Ross Jeffries How To Get The Women You Desire Into Bed

HOW TO GET THE WOMEN YOU DESI
ESI RE I NTO BED
A Down And
And Di r t y Gui
Gui de
To Dat i ng And Seduct
Seduct i on
For The Man Who' s Fed Up
Wi t h Bei
Bei ng Mr . Ni ce Guy.
uy.
by Ross J ef f r i es
A qui
qui ck r ecom
ecommenda
endatt i on.
on. Al l of my wor k was don done
e based
based on an onl onl i ne dat
dat i ng si t e.
I t al ked
ked to and
and assoc
associi at ed wi t h mi l l i ons of women on mul t i pl e da dat i ng si t es, but
I have
ave neve
ever seen
seen anyt
anyt hi ng l i ke a si t e cal
cal l ed Bl ackB
ackBoo
ook.
k. Thi
Thi s wasn’
asn’ t no
“or di nar y” dat
dat i ng si t e. You
You woul
oul dn’ t bel i eve
eve how
how many
any hor
hor ny women f r om you your
ver y own t own or ci t y ar e on t hi s si si t e. The gi r l s arar e l egi t , t her e pr of i l es ar
ar e
l egi t , al l i n al l , t he websi t e i s 10
100% l egi t . I ’ ve per son
sonal l y met and and hookedked up
wi t h many
any of
of t he hor
hor ny women f r om Bl ackBook
ackBook.. Take
Take a chan
chance
ce andand l ook
ook f or
you
your sel you won’ t be mi sl eaded. . BlackBook.com
sel f , you
Pub
Publ i she
shed i n t he US
USA.
For
For mor e i nf or mat i on or f r ee cat
cat al og, con
cont act :
Ros s J ef f r i es
6245 Br
Br i st ol ParPar kway,
ay, Sui t e 27
275
Cul ver
ver Ci t y, CA 90230
DI SCLAI
SCLAI MER
Nei t her t he aut

aut hor nornor t he publ i she
sher assum
assumes anany r espon
sponsi bi l i t y f or t he use or
mi suse of i nf ormat i on con cont ai ned i n t hi s book
book.. The
The read
reader i s warne
warned d t hat t he use
use
of some or al l of t he t echn chni ques i n t hi s boo
book
k may r esul
esul t i n l egal conconsequ
sequence
ences,
s,
c i vi l and/ or c r i mi nal .
USE OF TH
T HI S BOOK I S DO
DONE AT YO
YOUR OWN RI SK.
" He who wi l l not t ake t he hi

hi nt , must t ake
ake t he conseq
consequ
uences.
ences. "
- - Gl
Gl enn
enn v. Covey
Covey 282
282 PA 367
367 ( 1854
1854))
Tabl e Of Cont ent s
 HYPERLINK \ l "Introduction" Introduction
 HYPERLINK \ l "Chapter_1" Chapter 1
 HYPERLINK \ l "Ch
"Chapt er _2" Chapter 2

 HYPERLINK \ l "Chapter_8" 
Chapt
hapt er 8
 HYPERLINK \ l "Chapter_9" 
Chapter 9

 HYPERLINK \ l "Chapter_11" 
Chapter 11
 HYPERLINK \ l "Ch
"Chapt er _14" Chapter 14
 HYPERLINK \ l "Appendix_1" Appendix 1
 HYPERLI NK \ l "Appendix_6" Appendix 6
 HYPERLINK \ l "Original_TOC" Original Table Of Contents

I nt r oducti on
UNFAI R SEDUCTI ONS I N AN UNFAI R WORLD
Many peopl e who r ead t he rough dr af t of t hi s book wer e upset by par t s of i t .

I nvar i abl y, I ' d hear t he same compl ai nt . "These tact i cs you' r e t eachi ng pr obabl y
wor k r eal l y wel l . We t hought t he par t s on power and conf i dence and on meet i ng
women wer e gr eat . But some of t he act ual seduct i on t echni ques ar e down r i ght
di shonest and unf ai r . They r eal l y don' t gi ve t he woman any choi ce. Why don' t you
j ust l eave t hem out of t he book? Then no one coul d possi bl y have any obj ect i ons.
" Ok. Let ' s get t he "unf ai r " char ge out of t he way. Yes, some, and I mean SOME of
t he seduct i on t act i cs i n t hi s book coul d easi l y be cl assi f i ed as "unf ai r . " And,
t r ut h t o t el l , I had some ser i ous moral r eser vat i ons about put t i ng t hem i n t he
book. However , "unf ai r " and "f ai r " ar e r el at i ve terms. I f you and I ar e i n a
boxi ng match, and we ar e bot h f i ght i ng by t he r ul es, t hen i t i s t ot al l y unf ai r
f or me t o ki ck you i n t he nut s and poke you i n t he eyes. You ar e f i ght i ng by t he
r ul es, and so shoul d I .
But , i f YOU st ar t f i ght i ng di r t y, I wi l l f eel under no mor al obl i gat i on

what soever t o cont i nue t o stand t her e l i ke a f ool and t ake i t . I ' m goi ng t o t oss
out al l t he r ul es and f i ght t o wi n, no mat t er what i t t akes.
Unf or t unat el y, when you deal wi t h women, you may of t en f i nd yours el f i n t hat
t ype of si t uat i on. They expect you t o pl ay by t he r ul es, but t hey f eel per f ect l y
f r ee t o do what ever THEY want . For exampl e, l ot s of women ar e mor e t han happy t o
spend your money and t i me, and gener al l y l ead you on, l et t i ng you t hi nk you have
a rewar d ( sexual ) comi ng. They t al k about sex on t he dat e, t ouch you a l ot , and
ACT ver y seduct i ve. Then when you make a pass , t hey f r eak out and scr eam about
what ani mal s men ar e, how we' r e onl y af t er one t hi ng. Or t hey l et you have i t
wi t h t hat f amous l i ne "I ' m j ust not at t r act ed t o you. " Maybe you f i nd out t hat
she was j ust usi ng you as a soci al " spare t i r e" because her boyf r i end was out of
t own f or a f ew weeks and she di dn' t want t o si t at home al one and l ook at t he
f our wal l s .
Of cour se, i f you real l y want t o be a " gent l eman" you may not f i nd any of t hi s
out unt i l t he t hi r d or f our t h dat e. You don' t want t o behave l i ke an ani mal and
make a pass on t he f i r st dat e, do you? So you hol d of f awhi l e, and t hen t he sl ap
i n t he f ace hur t s even mor e.
Now, any chi ck who pul l s t hi s of f DESERVES t o be on t he r ecei vi ng end of t he

most unf ai r t act i cs you can use. You ar e under no moral obl i gat i on t o be her
vi ct i m, and you ar e a f ool i f you per mi t i t .
So, by al l means, pl ay f ai r wi t h a woman unt i l she shows you t hat she i s pl ayi ng
unf ai r wi t h you. As soon as she st ar t s t o pul l shi t , t hen ei t her wal k away
compl et el y or l et her have i t wi t h ever yt hi ng you have i n your arsenal .
And whi l e we' r e on t he subj ect of f ai r , i s i t "f ai r " t hat t he good- l ooki ng and
r i ch guys shoul d get al l t he beaut i f ul women whi l e you and I have t o set t l e f or
t he dogs? Are you any l ess deser vi ng of compl et e sexual sat i sf act i on t han some
pr et t y boy who was bl essed by genet i cs and Daddy' s bank account ? Why shoul d you
j ust meekl y r ol l over , and accept a si t uat i on t hat SUCKS, good buddy, when you
can be get t i ng your shar e, and t hen some!
Somet hi ng el se t o consi der : When i t comes t o sex, women have a massi ve power
advant age. I t ' s r el at i vel y easy f or even a f at , ugl y tr ol l t o obt ai n sexual
sat i sf act i on. Al l she has t o do i s go to any bar or cl ub, act even mi l dl y
f l i r t at i ous, and be wi l l i ng t o put out . She' s sur e t o get l ai d, i f not by t he
best l ooki ng guy, t hen at l east by someone. I t ' s much har der f or even a decent
l ooki ng guy to get sat i sf acti on, sexual l y.
FOR GUYS, GETTI NG LAI D I S A CHORE.

