-dimensionally and with many different materials. The
work can be small but also large in size, created for inside exhibition but also for
placement in an outside space. I have been commissioned to design various awards.
As far as my monumental work is concerned, artworks have been placed in various
locations in The Netherlands.
Since 2008 I have been in charge of Community Art projects. These projects
give local residents the opportunity to create a work of art together for their own
neighbourhood, often leading to better social contacts between participants.
I work together with the Bos Fine Art gallery in The Hague.
Cover story no.68 Bookcovers 32×32 cm 2021 Cover story no.64 Bookcovers / Bookpages 30×30 cm 2021
约翰内斯·范登霍克
Johannes Vandenhoeck
France 法国
法国摄影师和版画家，1949 年出生于法国讷韦尔。在布尔日国立高等美术学
院、马赛高等美术学院和普罗旺斯大学学习。1980 年后，在利穆赞教授视觉
艺术，同时继续在利摩日国立高等艺术学院进行版画和印刷工作。
Johannes Vandenhoeck is a French photographer and engraver born in Nevers (France)

in 1949. After studying at the École nationale des Beaux-Arts in Bourges, then at the
École Supérieure des Beaux-Arts in Marseille and at the Université de Provence, he
settled in the 1980s in Limousin where he teaches visual arts while continuing his
training as an engraver and lithographer at the École nationale supérieure d’art in
Limoges. In recent years, he has devoted himself exclusively to printmaking, mainly in
mezzotint.
Le Moulin de la Gorce 30×12cm 2022

何塞·D·特雷霍·玛雅
José D. Trejo-Maya
Canada 加拿大
生于墨西哥瓜纳华托州的塞拉亚，现生活工作在加拿大，在英国、美国、西
班牙、印度、澳大利亚、阿根廷、德国和委内瑞拉的各种期刊上发表作品。
2015 年获得普希金提名奖；2020 年获得杰克·斯特劳研究员，在美国、西
班牙和希腊举办展览。
José D. Trejo-Maya, Born in Celaya, Guanajuato, Mexico, where he spent his

childhood in the small rural pueblo of Tarimoró and wherefrom he immigrated in
1988. His inspirations include Netzahualcoyotl, Humberto Ak’abal, Ray A. Young
Bear, James Welch and Juan Rulfo. Published in various journals/sites in the UK, US,
Spain, India, Australia, Argentina, Germany and Venezuela. Pushcart Prize nominee
in 2015; awarded Tercer Premio from El Centro Canario Estudios Caribeños – El
Atlántico – en el Certamen Internacional de Poesía “La calle que tú me das” 2016;
New Rivers Press Many Voices Project Finalist 2018, 2020 Jack Straw Writers Fellow.
Exhibitions in US, Spain and Greece. While in ceremony with Chololo medicine men
in the Tule River Reservation he dreamt this written prophecy…
[yei ozomatli hueytozoztli nahui tecpatl] Plastic transparency film 8.5×11cm 2020 Uixticihuatl Plastic transparency film 8.5×11cm 2020
乔赛特·伦德斯
Josette Lenders
Netherlands 荷兰
Victoria 1 Color etch on Zerkall paper 120×100cm
2018-2022 展览：绘画二人组的营房奈梅亨；Huntenkunst 国际艺术展 Ulft；

Telpost 米林根露营地；德国博肯博肯国际绘画展；Kunstraffinaderii 多学科艺
术博览会奈梅亨；Velp 教堂的艺术；德国 Borken Borken 国际图博会；水，
生命之源橱窗展览奈梅亨；Diqital 项目 Millingen 地图上的图像；K26 奥斯；
40×40 诺维娜图形工作室弗里斯兰吕伐登；Veghel 售后服务；2022 Natura
Inspiratus 双年展，布鲁塞尔比利时。
Josette Lenders 2018-2022 Exhibitions: Drawing duo's barracks Nijmegen;

Huntenkunst International art manifestation Ulft; Telpost At Bivouac Millingen;
Inter national Painting Fair Borken Borken Ger many; Kunstraffinaderii
multidisciplinary art fair Nijmegen; Art in the church of Velp; International graph
fair Borken Borken Germany; Water, Source of life Window exhibition Nijmegen;
Images on the map Diqital project Millingen; K26 Oss; 40X40 Novena Graphic
Studio Friesland Leeuwarden; After-sales service Veghel; The Biennale Natura
Inspiratus 2022 Meise Brussels Belgium.
Victoria 3 & 2 Color etch on Zerkall paper 120×100cm Victoria 1 & 2 reed Colar etch printed on dibont 120×100cm
乔伊斯·卡米莱里
Joyce Camilleri
Malta 马耳他
卡米莱正在马耳他艺术学院担任全职艺术家教师职位，同时开发一种个人视
觉语言，试图探索绘画和版画作为独特但共生的艺术实践。她的工作室实践
让卡米莱通过使用混合媒体突破了基本图形元素的界限，带来了具象和准抽
象的视觉隐喻，它们沿着细线蜿蜒而行，将真实与超现实结合起来。此外，
这样的艺术研究使她能够探索当代绘画的诗意空间，同时不断滋养和重新审
视一个可以胜过主题的艺术过程。
Joyce Camilleri, Teacher degree at the University of West of Scotland.

Currently Camilleri is filling a full-time artist teacher post at the Malta School of
Art, whilst developing a personal visual language that attempts to explore drawing
and printmaking as distinct, nonetheless symbiotic art practices. Her studio practice
allows Camilleri to push the boundaries of essentially graphical elements through
the use of mixed media, bringing about both figurative and quasi-abstract visual
metaphors that meander along the fine line that divides yet unites the real and the
surreal. Alongside, such artistic research enables her to explore the poetic space of
contemporary drawing, whilst constantly nourishing and revisiting an artistic process
that is allowed to prevail over subject-matter.
Spatia II monotype on paper 12×19cm 2020

胡安·罗德里戈·彼德拉希塔
Juan Rodrigo Piedrahita
Colombian 哥伦比亚
胡安·罗德里戈，玻利瓦尔大学建筑系建筑师；哥伦比亚造型艺术协会会员；
Dorieth Acosta 工作室版画工作室；玻利瓦尔大学油画研究；国立大学高级绘
画工作室。皮德拉希塔说“我的作品是为了在绘画世界中获得宁静和愉悦。
我的工作灵感来自于童年的经验，在成年后用同样的工具用另一种方法为存
在本身的意义和我周围的对象，和时间唤起孩子们天生的享受。”
Juan Rodrigo Piedrahita, Architect, Faculty of Architecture, Universidad Pontificia

Bolivariana Member of the Colombian Association of Plastic Arts Dorieth Acosta
Workshop Printmaking Studios Studies of Oil Painting Pontifical Bolivarian University
Advanced Painting Studio National University. Piedrahita Said My work is for get a
peace and pleasing in painting world and gets an armory space, and see the life until
dead, with my landscape and abstraction could see the farway in this road that fear all.
My work is inspired by experiences of childhood, in adulthood using the same tools
with another approach for for the meaning of existence itself and the objects around
me, and time evoking innate enjoyment of children.
Kitchen Oil on canvas 100×150cm 2020

尤卡·科尔凯拉
Jukka Korkeila
Finland 芬兰
1968 年出生于芬兰海门林纳。在赫尔辛基生活和工作。
2022-2014 个展：赫尔辛基当代艺术中心，芬兰；柏林德国芬兰研究所；
Thomassen 画廊，瑞典哥德堡；21 画廊，瑞典马尔默；赫尔辛基当代艺术中
心，芬兰赫尔辛基。
2022-2018 年精选群展：艺术的纬度双年展，瑞典和意大利，意大利热那亚
公爵宫；色彩的幻象，芬兰于韦斯屈莱美术馆；瑞典马尔默美术馆；疯狂的爱，
芬兰拉彭兰塔美术馆、芬兰罗瓦涅米艺术博物馆、赫尔基辛当代艺术博物馆、
芬兰图尔库艺术博物馆，图尔库，芬兰、芬兰罗瓦涅米美术馆、芬兰海温卡
美术馆，荣获芬兰国家视觉艺术家奖；芬兰威廉·图林奖。
Jukka Korkeila Born 1968, Hämeenlinna, Finland. Lives and works in Helsinki. 2022-
2014 Selected Solo Exhibitions: You Are Heading Towards The Light That Awaits
You at The End of Your Life, Helsinki Contemporary, Finland; Ganz Finnland
Weint / All of Finland weeps, Visiting Art/ist; Jukka Korkeila, Finnland Institut in
Deutschland, Berlin, Germany, cur.: Mika Minetti; THE SOUL HAS NO GENDER,
Galleri Thomassen, Gothenburg, Sweden; Själen har inget kön, Galleri 21, Malmö,
Sweden; Oneness of Purpose, Helsinki Contemporary, Finland; Sans Souci, Helsinki
Contemporary, Finland. 2022-2018 Selected Group Exhibitions: 2022Biennale Le
Latitudini dell’Arte V ed. Sweden and Italy, Palazzo Ducale, Genova, Italia; Visions
of Colour, Jyväskylä Art Museum, Jyväskylä, Finland; Awards: State Prize for Visual
Artists, Finland; William Thuring-prize.
Jukka Korkeila Works

卡莉·卡尔德
Kalli Kalde
Estonia 爱沙尼亚
波兰第十七届国际三年展、爱沙尼亚版画展、温哥华 X 双年展、第十四届莱
塞德拉世界艺术版画年奖项和荣誉获得者。
2020-2011 个人展览：Vanemuine 音乐厅，塔尔图；爱沙尼亚国家博物馆，塔
尔图；拉脱维亚瓦尔米拉博物馆；米凯利画廊，塔尔图；Võru City Gallery，
爱沙尼亚；德国波恩的爱沙尼亚文化日；Tampere House 画廊，塔尔图；米凯
利画廊，塔尔图；德国德累斯顿 Ausländerrat IBZ；斯科拉博斯·康斯特拉菲
斯卡·韦克斯塔德，斯科夫德，瑞典。
Kalli Kalde, 2020-2011 Selected personal exhibitions: Concert Hall Vanemuine, Tartu;
Estonian National Museum, Tartu; Valmiera Museum, Latvia; Mikkeli Gallery, Tartu;
Võru City Gallery, Estonia; Estonian Cutural Days in Bonn, Germany; Tampere
House Gallery, Tartu; Mikkeli Gallery, Tartu; Ausländerrat IBZ in Dresden, Germany;
Skaraborgs Konstgrafiska Verkstad, Skövde, Sweden.
Secret Garden
河野雷蒙德·伊夫
Kono Raymond Yves
Cameroon 喀麦隆
生活和工作在喀麦隆雅温得，毕业于雅温得第一大学造型艺术和艺术史专业。
被“自由形象”和“朴素艺术”所吸引，他的作品通过头像的转头角色，与
公众保持对立面，取笑自己，这是一种逃避生活的方式，通过这个位置避免
另一个人的凝视。2022 年的工作是创作表达尊严的概念，以及对我们过去、
现在和未来的重新布局。
Kono Raymond Yves, lives and works in Yaounde, Cameroon, he graduated from the
University of Yaounde in the plastic arts and art history sector. Attracted by "Free
Figuration" and "Naive Art", his works are the antipodes of public expectations
through his half-child, half-adult characters with turned heads. It is a way for him to
escape from life while making fun of his experience. '' I would rather die of laughter
than of boredom '' is the quote that inspires him in his creations. It represents linear
human figures filled with color, alone and or in groups with turned faces, illustrating
by this position the avoidance of the gaze of the other. it's a question of identity.
ABOUT WORK'S 2022. The paintings produced at the start of 2022 address the
notion of dignity and the reappropriation of our past, present and future, it is an
affirmation of the human being.
La pause Acrylic on canvas 90×90cm 2022 Roller skating party Acrylic on canvas 150×150cm 2022
拉斯洛·科什
Laslo Koscso
Hungary 匈牙利
匈牙利布达佩斯艺术与设计大学教授，作品在德国柏林、意大利罗马、波兰
克拉科夫、奥地利维也纳、意大利热那亚、土耳其罗多斯托、伊斯坦布尔、
中国 AAmA 和荷兰等国家和城市展览。
Painter and graphic artist, art writer. University of Art and Design, Budapest,
Hungary. Association of Hungarian Artists, Budapest; Association of Hungarian
Typographers, Budapest; X8 Arts Association, Budapest; Mank, Arts Association,
Budapest; Hungart, Arts Association, Budapest. 2003 Hundertwasser Project,
Uetzen, Germany; 2003 Mail art worldproject, Rome, Italy; 2005 Post-Kunst Project,
Berlin, Germany; 2019 Hungarian Consulates Gdans, Jaroslav, Krakow, Poland,
Collegium, Hungaricum, Vienna, Austria; 2019 International ArtMarket, Genova,
Italy; 2020 Istambul, Rodosto, Turkey; 2021 'Get out of your skull', Netherlands and
2021 AAmA International Are Exhibition.
Neutrals IV. Neutrals III.

