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(Laurel) Hell Is Real - Samir S
(Laurel) Hell Is Real - Samir S
(Laurel) Hell Is Real - Samir S
A dybbuk is a ghost. Rex isn’t the kind of Jewish that’s Jewish off paper, not since her
bobe died, so she doesn't know much about dybbuks. But she knows that they’re restless spirits
that sometimes sneak into the living to talk in their voices and walk in their bodies. It’s a
possession without demons - only terrible, strange people. When she tells Cherise that, her
“Oh, I get that,” she says. “The feeling of having a stranger inside you that makes you do
“I bet,” Rex says. “I don’t know how they get into people. Or what makes them do that.”
“I bet most dybukks would go away with some divalproex.” Cherise chops another
Cherise knows from where. Rex yanks at a strip of peeling fake linoleum on their kitchen
counter. “Bobe,” she says, stiffly, determined to drop dead before she mentions Naomi Haddid.
The secret in Naomi’s blue cursive coils inside her, toying with her stomach. It isn’t pleasant. All
the antsiness that rattled her body from the minute she woke up today snakes back in. Naomi’s
Cherise ties her bandanna tighter over her thinning blonde hair. She hums. That means
she’s judging Rex but won’t say anything. Rex hates that; Rex loves it. Cherise sweeps aside a
pile of sliced carrots in a wave of finger tattoos: blurring Roman numerals that Rex barely
understands more than Hebrew. Lovebugs and sunshine crawl along their trailer’s stretch marks.
Rex and Cherise have been living in a collapsing skeleton since the tornado, but neither of them
mind.
“You could always look those words up in the library,” Cherise says, “or ask the rabbi
about it.”
Rex shakes her head. It may be summer, but if anyone caught her with a book like that,
she would start ninth grade with sausage shoved in her locker. She’s not that kind of curious
anymore. And Rabbi Ironson buys matches and cereal from the grocery store they do, but he
mostly sticks to the synagogue where the Haddid family goes, so both options are off limits.
“I don’t care enough to look it up.” Rex is disgusted when she registers she isn’t lying.
Cherise elbows her when Rex reaches over to grab a styrofoam cup of worms.
###
It’s an hour after Rex left home. She is fishing off the concrete bridge outside Slocomb.
Nothing is biting. Fish of all frames loiter in the swamp, unmoved by the trucks that occasionally
rattle by. A turtle pesters Rex’s bobber. Maggots froth on a nearby floating boar carcass. The
swamp, a tangle of decay alongside asphalt, reeks of exhaust and petrichor. Decomposition
feeding germination. Rex is studying the way the boar carcass rotates, wondering if the maggots
will finish growing up before it sinks, when a ghost - not a dybbuk, just a ghost - emerges from
the weeds.
Ripples announce the ghost’s arrival first. Algae distorts. The Spotted Gar gliding around
the swamp, bony ancients longer than Rex’s calf, knife through the green depths and disappear.
The turtle vanishes. All the bluegills helping themselves to the maggot lace on the boar flee. Tin
cans floating on the swamp bob; the spanish moss draping the horizon sways.
Rex stares as Naomi Haddad lurches into the sunlight, knee deep in water.
It’s mindless. She hasn’t seen Naomi since eighth grade ended a couple months ago.
Since before then. High school is coming and Naomi still dresses in straw flip flops and
rhinestone-studded shorts fit for a little girl. One of those flip flops must be floating elsewhere.
Naomi’s left foot, dark brown against the pallid mud, is bare. Her face isn't a skull anymore.
The sun breaks around her hair in blue shimmers. It’s ratty: a stiff mess that comes from
being wet and drying that way. The hoarseness in Naomi’s voice scares Rex. The detachment
Rex drops her bamboo pole to pace along the concrete. Her sneakers leave plastic
“I haven’t seen you in forever.” Naomi’s sunburn darkens with shame. She stands
As Rex says that she knows she must’ve jumped. Circling around the bridge and
descending the shore choked in kudzu, nail-ridden telephone poles, and twisted laurel walls
would have shredded Naomi’s legs, yet only one scrape mars her skin.
Rex thinks of the alligator she glimpsed sunning in the shallows last week, and the
The cicadas scream in the magnolias as Rex begins running back and forth on the bridge
more than pacing. When the dead raccoon pancake nearby catches her sandal, she boots it aside.
She wishes she had a cellphone. She wishes someone else would pass in a sagging pick-up truck.
“I’ve been here a while.” Naomi links her fingers together. Dragonflies zip by her. “I
“Naomi, please, shut up. Whether my stepmom grounded me or not doesn’t matter right
now.”
“Sorry.”
It’s so easy to make Naomi sound subjugated. Small. Rex would know. She’s done that
far more times than she’s wanted to. That apology hurts so much it halts her. She braces her
elbows on the bridge, ignoring the sizzle of skin. Raccoon teeth crunch under her heel. Naomi
“Sorry. Oh.”
Naomi sinks. Silt cradles her ankles. Rex can’t be sure how many of her blood blisters are
mosquito bites or ticks. The periwinkle camisole Naomi has on looks liquid. Her training bra
may as well be made of tissue. Bleached reeds cling to her legs like so many dislodged ribs.
Rex, safe above in her cotton t-shirt and shorts Cherise cropped for her last week, fights
the urge to puke. She can’t even smell the boar rot wafting up and she wants to puke. It’s the
same feeling she had when she stuffed Naomi’s letter into the garbage disposal.