FOR WOMEN, GETTI NG LAI D I S A CHOI CE.
Never f orget t hi s di f f er ence i n t he bal ance of power bet ween t he sexes. The
t r i cks and t act i cs you' l l l ear n i n t hi s book wi l l make you one of t hose r ar e
guys who i s on t he choi ce si de of t hat power equat i on.
Whi l e we ar e her e I bet t er make somet hi ng el se cl ear . I do NOT bel i eve t hat sex
i s t he be al l and end al l of r el at i ng t o women. Nor do I bel i eve t hat i t i s
al ways necessar y or even DESI RABLE t o use t he t act i cs out l i ned i n t hi s book,
( whet her f ai r or unf ai r ) t o get a woman t o sl eep wi t h you. I t i s cer t ai nl y
poss i bl e t hat t he par t i cul ar woman you f ancy may be smar t enough and have enough
good sense t o want you j ust as you ar e, wi t hout any games or bul l shi t on her
par t . She may al so be sane and psychol ogi cal l y heal t hy enough t o expr ess t hat
desi r e nat ur al l y, wi t hout any hang- ups or gui l t games. You mi ght even f i nd -
gasp - t hat t he f r i endshi p and i nt i macy you shar e wi t h a l ady ar e mor e i mpor t ant
t o you t han sex. When you f i nd a l ady l i ke t hi s, cher i sh her as t he r are
t r easur e she i s. Hang on t i ght , and don' t l et go!
Unf or t unat el y, based on my own exper i ence, and t he exper i ence of hundr eds of men
I ' ve i nt er vi ewed, most women do not f i t i nt o t hi s cat egor y. I wi sh t hey di d -
t he REALI TY i s t hat t hey do NOT! The real i t y i s t hat you, as a man, are goi ng t o
be sexual l y at t r act ed t o many, many women, ver y f ew of whom ar e goi ng t o
nat ur al l y desi r e you, and who you can al so r espect , l ove and admi r e.
Many of t hese women ar e goi ng t o be hung- up sexual l y, depr essed, suf f er f r om l ow

sel f - est eem, eat i ng di sor der s, al cohol i sm, et c. Heck, I even br i ef l y dat ed a
woman who t ur ned out t o be bul i mi c, al cohol i c, and was al so secr et l y a hooker !
Top t hat f or a dat i ng di sas t er st or y!
Now, you may deci de, t he heck wi t h i t . I f you can' t at l east l i ke and respect a
l ady, and i f you have t o resor t t o tacti cs you l ear ned i n a book, t hen i t j ust
i sn' t wor t h i t , and you wi l l ski p deal i ng wi t h such l oser f emal es al t oget her . I
cer t ai nl y can r espect t hat choi ce; i t ' s t he choi ce I event ual l y made mysel f . But
onl y YOU can make t hat choi ce. Even i f you do, t hi s book wi l l st i l l be of gr eat
val ue t o you, because you wi l l l ear n f ant asti c t echni ques f or i mpr ovi ng your
conf i dence, meet i ng and pi cki ng up women anywher e, any t i me, and how t o qui ckl y
r ecogni ze and swi f t l y el i mi nat e al l t he nut t y- l oser s BEFORE t hey get t o empt y
your wal l et , bend your br ai n, and ki ck your hear t i n. You' l l be abl e to get r i d
of t he di r t , so you can enj oy t he di amonds.
A FEW MORE WORDS BEFORE WE GET ON WI TH THI S BOOK
Ther e' s one bi g mi st ake t hat al l t he so cal l ed " Pi ck- up Chi cks " books seem t o
make. That i s, THEY DON' T TELL YOU HOW TO HAVE THE CONFI DENCE AND POWER TO
ACTUALLY GO OUT AND USE ALL THEI R GREAT " SEDUCTI ON" SUGGESTI ONS.
Thi s i s a CRI TI CAL mi st ake. Gr eat advi ce does you no good at al l i f you can' t
act ual l y go out and APPLY i t . Al l i t r eal l y does i s make you f eel wor se, because
now you know what t o do but you STI LL can' t do i t . At l east when you wer e
i gnor ant you had an excuse.
Thi s book wi l l NOT make t hat mi st ake; i n f act t he whol e f i r st sect i on i s

dedi cat ed t o showi ng you how t o have t he conf i dence and power t o be abl e t o
easi l y use and appl y t he t act i cs i n t he ot her t wo sect i ons of t he book. We' l l
al so show you how t o use your own cr eat i vi t y so you can devel op your own
seduct i on tacti cs t hat per f ect l y f i t your uni que per sonal i t y and ci r cumst ances.
Not bad f or one l i t t l e book, huh?
A FI NAL WORD
Thr oughout t hi s book, I wi l l be l ayi ng down cer t ai n i deas t hat you woul d do wel l
t o memor i ze and use. I suggest you get some 3 x 5 i ndex car ds t o wr i t e t hese
i deas down so you can go over t hem as you need t o. There wi l l al so be exer ci ses
t o do. I t i s ESSENTI AL t hat you DO THE EXERCI SES. J ust r eadi ng t hem wi l l get you
nowher e.
Enough chi t chat . Let ' s go t o bat t l e men.

Chapt er One
THE ONE ATTI TUDE THAT I S THE KEY

TO HAVI NG I RRESI STI BLE APPEAL TO WOMEN
AND GETTI NG LAI D WI TH THE WOMEN OF YOUR DREAMS
Once, one of my super - scor i ng buddi es i nvi t ed me t o go t o a par t y wi t h hi m. Not

havi ng much of a soci al l i f e anyway, I accept ed t he i nvi t ati on, and besi des,
t hi s guy REALLY knew how t o get l ai d. I sor t of l ooked at mysel f as bei ng one of
t hose smal l sucker f i sh t hat at t ach t hemsel ves under neat h a shar k' s mout h and
l i ve of f t he bi t s t he s har k s pi t s out .
Anyway, we wer e wander i ng ar ound t hi s huge apar t ment compl ex, l ooki ng f or t he
par t y. We wer e wal ki ng down a hal l way when we pass ed an open door , and t her e was
a part y goi ng on, but i t was def i ni t el y NOT t he part y we had been i nvi t ed t o.
Thi s was a f or mal af f ai r ; ever yone was ver y wel l dr ess ed, and my buddy and I
were bot h wear i ng j eans and scr uf f y t enni s shoes.
Thr ough t he door way I saw a st unni ng bl onde i n a l ow cut dr ess , sur r ounded by
guys t r yi ng t o hi t on her . My buddy saw her t oo, l ooked at me, and went r i ght
i nt o act i on. I saw hi m wal k i n t he door , cut t hr ough t he cr owd of guys, say
somet hi ng t o her t hat I coul dn' t hear , and hand her a car d and a pen. She wr ot e
somet hi ng down, and out came my buddy, smi l i ng ear t o ear . He had got t en her
phone number !
I asked hi m what he sai d, and he tol d me, "I j ust wal ked i n t her e, l ooked at
her, and sai d, `Excuse me. I saw you t hr ough t he door way, and unl i ke t hese
gent l emen her e, I don' t have t i me f or smal l t al k. I ' d l i ke t o t ake you out . Can
I have your home phone number ?'
Now, i t ' s not al ways necessar y t o be t hat di r ect . But i t i s necessar y t o gr asp
and use t he at t i t ude my buddy had, t he super - at t i t ude whi ch wi l l get you l ai d
mor e t han any l i ne, t r i ck, good l ooks, f ancy car or f or t une. The at t i t ude i s:
I MAKE NO EXCUSES FOR MY DESI RES AS A MAN.

I MAKE NO EXCUSES FOR MYSELF.
I MOVE THROUGH THE WORLD WI THOUT APOLOGY.
Do you r eal l y want t o get l ai d wi t h al l t he women you coul d ever possi bl y want ?
Then STOP MAKI NG EXCUSES FOR YOURSELF! Don' t make excuses f or want i ng t o l ook at
a beaut i f ul woman. I f you' r e caught l ooki ng, and she asks what you' r e doi ng,
t el l her ! ! Tel l her you' r e enj oyi ng st udyi ng j ust what a per f ect l y beaut i f ul
body she has, and t o heck wi t h her i f she' s t oo upt i ght t o appr eci at e a r eal man
who doesn' t apol ogi ze f or knowi ng what he want s!
St op maki ng excuses f or want i ng t o meet a woman! St op maki ng excuses f or want i ng

t o ask a woman out , and most of al l st op maki ng excuses f or want i ng t o FUCK t he
l i vi ng shi t out of a woman you want ! Thi s ki nd of di r ect , power f ul , go- f or - i t -
at t i t ude i s an i ncr edi bl e t ur n on f or women t hat can' t be beat en!
Li st en! I t i sn' t even t he wor ds you use t hat convey thi s at t i t ude! I t ' s your
t one of voi ce, your f aci al expr essi ons, your post ur e, t he speed at whi ch you
speak, ever yt hi ng non- ver bal about you wi l l show t hi s at t i t ude f ar more t han
wor ds.
Thi s doesn' t mean you have t o be ar r ogant , or l ack a sense of humor . You can be
war m and f r i endl y at t he same t i me you ar e bei ng di r ect and powerf ul . The key i s
f i ndi ng t he bal ance. Once you do you wi l l not be abl e t o keep women away f r om
you.
Now, i t ' s easy to t al k and t el l you t hat you shoul d have t hi s att i t ude, but t hat
won' t hel p you to act ual l y get i t . That ' s why t he next coupl e of chapt er s are so
i mpor t ant . They wi l l show you how t o i nst al l t hi s at t i t ude i n your sel f so that
you aut omat i cal l y f i nd your sel f l i vi ng by i t i n your appr oach t o women. You
won' t even have t o t r y or t o "t hi nk about i t . " I t wi l l j ust happen.
Her e' s t he ot her at t i t ude/ bel i ef you' l l want t o mast er i f you r eal l y want t o be
a success at sc or i ng wi t h women l i ke a madman.
I DON' T GET RATTL ED BY SETBACKS