Akrylic on canvas Akrylic on canvas
140×70cm 140×70cm
2021 2021
劳拉·迪米特洛娃
Laura Dimitrova
Bulgaria 保加利亚
Black Stories Collage on canvas 62×80cm 2022
保加利亚艺术家联盟成员、保亚索非亚 Kliment Ohridski 大学教授，举办了

31 场个展，包括保加利亚、巴黎、慕尼黑、马其顿卡、塞尔维亚、匈牙利、
波兰华沙，参加了 200 多个群展、户外会议和艺术项目，作品被众多机构收
藏，获得多个国际奖项。
Laura Dimitrova was born in Sofia, Bulgaria. She works in the field of visual
arts. She is professor of decorative arts and art theory at “St. Kliment Ohridski”
University, Sofia, Bulgaria. Up until now Laura Dimitrova has had 31 individual
exhibitions – 18 in Bulgaria; 2 in Paris, France; 2 in Germany – Munich and
Schwandorf; 1 in Kavadarci, Macedonia; 2 in Nis, Serbia; 2 in Belgrade, Serbia, 1
in Leskovac, Serbia, 1 in Novi Sad, Serbia, 1 in Budapest, Hungary, 1 in Warsaw,
Poland. She has taken part in more than 200 group exhibitions, plein-air sessions
and art projects in Bulgaria and abroad.
Black Books Paper 20×40×80cm 2022

连卡·维尔赫莫娃
Lenka Vilhelmová
Czech 捷克
Untouched II Acrylic Oil on Canvas 170×150cm 2021
关注人作为个体及其在自然中的位置。她基于当前的情况以及地球的当前生
态、文化和社会状况，考察了个人之间的关系及其对他们移动或可能不移动
的空间的影响（未触动的一组作品，浮岛）。她意识到许多长久以来的羁绊
已经破裂，每个人都在寻找他脚下的一小块坚实的土地。她与空间变化带来
的各种更重要的意义慢慢重叠。抽象框架中的新兴人物和人脸在日常生活中
默默而响亮地询问现实的重要性。
Lenka Vilhelmová focuses on man as an individual and his place in nature. She is
based on the current situation and the current ecological and cultural and social state
of the planet and examines the relationships of individuals and their impact on the
space in which they move or, conversely, may not move (set of works Untouched,
Floating Islands). He realizes that many long-established bonds have broken, and
everyone is looking for a small piece of solid ground under his feet. She is slowly
overlapping with the various more important meanings that change in space brings.
Emerging figures and human faces in an abstract frame ask silently and yet loudly after
the importance of reality in everyday life.
Untouched II Acrylic Oil on Canvas 170×150cm 2021 Untouched II Acrylic Oil on Canvas 170×150cm 2021
林继昌
Lin Jichang
China 中国
Vision Ink on paper 70×90cm 2019
独立艺术家和诗人，生活工作在中国广州。
主要个展“再见”（韩国·首尔 2019）、浮世像（中国·广州 2014），代
表作品入展第 58 届威尼斯双年展、第 17、第 18 和 13 届 AAmA 国际艺术展，
摩洛哥国际动漫展、“夏至”中意法当代艺术家邀请展。
Lin Jichang, an independent artist and poet, lives in Guangzhou, China.

Solo exhibitions: 'See you' (South Korea·Seoul 2019); 'Statue of the Floating World'
(China·Guangzhou.2014).
Group exhibitions: In 2020,The 17th Asian-African & Mediterranean International
Art Exhibition ,Qingdao, China; In 2019, MY-58th Venice Biennale Zen Palace; In
2018, The 2nd Morocco International Comics, Morocco; In 2017, Partner—Beijing
Museum of Contemporary Art's 10th Anniversary Nomination Exhibition, Beijing,
China; In 2016, The 13th Asian-African & Mediterranean International Modern Art
Exhibition, Hangzhou, China; In 2016, Summer Solstice—China, Italy and France
Invitational Exhibition of Contemporary Artists Guangzhou, China.
Night Series No. 6 Ink on paper 38.5×53cm 2022

凌加春
Ling Jiachun
China 中国
1965 年生于中国嘉兴市，毕业于中国美术学院。中国国家一级美术师；嘉兴
美术馆馆长、嘉兴画院院长，浙江省版画家协会副主席。
作品展览在第 2 届中国美术作品展、第 10 届、14 届、15 届、16 届中国版画展、
浙江名家版画展；韩国第 5 届、第 10 届国际美术展；中国四城市版画名家展，
作品刊载在《艺术界》、《版画艺术》、《美术报》杂志。
Ling Jiachun Born in Jiaxing, China in 1965, graduated from China Academy of fine
arts. China national first-class artist; Director of Jiaxing Art Museum, President of
Jiaxing painting academy, vice chairman of Zhejiang printmaker Association.
His works were exhibited in the 2nd China Art Exhibition, the 10th, 14th, 15th and
16th China Printmaking Exhibition and Zhejiang masters Printmaking Exhibition;
The 5th and 10th international art exhibitions in Korea; The exhibition of famous
printmakers in four cities of China, whose works were published in the magazines of
art circles, printmaking art and art daily. Majiabang Archaeological Diary No.3 & No.5 Woodblock Prints 51×53cm
Majiabang Archaeological Diary No.3 & No.5 Woodblock Prints 51×53cm

洛田
Luo Tian
China/Germany 中国 / 德国
德国和葡萄牙生活和学习。她是一位新锐艺术家，动画、绘本和国际项目的
策展人。她毕业于德国 Walther-Rathenau Gymnasium Arts and Sciences School，
并就读于德国 Rupreght-Karls Universitat HEIDELBERG 和 Internationale
Hochschule Media Design Department，代表作品参加 2020 年第 17 届 AAmA
国际艺术展、第八届亚洲艺术展等。
Luo Tian lived and studied in Germany and Portugal. She is a cutting-edge artist,
curator of animation, picture books and international projects. She graduated from
Walther-Rathenau Gymnasium Arts and Sciences School in Germany, and studied at
Rupreght-Karls Universitat HEIDELBERG and Internationale Hochschule Media
Design Department in Germany. , and the representative works participated in the
2020 The AAmA International Art Exhibition, the 8th Asian Art Exhibition, etc.
Fairy Tale Series Digital Painting 2021 Fairy Tale Series Digital Painting 2021
楼海洋
Lou Haiyang
China 中国
1969 年出生于中国浙江，艺术家、策展人、杭州师范大学美术学院副教授，

2021 举办个人展览《蜿蜒的红：楼海洋的感官世界》（中国上海）, 代表作
品在中国和英国展出。
Lou Haiyang is an artist and curator. His native place is in the Dong Yang region of
China. He graduated from the China Academy of Art in 1995. Presently Lou Haiyang
is associate professor of Hangzhou Normal University and Master's degree advisor.
Solo Exhibitions: 2021 'The Sensual world of Lou Haiyang', Shanghai, China.
Group Exhibitions: 2020 '‘Thinking about the present', held in Xianzhao Temple,
Hang Zhou, China; 2019 'REACTOR': An exhibition of Rongyi international Art,
China; 2018 'Breathe'; Chinese &Western Contemporary Art, Ning Bo,China; 2017
'Width+Height+Depth', Chinese & German abstract art, Hang Zhou, China; 2016 'The
Free Way', Hang Zhou, China; 2016 'Visual Firecrackers', Peggy Jay Gallery, London.
Sensory World 04 Acrylic on canvas 450×200cm 2022

洛齐
Luo Qi
China 中国
任教中国美术学院 30 年，生活和工作在杭州、里斯本和米兰之间。他是一
位著名艺术家、学者、策展人，书法主义倡导者。佛罗伦萨国际艺术双年展“美
迪奇·洛伦佐奖”、泰国王子大学“国际艺术贡献奖”和欧洲 BITOLA“国
际当代艺术发展奖”获得者。他的书《是我》和《水墨戏剧》《书法主义文献》
获得年度中国最高荣誉奖，他出版了 30 本著作。AAmA 国际艺术展创建人，
如今由他主持的 AAmA 国际艺术展已有 13 年。
Luo Qi has been teaching in China Academy of fine arts for 30 years, living and
working between Hangzhou, Lisbon and Milan. He is a famous artist, scholar,
curator and the founder of the painting and calligraphy movement. In 2001, he
won the Florence Biennale Lorenzo award, The prince of Thailand University
International Art contribution award and The winner of the special award for
the Development of World Contemporary Art at the International Triennial of
Graphic Art Bitola-ITG Bitola. He is a scholar. His works "It's me" and "Ink
Drama" and "Calligraphic literature" have won the highest honor award in China.
He has published 30 books. He is the founder of Asia Africa Mediterranean
international art exhibition. Now he has hosted AAmA International Art
Exhibition for 13 years, Artists and their works from nearly 60 countries are
exhibited in different countries and cities.
Family-2 45×30cm photography 1999

玛丽亚·德拉维加
Maria de la Vega
Argentina 阿根廷
自 1996 年作品展览在西班牙的 La Peñ、加州伯克利艺术表演中心，比利时根

特线性艺术、波哥大国立大学艺术博物馆、哥伦比亚和阿根廷博物馆、拉普
拉塔美术馆、阿罗约斯美术馆、萨尔塔美术馆、特雷卢视觉美术馆和阿奎特
建筑博物馆。作品被布宜诺斯艾利斯建筑与设计博物馆收藏。
Her participation in salons, group and individual exhibitions since 1996 has led her
to be part of different art shows in art centers abroad, includingUkama, in Spain, La
Peña Art Performing Cultural Centre in Berkeley, California, Lineart Fair, in Ghent,
Belgium; in EXTRA- Museo de Arte de la Universidad Nacional, Bogotá, Colombia
and, and also in museums in Argentina, such as Museo de Artes "López Claro" in
Azul, Museo de Bellas Artes "Emilio Pettoruti" in La Plata, Museo de Bellas Artes de
Luján, Museo Catedral de La Plata, Museo de Bellas Artes de Tres Arroyos, Museo de
Bellas Artes de Salta, Museo de Artes Visuales de Trelew and Museo de Arquitectura
y Diseño de Buenos Aires. (MARQ). In 2019 her project "Refugios y Deseos" was
selected in the visual arts call of El cultural San Martin to open the exhibition season.
Her work is part of the collection of the MARQ - Museum of Architecture and
Design of Buenos Aires. Currently until February 2020 she is holding a solo exhibition
Tat Tvam Asi at DAIN Usina Cultural, curated by Miguel Ángel Giovanetti. Mutations of the spirit Series Acrylic on Canvas 14.6×20.4cm 2019
Oscillation Acrylic on Canvas 2022 Second Oscillation Acrylic on Canvas 2022

玛丽亚·詹内利
Maria Jannelli
Italy 意大利
自 70 年代末以来，她一直在意大利和国外的各种团体展览中出现，包括威
尼斯双年展意大利馆、米兰·迈梅里基金会展、1912-2012 意大利莱万托国
她与 Renato Galbusera 一起参加的 Banca Popolare di Lodi 天使之行展、
际木刻展，
第 16 届 AAmA 国际艺术展。
She has been present since the late seventies in various group exhibitions in Italy
and abroad. Solo exhibitions include the double solo shows with Renato Galbusera
at Villa Sacchi di Gemonio in 1995, at the Galleria Cortina in Milan in 1995, at
the Oratorio di S. Ambrogio in 2002, at 'Former Soave Hospital' in Codogno
again in 2002, at the Galleria Cappelletti in Milan in 2004 and at the Galleria
Montrasio in 2006. 2008 saw her work exhibited at Casa Italia in the context of
the Beijing Olympic Games; In December 2011 Janneli was exhibited at the Italian
Pavilion of the Venice Biennale. She is present in the exhibition project 'The pain
of other animals', Milan - Maimeri Foundation - and in 'The Italian xylography:
from the international woodcut exhibition in Levanto to today - 1912-2012' in
various exhibition venues; In 2016 she exhibited at the first 'Animal Festival' at
MACRO Testaccio - Rome in the exhibition 'Other animals' in various locations
in the province of Milan; In 2018 she presented her works at Spazio Solea, Ripe
(An) in the exhibition 'Del Real e delle favole'; In 2019, with Renato Galbusera,
she was invited to participate in the 16 AAmA (Asian, African & Mediterranean
International Art Exhibition) in China; In 2020 she exhibited with Renato Galbusera
in the 'Angel's Walk' at the Art space of the Banca Popolare di Lodi, where, in 2021
she participates in the 'Animalia' exhibition.
Dazzled under faded stars Mixed media on paper 150×150cm 2009 Of looks Mixed media on paper 180×140cm 2011
玛丽亚·福斯卡·罗塞利
Maria Fosca Rosselli
Italy 意大利
玛丽亚·福斯卡·罗塞利于 1954 年出生于卡拉拉，生活工作在卡拉拉和塞

尼加利亚之间，1990 年代至 2000 年代期间，他在雷焦卡拉布里亚的美术学院、
卡拉拉的美术学院任教，作品被收藏在公共和私人美术馆，1990 年至今参加
了重要团体展览和个展。
Maria Fosca Rosselli was born in Carrara in 1954. She lives and works between Carrara
and Senigallia. Between the 1990s and 2000s, he taught at the Academy of Fine Arts
in Reggio Calabria, at the Academy of Fine Arts in Carrara, and conducted painting
courses at the Liceo Scientifico in Carrara. She has frequented the artistic environment
of Pietrasanta and Florence since the 1980s. Maria Fosca Rosselli's works can be
Rosa
found in public and private national and international collections and her intense Acrylic and plaster on canvas
activity has led her to be present, from the 1990s until today, in important group and 40×100cm
solo exhibitions in Italy and abroad. 2018
Silence Acrylic and plaster on canvas 70×100cm 2020 Walking on Whites Acrylic and plaster on canvas 57×73cm 2022
玛丽亚·马雅·杜约维奇
Marija Maja Dujovic
Montenegro 黑山
生活和创作在黑山的波德戈里察，举办个人展览和 80 多个团体展览，如戈
尔尼·米兰诺瓦克双年展、第 18 届 AAmA 国际艺术展。
Marija Maja Dujovic, Born 1961. In Kotor, Montenegro.

