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Flames in Frostgrave
Flames in Frostgrave
FLAMES
PICTURES
PICTURES FROM
FROM THE
THE FROZEN
FROZEN CITY
CITY
PAINTING FLAMES IN
FROSTGRAVE
Painting flames or fire is one of those things that look a lot
harder to do than it actually is.
Like most of the painting I
do it is a process of building up
layers of colours one after
the other. The painting of such an ephemeral thing as Fire
is a challenge, and it does require
the exercise judgement
as to where to put the paint, but experience gained in
practicing and this guide, will hopefully lead you to
success.
2. That is the easy bit done. The second colour is of the first layer showing in the depressions of the flames;
DEMONIC YELLOW mixed with MATT WHITE plus if it were material that you were
painting it would be like
some FIRE LIZARD, which is a nice fiery orange. This the darker shades showing. The better the sculpting the
next stage does require a bit of judgement as to how easier this is to do (I used one
of my older more worn-out
much of this next coat to apply.
You’ll need to apply this good brushes, not one of the top flight detail brushes, so
layer a bit roughly, with some jagged edges, leaving some that the coat is not even or smooth).
Above. 3. The next layer is pure FIRE LIZARD. And you Above. 4. This next layer makes the flame pop, but you should
follow a similar process as the last layer, painting this on to be careful not to over do it. It is a layer of PURE RED
the higher points, leaving some of the previous two layers painted on the higher points again as if it were a highlight.
showing.
3. The next layer is pure FIRE LIZARD. And you 4. This next layer makes the flame pop, but you
follow a similar process as the last
layer, painting this on should be careful not to over do it. It is a layer of PURE
to the higher points, leaving some of the previous two RED painted on the higher points again as if it were a
layers showing. You could leave
the flaming torch at this highlight but making sure you leave a good lot of the
point and call it finished. previous layers showing. Again apply in a rough manner,
it’s not dry-brushed but it’s a similar technique with bit
more wet paint on the brush.
Above. 5. The last of the fire layers proper is a darker red, a light touch of DRAGON RED. Be very sparing with this layer,
catching the extremities of the flames.
5. The last of the fire layers proper is a darker red, a back to the original yellow/white base mix if needed. You
light touch of DRAGON RED. Be very sparing with this could leave the flame at this point
and call it finished.
layer, catching the extremities of the flames. Don’t worry
6. The last little flourish is a bit of smoke, just a touch
however if you overdo a layer as you can always paint
in MATT BLACK. Again be very sparing with the black,
back in some of the previous layer and or layers right
less really is more here. Remember you are going for an
inner light effect, so don’t lose those lighter undertones.
Above. 6. The last little flourish is a bit of smoke, just a touch in MATT BLACK. Again be very sparing with the black, less
really is more here. Remember you are going for an inner light effect, so don’t lose those lighter undertones.
Above. 7. I couldn’t resist a final bit on the flaming torch, a tiny bit of ash, extremely lightly dry-brushed on to the black smoke
in ASH GREY appropriately.
7. I couldn’t resist a final bit on the flaming torch, a And that’s flames, seems weird I’ve not set it down before
tiny bit of ash, extremely lightly dry-brushed on to the but I was inspired to write it down
now by seeing Andrew’s
black smoke in ASH GREY. wonderful flaming torch, he was on fire!
Above. The finished Giant-Blooded soldier with his flaming brand.