BECAUSE I LEARN FROM MY MI STAKES.
I r emember wat chi ng a TV show wher e t he host was i nt er vi ewi ng a movi e

st ar / kar at e champ who shal l go namel ess. The host asked hi m what t he secr et of
hi s success was, and t he kar at e guy l ooked at hi m i n t hat wooden way of hi s and
s ai d:
" When I f i r st st art ed out compet i ng i n Karat e Tour nament s, I wasn' t t hat good. I
got beat a l ot , but I al ways l ear ned f r om my mi st akes. I nst ead of cr yi ng over my
l osi ng, I j ust st udi ed what I woul d have t o do di f f er ent l y the next t i me, and
whenever I met t he same guy agai n or a di f f erent guy i n t he same si t uat i on, I
ALWAYS cr eamed ' em. "
Look - unl ess you ar e unusual l y l ucky, chances ar e you ar e goi ng t o make a f ew
mi st akes as you pr act i ce t he i deas i n thi s book. And, as great as t hese tr i cks
are, t hey won' t work ever y si ngl e t i me.
Unl ess you know how t o l ear n f r om your mi st akes and accept and occasi onal l oss,
you wi l l get nowhere. The most successf ul guys I know at scor i ng al l have t wo
gr eat st r engt hs: They have t he f i r st power at t i t ude we' ve j ust l ooked at , and
t hey al so know how t o accept get t i ng rej ect ed wi t hout i t bot her i ng t hem and t hey
l ear n f r om t hei r mi st akes.
Ok. As I pr omi sed, l et ' s get on t o t he next coupl e of chapt er s whi ch wi l l show
you how t o act ual l y l i ve t hese at t i t udes i nst ead of j ust r eadi ng about t hem.
Chapt er Two
HOW TO I NSTALL
THE SUPER GET LAI D ATTI TUDES I N YOURSELF
SO YOU USE THEM AUTOMATI CALLY
Ther e i s one smal l poi nt you have t o get bef or e you can use t hi s exer ci se. Take
a mi nut e t o i magi ne your sel f r i di ng i n a r ol l er coast er . See your sel f si t t i ng i n
t he f r ont car , r i di ng up and down.
Now, make anot her pi ct ur e of a r ol l er coast er , but t hi s t i me, do NOT see

your sel f i n t he pi ct ur e. See i t as i f you wer e act ual l y l ooki ng out of your own
eyes, si t t i ng i n t he r ol l er coaster . Ri de f or a f ew moment s.
Now, whi ch one of t hose f el t more r eal i n your body? I ' l l bet anyt hi ng i t was
t he second ki nd. An i mage or goal onl y appear s r eal t o your mi nd i f i t comes i n
t he second f or m, as i f you were seei ng i t t hr ough your own eyes.
THE FAI LURE TO UNDERSTAND THI S SI MPLE DI FFERENCE

BETWEEN THE TWO KI NDS OF MENTAL PI CTURES PEOPLE MAKE
I S THE SI NGLE BI GGEST REASON WHY MOST PEOPLE
NEVER REACH THEI R GOALS.
You coul d i magi ne your sel f act i ng conf i dent and power f ul unt i l you ar e bl ue i n
t he f ace, but unl ess you gi ve your mi nd some cues as t o when i t i s goi ng t o t ap
i nt o t hose pi ct ur es you wi l l get NOWHERE. You wi l l never t ap i nt o al l t hose
gr eat r esour ces you' ve been i magi ni ng.
For ease we are goi ng t o cal l t he f i r st ki nd of pi ct ur e, wher e you do see

your sel f , pi ct ur e t ype 1, and t he second ki nd of pi ct ur e wher e you do not see
your sel f , pi cture t ype 2.
Ok. Now t hat we have made t hat cl ear , l et ' s get on t o t he exerc i se.
St ep One:
Recal l a t i me i n your past when you f el t conf i dent and powerf ul . A t i me wher e
you f ul l y f el t t he way you' d l i ke t o f eel ar ound women. Thi s can be anywher e and
about anyt hi ng - a gr eat gol f shot you made, or an "A" book r epor t you di d i n
school .
St ep Two:
Cl ose your eyes, and see your sel f i n t he f i r st ki nd of pi ct ur e, goi ng t hr ough

t hat exper i ence agai n.
St ep Thr ee:
Now, st ep i nt o t he pi ct ur e, and see t he event s as i f you wer e act ual l y l ooki ng

out f r om your own eyes. See what you saw, hear what you hear d, and f eel how good
i t f el t i n your body. When t hose f eel i ngs of conf i dence and power r each t hei r
peak i n your body, r each over wi t h your r i ght hand, and gi ve your l ef t wr i st a
squeeze. Run t hr ough t hi s t wi ce mor e, gi vi ng t he same squeeze i n t he same pl ace.
Thi s wi l l t r ai n your mi nd t o r ecal l t hose f eel i ngs of power and conf i dence
whenever you squeeze your wr i st t he way you ar e doi ng now.
St ep Four :
Thi nk of a si t uat i on or ci r cumst ance wher e you woul d l i ke t o be mor e power f ul

wi t h women or mor e poi sed or what ever i t i s you' d l i ke.
St ep Fi ve:
Pi ct ur e i t t he second way, as i f i t wer e goi ng on and you wer e seei ng i t t hr ough

your own eyes.
St ep Si x:
As you do so, r each over wi t h your r i ght hand and squeeze your l ef t wr i st ,
t r i gger i ng your conf i dence anchor . Thi s wi l l t r ai n your mi nd t o aut omat i cal l y
cal l up t he f eel i ngs of conf i dence and power when you are i n a si t uat i on l i ke
t he one you ar e seei ng t hr ough your own eyes. You won' t even have t o t hi nk about
doi ng i t , whi ch i s t he advant age. ( And t hat ' s why anchor i ng wor ks wher e
"posi t i ve t hi nki ng" won' t , because of t en by t he t i me you get your sel f t hi nki ng
pos i t i vel y, i t ' s al r eady t oo l at e. )
Now, once you' ve done t hi s, I want you t o do i t agai n, but t hi s t i me I want you
t o pi ck di f f er ent ci r cumst ances wher e you' d l i ke t o use your "power att i t ude"
t hat we t al ked about i n t he f i r st chapt er . Make one a si t uat i on wher e you see a
beaut i f ul woman you' d l i ke t o t al k t o. Anot her coul d be maki ng a pass at a woman
back at your pl ace. Go through t he si t uat i on wi t h t he f i r st ki nd of pi ct ur e,
seei ng your sel f i n t he pi ct ur e. Then st ep i nt o t he pi ct ur e, and go t hr ough i t ,
f eel i ng what i t woul d f eel l i ke, l ooki ng t hr ough your own eyes. Do t he same
t hi ng f or t he second "l earni ng f r om your mi st akes" att i t ude. See your sel f maki ng
a mi st ake, f eel i ng ok about i t , and l ear ni ng what ever l esson you need so you can
do i t di f f er ent l y next t i me. Then st ep i nt o t he pi ct ur e and see i t t hr ough your
own eyes.
Chapt er Thr ee
BELI EVE I T OR NOT,

HOW TO HAVE EVEN MORE CONFI DENCE WI TH WOMEN
A gr eat deal of success and power wi t h women has not hi ng t o do wi t h how you act
and f eel about t hem, but a l ot t o do wi t h how you act and f eel about your sel f .
What we' r e r eal l y t al ki ng about her e i s SELF- RESPECT.
Pl ent y of men who woul dn' t t ake a bi t of cr ap f r om anot her guy t ur n i nt o down
r i ght spi nel ess wi mps when i t comes t o women. Whet her t hey ar e r el i vi ng ol d
dr amas wi t h a mommy t hey coul dn' t pl ease as chi l dr en, or ar e scar ed f or some
ot her r eason, t hey put t he woman f i r st .
Ot her guys have a sl i ght l y di f f er ent pr obl em. They may not t ake any cr ap f r om a
woman, but get t i ng l ai d i s SO damn i mport ant t o t hem t hat t hey l ose si ght of
ot her pr i or i t i es. I n a sense i n l oses al l t he f un aspect s, and get s t o be a
compul si on.
Guys l i ke t hi s may wi n t he bat t l es, but t hey ar e def i ni t el y l osi ng t he war .

Women may be ni ce addi t i ons t o your l i f e, and i f you f i nd t he r i ght one, you
mi ght even chose t o make her part of t he cent er of your s. But a l i f e spent doi ng
not hi ng but chasi ng women i s a pr et t y st upi d one.
I f t hat i s your pr obl em, t hen pul l your sel f up shor t f or a mi nut e, and ask
your sel f i f you mi ght be mi ssi ng some of t he ot her pl easur es l i f e has t o of f er .
You mi ght be shocked t o l ear n t hat a qui et eveni ng at home wi t h a good book can
act ual l y be mor e st i mul at i ng t han a bor i ng dat e wi t h a huge br east ed bi mbo wi t h
a r oom t emper at ur e I . Q.
So her e' s a hi nt f or i ncr easi ng your conf i dence wi t h women: STOP NEEDI NG THEM SO
MUCH! And a good way t o do t hat i s goi ng out and f i ndi ng a hobby t hat you can
r eal l y enj oy. Somet hi ng t hat get s you AWAY f r om women.
Not onl y wi l l t hi s i ncr ease your conf i dence as you are on t he pr owl , i t pr ovi des
a gr eat escape f or when t hat speci al l ady you are wi t h put s a bi t of st r ess and
st r ai n on your br ai n, as t hey so of t en wi l l .
Per sonal l y, I pref er Bi g Mout h Bass Fi shi ng. Most women hat e even t he t hought of
some i cky, sl i my f i sh f l oppi ng al l over t hem, and woul dn' t even consi der aski ng
t o go al ong wi t h you. And besi des, I enj oy cat chi ng somet hi ng wi t h a bi g mout h,
and bei ng abl e t o i nst ant l y thr ow i t away i f I f eel l i ke i t . Women ar e not so
easy.
Chapt er Four
STI LL MORE CONFI DENCE AND POWER WI TH WOMEN!
Here i s a magi c wor d t hat wi l l br i ng you l oads of success wi t h women, and get
you l ai d l i ke cr azy. I t works wi t h al l women, but t he more beaut i f ul t he woman,
t he bet t er i t works. The word i s: NO!
That ' s r i ght . No! The same wor d t hat wi l l keep a puppy f r om wet t i ng t he car pet
wi l l al so keep a woman f r om shi t t i ng on you!
You must say no t o a woman once i n a whi l e, when i t i s over an i ss ue of