Active since 1988. After that she become a member of three communities, had
solo exhibitions, and participated in more than 80 group exhibitions. Exhibits
across the region and throughout Montenegro. Participant in 'Bijenala minijature'
in Gornji Milanovac. She works with oil on canvas, acrylic on paper and canvas, ink
drawings and other media. Dujovic lives and creates in Podgorica, Montenegro, The
AAmA International Art Exhibition, China.
Spring copying 25×35cm Acrylic 2020 Roman 25×35cm Acrylic 2022

马丁·肯尼迪
Martin Kennedy
工作生活在英国和塞舌尔 , 伦敦艺术与设计教育协会前主席，塞舌尔国家艺
术委员会主席，塞舌尔双年展策展人。在塞舌尔国家美术馆举办个展 , 主要
著作《塞舌尔的艺术·过去与现在》，AAmA 学术委员会委员。
Martin Kennedy, b. 1955 London UK (Nationality - British/Seychelles, lives

in Seychelles. Currently working as a curator and art criticism writer as well as
creating art works– typically mixed media on canvas. Former Chairperson of
the London Association of Art & Design Education. Taught and lectured Art &
Design for 40 years in the UK and Seychelles. Currently Chairperson of Arterial
Network Seychelles and Chairperson of the Seychelles National Arts Council. Solo
exhibitions- National Gallery of Seychelles, 2000; Various group exhibitions – Eden
Art Space Gallery, Mahe, Seychelles, as well as other exhibition sopaces in Seychelles
and, previously, London Curator – Seychelles National Pavilion, Venice Biennale
57th and 58th editions; Curator – Seychelles Biennale 2020/21/22; Author – 'Art
In Seychelles, Then and Now' ; Author – 'Byenal Sesel' 2017; Author – 'The Million
Petalled Flower' MK work; Original work in various private collections, including
UK, Germany, Seychelles, France, USA and the Cayman Islands. Member of AAmA
Academic Committee
What Heaven Looks Like & Red Sea Smacked up

马丁·R·贝恩斯
Martin R. Baeyens
Belgium 比利时 Unprecedented networks 49 Acryl on multilayer basis 45×43cm 2021
比利时著名画家、平面艺术家和设计师。他在比利时和其他国家举办 128 场
个人展览，参加了（1168 场）全球团体展览，并获得了（182 场）国际奖项。
40 年来，他一直是英国皇家美术学院的教授，他活跃于比利时的弗朗斯·马
塞雷尔图形中心、美国卢伯克的德克萨斯理工大学以及中国、巴塞罗那、里
斯本、波兰、土耳其、北塞浦路斯等大学。
Active painter, graphic artist and designer.He released a long list of sole exhibitions
(128) in Belgium and other countries, he participated in (1168) group exhibitions
worldwide and was awarded for (182) international contests and exhibitions. Nature
is at the centre of his art work. He seeks for a balance between technology and
nature and uses therefore electronic circuit print plates. For 40 years he is professor
at the Royal Academy of Fine Arts ,University College Gent. As visiting lecturer
he was active at the Frans Masereel Centre for Graphic in Belgium, the Texas Tech
University in Lubbock USA and in several university’s in China, Turkey, North
Cyprus and Poland. For Erasmus (educational exchange project) he was invited to
the academies of Barcelona, Lisbon, Krakow and Limerick.
Unprecedented Networks G7- Back in Flanders 45×43cm 2021 Unprecedented Networks 13 Acryl on multilayer basis 45×43cm 2021
马特乌什·奥特雷巴
Mateusz Otręba
Poland 波兰
Anointed Mixed media on papier 50×70cm 2021
任职于克拉科夫 WG 美术学院，主要个展：克拉科夫艺术宫、美术之友协会、
罗兹市美术馆、斯德哥尔摩、波兰学院、图形和绘画的维度展览、外交官画廊、
Zielona Góra 大学艺术图书馆图形画廊，艺术学院适应展；克拉科夫，模仿，
一本书画廊，国际平面艺术三年展。
Mateusz Otręba, In the WG Academy of Fine Arts in Krakow. Solo exhibitions:

Cracow, Palace of Art, Society of Friends of Fine Arts; City Gallery of Art;
Stockholm, Polska Institutet; Iserlohn, Galerie Schulok, Germany; Warsaw,
Exhibition from the cycle Dimensions of Art, Cohesion, graphics and drawing,
Gallery at Diplomats, Ministry of Foreign Affairs; Zielona Góra, Drawings, Graphic
Gallery of the Art Library, University of Zielona Góra, Faculty of Arts,(Habilitation
exhibition); Cracow, Imitation, Gallery of One Book, Main Library of the
Academy of Fine Arts in Cracow, Exhibition of the Accompanying Programme -
International Graphic Arts Triennial.
Yellow fat Mixed media on papier 50×70cm 2019

迈克尔·里德
Michael Reed
New Zealand 新西兰
生活和工作在新西兰奥特阿罗阿的蒂怀普纳姆南岛的 Tautahi 基督城，版画

家，坎特伯雷 Ara 学院艺术与设计学院教授。印刷的多功能性使他有机会
以各种方式和混合材料进行创作，利用新旧媒体，包括传统的和非传统的，
在纸上创作作品，包括版画、装置、组合、手工书籍和纺织品印刷等形式
的实验。他参与了许多国内、国际的合作项目，并与坎特伯雷 Ara 学院艺
术与设计学院的学生合作，并在那里任教多年。
Michael Reed, MFA, was born in Ōtautahi/Christchurch, Te Waipounamu/South

Island, Aotearoa/New Zealand, where he continues to live and work.
The versatility of print provides him with the opportunity to mix materials and
old and new media in a variety of formats and scales, both traditional and non-
traditional. This has resulted in works on paper, along with further experimental
work in the form of medals, installations, assemblages, handmade books and textile
prints. Reed has also been involved in many collaborative print projects, nationally,
internationally and with students from the Art & Design School, Ara Institute of
Canterbury, where he taught for many years.
Iwi Tawhito O te Moana, Obverse and reverse faces 1999
Sweet Raro/Beach Life 330×810mm Screenprint, photograph and paint on paper 2005
米兰·克拉伊诺维奇
Milan Krajnović
Bosnia and Herzegovina 波黑
米兰·克拉伊诺维奇，波黑著名艺术家，巴尼亚卢卡艺术学院教授，荣获意
大利佩鲁贾多纳蒂双年展杰出荣誉奖、阿根廷圣菲展银奖、塞尔维亚贝尔格
莱德银奖等，作品展览在东欧及世界各地。
Milan Krajnovic, he's a famous artist in Bosnia and Herzegovina and professor of
Banja Luka Academy of art. He has won the outstanding honor award of Perugia
Donati Biennale in Italy, the silver award of Santa Fe exhibition in Argentina and the
silver award of Belgrade in Serbia. His works have been exhibited in Eastern Europe
and around the world.
From The Beginning

Linocut on PVC
70×60cm
2021
纳吉·达瓦
Mohamed Najib Bin Ahmad Dawa
Malaysia 马来西亚
生活和工作在吉隆坡，早年留学英国，曾任马来西亚艺术学院院长、马来西
亚大学设计学院院长、现任马来西亚国家美术馆馆长，从事油画、版画、织
染创作和研究，作品展览在东南亚及世界各地。
Mohamed Najib Dawa, Living and working in Kuala Lumpur, he studied in the UK
in his early years. He used to be the dean of the Malaysian Academy of art, the dean
of the school of design of the University of Malaysia, and now he is the curator of
the National Art Museum of Malaysia. He is engaged in oil painting, printmaking,
weaving and dyeing creation and research, and his works are exhibited in Southeast
Asia and around the world.
Mohamed Najib Dawa work Mohamed Najib Dawa work

莫妮克·范·哈斯特伦
Monique van Haasteren
Netherlands 荷兰
1965 年出生于莱顿，终生痴迷于巨石遗址。在鹿特丹艺术学院任教后拥
有自己的版画工作室，并开设课程和工作坊。自 1989 年以来在多个国家
举办过展览（包括个人展览和团体展览）如英国、爱尔兰、芬兰、美国、
德国、比利时和荷兰是她作品展出的一些国家。最近的展览是著名的 Print
International Wales 2021/2022，她是荷兰的唯一代表，代表作品收藏在阿姆斯
特丹国立博物馆。
Dutch printmaker Monique van Haasteren was born Leiden in 1965, has a lifelong
fascination with megalithic sites. After having worked as a teacher at her former
Art College in Rotterdam, she now has a her own printmaking studio from which
she runs courses and workshops. Having had exhibitions ( both solo and with
groups) in several countries since 1989, the list of shows is long. England, Ireland,
Finland, USA, Germany, Belgium and the Netherlands are some of the countries
where her work has been on show. The most recent exhibition was the prestigious
Print International Wales 2021/2022, where she was the sole representative of
the Netherlands. Her prints are in several collections; the most notable being the
famous Rijksmuseum in Amsterdam.
High Hill Fort colour etching 70×100 cm 2022 Reflections of the past colour etching 70×100 cm 2022
默马·罗亚纳
Muhammad Rojana
Thailand 泰国
穆罕默德·罗哈纳，原泰国宋卡王子大学美术馆馆长、泰国国际视觉艺术家
协会委员。荣获泰国国王授予的艺术爵士荣誉，主要个人展览在吉隆坡 Ella
Six 美术馆、泰国普吉岛卡拉、吉隆坡 TMS 美术馆、泰国宋卡艺术博物馆、
马来西亚槟城美术馆、马来西亚大学美术馆。入展历届 AAmA 艺术家。
Muhammad Rojan, the former director of the Art Museum of Prince Songkhla
University in Thailand, and a member of the International Visual Artists Association
of Thailand, won the honor of art jazz from the King of Thailand. Solo Exhibitions:
Solo Art Exhibition Greenland at Elle Six Art Gallery, Malaysia; Solo Art Exhibition
Moonlight at Kala Beach Resort & Spa, Thailand; Solo Art Exhibition Night Dream
at TMS Art Gallery, Malaysia; Solo Art Exhibition Moon Light at JW Marriott Hotel
Kuala Lumpur, Malaysia; Solo Art Exhibition Art Show my Life at Songkhla Culture,
Thailand; Solo Art Exhibition My Heart in the Moon at Island Gallery, Malaysia; Solo
Art Exhibition In the three elements of art at Muzium & Galeri Tuanku , Universiti
Sains Malaysia; Solo Art Exhibition Colors in nature at Penang State Art Gallery,
Malaysia. Group Exhibitions: ASEAN Art Exhibition 2020 at PSU Art Gallery, Prince
of Songkla University, Hat Yai, Thailand.
Muhammad Rojan work Muhammad Rojan work

娜塔莎·诺曼
Natasha Norman
South Africa 南非
Pond Skaters Japanese wa-tercolour woodblock print on washi paper 40×40cm 2021
生活工作在南非开普敦，代表作品展览在纽约布鲁克林卡瓦利画廊、开普敦
斯泰伦博斯画廊和旋转街画廊、塞万提斯学院、法国波尔多、比勒陀利亚艺
术协会、约翰内斯堡帕克赫斯特、开普敦旋转街画廊、非洲当代艺术博物、
开普敦 Salon91 画廊、开普敦 Michaelis 画廊、IMPACT 10 双年展，迷你双年展、
西班牙桑坦德、约翰内斯堡 2 号画廊、东京 CfSHE 画廊、开普敦艺术博览会。
Natasha Norman Lives and works in Cape Town, South Africa.

Between Worlds, Kentler International Drawing Space, Brooklyn, New York; Days
of Being Wild, Cavalli Gallery, Stellenbosch, Cape Town; LANDSCAPE, Spin
Street Gallery, Cape Town; Collection Mini Print Cantabria, La Mer et les Phares à
Bordeaux, Cervantes Institute, Bordeaux, France; At The Table, The Printing Girls
Cape Town, Spin Street Gallery, Cape Town; New Girls on the Block, The Printing
Girls, Association for the Arts, Pretoria; Positive Escape, The Printing Girls, Art
Room, Parkhurst, Johannesburg; Light from Dark, Spin Street Gallery, Cape Town;
Home is Where the Art is, Zeitz MOCAA, Museum of Contemporary Arts Africa.
2019 Regarding Winter, Salon91 Gallery, Cape Town; The Distance from Afar,
Group exhibition at Glen Carlou wine estate in association with Salon91 Gallery;
Conversations, Michaelis Galleries, Cape Town; Cape Town Art Fair, Salon91 Gallery
Booth; IMPACT 10 Biennial, Bienal Mini Print: El Mar y los Faros, Eduardo Sanz
Collection, Santander, Spain; Nano 1.2. Barnard Gallery, Cape Town; Endless, 4
women exhibition, Salon 91 Gallery, Cape Town; ‘SEE ART: Contemporary Abstract’
at Gallery 2, Johannesburg. Curated by Derek Zeitsman; ‘February Edition’ at CfSHE
Gallery, Tokyo; Cape Town Art Fair, SA Print Gallery Booth; MI-LAB AIR Program
Participants Exhibition: Artists from Advanced Program at CfSHE Gallery, Tokyo;
Field, group exhibition.
Roadside Rivulet After Heavy Rains Wood-based lithographic and woodcut print 48×64cm 2021
尼古拉·帕帕夫蒂米乌
Nicole Papaefthimiou
Greece 希腊
生活工作在希腊雅典，并在德国杜塞尔多夫大学攻读研究生。曾被授予“希
腊 2021 年艺术大使”国际奖。参加了世界各地的许多群展，最近的如：第
十三届佛罗伦萨双年展、第三届印度双年展、Artbox Project World 在苏黎世、
纽约和迈阿密、佛罗伦萨贝里尼博物馆、罗马 Spazio 40 画廊、AIAPI 联合国
教科文组织人权组织“妇女可以拯救世界”、意大利罗韦雷托坎帕纳德卡杜
蒂基金会歌剧院、梵蒂冈城坎塞勒里亚宫、纽约“Linked INNYC- 世界女性”、
罗马 Galleria La Pigna 和罗马 Galleria Ess&rrE。她还在希腊和世界各地多个艺
术机构展示她的作品。
Nicole is an artist living and working in Athens, Greece. She has been awarded the
International Prize “Ambassador of Art 2021 of Greece”. She has participated
in many group exhibitions around the world, among which the most recent are:
Florence Biennale XIII (2021), third international watercolour society India Biennale
(2022), Artbox Project World (Zurich, New York, Miami, 2018-2021), Museum
Bellini (Florence, 2019), Galleria Spazio 40 (Rome, 2020), AIAPI UNESCO Human
Rights “Women Can Save The World” (2020), Fondazione Opera Campana dei
Caduti (Rovereto, Italy, 2020), Palazzo della Cancelleria (Vatican City, 2020), “Linked
INNYC - Women of the World” (New York, 2021), Galleria La Pigna (Rome, 2021),
and Galleria Ess&rrE (Rome, 2021). She has also shown her artworks in several solo
exhibitions in Greece and abroad.
No gap Acrylic on canvas 100×120cm 2022 Paradise Acrylic on paper 70×100cm 2021
尼库·古莱里亚
Niku Guleria
India 印度
印度阿加尔塔拉美术学院担任美术讲师及孟加拉语教授。2013、2016、2020
年在新德里举办个人展览。2016 至 2020 年参加拉贾斯坦邦政府组织的“国
际女性艺术营”、国际会议等。曾荣获 Art Book“最佳艺术家”。
Niku Guleria, Solo Shows:"The Struggle is on" at Shridharani Art gallery, New
Delhi, 2016; “Comfort Zone” at Lalit Kala Akademi, New Delhi, 2013; International
Online solo art exhibitions organised by Art Family India Dec 2020.
Art Camps and workshops:"International Women,s Art Camp" Organised by
Jawahar Kala Kendra Jaipur, Govt of Rajasthan in March 2020; "Vigyan Kala
Parv" Art camp organised by Ministry Of Science and Technology in March
2017; "Kala Sadhak Sangam" Workshop sponsored by Haryana Kala Parishad
and Sanskar Bharti in 2016; Art camp “Nai Umeed” . Awards and Recognition:
Selected as "Best Artist".
Sophia & Laika Oil on Canvas 35×50cm 2021 Niku Guleria Mixed Media 48×36cm 2020 Existential Crisis Mixed Media 30×40cm 2021
奥尔特森·格里普希
Oltsen Gripshi
Albania 阿尔巴尼亚
阿尔巴尼亚艺术史博士，艺术家、大学讲师、散文家、当代艺术策展人、历
史学家和艺术评论家。从 2009 年到 2010 年，他在意大利维罗纳国家图书馆
工作，Durrës “Aleksander Moisiu” 大学艺术和考古学史、阿尔巴尼亚经济史的
外部讲师，也是 Durrës 地区教育、艺术和文化（博物馆、文化遗产和考古公园）
的专家。他的艺术创作涉及各种媒体，如布上绘画、视频艺术、装置和摄影。
Ph. D. OLTSEN GRIPSHI, was born in Durrës (Albania) on August 10th, 1984.
He is an artist, lecturer, essayist, curator of contemporary art, historian and art
critic. He mastered the Master Degree Post Lauream, at the Faculty of Educational
Sciences at State University of Padua, Italy. The II Degree in Specialisation School
(Laurea Doctus) , at the Academy of Fine Arts G. B. Cignaroli of Verona, Italy.
Ph. D. (Philosophiae Doctor) he is very well graduated , at the Institute of Cultural
Anthropology Studies on Art at the Academy of Albanological Studies (ASA)
Tirana, Albania.
Ph.D. Oltsen Gripshi is the author of many monographs on the history and
philosophy of art. He is also a Art Historian of ICOM (International Council
of Museums) Paris, France, Art Critic on Aica (International Association of Art
Critics) Paris, France, academic researcher Interpret Europe (European Association
for Cultural Heritage Interpretation) Cologne, Germany, member of the Scientific
Board of the Academy of Art, Science, Letters and Mirdita Journal and curator at
the MuZEH Lab, Durrës, Albania.
Time device 2021 Time device 2021