“I’m going to get you out of there,” Rex says, “okay?”
Naomi’s hands don’t move. Rex bets her thick eyebrows, which already dry in all kinds
of star whorls and all kinds of galaxial shapes after they’ve been mussed, are a disaster. Rex
doesn’t have the right to lick her thumb and fix them anymore. She’s not sure she wants to.
“I don’t want you to help me,” Naomi says, with sullen venom Rex understands, “if
Rex starts considering if she’ll break her leg by descending the embankment.
“Of course I’m going to be mad, you jackass! I’m scared. I’m always mad after you scare
me.”
Naomi huffs.
“Stop being scared for me, then,” she says. “I’m tired of everyone being mad at me. If
that’s what they do when they worry I don’t want anyone to worry anymore.”
Clouds of mud explode around Naomi’s legs as she whirls, splashing through the swamp,
Naomi only does because she’s on her knees, coughing. All Rex can see is her hair and
knobbly back. It’s impossible to tell if the wetness to her voice comes from the swamp invading
“I would rather die than let you help me again,” Naomi says. “I would rather die than let
“I’m sorry.”
Maybe, Rex thinks, she could walk on a broken leg. Maybe it’s worth it. She scrambles
onto the bridge railing. Her dark arm stings; blood drips from her elbow. It doesn’t matter. She
fears losing sight of Naomi without an advantage if there’s another wild dash. Vertigo squeezes
her vision. Cherise would be screaming with worry if she could see either of them right now. She
“I know.”
“You stopped sending me back postcards while I was at the get-better camp for psychos,”
Naomi says. “That’s because Cherise saw one and made fun of you, isn’t it?”
“Cherise wouldn’t ever.” Rex’s throat burns. “You’re not a psycho, Naomi. My stepmom
“Everyone made fun of me. That didn’t stop me.” Rex finds it difficult to breathe. “I
stopped sending postcards because your letter terrified me. You talked like you had already
killed yourself. I didn’t know what to do. You were there, but I didn’t know where to find you. I
“So all this because I said the dybbuk thing in my letter from camp,” she says. “I can lie.
“No, Naomi. It’s okay.” Rex trembles on the apex of the bridge. “Don’t pretend. I love
you too. I don’t know if it’s the same way, but I do.”
“I’m scared. I don’t know how to get out of here.” Naomi sniffles. “I don’t want my
parents to know what I did. They’d cry. Again. I don’t want to hurt them anymore. I want to go
A tremendous, dizzying pressure builds in Rex. The kind that made her drive Cherise’s
car down Hanner’s Road at 2 AM to look for her stepmom when she could barely reach the
“Naomi. Don’t look,” she says. Naomi scrunches her eyes shut.
Rex jumps.
She lands near the boar, sending maggots flying; lily pad roots and bottle caps and water
entangle as they crash through the air. Rex cannot breathe in the sunfish-dappled underworld, but
then she surfaces, gasping, and swims until she can trudge to Naomi instead. Naomi sobs as Rex
and her cloak of disturbed silt halt before her. Offer her a willing back.
Naomi towers over Rex. She piggybacks on Rex, feather-light, as they wade ashore.
Tadpoles flee Rex’s feet. Water cascades from her shorts in crystalline fringe.
Rex’s pulse screams as she looks at the fortress of thorns and lavender blooms above her.
She won’t emerge whole from this. Naomi won’t either. The sickly aroma of marzipan knits with
the rancid sweetness of the boar. Death clogs Rex’s nose. Her already bleeding elbow drips onto
“Rebecca. I’m so sorry,” Naomi murmurs. “I didn’t think about this when I jumped.”
“You’re a blockhead. The bridge is fifteen feet high. What did you expect to happen?”
else. Rex looks into the labyrinthine perfumed hell, Naomi’s hair embracing her neck, trust and
need weighing on her fifty times heavier than Naomi is. Beyond the laurels, the road simmers
“Mimi.”
“Yes?”
“What did you mean in your letter?” Rex cradles the bony bend of Naomi’s knees.
Naomi’s nails press into her shoulders in little crescents of pressure. Rex feels the agony
she’s pushing out of her throat. It wafts against Rex’s nape, denser than any exhale.
“That’s one of mom’s favorite movies. The Dybbuk,” Naomi says. “When I watched it
with her before they sent me away, I knew Khanan was me. I’m dead with a lot of feelings. And
you’re so…” She sniffles. “I wanted to marry you. I wanted to be inside you and hide from
everything terrible. But that’s how Khanan killed Leah, even though she wanted him. That’s
“You’re not a monster, Mimi. You’re maybe the best person I know.”
Naomi heaves.
As she flattens against Rex, showering the swamp water between them with tears, Rex
reaches into the laurel matrix of spines. Her hand clamps around a slender branch. A thorn finds
her lifeline. Blood squirts from her palm. Rex muffles a hiss. Pain lances her hand. She pauses to
let it wash over her. Neither she nor Naomi can go to Hell. It isn’t real. Bobe told her that. But
they will die. They must always think, and choose. The laurels whisper thirstily. Naomi sobs, and
high after a week of manic floundering in front of everyone, remembering how an ill Naomi
wrote ‘I love you’ while not knowing if Rex loved her at all. Be brave. No one will do it but you.