i mpor t ance, and when you mean i t .
No mat t er how gor geous, or gr eat i n t he sack or how ot her wi se wonder f ul she may
be ( and who el se but such a goddess coul d possi bl y begi n t o deser ve t o be i n
YOUR company?) you must be wi l l i ng t o wal k away f r om her i f you can' t deal wi t h
her f r o m a pos i t i on of s el f - r e spec t .
And sel f - r espect , my f r i end, i s mostl y a mat t er of what you say no t o. I t ' s a
boundary set by what i s not permi t t ed, t ol er at ed or al l owed. And whi l e i t may be
negat i ve f r om t hi s semant i c sense, i n r eal i t y i t i s t he most power and posi t i ve
f or ce you have goi ng f or you. When a woman senses i t i n you, she knows s he' s
f ound somet hi ng she' s i nst i nct i vel y want ed si nce she r eal i zed she' s f emal e: A
MAN SHE COULD NEVER HOPE TO CONTROL.
I know t hi s i sn' t easy. I t hur t s, r eal l y hur t s t o have t o wal k away f r om someone
you r eal l y di g because she i sn' t t r eat i ng you r i ght . But l ove can of t en be l i ke
a st r eet f i ght , and r emember t he st r eet f i ght er ' s number one r ul e: I gnore t he
pai n and car r y out your of f ensi ve wi t h ever ythi ng you' ve got . I f you can pul l
t hi s of f , you wi l l wal k wi t h a conf i dence and power t hat women of al l ages wi l l
be abl e t o sense. And mor e i mpor t ant l y, you' l l l i ke t he guy who l i ves i nsi de
your ski n.
Chapt er Fi ve
YET MORE CONFI DENCE AND POWER WI TH WOMEN
Geor ge S. Pat t on J r . , t he hel l - f or - l eat her Gener al of Wor l d War I I f ame was once
asked what he t hought of hi s r i val , t he Br i t i sh Fi el d Mar shal l Mont gomer y.
Pat t on r epl i ed, "He' s t he best Gener al t he Br i t i sh have. But he' s more
i nt er est ed i n not l osi ng t han he i s i n wi nni ng. Unf ort unat el y f or many men,
t hat ' s t hei r at t i t ude t oward women. They wal k on egg- shel l s, caut i ous as can be,
hopi ng agai nst hope t hat t hey don' t make a mi st ake.
I f you want t o have DYNAMI C power wi t h women, begi n t o f ocus on what you want ,
and what you ar e goi ng t o do, not on what you mi ght l ose or what ' s goi ng t o
happen t o you i f you don' t wi n. Of cour se, gi ve t he ri sks a gl ance. But don' t
f ocus on t hem.
Focus on what you desi r e. What wi l l i t be l i ke when you' r e wi t h t hat woman you
want ? What wi l l you see? What wi l l you hear ? What wi l l you f eel i n your body?
These ar e t he ki nds of quest i ons t hat wi l l get you exci t ed about and ai med at
wi nni ng, i nst ead of cr i ngi ng at l osi ng. Even i f you know you have some
compet i t i on you' l l be abl e t o gi ve i t your best shot , because your maj or f ocus
wi l l be on your out come.
I n s hor t :
GLANCE AT WHAT YOU MI GHT HAVE TO LOSE,

BUT FOCUS ON WHAT YOU WANT TO WI N.
Chapt er Si x
HOW TO FAKE LI KE YOU ARE WARM AND FRI ENDLY
When I was i n col l ege, and st r uggl i ng j ust t o get a dat e, l et al one get l ai d
r i ght and l ef t , I knew one guy who ALWAYS had gr eat l ooki ng women ar ound hi m. He
seemed t o know pr act i cal l y ever y gi r l on campus, and t hey' d al ways come up t o
hi m and gi ve hi m hugs and ki sses. No, he was not a coke deal er or a pi mp. Of al l
t hi ngs, he was an evangel i st .
Now, I ' m cer t ai nl y not advocat i ng J esus Fr eaker y as t he way t o get your weeni e
wet . But you mi ght t ake a f ew l essons f r om t hi s guy, Chr i s. I ' d wat ch hi m go t o
wor k on women who wer e absol ut e st r anger s and wi t hi n a f ew mi nut es, t hey' d be
l aughi ng and punchi ng hi m pl ayf ul l y, somet i mes gi vi ng hi m hugs. I f i t wer en' t
f or t he Lor d, Chr i s woul d have been t he bi g st ud on campus.
And what was hi s s ecr et , a secr et I hope YOU use t o l aunch you on t he way t o
get t i ng l ai d l i ke a bandi t ? Hi s af f i ni t y and war mt h made women f eel ADORED. He
di dn' t come on al l hot and heavy, l i ke a hungr y wol f on t he pr owl . He came on
wi t h al l t he f r i endl i ness and f un at hi s di sposal - as i f t hese st r ange women
wer e l ong l ost f r i ends t hat he dear l y l oved.
And t hey bought i t ! Even t he chi cki est woman, who i s ver y upt i ght about bei ng a
sex obj ect , want s t o f eel l oved and speci al . And j ust by t he warmt h i n t he t one
of hi s voi ce and hi s smi l e he made t hese gi r l s f eel as i f t hey WERE l ong l ost
f r i ends .
Look at i t t hi s way: Even t he nast i est per son f i nds i t har d t o r eact f ear f ul l y
or angr i l y t o someone who makes t hem f eel l oved and appr eci at ed.
I suggest you make t hi s AS I F pr i nci pl e part of your bag of t r i cks. The next
t i me you appr oach a woman who i s maki ng you bur st out of your pant s wi t h l ust ,
t r y put t i ng asi de t he l ust and t ur ni ng on t he warmt h.
Conveyi ng warmt h and af f i ni t y i sn' t so t ough - j ust t hi nk of how you l ook and
sound when you see a ni ece or nephew, or even a pet t hat del i ght s you. No, I am
not suggest i ng baby t al k as a way of scori ng babes. I ' m t r yi ng t o gi ve you an
exampl e of wher e i t ' s nat ur al f or you t o behave t he way I ' d l i ke you t o t r y
behavi ng wi t h women.
The i mpor t ant pr i nci pl e t o appl y her e i s t hat THE MEANI NG OF YOUR COMMUNI CATI ON
I S THE RESPONSE I T GETS. I f you use a t one of voi ce or a f aci al expr essi on t hat
makes women f ear f ul or suspi ci ous, t hen no mat t er how cl ever your wor ds ar e, t he
message you convey t o her i s t hat she shoul d be af r ai d and suspi ci ous of you.
I f voi ce t one and physi ol ogy ( and agai n I don' t mean your appear ance per s e, but
r at her your post ur e and f aci al expr essi ons) are so cr uci al i n how women r eact t o
you, t hen what i s t he key t o pr oduci ng voi ce t one and physi ol ogy? Your bel i ef
and expect at i on about your out come.
I f you bel i eve you are goi ng t o get r ej ect ed t hen you are ei t her goi ng t o convey
f ear, and make her f earf ul or el se you are goi ng t o t r y t o beat her t o t he punch
and act so obnoxi ous t hat she r ej ect s you r i ght of f , so you don' t have t o wai t
t oo l ong i n suspense f or your negat i ve pr edi ct i on t o come t r ue. You j ust want t o
get i t over wi t h qui ckl y so you act ual l y pr oduce t he humi l i at i on t hat you
bel i eve you cannot avoi d.
By cont r ast , i f you act as i f you t r ul y wer e someone who ever yone l i ked and
r ecei ved war ml y, t hen t hat war mt h i s what your t one and physi ol ogy wi l l convey,
and t hat ' s t he response you wi l l get , ni ne ti mes out of t en. I ' m not sayi ng
you' l l get l ai d wi t h ever yone you appr oach, but sel dom wi l l you have a nast y
exper i ence ei t her . And any woman who doesn' t r espond posi t i vel y t o war mt h and
af f i ni t y i s ser i ousl y si ck and shoul d be avoi ded at al l cost s anyway.
PRACTI CE EXERCI SE: OK, I know t hi s one i s goi ng t o SEEM a l i t t l e si l l y, but i t ' s
goi ng t o hel p you get l ai d l i ke CRAZY, so j ust do i t !
St ep One:
Remember t he wor ds t o t he pl edge of al l egi ance. I n case you don' t her e t hey ar e:
( You may st and and put your hand over your hear t i f you so choose. )
I pl edge al l egi ance t o the f l ag of t he Uni t ed St at es of Amer i ca, and t o the