奥斯卡·瓦罗纳
Óscar Varona
Spain 西班牙
1973 年出生于马德里 , 作家、拼贴艺术家。深受越界叙事风格和超现实主

义的影响。2003 年出版第一本故事书《颤音》，2020 年出版第一部小说《人
工夜曲》。在家乡举办过多次展览，并在各地的各种杂志上发表了他的拼贴
画、短篇小说和诗歌。
Óscar Varona, Born in Madrid in 1973. Writer, collagist . Heavily influenced by

transgressive narrative styles and surrealism. He published his first book of stories,
“Tremolo”, in 2003 and his first novel, “Nocturna artificialia”, in 2020. He has held
numerous exhibitions in his hometown and has published his collages and short
stories and poems in various magazines around the world.
Carried away Digital 30×40cm 2022 The waking of Jane Digital 30×40cm 2022
奥维迪乌·佩特卡
Ovidiu Petca
Romania 罗马尼亚
奥维迪乌·佩卡，罗马尼亚著名艺术家，国际图形双年展主席、Cluj 国际版
画双年展、年度国际版画展览创办人、国际版画委员会委员，参与 80 个国
家大型国际展览。
Ovidiu Petca , Since 1987, he has participated in many national and international
biennials, triennials graphic, poster, mail art and bookplate exhibitions. Editor of
the magazine “Tribuna”, where he works since 1990. President of “Foundation
International Graphic Biennial-Cluj”. Organizer of “Cluj International Mini-
Print Biennial” 1997-2005. Organizer of “Tribuna Graphic” annual international
printmaking exhibitions since 2010. One-man exhibitions in Poland, Japan, Hungary,
Greece and Romania. Major international exhibitions 80 countries. Comissioner
for Global Print 2015/2017/2019, Biennial Douro 2016/2018/2020, Portugal and
Paese MiniPrint 2019, Italy.
The light of lament XLVI Digitalar 66×94cm 2020

潘多拉·阿波斯托洛斯卡·萨兹多夫斯卡
Pandora Apostoloska Sazdovska
1975 年出生于马其顿泰托沃，现生活工作在斯科普里 , 视觉艺术家、活动家

和研究员。作品曾在当代艺术博物馆和画廊展出，包括阿联酋阿布扎比当代
艺术中心、马其顿摩卡当代艺术博物馆、日内瓦国家美术馆、印度卡拉克谢
特拉国家博物馆、约旦安曼艺术与设计大学、法国乌辛乌托皮克当代艺术中
心、中国西安国家博物馆、卡塔尔多哈阿斯马克艺术基金会、西班牙梅卡阿
尔梅里亚当代艺术中心、摩洛哥当代艺术中心、第 58 届意大利威尼斯双年展、
第 14 届威尼斯建筑双年展，2014 年在法国巴黎获得了欧洲文化国会奖，作
品被政府机构、大使馆、博物馆和画廊收藏。她是非政府组织“KVADRAT”
的创始人和艺术总监。
Pandora Apostoloska Sazdovska, Born in 1975 in Tetovo, Macedonia. She is a

visual artist, activist and researcher, Her work has been featured in the museums
and galleries for contemporary art, including the Center for Contemporary art Art
Hub in Abu Dhabi, UAE, MOCA Museum for Contemporary art in Macedonia,
National Gallery Geneva, Switzerland, Mark Rothko Art Center in Latvia, Heydar
Aliyev Foundation Baku, Azerbaijan, Kalakshetra National Museum in India,
University of Arts and Design in Amman, Jordan, Usine Utopik Centre de
Création Contemporaine in Normandy, France, National Museum in Xi’an, China,
Contemporary Art Center Morocco,58 Biennale di Venezia at Centro Culturale Don
Orione Artigianelli in Italy ,14 Biennale di Venezia di Architettura Palacio Albrizi in
Italy and other venues. For her practice, she has been rewarded by European Capitol
of Culture UMEA in 2014 in Paris, France.
Silence Installation
珀西·库塔
Percy Kuta
Zimbabwe 津巴布韦
生活工作在津巴布韦，2002 年开始使用自制工具进行雕刻。我家周围都是
小山丘，我们可以在这里找到像滑石、水果蛇纹石、蛋白石等原材料。我曾
经很欣赏已故的 Bernard Matemera、Tapiwa Gorerino、Jack Johnas 和 Brighton
Sango 的作品，我和他们住在同一个家乡，他们的作品启发了我。
Percy Kuta, Born in Mvurwi Zimbabwe. In art Percy was much inspired by nature
ever since his childhood when he admired the changing shapes and movement of
clouds, shadows of trees, water flowing in the rivers, the formation of stars in the
sky forming galaxies, and smoke oozing out of hollow fire wood used for cooking
food. My home area is surrounded by small hills where we could find raw materials
like soapstone, fruit serpentine, Opal etc.I used to admire the work of the late
Bernard Matemera, Tapiwa Gorerino, Jack Johnas and Brighton Sango with whom I
share the same home village and they inspired me with their works.
The Embrace of the Sea with Abundance Sculpture

彼得·奥古斯托维奇
Peter Augustovic
Slovakia 斯洛伐克
彼得·奥古斯托维奇，斯洛伐克著名艺术家 , 任教于阿尔宾·布鲁诺夫
斯克大学。1959 年出生于斯洛伐克的特尔纳瓦。自 2013 年起担任 Albin
Brunovsky 大学美术学院平面系教授，作品展览在欧洲及世界各地，包括中国。
他最喜欢的艺术品是绘画和版画。
Peter Augustovič, famous Slovak artist who teaches at Albin brunovsky university.
Born in telnava, Slovakia in 1959. Albin brunovsk since 2013 Professor of the
Department of graphic arts, College of fine arts, University. His works are exhibited
in Europe and all over the world, including China. His favorite works of art are
painting and printmaking.
Patented 001 CGD 70×100 cm 2022

菲利普·基塔里尼
Philippe Chitarrini
France 法国
1966 年出生于法国南部 , 现任教在中国美术学院，个人及团体展览讲座活动

策展人，从事公共艺术创意与研究。AAmA 国际展委员。
Born in 1966, lives and works in the south of France.

Artist/Teacher at E-Art Campus - China Academy of Art (CAA), Hangzhou, China.
Personal and group exhibitions Lectures on my activity Exhibition curator Creative
residencies/Public orders/Theoretical teaching and Workshops Research travels.
2020 With Callum Innes and Andras Gàl, Wilhelm Morgner Raum Schroth Museum,
Soest, Germany Solo show, IGDA2.0 Gallery, Caen.
2019 L'art en Chapelle, Downright red, Priory Chapel, Nîmes; 2018 Matt/Vertical,
E-Art Espace Gallery, Hangzhou, China; 2017 Dialogue with Christophe Cuzin,
Marcel Pagnol Cultural Center, Fos-sur- Mer; 2016 Parcours de l'Art, Saint Louis
Cloister, Avignon; 2015 Solo show, West Provence Contemporary Art Center, Istres;
2014 Installation of 3 permanent sculptures in public space, Valaurie; 2013 Solo show,
Martagon Gallery, Malaucène; 2012 l'Art Contemporain , solo show, Vip Art Gallery,
Marseille; 2010 With Olivier Mosset, Contemporary Art Center, St-Restitut.
Untitled (windows) - Triptych 70 ×139 cm digital photography on dibond 2022

皮科·罗马尼奥利
Pico Romagnoli
Italy 意大利
1952 年生，生活和工作在米兰和塞尼加利亚，1989 年参加米兰艺术家乔瓦

尼·布兰迪诺的雕塑工作室，1990 年，罗马尼奥利在卡拉拉著名的尼科利艺
术工作室中与大理石相遇。2000 年定居塞尼加利亚，致力于金属丝网雕塑的
创作。作品可以在公共和私人的国家和国际收藏中找到，从 1990 年代到现在，
他的激烈活动使他出现在意大利和国外的重要集体和个人展览中。
Pico Romagnoli was born in Senigallia in 1952, where he lives and works. After
graduating in Philosophy from the University of Urbino, he moved to Milan and, in
1974, while at the same time embarking on the study and research of the visual arts,
particularly sculpture. In 1989, he attended the Sculpture Workshop of artist Giovanni
Blandino in Milan, while, in 1990, Romagnoli's encounter with marble took place in
Carrara, in the prestigious Nicoli Artistic Workshops. In 2000, he settled in Senigallia
and dedicated himself to the creation of wire mesh sculptures. Pico Romagnoli's
works can be found in public and private national and international collections, and
his intense activity has led him to be present, from the 1990s to the present day, in
important collective and personal exhibitions in Italy and abroad.
Le Moire iron, mesh, metal chairs 450×170×110cm 2019

彼得·潘迪拉
Piotr Pandyra
Poland 波兰
他的作品多次在国内外展出，并获得了包括法国大奖、10 项国际艺术品、法
国当代纺织艺术博览会和 The Prof 在内的多个奖项、Irena Huml 奖，2018 年
波兰第十届国际亚麻布艺双年展，作品被以下机构收藏：美国华盛顿大学和
波兰克罗斯诺工艺博物馆。
Piotr Pandyra repeatedly exhibited his works at home and abroad, and has received
several awards, including the Prix France Patchwork,10 International Artextures,
Exposition d’Art textile Contemporain, France and THE PROF. IRENA HUML
AWARD, 10th International Artistic Linen Cloth Biennial 2018, Poland. Works in
the collections of: The Special Collections Book Arts and Rare Book Collection,
University of Washington, USA and Museum of Crafts in Krosno, Poland.
Pink Dreams and Grey-Blue Horizons Paper, thread, printing embroidery 33×48×11cm 2020
普拉亚克·苏潘蒂
Prajak Supantee
Thailand 泰国
生活和工作在泰国孔敬，孔敬大学美术与应用艺术学院讲师。
作品展览在泰国文化博物馆、意大利佛罗伦萨、中国、马来西亚、印度、韩国。
Prajak Supantee, Born in Surat Thani, Thailand.

