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Sculptures by The Sea Worksheet
Sculptures by The Sea Worksheet
Sculptures by The Sea Worksheet
So when I was thinking of the idea and sending it to Sculpture by the Sea I was working on
the drawing but I was also reading a book called Shogun at the same time. And I didn’t have
a name for my work and Shogun seemed suitable. Because I gave it that name, it’s given it
something extra. People see the work and the name and title they come up with ideas
about how they are related. They think about ideas they already have about Japan or what
Shogun means to them and also the work. I really like that people do that.
I’ve been developing my visual style over the last few years. It is influenced by Soviet
monuments in Eastern Europe from the 50s, 60s and 70s and they are quite angular. The
materials I use and the way I use them also makes them more angular. Metal sheets and
welding is my visual language, so I’m using that and seeing what I can do with it. I tell stories
through sculpture. Normally my sculptures are about 2 1/2 metres tall. And this work is
about 3 1/2 metres tall so it's a bit taller than I normally would work. There are a lot of
pieces in it so I could make it larger. I work on each piece first and then I use a machine to
put the sculpture together. Come down to Sculpture by the Sea and look at all the artworks
and look at Shogun from all different angles, maybe give it a spin and see what you think.
1. What is a sculptor?
2. What is the name of this artwork?
3. Why did the sculptor call it that?
4. How long did it take him to make this artwork?
5. What do you think of the name?
6. How do you think the name and the sculpture are connected?
7. What influenced the artist’s style?
8. What materials does he use?
9. How does he put them together?
10. Write a short description of the sculpture what you think of it.
Fillers
Sort of
Yeah
Maybe
So
Cloze
So when I was coming up with the concept and submitting it to Sculpture by the Sea
I ....................on the drawing but I .............a book called Shogun at the same time. And I
hadn't had a title for my work and that just seemed ......................to name it Shogun. And
through doing so I felt like it’s given it a whole other dimension 'cause people see the work
and then see the title and then create their own links. Whether intentional or not, they can't
help but drawing their own ........................about either Japan or what Shogun means to
them along with the work so I enjoy that part about it too.
The visual style I’ve landed on and .................................through the last couple of
years .............................................sort of Soviet monuments in Eastern Europe that were
created sort of in the 50s, 60s and 70s and that’s quite an angular style. And through using
core team sheets and my method of cutting and welding them that naturally just lends itself
to being quite .......................itself. So mixing those two elements I’ve sort of landed on my
own visual language and so I'm sort of trying to develop that as I go and kind of push it into,
I guess, each sculpture. Trying to push it to places that I haven't yet. And then through that
tell the story that I want to tell in the sculpture the work that I normally make is usually
about 2 1/2 metres tall. And this work would be about 3 1/2 metres tall so it's a bit taller
than I normally would work with but because the elements piece together and stuck
together it is.................................. of making it larger than I normally would. Because I can
work on the pieces .......................and then just when the sculptors going together and I
have a machine to help you put it together allows me to make it taller than I normally would
so that's how I come to having a work this large. Yeah, come down to Sculpture by the Sea
and check out all the artworks and look at Shogun from all different angles, maybe give it
a ..............and see what you think.