Republ i c f or whi ch i t st ands, one nat i on, under God, i ndi vi si bl e, wi t h l i ber t y
and j us t i ce f or al l .
St ep Two:
Pract i ce, out l oud, sayi ng t hese words wi t h al l t he warmt h and f r i endl i ness you
can must er .
St ep Thr ee:
Pr act i ce sayi ng t hem out l oud as i f you t hought t hey wer e the f unni est t hi ng i n
t he wor l d and you mi ght cr ack up l aughi ng at any moment .
OK, so you f eel a bi t si l l y pr act i ci ng ( and i f someone shoul d cat ch you t hey may
t hi nk you' ve j oi ned t he J ohn Bi r ch Soci et y) and i t seems wei r d. But j ust
r emember -
I T I SN' T SO MUCH WHAT YOU SAY TO A WOMAN,

BUT YOUR TONE OF VOI CE WHEN YOU SAY I T! ! ! !
Chapt er Seven
GETTI NG HER ATTENTI ON

THE KEY TO PI CK- UPS WHEREVER YOU ARE
I have a br ot her who' s i n adver t i si ng - more speci f i cal l y he wr i t es newspaper

and magazi ne ad copy. I once wat ched hi m at wor k, and he sat f or about t hr ee
hour s and t hen wr ot e one sent ence! One sent ence!
I asked hi m why he t ook so l ong on one sent ence and hi s answer st uck wi t h me:
I t ' s t hat f i r st sent ence t hat det er mi nes whet her t hey even read the r est of t he
ad!
Look at meet i ng women l i ke an ad man who' s wr i t i ng copy f or a newspaper ad.

Maybe one out of a hundr ed r eader s i s act i vel y l ooki ng f or t he pr oduct you ar e
t r yi ng t o sel l , and t hey wi l l r ead your whol e ad no mat t er what t he headl i ne
says.
The r est of t he r eader s coul d car e l ess . They ar e busy f l i ppi ng pages, t r yi ng t o
get t o t he comi cs sect i on or t he sport s page. They wi l l onl y st op i f somet hi ng
gr abs t hei r at t ent i on.
So i t i s wi t h t he aver age chi ck. I n a f ew l ucky si t uat i ons, your l ooks al one
wi l l snag her . But t he rest of t he t i me you won' t have much chance of sel l i ng
your pr oduct unl ess you gr ab her at t ent i on and gr ab i t f ast . ( I know, you want
t o gr ab somet hi ng el se, but t hat comes l at er . Ani mal . )
Bel ow are some of t he best ways t o gr ab a gi r l ' s at t ent i on. Keep t hem i n mi nd as
you r ead t he next f ew chapt ers .
Humor
Appeal i ng to her cur i osi t y
Put t i ng an unusual or unexpect ed t wi st on an ol d, cl i che pi ck- up
Rol e pl ayi ng
Faki ng l i ke you al r eady know her
Appeal i ng t o her ego
Showi ng out r ageous bal l s or gut s
Chapt er Ei ght
HOW TO MAKE A WOMAN YOU' VE J UST MET

FEEL LI KE SHE' S MET THE MAN OF HER DREAMS
The next st ep af t er you' ve got her at t ent i on i s t o i nt r oduce your sel f and get
her name. I hope you ar e smar t enough t o do t hat wi t hout my advi ce.
Then you' ve got t o cr eat e t he i l l usi on of r appor t . For t hose of you who don' t
know what r apport means, t he di ct i onar y def i nes i t as: "Accor d, af f i ni t y,
r el at i ons mar ked by har mony. "
The t echni ques you use t o cr eat e r appor t wi l l var y accor di ng t o t he t ype of
pi ck- up you ar e usi ng. Of cour se, we' ve al r eady gone over t he pr oper way t o use
your t one of voi ce.
Her e ar e t wo ot her ver y sneaky and power f ul ways t o cr eat e r appor t wi t h a woman.
You shoul d use t hem when you' r e act ual l y on a dat e as wel l as when you f i r st
meet a woman. They t ake some pr act i ce t o mast er , but wor k qui t e wel l .
MI RRORI NG
Ther e once was a ver y power f ul and successf ul hypnot i st by t he name of Mi l t on

Er i ckson. When you ar e t hr ough wi t h t hi s book you may wel l want t o bui l d a
shr i ne t o Er i ckson, because t hi s man i s goi ng t o hel p get you l ai d more t han
havi ng a mi l l i on dol l ars cash and a body l i ke Scharwt znegger .
Er i ckson coul d hypnot i ze anyone, even t he most r esi st ant pat i ent or cl i ent . One
of t he ways he di d t hi s was by mi r r or i ng t he br eat hi ng of t he pers on he was
hypnot i zi ng.
Now, I ' m goi ng t o pause f or a mi nut e so you can go t hr ough your " Bul l shi t "
r eact i on. But mi r r or i ng someone' s br eat hi ng i s a ver y power f ul way t o make t hem
unconsci ousl y f eel i n t une wi t h you. Er i ckson woul d wat ch t he r at e of hi s
cl i ent ' s breat hi ng and t hen begi n t o mat ch i t wi t h hi s own br eathi ng, or wi t h
t he pace of hi s speaki ng. Or he' d t ap hi s chest wi t h hi s hand i n t i me t o t he
per sons breat hi ng, and t hen begi n t o gr adual l y sl ow t he t appi ng. The per son' s
br eat hi ng woul d sl ow i n t i me t o t he t appi ng!
Mi r r or i ng wor ks because your unconsci ous pi cks up and i s awar e of t hi ngs your
consci ous mi nd has no knowl edge of . To convi nce your sel f t hat t hi s i s so, t r y
t hi s exper i ment :
Get a f r i end of your s and have t hem cl ose t hei r eyes. Ask t hem t o keep t hei r
eyes cl osed, and guess what you ar e doi ng.
St and i n f r ont of t hem, and begi n speaki ng. As you do so, sway your head f r om
si de t o si de.
Ask t hem what you ar e doi ng.
Of cour se, t hey wi l l be abl e t o t el l you you ar e movi ng your head back and
f ort h. Now, ask t hem how t hey knew t hey' l l t el l you t hey coul d hear t he
di f f erence i n how you sounded.
Now, t r y i t agai n, but t hi s t i me ask t hem t o keep t hei r eyes open. Ask i f t hey
can hear t he di f f er ence now, and of cour se t hey can' t ? Act ual l y, t hey CAN hear
t he di f f er ence, because t hey st i l l have t he same pai r of ear s - t hey j ust ar en' t
CONSCI OUSLY awar e of i t . But unconsci ousl y, you bet t hey ar e!
I n t he same way, i f you mi r r or a chi ck' s br eat hi ng, or her t one of voi ce, or
r at e of speaki ng, or even a par t i cul ar gest ur e she uses, on a consci ous l evel
she won' t not i ce. I f she does not i ce on a consci ous l evel , t hen you are bei ng
t oo obvi ous and she' s ei t her goi ng t o t hi nk you ar e a wei r do or ar e maki ng f un
of her , and nei t her of t hese wi l l scor e you poi nt s.
But i f you do i t subt l y, t hen al l she wi l l know i s t hat f or some odd r eason she
sur e seems t o f eel r i ght down comf ort abl e wi t h you, ol d buddy, as i f she' s l oved
you f or year s!
Chapt er Ni ne
SOME GREAT METHODS AND GREAT PLACES