Art Lecturer. Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen,
Thailand; Prajak Supantee, H.R.H. Princess Sirindhorn Art Gallery, Nakhon Pathom,
Thailand; House, Body and Memory, H.R.H. Princess Sirindhorn Art Gallery, Nakhon
Pathom, Thailand 2014 - Prajak Supantee, Gallery Seescape, Chiang Mai, Thailand;
Prajak Supantee, Art and Culture Museum, Khon Kaen University, Khon Kaen,
Thailand; Mostra di Scultura, Associazione Socio Culturale D.E.A. Firenze, Italy;
The 15th Internationnal Art Festival 2020, Poh – Chang Academy of Arts, Bangkok,
Thailand ; “People’s voice” Wharf No.14, Lhong 1919, Bangkok, Thailand.
Golden fist 90×65×65 cm Brass, hand truck 2014

拉贝里韦洛·迪纳
Rabearivelo Dina
Madagascar 马达加斯加
作为一名视觉艺术家，拉贝里韦洛·迪纳通过文字和视觉的结合，以及他的
绘画和报纸上的混合媒体来表达自己。他已经使用这种媒介大约十年了，但
正是在个人展览中，“书面视觉婚姻”的概念才得以公开亮相（2018 年和
2019 年）。然后，在 2021，在法国联盟举办展览，并与费诺萨·扎菲马霍
娃合作。他曾参加 2017-2021 法国印度洋艺术双年展。
Rabearivelo Dina As a visual artist, Rabearivelo Dina expresses himself through

a marriage of the written and the visual with his painting and mixed media on
newspaper. He has been using this medium for about ten years, but it is with solo
exhibitions that the concept of "Written-Visual Marriage" is publicly unveiled
(2018 and 2019). Then, in 2021, "Zoom sur la Femme" at the Alliance Française
and a "Publication: artistic plea to educate differently" in duo with Fenosoa
ZAFIMAHOVA. He was exhibited at the 5-4 and 3rd Biennale of Indian Ocean
Arts (2017-2019-2021), at 59 RIVOLI, France (2019).
Dina Rabearivelo Notes

拉多斯拉瓦·赫拉博夫斯卡
Radoslava Hrabovská
Slovakia 斯洛伐克
生活是她的创作灵感来源。通过艺术作品，讲述艺术故事，她使用各种艺术
技术和材料进行实验。她曾参加过欧洲、美洲、亚洲的展览，并以纺织品、
图形、绘画为重点，擅长绘画、素描、图形、纺织品和插图，以及陶瓷。绘
图和图形占主导地位。
Radoslava Hrabovská is a Slovak art artist . life is a source of inspiration for her.
Through his artwork, he tells art stories. It uses different design techniques and
materials. She's experimenting. He experiments with the drawing, the graph he puts in
the glass, the tissue on the ovens, he goes into the graph with the height pressure and
so on. Transfers from 2D to 3D objects.exhibition was held in Europe, America, Asia, Book of life
residence in textiles, graphics, paintings. Device
I Take Home With Me Woodcut on used tea bags 2022 In the cube family album 2019-2022
拉斐尔·罗梅洛
Rafael Romero
Spain 西班牙
1967 年生于巴达洛纳，现为巴塞罗那大学美术学院教授，西班牙著名画家。
AAmA 国际展委员。
Rafael Romero. b. Badalona (Spain), 1967.

Plastic artist. Professor at the Faculty of Fine Arts. University of Barcelona.
2016 Imaginarium. La Cerverina d'Art Gallery. Cervera (Spain); 2017 Tijes Prestades.
Museum of the History of Immigration of Catalonia, Sant adrià de Besòs (Spain);
2018 Navigare. Jaume Fuster Library. Barcelona, Spain); 2019 Navigare. Enric
Monjo Museum, Vilassar de Mar (Spain); 2020 Sol Luce Omnibus. Ducal Palace
of Medinaceli, Medinaceli (Spain); 2021 Paintings by Rafael Romero. Arteasdiscar
Gallery. Malaga (Spain); 2021 Paintings by Rafael Romero, Agape Caldetes. Caldes
d'Estrach (Spain).
Big FISH 220×220cm

Metallic and acrylic ink on sulfated paper
2022
拉明·纳菲科夫
Ramin Nafikov
Tatarstan 鞑靼斯坦
我在东方国家的鞑靼斯坦出生和长大，在欧洲接受了高等教育。我的艺术是
东方精神和欧洲艺术流派的综合体。我想在我的画中找到东西方的和谐。
2010 至 2021 年主要个展：喀山哈雷戴维森画廊、圣彼得堡 Erarta 博物馆、
喀山第一画廊、维也纳 am Roten Hof 画廊、丹麦 galleri TORNBY、莫斯科 A3
画廊、因斯布鲁克 BK 画廊、里加 Antonija 画廊、喀山鞑靼斯坦国家美术馆。
Ramin Nafikov was born and raised in Tatarstan in an eastern country.

I received my higher art education in Europe. My art is a synthesis of Eastern
mentality and European art school. I want to find harmony between east and west
in my paintings. 2010-2021 Solo exhibitions: “1st gallry lounge”, Kazan Harley
Davidson gallery, Kazan “Inner Bulgaria”, Erarta museum, S.Peterburg “1st gallery
launge”, Kazan Gallery “am Roten Hof ”, Vienna “galleri TORNBY”, Denmark
Gallery “A3”, Moscow Gallery “BK”, Innsbruck A performance at the gallery
"Intrigue", Riga Gallery《am Roten Hof》, Vienna Gallery《Antonija》, Riga The
State Museum of Fine Arts of Tatarstan, Kazan.
XXX acrylic&oil on canvas 110×153cm 2019 XXX acrylic&oil on canvas 100×140cm 2021 XXX acrylic&oil on canvas 62×95cm 2021 XXX oil on canvas 151×184cm 2021
拉菲奇·法蒂·艾哈迈德·拉扎兹
Refki Fathy Ahmed ElRazzaz
Egypt 埃及
1958 年生于埃及 AlDaqahlia。埃及最高文化委员会美术委员会前成员及最高

文化委员会展览和提名委员会前成员。埃及和约旦许多设计中心和出版社公
司创意总监和技术顾问。主要个展在安曼皇家文化中心、安曼 Shoman 科学
研究中心、开罗扎马雷克艺术中心、开罗歌剧院美术厅、开罗歌剧院哈纳格
中心大厅、埃及国际文化合作中心、尼罗河希尔顿酒店。
Refki ElRazzaz, Born in 1958 Egypt Delta. Member of Egyptian Syndicate of Fine
Artists,Member of Cairo Atelier Association, Former member of the committee of
fine arts at Egypt Supreme Council Of Culture,Former Member of the committee
of exhibitions and nominations at Egypt Supreme Council Of Culture.Creative
director and Technical advisor for many companies, design centers and publishing
houses in Egypt and Jordan. Solo Exhibitions: Hall of Gauguin, Cairo; AlJazira
Art Center, Cairo; Ubuntu Art Gallery, Cairo; AlBab Hall, Cairo Opera House;
AlMashrabia Art Gallery, Cairo; CLEG Art Gallery, Cairo.
Abstract Oil Colors On Wood 180×180cm 2021 Steadfastness Oil Colors On Wood 100×100cm 2021
Renato Galbusera
Italy 意大利
意大利重要艺术家之一、一些重要艺术项目的策展人，米兰布雷拉美术学院
教授，系主任，许多荣誉的获得者。AAmA 国际展委员。
Lectures at the Brera Academy of Fine Arts where he holds the Chair of Painting.
Since the end of the 1970s he has participated in various exhibitions in Italy and
abroad, among which various appearances at the Biennale Città di Milano organized
by the Society for Fine Arts and Permanent Exhibition in 1984, 1987, 1989, are
worthy of mention. At the 1994 edition his work was recognized by an award. In
1992 he was invited to the Sette Artisti exhibition.
From the beginning of the 2000s his interest in Public Art and in particular in
muralism in the works of artists such as Siqueiros, Rivera, Orozco and Sironi has
been accentuated. This particular interest is expressed in the realization of mural
works (Atri, Calcio) and large-format works on different supports. In 2017 one of
his works was placed in the collection of the Boschi Di Stefano House Museum -
Milan, as part of the "Renato Galbusera visits Mario Sironi" event.
In 2019, the Brera Academy presented the exhibition 'Metterci la testa', works from
1969 to 2019 in the space of the Library, curated by Claudio Cerritelli. In the same
year he was invited to participate in the MACRO/ASILO project in Rome and with
Maria Jannelli at the 16 AAmA International Art Exhibition in China.
In 2020 he exhibited with Alberto Lagomaggiore and Davide Mesfun in the
exhibition 'Tempo suspended' at the Casa della Memoria, in Milan. In the same
year, at the Floriano Bodini Civic Museum in Gemonio (Va) and with Maria
Jannelli, he participated in the exhibition 'The path of the angel' at the Spazio
BIPIELLE Arte in Lodi.
The nightmare Acrylic on paper 150×200cm 1982

Tatsebao Acrylic on board 200×150cm 2021 Maria guards Acrylic on paper 150×150cm 1980
罗伯特·德·戈德
Robbert de Goede
Netherlands 荷兰
1969 年出生于阿姆斯特丹，室内建筑师，工作的主题是研究封闭体量中的人
类行为。中心主题是时间、速度、运动、光线以及冥想。曾获得多个国际建
筑奖项。所有的艺术都起源于室内建筑。不妥协的工作的冲动是在太空操纵
领域进行研究的强大动力。创作的作品具有非常冥想的品质，可以让观众以
非评判的方式深入自己。艺术家的目标是让每个观众都能接受和学习一些个
人的东西。
Robbert De Goede, Born in Amsterdam in 1969. Originally educated as an interior

architect, the main theme in my work is the study of human behaviour in enclosed
volumes. Has won multiple international architecture awards.Central themes are
time, speed, movement, light as well as meditation.All my art has its origin in interior
architecture. The urge to make uncompromised work is a strong drive in doing
research in the field of space-manipulation. Works created own a very meditative
quality and will allow the viewers to go deep within themselves in a non-judging way.
The artists goal is for each individual viewer to take and learn something personal.
After starting out making smaller works the studio is now focussing on bigger,
submersive installationworks.
Rolin' Figure MDF, polyester wire, acylic paint, museun glass 100×100×12cm 2021 Portal-3 MDF, polyester wire, acylic paint, museun glass 40×40×12cm 2021
鲁道夫·拉波尔塔
Rodolfo La Porta
Italy 意大利
1953 年出生于威尼斯。他毕业于威尼斯 IUAV 的建筑专业并担任教师。他的

创作生涯始于家具和设计领域，还合作筹备了威尼斯艺术双年展的多个展览。
2003 年，他还作为艺术家参加了第 50 届威尼斯艺术双年展和京都双年展的
大脑学院公寓“Extra50”，2019 年在千叶·东京历史公园博物馆举办的“第
19 届绳纹艺术展在船桥”。鲁道夫·拉波尔塔的艺术生涯以不断发展和开拓
绘画、摄影、雕塑、装置和建筑干预领域为标志，并融合了抽象、社会、概
念和极简主义艺术。自 1980 年代以来，他开始进行纯粹的艺术研究，在意大利、
法国、斯洛伐克、日本、萨拉热窝、洛杉矶等地的公共和私人空间展出。
Rodolfo La Porta was born in Venice in 1953. He graduated in Architecture at the

IUAV in Venice and worked as a teacher. His creative career began in the field of
furniture and design, also collaborating in the preparation of several exhibitions for
the Venice Art Biennale. In 2003, he also partecipated as an artist in Brain Academy
Apartment “Extra50” at the 50th Venice Art Biennale and at the Kyoto Biennale, in
2019 "19th Jomon Art Exhibition in Funabashi" at Historic Park Museum in Chiba-
Tokyo. Rodolfo La Porta's artistic career is marked by a continuous development
and opening into the territories of painting, photography, sculpture, installations
and architectural interventions, and mixes abstract, social, conceptual and minimalist
art. Since the 1980s he has approached pure artistic research, exhibiting in public
and private spaces in Italy, France, Slovakia, Japan, Sarajevo, Los Angeles and more.
1-3-2018 Pastel on paper 20×20cm 2018 2-3-2018 Pastel on paper 20×20cm 2018
萨曼塔·克里维克
Samanta Krivec
斯洛文尼亚摄影师，群展：“黑白艺术”光合作用画廊，保加利亚；黑白艺
术 MIA 摄影展，Piazza Lina Bo Bardi，米兰；街头摄影 , 西班牙；“人与地
方”Studio Galerie B&B，巴黎；GuruShots 展，Espaço Espelho D'agua 画廊，
葡萄牙；“关于我”Space Millepiani，罗马；“人与冬天”空白墙画廊，希腊；
斯洛文尼亚摄影 , 马其顿国家美术馆。
Samanta Krivec, a self taught photographer from Rogaška Slatina - Slovenia.

Group exhibition: Art of Black & White - Photosynthesis Gallery, Sofia, Bulgaria;
The art of B&W - MIA Photo Fair, Piazza Lina Bo Bardi, Milano, Italy; Street
photography - Valid World Hall, Barcelona, Spain; People and places -Studio Galerie
B&B, Paris, France; GuruShots Exhibition (Single subject) - Espaço Espelho
D'agua Gallery, Lisbon, Portugal; About me - Space Millepiani, Rome,Italy; People
& Winter - Blank wall gallery, Athens, Greece; Slovenian photography - National
Gallery of Macedonia.
Survivors
萨米尔·饶
Sameer Rao
India 印度
Untitled Woodcut on Cotton cloth 76×76cm 2021
2020 年波兰罗兹第 17 届三年展、“百老汇”国际在线群展；2017 年第 16

届小幅版画三年展、2016 孟加拉国国际艺术营，2011 意大利锡耶纳艺术学院，
主要个展在卡纳塔克邦政府卡纳达、Siddalinga 美术协会、班加罗尔文卡塔帕
艺术画廊。
SAMEER Rao, International Exhibitions: 16-17th Triennial of Small Graphic Printa

Lodz, Poland; ‘Broadway’, International Online Group Exhibition; International
Print Exchange Program; Crack International Art camp; Drawing Connections,
Siena Art Institute Italy. Solo Exhibitions: Exhibition of Woodblock Prints, solo
exhibition of Woodblock prints (supported by Department of Kannada & Culture,
Government of Karnataka) & Printmaking Workshop at Bijapura Art Gallery,
Siddalinga Fine Art Society, Vijayapura; Soliloquy, Solo exhibition of Woodblock
prints, supported by Department of Kannada & Culture, Government of
Karnataka, Venkatappa Art Gallery, Bangalore.
Untitled Woodcut on Cotton cloth 76×76cm 2021 Untitled Woodcut on Cotton cloth 76×76cm 2021
桑德拉·利马·席尔瓦
Sandra Lima e Silva
Brazil 巴西
1961 年出生于巴西，参与众多国内和国际展览，如意大利威尼斯展、第九届
北京国际艺术双年展、美洲双年展等，作品被中国美术馆、东京多摩艺术大
学博物馆等收藏。
Sandra Lima e Silva, Born in Brazil in 1961, he participated in many domestic and
international exhibitions, such as the Venice exhibition in Italy, the 9th Beijing
International Art Biennale, the American Biennale, etc. his works were collected by
the China Art Museum and the Museum of Tama University of art in Tokyo.
Let's celebrate, we are , once again Pangeia! Acrylic on canvas 80×120×4cm 2020
桑德罗·布拉奇塔
Sandro Bracchitta
Italy 意大利
主要个展：意大利 Quadrifoglio 画廊；1997–2017 意大利阿尔皮诺、罗马尼