TO PI CK UP MORE WOMEN
THAN YOU AND A FRI END
COULD POSSI BLY HOPE TO HANDLE
I NCLUDI NG THE ONLY TWO PI CK- UP LI NES
I N THE WORLD THAT WORK SO WEL L
THAT THEY CAN GET YOU LAI D AUTOMATI CALLY
ECOLOGY WARNI NG! ! ! ! ! ! !
You ar e about t o l ear n some ver y ef f ect i ve met hods f or meet i ng women. Whi l e al l
of t hem are ef f ect i ve, some of t hem mi ght not be r i ght f or you t o use i n an
over al l sense. I f , f or exampl e, you need t o work on bei ng more di r ect , t hen
usi ng some of t he t r i cki er met hods t hat r el y on get t i ng a woman' s at t ent i on vi a
some ki nd of pl oy mi ght hur t you i n t he l ong r un. Use your own best j udgment and
t r y to t hi nk l ong t er m.
Si ngl es Bar s
Even t hough I don' t par t i cul ar l y car e f or si ngl es bar s, I guess I am obl i gat ed
t o t el l you some ways t o wor k t hem. Her e ar e some t hi ngs t o keep i n mi nd i f you
want t o use si ngl es bar s t o pi ck up women:
Women i n si ngl es bar s ar e sor t of l i ke mot or cycl e cops. Mot or cycl e cops have
hear d ever y st or y i n t he book f r om peopl e t r yi ng t o tal k t hem out of t i cket s.
Women i n si ngl es bar s have hear d ever y st or y and l i ne ( i f t hey ar e hal f way
decent l ooki ng, t hat i s, and i f not , who car es?) t r yi ng t o t al k them out of
t hei r pant i es .
Si nce you ar e r unni ng agai nst t he odds, you ar e goi ng t o have t o go t hr ough some
number s bef or e you get a pi ck- up. Unl ess you ar e a movi e st ar or l ook l i ke a
Gr eek God, f i gur e about 10 "no' s" ( woul d you bel i eve, "f uck of f ") f or ever y yes,
i f you ar e l ucky. So pi ck an appr oach you enj oy doi ng, si nce you are goi ng t o
have to use i t a l ot . Per sonal l y, I pr ef er a f unny appr oach, because I l i ke
get t i ng a l augh, enj oy a woman wi t h a sense of humor , and gener al l y have f un
wi t h t hi s angl e of at t ack.
Si nce most bar s ar e so l oud, what wi t h hundr eds of peopl e t al ki ng at once, and
mor e of t en t han not , musi c bl ast i ng as wel l , BRI NG A PEN AND SMALL NOTE PAD! ! !
Thi s wi l l save your voi ce and al l ow you t o communi cat e!
Keep movi ng, and don' t l et a l ess t han opt i mum r esponse st op you. Thi s i s a
number s game, and i f a part i cul ar gi r l i sn' t gi vi ng you t he r esponse you l i ke,
cut bai t and move on t o gr eener past ur es.
OK. Her e i s my f avori t e si ngl es bar met hod. I t i nvol ves usi ng a not e pad and
pen. What I do i s pi ck out a gi r l t hat i nt er est s me, scri bbl e t hi s not e, and
hand i t t o her :
"Hi , " I ' m t aki ng a sur vey on bad l i nes. Ci r cl e whi ch one you t hi nk i s t he wor st .
" 1. `Come her e of t en, sugar pant s?'
" 2. `Hey, baby. Can we go out i n t he col d and hug?'
"3. `Hi . I ' m t aki ng a sur vey on bad l i nes. ' "
Thi s al most al ways get s a l augh. When i t doesn' t , I j ust wal k away, because i f
t he chi ck can' t t ake a j oke, t hen t o heck wi t h her . But , as I sai d, t hi s i s a
f un, enj oyabl e appr oach f or me, i t ' s uni que and di f f er ent , and i t ' s a good
opener.
Ther e ar e l ot s of var i at i ons on t he basi c not e pad and pen appr oach. You coul d
pr et end you ar e wr i t i ng a book f or men and want t o sur vey women on t he best ways
t o meet t hem i n bars . But t hi s appr oach mi ght arouse some suspi ci on, and I ki nd
of t hi nk i t ' s mor e common t han you' d bel i eve.
Happy Hour s
Your l ocal r est aur ant or bar ' s happy hour i s a gr eat pl ace t o meet women. They
go t here t o r el ax and unwi nd af t er wor k, and t hat means al cohol consumpt i on, and
pl ent y of i t . So, you al r eady have one st r i ke i n your f avor , because t hei r
i nhi bi t i ons ar e goi ng t o be a l ot l ess t han nor mal .
The " t aki ng a sur vey met hod" wor ks bet t er i n t hi s set t i ng t han i n a si ngl es bar ,
as women ar e, as I sai d, l ess suspi ci ous. You' r e pr obabl y bet t er of f sayi ng t hat
you ar e wr i t i ng a book f or men and you ar e wor ki ng on a chapt er on bad l i nes.
Ask t he women you meet t o t el l you t he wor st pi ck- up l i nes t hey' ve ever hear d.
They' l l be mor e t han happy t o t el l you- one of t he t hi ngs women do most when
t hey get t oget her f or dri nks i s t o chi ck about men, so you' l l pr obabl y be r i ght
on subj ect ! Thi s i s a f un appr oach, t hat adds some humor t o t he st al e "best ways
t o meet women sur vey" appr oach. You' l l meet l ot s of women, and some of t hem ar e
bound t o go f or you, out of sheer number s al one. Who knows, you mi ght f i nd out
t hat some of your f avori t e l i nes ar e act ual l y t he ones women t hi nk of as bei ng
t he wor st ! That al one woul d make i t wor t h your whi l e!
Wai t r esses
One of t he t hi ngs I not i ced when I was f i r st t r yi ng out si ngl es bars and happy
hour st r at egi es was t hat t he wai t r esses were al most al ways bet t er l ooki ng t han
any of t he f emal e cust omer s! Take a good l ook next t i me you go t o t hese pl aces
and you wi l l see t hat I am r i ght .
I l ove pi cki ng up wai t r esses. Ther e i s f ar l ess pr essur e, t hey have t o tal k t o
you, and you can t ake your t i me. Unl i ke a gi r l you meet i n a bar , who you wi l l
mor e t han l i kel y never see agai n unl ess you get a dat e, you can pr et t y much know
wher e and when t he wai t r ess of your dr eams wi l l be.
I shoul d poi nt out t hat wi t h wai t r esses, as wel l as sal es cl er ks, and ot her
" wor ki ng women" you have t o deci de on a one st ep or t wo st ep appr oach. By t hat ,
I mean t hat i f t hi ngs seem t o be goi ng r eal l y good on your f i r st meet i ng, you
can ask her out r i ght on t he spot . I f not , you can t r y t o bui l d more r apport on
l at er vi si t s, bef or e you hi t her f or t he dat e or phone number .
Wai t r ess Bai t
As wi t h any pi ck- up, key f i r st st ep i s t o get your t ar get s att ent i on. Her e ar e
t hr ee good ways t o do t hat :
1. The cl ever l i ne appr oach. Here' s a l i ne t hat I ' ve used t i me and agai n. God
must have whi sper ed i t i n my ear, t he f i r st t i me I used i t . I t works when you
ar e i n a si ngl es bar or other bar or r est aur ant t hat has l ot s of f emal e
cust omer s, and your t ar get i s busy ser vi ng dr i nks. J ust l ook at her and say,
" I j ust want ed you t o know t hat ni net y- ni ne per cent of t he women who wal k i n
t hat door woul d ki l l t hei r own mot hers t o l ook hal f as good as you do. "
Thi s i s pr obabl y t he most ef f ect i ve l i ne you wi l l ever use. I t ' s one t hi ng f or a
beaut i f ul woman t o hear t hat a man t hi nks she' s good l ooki ng, but i t i sn' t
r eal l y t hat bi g a deal t o her . Af t er al l , she al r eady knows i t i s t r ue, and may
even be t i r ed of hear i ng i t .
But , women bei ng such cat - l i ke cr eat ures, not hi ng pl eases t hem mor e t han t o know
t hat t hey ar e SO beaut i f ul t hat ot her women hat e t hem f or i t and are i nsanel y
j eal ous! Even t he most j aded, har d- ass ed woman woul d l ove t o bel i eve t hi s i s
true!
2. The di r ect appr oach. Her e, you ar e di r ect , but you al so acknowl edge t he
r eal i t y t hat you are a st r anger t o her , and t hat you r espect her need t o earn
her l i vi ng wi t hout bei ng har assed by pi ck- up art i st s. Wal k up to her and say,
" I don' t mean t o i nt er r upt you whi l e you are worki ng, but I j ust want ed you t o
know t hat I t hi nk you' r e one of t he most at t r act i ve women I ' ve ever s een, and
I ' m r eal l y gl ad I worked up t he cour age t o i nt r oduce mysel f t o you. "
Tel l her your name, ask her her s, and t hen l et her get back t o wor k. Chances
ar e, she' l l be so i mpr essed, she' l l come over t o t al k to you. Thi s l i ne i s ver y
f l at t er i ng, and what r eal l y makes i t wor k i s t he l ast bi t about "wor ki ng up t he
cour age t o meet you. " I t i mpl i es t hat she' s so beaut i f ul t hat you j ust had t o
over come al l t hat shyness j ust so you coul d get a chance t o meet her . Women eat
t hi s l i ne l i ke candy and i t wi l l get you l ai d by wai t r esses, sal esgi r l s and t he
l i ke wi t h st ar t l i ng f r equency.
3. The di r t y, sneaky, f ake l i ke you ar e i n show bi z appr oach. Her e i n L. A. ,

99. 999% of t he bet t er l ooki ng wai t r esses are aspi r i ng act r esses, wai t i ng f or
t hat bi g br eak. Some of t hese women ar e so gor geous t hey woul d make you dr ool i n
your pant s, and t hey ar e r i pe f or someone who t hey t hi nk can hel p t hem al ong i n
t hei r car eer . Now, keepi ng i n mi nd t he ecol ogy warni ng at t he begi nni ng of t hi s
chapt er, l et me t el l you how I st umbl ed on t o t hi s scam and how i t can hel p you
t o sl eep wi t h t he most beaut i f ul women ar ound.
At t he t i me I st umbl ed on t hi s appr oach, I had a r oommat e who wor ked f or a smal l