亚皮格马利翁画廊、意大利莫迪卡 / 索拉 / 拉古萨、捷克 Craved Miracles 博物馆、
意大利 Chiesa di San Michele。群展包括意大利第 54 届威尼斯双年展、西班牙
C.I.E.C. 基金会巡展等。
Sandro Bracchitta, The interest in his works has strengthen during the years and
this led to the inclusion in many private collections, as the Finnish Muotka, and in
the ones of important museum institutions as the Uffizi in Florence ( at the Prints
and Drawings Department) that displays the work Contenitori Ciclici , winner of
the 1st Giuseppe Maestri Print Biennial assigned at the Museo delle Cappuccine
in Bagnacavallo (Ra).Group Exhibitions: Italian-Irish Connection, Garter Lane
Art Center, Waterford, Ireland; Italia - Cina, 54th Venice International Biennial
of Art, Pavilion Italy / Sicily, curated by V. Sgarbi, Galleria Civica Montevergini,
Syracuse (Sicily).
Tutto Scivola Pigments and acrylic on canvas 29×177cm 2012

萨绍·萨兹多夫斯基
Sasho Sazdovski
1976 年出生于马其顿斯科普里，雕塑家、斯科普里大学教授，作品曾在当代
艺术博物馆和画廊展出，包括阿联酋阿布扎比当代艺术中心、14 届威尼斯建
筑双年展、第 58 届威尼斯双年展。他创作生涯中最重要的部分是在公共空间
实现纪念性雕塑。他在阿根廷、阿曼、卡塔尔、阿塞拜疆、阿联酋斯洛文尼亚、
土耳其、科索沃、波斯尼亚、塞尔维亚、黑山、拉脱维亚、俄罗斯、意大利、
奥地利、德国、丹麦、捷克共和国、葡萄牙和马其顿实现了 20 多件公共雕塑。
Sasho Sazdovski was born 1976 in Skopje, Macedonia He is a sculptor and

researcher. His work has been featured in the museums and galleries for
contemporary art including the Center for Contemporary art in Abu Dhabi UAE,
Mark Rothko Art Center in Latvia, Heydar Aliyev Foundation Baku, Azerbaijan,
Kalakshetra National Museum in India, Al Asmakh Art Foundation, Doha Qatar,
Center for Contemporary art MECA Almeria Spain, 58 Biennale di Venezia
at Centro Culturale Don Orione Artigianelli in Italy, 14 Biennale di Venezia di
Architettura Palacio Albrizi in Italy and other venues. Тhe most significant segment
in his creative career is the realization of monumental sculptures in public space. He
has been realized over 20 public sculptures in Argentina, Oman, Qatar, Azerbaijan,
Slovenia UAE, Turkey, Kosovo, Bosnia, Serbia, Montenegro, Latvia, Russia, Italy,
Austria, Germany, Denmark, Czech Republic, Portugal and Macedonia. He is
professor for fine arts at ‘Rade Jovcevski Korcagin’ Skopje Macedonia (2012-21).
Living with one parent Marble and granite 60×30×10cm Playing marble marble 45×45×25cm
Macedonia marble and granite 40×30×25cm Family marble and granite 35×30×25cm
萨达瓦·特丘因
Satawat Chuaynum
Thailand 泰国
1957 年生于泰国博他仑。1974 年荣获瑞士世界自然基金会国际绘画金奖。

2005 获阿达曼 Ilendertiy 一等奖。主要个展 2009 合艾（泰国）、董里（泰国）、
Nakorn Si Thammrath 泰国。2012 亚非国际现代艺术展（中国）、第五届亚
洲艺术展（泰国）、第 12、13、17 届 AAmA 国际展（中国）。
Satawat Chuaynum was born in 1957, Phatthalung, Thailand.

Awards:1st Prize International Drawing Competition, World Wildlife Fund From
Switzerland; 1st Prize Batik Painting The Ilendertiy of Adaman, Phukat, Thailand.
Solo Exhibitions: The Trace of Civilization, Hatyai, Thailand; “The Commoner”,
Hatyai,Trang, Thailand; Satawat’s sixty year old”, Nakorn Si Thammrath,Thailand.
Group Exhibition: International Printed Arts Exhibition 2007, Hatyai, Thailand;
Foot Bride Visual Encounter International Exhibition, KuaLa Lamper, Malaysia;
International Printed Art Exhibition, Penang, Malaysia; Foot Bridge Visual
Encounter International Exhibition, Gaya Art Space, Bali, Indonesia; The 7TH
Foot Bridge Asia & African Modern Art Exhibition, Hang Zhou, China; Enchanting
Bali Art Exhibition, Penang, Malaysia; Asian & African International Modern Art
Exhibition, China; The 5TH Asian Art Exhibition, Patane, Thailand; The 12TH-
13TH-17 AAmA Exhibition, Zhejlang, China.
15th century birth certificate 15th century birth certificate

My dream, my hope and my light of life 100×120cm 2021
谢法利·兰特
Shefali Ranthe
Dubai 迪拜
在迪拜生活了 10 年后，2018 年全球艺术奖得主，现生活工作在哥本哈根。

代表作品在中国国际油画双年展，迪拜艺术展，迪拜世界艺术展。丹麦赫尔
宁艺术展，土耳其布尔萨肯特博物馆。孟加拉国达卡国家艺术馆，伦敦砖巷
画廊，阿姆斯特丹，纽约，巴黎，布鲁塞尔，哥本哈根等展出。
After 10 years in Dubai the Global Art Award winner 2018, Shefali Ranthe Lives
and works in Copenhagen now. Her Inspiration is found in the CoBrA and Avant
Garde movement, and her paintings are defined based in Copenhagen by a unique
style of semi-abstract, naïve and spontaneous compositions of human- and animal
creatures. Her collectors are from the whole world including the Royal family in
Dubai, Oman and Abu Dhabi and also the Royal family in Denmark has Collected
Shefali’s art. Exhibited: The National Art Museum of China, International Oil
Painting Biennale, Dafen Art Museum, Shenzhen China. Art Dubai, World Art
Dubai. Art Herning-Denmark, Bursa Kent Museum Turkey, The National Art
Gallery Dhaka, Bangladesh, Brick Lane Gallery, London, Amsterdam, New York,
Paris, Brussels, Copenhagen.
Hope 100×120cm Together we can save the world 120×100cm

申暎浩
Shin Youngho
Korea 韩国
韩国国立庆北大学美术系教授 , 韩国著名艺术家，主要个人展览首尔与大
邱“艺术研究展”、水墨符号展、新水墨个展、视觉行走杭州展、首尔宫
艺术空间展、阳光博物馆北京展、其他如泰国王子大学亚洲五人展、全南
国际水墨双年展、首尔第十届 A&C 艺术节、武汉水墨双年展、历届 AAmA
国际艺术展。
Shin Youngho isprofessor at Dept. of Fine Arts, Kyungpook national university.

Solo Exhibitions: Liquid Drawing Study on Tree, Liquid Drawing, Seoul Korea;
Liquid Drawing Symbol Sensibility, Daegu Korea; Liquid Drawing Red Sign,
Seoul Korea; Visual walk Shenchang Gallery, Hangzhou China; Shin Young Ho
Solo Exhibition, Hangzhou China; Lexus Gallery, Daegu Korea; Gong Art Space,
Seoul Korea; Gong Gallery, Beijing China; Dax Art Space, Sunshine Museum,
Beijing China; Ramada Hotel, Seoul Korea; Dukwon Gallery, Seoul Korea. Group
Exhibitions: "Recent Work", Hat Yai Thailand; Jeonnam International SUMUK
Biennale, Mokpo Korea; ACAF2018 the 10th A&C Art Festival, Seoul; Wuhan
Ink Art Biennale- Pursuit Ink, Wuhan China; Colorful Convergence 2016, 2015-
2020AAmA International Art Exhibition,China, Deagu; The 50th Korean Painting
Society Annual Exhibition; Dokdo, Island of Five Senses, Daegu.
Blueming206 Ink on paper 69×77cm 2022 Blueming2051 Ink on paper 76×90.5cm 2022
索尔维格·莱托宁
Solveig Lehtonen
Sweden 瑞典
居住在瑞典的芬兰版画家，她参与了 Atelje Kanten 的创作，拥有自己的工

作室，除了在私人画廊举办展览外，她还参加了众多国际展览，如 2021 年
明尼阿波利斯当代瑞典版画展、2019 年瑞典版画展、2018 年 Inkmasters
国际版画双年展、澳大利亚凯恩斯、2011-2017 年她是跨学科艺术家团体
Sjaehloe 9 的成员 , 并在芬兰、雷克雅未克和柏林举办了展览。2015 年她被
授予哥德堡文化奖。
Solveig Lehtonen is a Finnish printmaker, living in Sweden. In the early 80s,

after completing her studies at Hovedskou School of Painting in Gothenburg,
specializing in printmaking, she participated to the creation of Atelje Kanten, a
professional collective painting and printmaking studio. She is a member of The
Swedish Printmakers` Association and besides exhibitions in private galleries, she
has participated in numerous international exhibitions, such as 2021 ”Contemporary
Swedish Printmaking” High Point Center, Minneapolis, 2019 ”Swedish Prints”
at Space Gallery, Shanghai, 2018 Inkmasters International Print Biennale, Cairns,
Australia. 2011-2017 she was a member of the interdisciplinary artist group
Sjaehloe9 which examined phenomena such as exclusion and otherness and
held exhibitions in Finland, Reykjavik and Berlin. In 2015 she was awarded the
Gothenburg Cultural Award.
Memory Photopolymer intaglio print 55×40cm 2021 The Revolution Continues photopolymer intaglio print 55×40cm 2021
塞尔维奥·菲拉吉纳
Silvio Ferragina
Italy 意大利
米兰理工大学教授，生活工作在米兰。作品从古典主义到实验艺术 , 包括
书法音乐和表演领域的研究，作品在意大利、中国、埃及、韩国、比利时等
国际展览中展出，历届 AAmA 国际展，讲学于米兰布雷拉美术学院、博洛
尼亚大学、米兰大学、中意基金会等。
Artist calligrapher of Eastern formation, one of the few Western artists active in
the panorama of contemporary experimental Asian calligraphy, with his work in
toto reworking of the concept of 'calligraphy', Silvio Ferragina (Professor, Milan
Polytechnic University, Italy, born in1962) has emerged as a principal player on the
scene of important exhibitions of calligraphy. In addition to an artistic production
of classical inspiration, which uses techniques and styles of traditional Chinese
calligraphy, he engages in works of taste and contemporary flavor, which allow him
to return fully within the fold of calligraphic experimentation of today.
His research paths explore the world of calligraphic music image and investigate
the reality of calligraphic live multimedia performance: in his works the Chinese
character comes to life in three-dimensional structures and the calligraphic sign is
transposed into sound, thus achieving a transformation from calligraphic works into
"multidisciplinary musical works".
The work of Silvio Ferragina transcends borders. Among the dimensions of the sign
and matter, and between languages, Italian and Chinese art, we find in his calligraphies
the echo of his own spirit and tradition, in a personal and original fusion. Play a Plane Integrated Arts
Play a Plane Integrated Arts Play a Plane Integrated Arts

Golden Bug Mixed Media 30×40cm 2022

索尼娅·克维特科维奇
Sonja Cvetković
Serbia 塞尔维亚
生于塞尔维亚克拉古耶瓦茨，生活和工作在斯洛伐克。作品在国内外展出了
100 多次：秘鲁、斯洛伐克、韩国、立陶宛、美国俄亥俄州、奥地利、土耳其、
伊朗、印度、委内瑞拉、荷兰、尼泊尔、德国、意大利。她也从事艺术批评，
在塞尔维亚 Likovniživot 杂志上发表文章。
Sonja Cvetković was born in Kragujevac (Republic of Serbia). She is the winner
of the Scholarship for Exceptionally Talented Students by The Ministry of
Education, Science and Technological Development of the Republic of Serbia. She
has exhibited more than 100 times at home and abroad: Republic of Peru, Slovak
Republic, the Republic of Korea, the Republic of Lithuania, Ohio, Republic of
Austria, Turkish Republic, Islamic Republic of Iran, Indian Republic, Bolivarian
Republic of Venezuela, Burkina Faso, Netherlands, Federal Democratic Republic
of Nepal, Republic of Croatia, Federal The Republic of Germany, Bosnia and
Herzegovina, the Italian Republic and the Philippines. She deals with art criticism.
She published her texts in the magazine Likovni život in The Republic of Serbia.
She lives and works in Bratislava (Slovak Republic).
Traffic Lights Mixed Media 75×75cm 2021 Yellow Mood Mixed Media 40×45cm 2020
Stefan Zajonz
Germany 德国
Genius Loci & 19th AAmA Fine Art Prints 40×40cm 2017-2022
工作生活在德国波恩。他在波恩的 Rheinische Friedrich- Wilhelms 大学学习艺