aer ospace r esear ch company. They had j ust moved i nt o a sui t e of of f i ces t hat
pr evi ousl y had been occupi ed by a t al ent agency. Openi ng a cl oset one day, t hey
di scover ed a f ew hundr ed pi ct ur es of ver y good l ooki ng act r esses who were
appl yi ng f or a rol e i n a f i l m.
My r oommat e br ought about a hundr ed of t hem home, and as I was goi ng t hr ough
t hem, sl obber i ng al l over mysel f , i t suddenl y occur r ed to me t hat :
Most of t hese gi r l s wer e pr obabl y worki ng as wai t r esses t o support t hemsel ves.
What bet t er way t o get f avorabl e at t ent i on f r om some cut i e pi e wai t r ess t han t o
wal k i nt o a bar or r est aur ant wi t h t hese and j ust st art goi ng t hr ough t hem.
So, t hat ' s what I di d. And sur e enough, bef or e l ong, a ver y gor geous young f ood
and dr i nk ser vi ce t echni ci an ( bur eaucr at ese f or wai t r ess) came by t o see what I
was doi ng. I t ol d her t hat my si st er r an a company t hat makes movi es f or TV
( whi ch happens t o be t he t r ut h, but don' t wor r y i f you don' t have a si st er t hat
does t hat , you can t al k about my si st er i f you f eel gui l t y) and t hat she want ed
me t o go t hr ough t hese pi ct ur es and sel ect t he ones I t hought wer e t he most
at t r act i ve. Nat ur al l y, t hi s sweet i e pi e was an aspi r i ng f ut ur e Oscar wi nner , and
asked i f she coul d get a r esume t o me. I sai d i t woul d have t o be f ast , as my
si st er want ed t o know by t omor r ow. Of cour se, she i nvi t ed me t o come back t o her
pl ace af t er wor k to get t he pi ct ur e, and wel l , we had a f ew dr i nks and. . . . . . . .
The key t o t hi s met hod i s not t o make i t seem l i ke you ar e bl ackmai l i ng her .
Tel l her you woul d be happy t o submi t her pi ct ur e and r esume t o t he r i ght
pers on. Af t er you have agreed t o t hat , THEN ask her out . The t hreat of you not
doi ng i t i f she doesn' t accept hasn' t been made, and ni ce guy t hat you ar e, you
woul dn' t even t hi nk of i mpl yi ng i t . But she mi ght be af r ai d of l osi ng your good
wi l l , and so wi l l accept . Tr y t o get her t o go out wi t h you on t he spot .
Now, some of you may be wonderi ng, " Wel l , i t sounds gr eat . But what i f I don' t
have a r oommat e who happens t o wor k f or an aer ospace r esear ch company t hat
happens t o be i n t he same of f i ce t hat used t o be used by a t al ent agency?"
Good quest i on. What you do i s put a si mpl e ad i n your l ocal paper al ong t hese
l i nes:
" Model s want ed! Al l expenses pai d, pl us $500. 00 phot o shoot i n Tahi t i ! Send 8 x
10 t o: Your Name Pr oduct i ons, Your Addr ess. "
That shoul d get you some ni ce r esponses.
St r eet and Super mar ket Pi ckups
One of t he t oughest pl aces t o pi ck- up women i s r i ght on t he st r eet , and t hat ' s
why I l ove i t ; i t ' s a r e al c hal l enge.
Of cour se, one of t he easy ways out i s t he ol d " t aki ng a sur vey" met hod, but
t hat i sn' t near l y as much f un as usi ng l i nes.
The absol ut e key t o st r eet pi ckups i s t o be ver y upbeat , happy, war m and
f r i endl y. Do NOT come on heavy on t he st r eet . Women ar e nat ur al l y ( and j ust l y)
caut i ous i n t he bi g ci t y.
Her e' s a gr eat st r eet pi ck- up f or you t hat wi l l al so wor k i n a super market . I
cal l i t t he compl i ment st r i ng.
Pi ck out your t arget , t hen wal k al ongsi de her . Fi nd one t hi ng about her you can
genui nel y compl i ment , t hen say:
" I l i ke your hat . "
She' l l say "Thank you. "
Then say, " I l i ke your wat ch. "
She' l l say "Thank you. "
Then what you do i s pause, sor t of l ook at her si deways f or a moment , and say
wi t h as much char m and good humor as you can:
"Come t o t hi nk of i t , I l i ke ever yt hi ng. "
Ni ne t i mes out of t en t hat wi l l get a bi g l augh. I f she doesn' t l augh, she' s a

ver y upt i ght chi ck and you' d j ust get r ej ect ed i f you st r ai ght asked her out
anyway.
Once she' s l aughed you hi t her wi t h t hi s:

" My name' s _ __ _ __ __ . By what name ar e you cal l ed, you shi ni ng exampl e of genet i c
per f ecti on?"
( I know t hat sounds cor ny but i t wi l l get a bi g l augh. Tr ust me. )
Once she t el l s you, you say,
" You know, I can t el l you' r e woman wi t h f ant ast i c good t ast e. And you know how I
know t hat ?"
She' l l ask how.
" Because you l augh at al l of my j okes. "
She' l l l augh agai n. Then you hi t her wi t h anot her l augh l i ne.
"Do you bel i eve i n i r r at i onal and sel f - def eat i ng i nf at uat i on at f i r st si ght ?"
She' l l l augh agai n. I f she says yes, t hen you shoul d j oki ngl y l ook heavenward
and say,
" Thank you, God. Woul d you l i ke t o get a cup of cof f ee?" I f she says no ( t o t he
i nf at uat i on quest i on, not your cof f ee i nvi t at i on) , you say,
"Gr eat . Then I ' m not bei ng i r r at i onal i f I ask you t o have a cup of cof f ee ( or
some f r ozen yogur t , or what ever i s near by and conveni ent ) .
What ever t he response, you want t o t r y t o i nvi t e her t o do somet hi ng wi t h you,
i n a publ i c pl ace, r i ght t hen and t her e.
I f she says she' d l i ke t o, but i s i n a hur r y t o get somewher e, ask her out f or
t hat eveni ng, i f i t i s at al l f easi bl e. Say somet hi ng l i ke "I ' d be ver y
f l at t er ed i f you' d have di nner wi t h me t oni ght . " Be di r ect , but char mi ng at t he
same t i me, and don' t back down! Your ver y di r ect ness i s par t of what makes you
appeal i ng, and when you combi ne i t wi t h char m, a smi l e, and t he abi l i t y t o make
her l augh, you ar e real l y goi ng to hi t her har d. And that bi t about bei ng
"f l at t er ed. " Wel l , f or some r eason I can' t f i gur e, t hat wor ks ver y wel l . Make
sur e you add t hat i n. I t ' s l i ke you' r e sayi ng t hat t he ni cest compl i ment about
your sel f woul d be t o be seen i n publ i c wi t h her .
Thi s appr oach wi l l al so wor k wel l i n a super mar ket . I t ' s uni que, di f f er ent ,
f unny, di r ect , and f un and r omant i c f or you and her . I di scover ed anot her gr eat
super mar ket pi ck- up tot al l y by acci dent . I was suf f er i ng thr ough anot her at t ack
of hay- f ever dur i ng al l er gy season, so I went t o the l ocal Osco dr ug st or e t o
get somet hi ng f or i t . As I was wal ki ng al ong I spi ed an i ncr edi bl e honey weari ng
ver y t i ght j eans and an equal l y t i ght T- shi r t . As I wal ked by her , I had t o
sneeze, but t he sneeze woul dn' t come out , so I paused r i ght next t o her as I
st r uggl ed t o sneeze. I not i ced her l ooki ng at me, and i nst ant l y my magni f i cent l y
sl eazy br ai n phoni ed up a scam.
Wi t h one f i nger up t o my nose, as i f I wer e about t o sneeze, I sai d t o her ,
" Do me a f avor . Pound me r eal l y har d on t he back. "
She sai d, " Ar e you sur e?"
I s ai d, " Yes . "

She gave me a good sl ap, and I sai d, "Wel l , i t di dn' t hel p the sneeze, but I
t hi nk I j ust f el l i n l ove. What ' s your name?"
Then I hi t her wi t h t he ot her l i nes you' ve al r eady seen. Unf or t unat el y, she was
mar r i ed. Oh wel l . But I ' ve used t he l i ne on ot her occasi ons wi t h success. I t ' s a
number s game, good buddy, a number s game. But you' l l f i nd t hi s " sneeze" l i ne
wor ks wel l i n j ust about any publ i c " non- pi ck- up" set t i ng, such as t he beach,
par ks, et c. Tr y i t , and you' l l see i t ' s nothi ng t o sneeze at . Ha ha ha ha ha ha
ha. That ' s what ' s cal l ed an aut hor ' s r i ght t o abuse hi s r eader s.
How To As k A Woman Out

When You' r e Bot h I n Fr ont Of Ot her Peopl e
Once I was i n bar ber s hop, get t i ng my hai r cut , and an i ncr edi bl y sexy l ady was
wai t i ng her t ur n. She was weari ng a ski r t t hat was so short t hat you coul d
easi l y see her j ui cy t hi ghs. Her l egs wer e scr eami ng out t o be mi ne, but what
coul d I do? Al t hough I was busy chat t i ng wi t h her i n f r ont of t he barber and t he
ot her peopl e wai t i ng t hei r t ur n, I coul dn' t gr aci ousl y ask her out r i ght t her e
i n f r ont of ever yone, coul d I ?
I st art ed r evi ewi ng my ot her opt i ons. I coul d hang around af t er my hai r cut , and
wai t f or her t o f i ni sh, and t hen hi t her as she was comi ng out t he door , but
t hat woul d be l ame, and ki nd of scary f or her .
Wel l , I di d a l i t t l e ment al exer ci se t hat r eal l y hel ps me when I ' m st umped f or