术史和德国文学。摄影家、诗人。德国艺术家协会成员和德国 - 波兰艺术家
关系专员。参与许多地区和国际艺术项目并担任策展人，在 30 多本杂志和
选集上发表文章。出版了约 80 本诗歌集，编辑德文、波兰文和英文的艺术
目录和诗集。
Stefan Zajonz was born in 1958 in Lubliniec, Poland. He lives and works in Bonn,
Germany. He studied art history and German literature at the Rheinische Friedrich-
Wilhelms University in Bonn. Photographer, poet and autodidact. Member of
the Association of German Artists and commissioner for German-Polish Artist
Relations. Participant and curator in many regional and international art projects,
published texts in over 30 magazines and anthologies. Publisher of approx. 80
own bibliophilic poetry booklets. Editor of art catalogues and poetry collections in
german, polish and english languages.
Genius Loci & 19th AAmA Genius Loci & 19th AAmA
Fine Art Prints Fine Art Prints
40×40cm 40×40cm
2017-2022 2017-2022
斯蒂芬·卡纳克尔
Stéphane Kenkle
France 法国
生活工作在法国留尼汪岛，2005 年与克里斯托夫· 登蒙特共同创立了
AléAAA 学院。他们共同设计了一个交流空间，作为造型艺术和其他艺术学
科之间的桥梁，并继续在岛上参与国际上的众多展览，表演和装置中进行合
作。在进行创作的同时，通过学校和相关观众中进行意识提升活动（绘画方
法，剧院装潢，演出等）来肯定他作为公民艺术家的做法。自 2009 年以来，
作为由 Salle Guy Alphonsine 发起的 AléAAA 集体的艺术家驻地计划的一部分，
他参与了圣安德烈镇的各种活动。
Stéphane Kenkle Living and working on Reunion Island, France, he co founded al

é AAA college with cristofd è nmont in 2005. They jointly designed an exchange
space as a bridge between plastic arts and other art disciplines, and continued to
participate in numerous international exhibitions, performances and installations on
the island.
Stéphane Kenkle works Stéphane Kenkle works

苏潘托诺·苏瓦诺
Supantono Suwarno
Indonesia 印度尼西亚
1964 年生于印尼万隆，作品被国内外众多收藏家收藏，在国内外举办了 17
场个展，先后在国内外参与 180 场艺术联展。
Supantono Suwarno was born in Yogyakarta, 1964. Supantono’s paintings have been
collected by many domestic and foreign collectors. has held 17 solo exhibitions at
domestic and foreign. He has alto held 180 joint art exhibitions both domestically
and abroad.
My Fantasy Mixed Media on Canvas 65×55cm 2020 Motherland Mixed Media on Canvas 80×60cm 2018
坦塞尔·图尔克多安
Tansel Türkdoğan
Turkey 土耳其
1966 年生于土耳其安塔基亚，1989 至 2005 年期间在中东技术大学担任音乐

和艺术系主席，2005 年任命为土耳其安卡拉加齐大学美术学院的创始院长。
自 1989 年以来，他曾在多个国家工作，在不同国家担任策展人。至今任然 Artist's object serie 2022
在安卡拉加齐大学、中东技术大学担任研究生课程，著有《当代艺术》和《艺
术、文化与政治》等书籍，举办了 23 次个展（国内 / 国外），并以其作品、
项目和论文参加了许多群展、国际和国内研讨会、双年展，并在土耳其广播
电视台担任顾问。他是联合国教科文组织国际造型艺术协会的董事会成员，
并在艺术杂志和报纸上发表文章。他是 Koridoor 艺术家之一。
Tansel Turkdogan was Born in Antakya Turkey 1966. Lecturer at Middle East
Technical University between 1989 and 2005 in Music and Art department also
as a chair. He was appointed as the Founder Dean of Gazi University Faculty of
Fine Arts in 2005 Ankara Turkey. Since 1989, he has worked in many countries,
participated in workshops and group exhibitions. Turkdogan has undertaken
curatorships in different countries. He still gives undergraduate and postgraduate
courses at Ankara HBV University, Middle East Technical University and
Ankara Universities. Türkdoğan, who has books titled "Contemporary Art" and
"Art, Culture and Politics", has opened 23 solo exhibitions (domestic/abroad),
participated in many group exhibitions, international and national symposiums,
biennials with his works, projects and papers, , and worked as a consultant in
Turkish Radio Television. He was a member of the board of directors of UNESCO
International Plastic Arts Association and wrote articles in art magazines and
newspapers. He is among the Koridoor artists.
Accumulated image documantation serie 5

滕吉兹·塞皮亚什维利
Tengiz Sepiashvili Love Acrylic paints,INK,cardboard 85×90cm 2021
Georgia 格鲁吉亚
1946 年出生于第比利斯，格鲁吉亚重要艺术家，在艺术、建筑、展览设计
等领域有杰出成就，获得了 AAmA 等各类奖项与荣誉。
Tengiz Sepiashvili (Sepo) was born in Tbilisi in 1946.

After graduation from the Polytechnic Institute of Georgia Department of
Architecture Sepiashvili actively worked in the spheres of art, architecture and
exhibition design. He is an author and co-author of the design of Georgian pavilions
in 17 countries. Notably in Zagreb1976, (Gold Medal) Moscow (1982 Silver Medal),
and Dijon (1995 gold medal). Since 2010 he has created kinetic sculptures.
Principal expositions: 2010 'Postmodern Mobiles' Expogeorgia.Tbilisi; 2010
Installation of kinetic sculpture 'Bird of Dream' Batumi; 2011 Exibitor kinetica art
fair 2011 London; 2013 solo exhibition 'Temporary shelter' Nectar gallery. Tbilisi;
2014 Personal exhibition, Art Georgia, rooms hotel Tbilisi; 2015 personal exhibition,
Mbfweek. Expo Georgia. Tbilisi; 2019 Solo exhibition Expogeorgia, Tbilisi; 2020
group exhibition ARTTENT Tbilisi.
Metamorphosis
Acrylic paints,INK,cardboard
85×90cm 2021
瓦尔德塔·维西特纳
Valdeta Vuciterna
Kosovo 科索沃
1970 年出生于科索沃，普里什廷文学院副教授，主要个展：马其顿戈斯蒂
瓦尔、科索沃国家和大学图书馆、马其顿 - 斯科普里国家美术馆、科索沃美
术馆等。主要群展、瑞士国际版画双年展、瓦尔纳国际版画双年展、国际图
形三年展、普里什蒂纳大学美术学院画廊“艺术 40 年”；第七届葡萄牙杜
罗国际版画双年展、第三届国际邮件艺术展、保加利亚国际版画双年展、波
兰国际艺术双年展、马其顿 OSTEN 世界绘画画廊展。
Valdeta Vuciterna, was born in Kosovan 1970, Associate professor of Faculty of

Arts Prishtine. Solo Exhibitions: "Studio-Atelie"-Prishtina; Departament of Culture
Gallery-Prishtina; Youth Palace ASNOM, Gostivar-Macedonia; The National and
University Library of Kosova; National Gallery of Macedonia-Skopje; Departament
of Culture Gallery-Prishtina; The Kosova Art Gallery-Prishtina; nformative Cultural
Cener-Skopje; Four eleven studio, Prowinceton, Ma.U.S.A.
Group exhibitions: World Gallery of Drawing at OSTEN –Macedonia.-Maqedoni;
International,Print,Biennial,Switzerland;International,Print,Biennial,Varna; In
ternational,graphic,triennial,Macedonia;Exhibition,Balkan,drawing-Kumanvo-
Macedonia; Gallery Faculty of Fine Arts University of Pristina "40 years of Art";
7th International Printmaking Biennial of Douro, Portugal.
Composition 3 Aquatint 40×50cm 2021

Valerio Vivian
Italy 意大利
1953 年出生于意大利威尼斯的米拉。他在米拉生活和工作。他是艺术史教授。
他总是通过讲座、艺术批评出版物和教学来交替从事艺术家和学者的活动。
自 1980 年代初以来，他定期在意大利的公共和私人空间展出，但也在法国、
克罗地亚和日本展出。他的作品以一种连续的辩证游戏为指导，交替和混合
绘画、绘画和摄影，还有装置。展览包括：Bevilacqua la Masa 基金会、威尼
斯卡佛斯卡里大学人展、荣获 1997 年在特雷维 Flash 艺术博物馆奖、第 50
届威尼斯艺术双年展、京都双年展、特雷维索圣卡特琳娜博物馆展、威尼斯·视
觉艺术 1985-2012 展、东京千叶历史公园博物馆展。
Valerio Vivian was born in Mira - Venice, Italy - in 1953; He is a professor of

Art History. He has always alternated his activity as an artist with that of scholar
through lectures, publications on art criticism and teaching. Since the early 1980s,
he has regularly exhibited in public and private spaces in Italy, but also in France,
Croatia and Japan.
His many exhibitions include: in 1986 his one-man show at the Fondazione
Bevilacqua la Masa and in 1987 at the Cà Foscari University in Venice; in 1997 "2nd
Trevi Prize" at the Flash Art Museum in Trevi (Perugia); in 2003 "Brain Academy
Apartment" a collateral event at the 50th Venice Art Biennale and at the Kyoto
Biennale; in 2012 "Le Venezie. Visual Art 1985-2012" at the Santa Caterina Museum
in Treviso; in 2019 "19th Jomon Art Exhibition in Funabashi" at Historic Park
Museum in Chiba-Tokyo.
Bisnonno Federico 2020 Epiphany of Ruins The Shadow of The Poet 2020
维克多·戈麦斯
Victor Gomez
Cuba 古巴
1941 年生于古巴哈瓦那，古巴裔美国人，生活工作在哈瓦那，古巴 UNEAC

版画工作室创办人和美国迈阿密 Monoprint 工作室主持人，古巴 UNEAC 美
术部前成员，古巴文化部美术咨询委员会前成员。1964 年至今年在古巴和
世界各地参加了近百场重要双年展和群展，如第十届葡萄牙杜罗版画双年展
等。1986 年在迈阿密创办出版社，这是一个版画工作室，致力于推广和出
版古巴大师和当代艺术家的限量版。
Victor Gomez was born in 1941 Havana, Cuba. Cuban-American. Engraved at the
UNEAC’s Printmaking Workshop, Havana, Cuba. Former member of UNEAC’s
Fine Arts Section, Havana, Cuba. Former member of the Cuban Ministry of
Culture’s Technical Counseling Council for the Fine Arts, Havana, Cuba. Between
1964 and 1980, participated in over 80 group shows in Cuba as well as abroad.
Several Monoprint workshops at his own workshop, Miami Press.
The New World School of Art, Miami, FL, 1996; ADAPES, San Salvador, El
Salvador, Central America, 1993; Miami Dade Community College Kendall Campus,
Miami, FL; The Florida Printmakers Society; International Graphic Art Foundation;
International Print Triennial Society, Cracow. The Boston Printmakers, Boston, MA;
The Monotype Guild of New England, MA.
New Born Series 35 Oil Monotype 22.5×33.5cm 2022

维克多·M·埃尔南德斯·卡斯蒂略
Victor M. Hernandez Castillo
Mexico 墨西哥
1963 年生于墨西哥城，生活工作在墨西哥。
2001 至今荣获德国今日国际三年展三等奖；洲际印刷双年展一等奖，墨西
哥；加拿大国际当代版画双年展特别奖；加拿大第一届国际竞赛展览大奖；
塞尔维亚首届国际版画“Ulus”三年展平等奖；马其顿第九届国际平面艺术
三年展荣誉特别奖；保加利亚国际版画双年展瓦尔纳奖；塞尔维亚第四届
国际版画双年展大奖；马其顿国际平面艺术三年展荣誉特别奖；比利时第
五届国际版画奖公共奖。
Victor M. Hernandez Castillo was born in Mexico1963, Living and working in Mexico.
2001-2022Awards: Third Prize in the International Triennnial Linocut Today,
Bietigheim-Bissingen, Germany; Purchase Award in the 1st. Intercontinental
Biennial of Print, Inter K, Ciudad Juárez, Chihuahua, México; Winner of the First
International Salon of Miniprint, Ottawa, Ontario, Canada; Equal Award, First
International Triennial of Print “Ulus” Belgrade, Serbie; Honorary Special Award
in the IX International Triennial of Graphic Art, Bitola, Macedonia; Equal Prize,
XX International Biennial of Print, Varna, Bulgaria; Grand Prix, IV International
Biennial of Print, Cacak, Serbia; Honorary Special Award in the X International
Triennial of Graphic Art, Bitola, Macedonia; Special Juried Price in the VI
International Print Biennial KAZAN- RIDER, Republic of Tatarstan, Russia;
Winner of the Public Prize in the V International Prize for Printmaking René
Carcan, Bruxelles, Belgium.
Pulsares and Quasaras Linocut 65×100cm 2020

弗拉基米尔·西蒙诺夫斯基
Vladimir Simonovski
1974 年生于北马其顿，2010 至 2014 年担任比托拉美术家协会（DLUB）主

席。他在 2017 年在普里莱普获得马其顿戏剧节“Vojdan Chernodrinski”奖，
为戏剧“Planet Job”获得最佳视觉材料奖剧院·斯科普里，以及 2019 年比
托拉美术家协会颁发的“11 月 4 日”奖。
Vladimir Simonovski was Born in Bitola 1974. President of the Association of

Fine Artists of Bitola (DLUB) from 2010 to 2014. He received the award of the
Macedonian Theater Festival "Vojdan Chernodrinski" in Prilep in 2017, for the best
visual material for the play "Planet Job" at the Drama Theater - Skopje, as well as
the award "November 4" of the Association of Fine Artists of Bitola in 2019 .
Group exhibitions: Vernissage, Bitola 1995; Transform, Istanbul 2009; Art Muse,
Bitola 2013, 2014; Graphic triennial, Bitola 2013; Graphic Triennial, Chamolier,
France 2011; DLUB Annual Exhibitions, 2011-2019; Annual Fourth of November
Exhibitions, Bitola, 2010-2014; Timecollectors, Bitola 2013, Skopje 2014.
Max Frisch's suitcase 1 Mix medi 80×50cm 2022

Vlado Goreski
北马其顿和斯洛文尼亚著名艺术家，在世界各地举办了众多的个人和群体展
览，保加利亚瓦尔纳双年展国际评委，北马其顿斯科普里世界绘画画廊国际
评审团成员，法国查马利埃国际三年展顾问，参与组织了 2014-2020 年塞尔
维亚恰克国际图形双年展，北马其顿比托拉国际平面艺术三年展艺术总监。
现为比托拉国家研究所博物馆及当代艺术馆馆长，AAmA 学术委员会委员。
Vlado Goreski, he is a Macedonian and Slovenian graphic artist, artist, scenographer.

On the field of art critics he is present primarily in the graphics art, but he does not
neglect the other art parts. His artistic affirmation turns internationally as well, as
jury member, selector and expert consultant: He is member of the international jury
of the Graphic Biennial in Varna, Bulgaria. He was member of the International
Jury of Gallery of World Drawing in Skopje, North Macedonia. He was selector of
authors, representatives of the country of North Macedonia, and presenter of the
collection of the International Graphic Triennial - Bitola at the Graphic Triennial
in Chamalières, France. In addition, he presents artists from other countries at
this triennial. He was expert consultant and participated in organizing the 2nd
International Graphic Biennial, Čačak, Serbia, 2014 - 2020, Member of AAmA
Academic Committee.
String Quartet, op.6 Fabriano paer, mix media 90×60cm 2022

维罗妮卡·西乌普卡
Weronika Siupka
Poland 波兰
Bunkier I akwaforta 10×10cm 2018
1977 年生于波兰卡托维兹，西里西亚美术学院讲师。2017-2021 年荣获西

班牙卡门·阿罗泽纳国际平面艺术奖荣誉奖；哥伦比亚第四届国际当代图
形展；保加利亚第九届国际双年展；俄罗斯第 39 届卡达奎斯国际迷你版画
展一等奖；阿根廷“性别多样性”展特别桨；阿根廷第四届拉古纳·帕瓦
阿国际双年展；西班牙国际展国际图书奖。主要个展：丹麦富英图形工作坊；
比利时美术学院；哥伦比亚马卡雷格雅沙龙；西班牙第 39 届卡达凯斯国际
迷你版画展。
Weronika Siupka was born in 1977 in Katowice. Graduated in 2003 from the Silesian
Academy of Fine Arts. Since then she has been working as an assistant to the studio
of Drawing, Painting at Department of Design. From 2010 a lecturer in Graphic
Design Department. She takes the part in many post-competition exhibitions
in Poland and abroad. Participated in several group exhibitions and several solo
exhibitions. 2016 -2021 Major individual exhibitions: Fyns Grafiske Værksted,
Odense, Danmark; Académie des Beaux-Arts, Namur, Belgium; Sala Macaregűa,
Universidad Industrial de Santander, Colombia; 39th Mini Print International of
Cadaqués, Taller Galeria Fort, Spain.
Abandoned Akwforta 7×10cm 2019 Border II akwaforta 10×10cm 2019

夏继清
Xia Jiqing
China 中国
留法艺术家，现工作生活在杭州，作品参加中德艺术交流展、法国 art3f 米
卢斯国际艺术博览会、卢森堡当代艺术展，卢森堡国际展览中心、中西当代
艺术交流展、洛桑国际艺术博览会，2021 在上海举办个人作品展。
Xia Jiqing is an artist who previously studied in France and now lives and works in
Hangzhou,Where he was born in 1974. Xia Jiqing studied at the Ecole Supérieure
des Beaux-Arts, Valenciennes, France.
Exhibitions: 2018 Sino-German Art Exchange Exhibition, Ram Art Museum,
Hangzhou, China; Art3f Milus International Art Fair, Milus Exhibition Centre,
Milus, France; Luxembourg Contemporar y Art Exhibition, Luxembourg
International Exhibition Centre, Luxembourg; 2019 'Breath - Chinese and Western
Contemporary Art Exchange Exhibition', 117 Art Center, Ningbo, China; Lausanne
International Art Fair, Beaulieu Expo, Lausanne, Switzerland; 2020 'Xian Zhao Si
Xian - Contemporary Art Invitation Exhibition', Xianzhao Temple, Hangzhou,
China; 2021 'Black Fiction' - Xia Jiqing Solo Exhibition, Baolong Art Museum,
Shanghai, China.
T-16 130×100cm 2020 T-17 130×100cm 2020

泽田雄一
Yuichi Sawada
Japan 日本
1958 年出生于岛田市静冈县，主要展览：波兰克拉科夫国际版画双年展、
南斯拉夫卢布尔雅那国际版画双年展、第三届荷兰国际版画双年展、马其顿
国际平面三年展、葡萄牙杜罗国际版画双年展、俄罗斯新西伯利亚平面艺术
双年展、亚美尼亚埃里温国际版画双年展、中国观澜国际版画双年展，荣获
印度第 2 和第 9 届 Brahat Bravan 国际版画双年展荣誉奖。
Yuichi Sawada, 1958 Born in Shimada city Shizuoka prf.

Krakow International Print Biennial (Poland); Ljubliana International Print Biennial
(Yugoslavia); Netherlands International Print Biennial (Holland); The International
Graphic Triennial, BITOLA (Macedonia); International Print Triennial-Krakow
(Poland); International Engraving Biennial of Douro(Portugal); Novosibirsk
Graphic Art Biennial (Russia); International Print Biennial Yerevan(Armenien);
Guanlan International Print Biennial, (China). Awards: The 2nd. 6nd. Brahat Bravan
International Print Biennial "Honorable mention" (India).
Keeping in touch with Pinetrees Print(collagraph) 90×60cm 2013

扎卡里亚·哈米德
Zakaria Hamid
Brunei 文莱
生活和工作在文莱达鲁萨兰国首都斯里巴加湾，东南亚著名画家，代表作品
展览在中国、马来西亚、泰国、日本、新加坡、印度等国家美术馆和艺术中
心，包括第 13 届 AAmA 国际展、第 8 届亚洲艺术展。
Zakaria Hamid Living and working in sribagawan, the capital of Brunei Darussalam,
it is a famous painter in Southeast Asia. His representative works are exhibited in
national art museums and art centers in China, Malaysia, Thailand, Japan, Singapore,
India and other countries, including the 13th AAmA International Exhibition and
the 8th Asian art exhibition.
Zakaria Hamid Work

珍妮特·万盖利
Zaneta Vangeli
西里尔和麦迪乌斯美术学院、斯科普里美术学院教授，FFA 绘画系主任、建
筑学院担任视频和多媒体教学。她是北马其顿著名的媒体艺术家，致力于绘
画、物体、装置、摄影、录像、声音艺术和电影，参与多项国际展览项目并
被收藏。参与第 18 届 AAmA 国际艺术展。
Zaneta Vangeli is a multimedia artist with outstanding achievements, working on

paintings, objects, installations, photography, video art, sound art and film. From
1988 until 2008 she worked as a freelance artist in Frankfurt.
M. and Skopje. Since 2008 she has worked as a Professor in Painting at the
University Ss. Cyril and Methodius, Faculty of Fine Arts, Skopje in the Department
of Painting. Vangeli was Head of the Department of Painting at the FFA from
2011-2020. In 2009/10 and 2010/11 she was a lecturer in Video and Multimedia
Presentation at the Faculty of Architecture at the same University in Skopje.
Important international exhibitions &public collections; Museum of Contemporary
Art, Skopje; National Gallery of Macedonia, Skopje; Museum of Modern and
Contemporary Art, Rijeka; Centre Andrè Malraux, Sarajevo; Sammlung Jan Anderas
Müller, Frankfurt/Main; Stadt Frankfurt am Main, Amt für Wissenschaft und Kunst,
Frankfurt, Main; Shashoua Collection, London; Museo Toni Benetton, Treviso and
The 18th AAmA International Art Exhibition.
Anastasija II
Tagus International Center of Arts 490

2022AAmA Album - 复件

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

2022AAmA Album - 复件

Uploaded by

Copyright:

Available Formats

TAGUS INTERNATIONAL CENTER OF ARTS

ASIAN & AFRICAN & MED & EUR AND AMERICAS

TAGUS INTERNATIONAL CENTER OF ARTS

与艺术家洛齐的合作和推动下，在准备为 19 届 AAmA 展览 ( 美丽的 )

emotionally in our present with the works of Homer, Rembrandt, Cézanne.

This attitude establishes a line of demarcation that qualifies art as an indispensable

Renato Galbusera 纳入视频制作，并在 8 个国家的艺术博物馆展出。同时，我们还与这 8 个国

艺术家生活在世界不同的地区和城市，接受自身历史文化的影响，思考 我们的展览于 2022 年 8 月开始，并于 2023 年第一季度在亚洲、欧洲和

This presentation also appeared in the Cultural Palace of Bitola in northern

Diverse and Inclusive

Everything that rises must converge

At times we recognise ourselves in the hard-won aesthetic victories of others. At 本次展览无国界地连接了所有国家和城市，其能量与洛齐作为中国美

Martin Kennedy 莉莉·博舍夫斯卡

When the Art “speaks” in the name of the World

Lili Boshevska 的作品和艺术家之后，我变得不那么自私了，我感谢艺术所呈现这么多的形

AAmA 19. Art, Hope and Transformation

Rafael Romero Pineda. 世界的客观化、超越和灵性的现象与当时的哲学潮流密切相关。这些都是个

诗中惊呼：“欢乐，众神的美丽火花，来自极乐世界的女儿” [11]。它的歌 洛齐总监已经为以上立场做出了努力。在隐喻意义上，艺术家形成了一

词和器乐于 1985 年被采纳为欧盟的国歌，表达了所有成员国共享的自由、 个包罗万象的器官，一个超大的集体，除了个人的艺术任务外，也可以被设

和平与团结。[12]2022 年第 19 届 AAmA 艺术项目，其本质是不断地在跨越 想为相互间的漂流，我们加入了自 20 世纪以来的世界流动、移民和过境的行

各大洲之间空间和知识边界，在对话中建立一种所有人都能理解的语言， 列，成为经常徒步旅行并出发去新地方的人。[14] 艺术家们因普遍相信观看和

吸引我们的内心深处，激发我们反思和新的创造力。 识别的效果而团结在一起。诗人保罗·塞兰（Paul Celan）写道，面对这个世

Art is a medium of knowledge that promotes the

2022 年，第 19 届 AAmA 国际艺术展在洛齐的概念、组织和美学组织 所有的形态只是实物的表象，我们应该向精神世界回归，因为精神的意

Seeking the cause of existence

Co-curators 联合策展人 Aet Presided Over 艺术总监

Exhibition Coordinator 展务统筹

Academic committee member

奥维迪乌·佩特卡 Ovidiu Petca

菲利普·基塔里尼 Philippe Chitarrini

拉斐尔·罗梅洛 Rafael Romero

雷纳托·加尔布塞拉 Renato Galbusera

泰亚·拉米 Teija Lammi

瓦莱里奥·维维安 Valerio Vivian

弗拉多·戈雷斯基 Vlado Goreski

2022 第 19 届 AAmA 国际艺术展总监。 Renato Galbusera 雷纳托·加尔布塞拉

working between Hangzhou, Lisbon and Milan. He is a famous artist, scholar,

中国美术学院始建于 1928 年，是中国第一所拥有完整学术课程的艺术学院，享誉海内外的卓越

Cang Art Museum, Hangzhou, China

比安卡迪别墅是伦巴第地区最美丽、最雄伟的建筑之一，建于 1900 年的新艺术风格建筑，一直

El Cultural San Martín, Argentina

摩纳哥艺术中心致力于当代艺术。中心为摩纳哥 Daniel Boéri 的财产，他毕业于 HEC，是摩纳

克卢日艺术博物馆成立于 1951 年，是特兰西瓦尼亚和罗马尼亚最大的现代和当代艺术博物馆之

韩国庆北国立大学美术馆成立于 2006 年，旨在为社区服务，增强其在全球化时代的文化能力。

比托拉当代艺术馆 & 比托拉艺术中心·北马其顿

Presenting the works of 呈 现

生于多哥 , 工作在德国斯图加特 , 入展威尼斯双年展、哈瓦那双年展、孟加

Abdoul-Ganiou Dermani was born in Togo and currently lives in Stuttgart,

曾定居火地岛，在国家 Córdoba 大学和 Espa 文化中心教学，进行视觉艺术项

Born in Argentina. he became interested in photography and enrolled at the

Partial Constructed Oil on canvas 160 ×130cm 2016

Alexandra Haeseker RCA, Participation in major International Biennales include:The

Fleur du Mal UV latex ink on synthetic paper components 300×120×10cm 2022

Aménéh Moayedi, Graphic designer and freelance artist.

Interactions digital print linocut 2018

As above so below Acrylic on canvas 40×40cm Diptych 2021

生 活 工 作 在 米 兰， 入 展 罗 马 X Quadriennale 展、 第 26 届 Salon de la Jeune

The Bird and the Branch 40×50cm 2022

1957 Born in Portimão, Portugal.

Sea of Galilee chine colle' 39×40cm 2021

1957 Born in Tel-Aviv.

Bransha Gautier is an award-winning visual artist, who's work specializes in Culture–

S/T 3 block Xylography 35×28cm ST Xylography 10×10cm

Claudio Zanini Work

艺术家生活在世界不同的地区和城市，接受自身历史文化的影响，思考我们的展览于 2022 年 8 月开始，并于 2023 年第一季度在亚洲、欧洲和

诗中惊呼：“欢乐，众神的美丽火花，来自极乐世界的女儿” [11]。它的歌洛齐总监已经为以上立场做出了努力。在隐喻意义上，艺术家形成了一

词和器乐于 1985 年被采纳为欧盟的国歌，表达了所有成员国共享的自由、个包罗万象的器官，一个超大的集体，除了个人的艺术任务外，也可以被设

和平与团结。[12]2022 年第 19 届 AAmA 艺术项目，其本质是不断地在跨越想为相互间的漂流，我们加入了自 20 世纪以来的世界流动、移民和过境的行

各大洲之间空间和知识边界，在对话中建立一种所有人都能理解的语言，列，成为经常徒步旅行并出发去新地方的人。[14] 艺术家们因普遍相信观看和

吸引我们的内心深处，激发我们反思和新的创造力。识别的效果而团结在一起。诗人保罗·塞兰（Paul Celan）写道，面对这个世

2022 年，第 19 届 AAmA 国际艺术展在洛齐的概念、组织和美学组织所有的形态只是实物的表象，我们应该向精神世界回归，因为精神的意

Presenting the works of 呈现

生活工作在米兰，入展罗马 X Quadriennale 展、第 26 届 Salon de la Jeune

1969 年出生于中国浙江，艺术家、策展人、杭州师范大学美术学院副教授，