what t o say. I made a pi ct ur e i n my mi nd of mysel f , si t t i ng i n t he barber chai r .
Then I saw pi ct ur e of mysel f st andi ng a f ew f eet a away, wat chi ng me si t t i ng i n
t he bar ber chai r .
Somehow t hi s ki nd of " ment al di st anci ng" mysel f f r om a si t uat i on al ways hel ps.
Sur e enough, t he r i ght wor ds came t o mi nd.
I sai d t o my t arget , "Let ' s see. You' r e a knock- out i n the l ooks depar t ment , you
have t he gr eat t ast e t o l augh at al l my j okes, and you' r e al so ver y sweet . And
l i f e i s so unf ai r t hat i t ' s got t o be t he case t hat you' r e ei t her mar r i ed or
have a boyf r i end, or bot h. "
Thi s got a l augh f r om ever yone pr esent , most i mpor t ant l y her . " Act ual l y, I
don' t , " she sai d.
By t hi s t i me, i nst ead of bei ng an embarr assment , i t had t ur ned i nt o gr eat

ent er t ai nment f or ever yone pr esent , and she was enj oyi ng bei ng t he st ar of t he
show. You coul d have cut t he si l ence i n t hat pl ace wi t h t he bar ber ' s st r ai ght
r azor , as ever yone wai t ed t o see what t he out come woul d be.
" Thank you, God" , I sai d, l ooki ng heavenwar d, hol di ng my hands t oget her i n mock
pr ayer . Anot her l augh f r om al l assembl ed. Then I l ooked at her , smi l ed, paused,
t hen sai d, "I ' d be ver y f l at t er ed i f you' d have di nner wi t h me t oni ght . " She
sai d, " I ' d l ove t o. " We set t he t i me, and she gave me her addr ess on a pi ece of
paper and i t was one of t he most enj oyabl e and r omant i c eveni ngs I ' d ever had.
And her l egs f el t as good as t hey l ooked.
A Last Di t ch Met hod That Wi l l Al most Al ways

Get You A Dat e Even Af t er A Woman Has Sai d " No" To Goi ng Out Wi t h You
Thi s met hod wi l l wor k 9 t i mes out of 10 and r eal l y knock a woman out . You shoul d
use i t onl y af t er she' s ref used your i ni t i al of f er f or a dat e. I ' ve seen i t mel t
women who had no i nt erest i n me what soever and i ni t i al l y r ef used t o go out wi t h
me.
I t wor ks l i ke t hi s. Fi nd out when your wai t r ess, or st or e cl er k, or ot her

wor ki ng gi r l i s on shi f t . Go t o your l ocal f l or i st and get a ni ce bouquet of
wi l df l ower s and such made up. Don' t go f or a dozen r ed r oses; t hat i s way t oo
heavy.
Wr i t e on t he card, " To ( Her name) , f r om your secret admi r er. "
Then have a buddy del i ver i t on or bef or e her shi f t . I f you can' t get a buddy t o
do i t , t r y t o t al k a passer by i nt o doi ng i t . Peopl e usual l y enj oy hel pi ng out
when i t i s a mat t er of l ove. Cor ny, ai n' t i t ?
Wai t a f ew days, bef ore you go f or t he pi ece de resi st ance. Go t o your l ocal T-
shi r t st ore, and have t hem make up a T- shi r t . I t shoul d say, " I AM YOUR SECRET
ADMI RER. " Put t hi s shi r t on under a but t on up shi r t or j acket , and t hen wal k i n
on your honey pi e' s shi f t . Wal t z up t o her , t ap her on t he shoul der , and open
your s hi r t or j ac ket .
Now, t hat wi l l make an i mpr essi on. You wer e cl ever , di f f er ent , uni que, and went
t o al l t hat t r oubl e j ust f or her . ( Never mi nd t hat you onl y have t o pay f or t he
shi r t once, but can use i t over and over agai n. J ust make sur e i t st ays cl ean,
so i t doesn' t l ook used - t hat wi l l r eal l y bl ow i t f or you! ) Af t er she get s
t hr ough huggi ng you, or even ki ssi ng you, t el l her you' d l i ke t o see her , and
you' r e wi l l i ng t o go t o some ef f ort t o do i t , and t hen some. Then ask her out .
I f she' s got any smar t s and hear t at al l , she' l l go f or i t . Thi s i s a gr eat , f un
met hod, and i t r eal l y works l i ke a charm!
By t he way, i f you don' t have a l ocal T- shi r t shop, and want t o t r y t hi s, you
can or der a shi r t f r om me. Speci f y Smal l , Medi um, Lar ge, or X- t r a l ar ge, and
whet her you want t he gi r l ' s name put on t he shi r t , so t hat she knows f or s ur e
you di d i t speci al l y f or her , or whet her you want t he pl ai n, " I AM YOUR SECRET
ADMI RER" message. I t ' s t went y bucks, t o t he same addr ess and same name you sent
your or i gi nal payment f or t hi s book.
Chapt er Ten
SLASHI NG COMEBACKS FOR SLEAZOI D SLUTS!
Women ar e not al ways sweet and f r i endl y, dyi ng t o meet you, and eager t o f ul f i l l
your ever y desi r e as a man. At t i mes t hey can be downr i ght nast y.
Who says you have t o put up wi t h i t , f el l as? Her e ar e some wi cked r epl i es t o her
bi t chy put downs, t o l et her know j ust who' s i n charge!
HER: I ' M REALLY NOT I NTERESTED I N MEETI NG YOU.
YOU: One of t hese days you ar e goi ng t o see a man acr oss a r oom and you' r e goi ng
t o want t o meet hi m but i t ' s not goi ng t o happen because he' s goi ng t o
i nt ui t i vel y pi ck up on your i ncredi bl e capaci t y f or r ude behavi or .
Al t er nat i ve One:
YOU: Thank you f or showi ng me how war m and f emi ni ne you ar e.
Al t er nat i ve Two:
YOU: You' ve got a l i t t l e pi ece of snot hangi ng out your nose.
Al t er nat i ve Thr ee:
YOU: ( Gazi ng at her upper l i p) Gee. I t ' s amazi ng what t hey can do wi t h
el ectr ol ysi s t hese days.
Al t er nat i ve Four :
YOU: ( pul l out a t ampon whi ch you shoul d car r y f or j ust t hi s pur pose) Her e. I t ' s
got t a be t hat t i me of t he mont h!
Al t er nat i ve Fi ve:
YOU: I ' m a l onel y per son t r yi ng t o over come my shyness and you' ve j ust sl ammed
me back i nt o my shel l f or mont hs. I hope you' r e happy.
Al t er nat i ve Si x:
YOU: Chi l l out , ski r t !

Chapt er El even
HOW TO USE THE PERSONALS

TO GET HUNDREDS AND HUNDREDS OF WOMEN TO DATE!
Here' s how t o use t he per sonal s t o get hundr eds and hundr eds of r esponses f r om
j ust ONE ad! I got over FI VE HUNDRED r esponses t he f i r st t i me I t r i ed i t - you
mi ght do even bet t er .
Fi r st , DON' T PLACE A PERSONAL AD! Now, I know I seem l i ke I ' m cont r adi ct i ng
mysel f her e, but pl ease bear wi t h me, because I ' m not ! I f you pl ace a per sonal
ad j ust l i ke ever y ot her guy on the si ngl es page of your l ocal paper , you ar en' t
goi ng t o at t r act t he at t ent i on t hat you need! Remember , ATTRACTI NG ATTENTI ON I S
THE KEY TO MEETI NG WOMEN!
I nst ead, pl ace a smal l cl assi f i ed ad on t he si ngl es page of your l ocal paper or
magazi ne. Keep i t ver y si mpl e and don' t bot her wi t h ar t wor k or f ancy t r i mmi ngs.
The paper may do t he l ayout f or you f or a nomi nal f ee - i f not , a gr aphi c ar t i st
can do i t . I f you r eal l y want t o go cheap, hi r e a ar t st udent f r om your l ocal
c ol l ege.
Her e' s how t he ad shoul d r ead:
WOMEN: How To Fi nd, Wi n and Keep t he Love of Your Li f e

I n Thi r t y Days or Less!
For absol ut el y f r ee i nf ormat i on send sel f - addr essed st amped envel ope t o:
( YOUR ADDRESS GOES I N HERE, DUMMY! )
You ar e hal f - way home now. I nst ead of a f ew cr ummy r esponses t o a per sonal , you
ar e goi ng t o get HUNDREDS and HUNDREDS of women wr i t i ng! Run t he ad t wo or t hr ee
t i mes, t o convi nce t he skept i cs.
Her e' s t he second st ep. Wr i t e a one t o t wo page l et t er t hat i s a per sonal ad f or

you, descr i bi ng EXACTLY what you want and don' t want i n a woman. Now of cour se,
I can' t t el l you what t hat i s. But I can t el l you how your l et t er shoul d st ar t .
Do i t j us t l i ke t hi s :
" Dear Reader ,
" I have some SHOCKI NG news f or you. You may be j ust DAYS away f r om meet i ng THE
LOVE OF YOUR LI FE.
" I have even MORE shocki ng news f or you. You won' t have t o spend mor e t han 50
cent s t o meet hi m, and i t shoul dn' t t ake mor e t han TEN MI NUTES of your t i me. "
I have STI LL MORE shocki ng news f or you. Even i f t hi s shoul d happen f or you, I
wi l l st i l l owe you a GREAT, BI G, FAT APOLOGY.
" Al l ow me a mi nut e t o expl ai n.
"Thi s i s NOT a pi t ch f or a ' sel f - hel p' book. Thi s i s NOT a pi t ch f or a ' dat i ng
ser vi ce' or one of t hose di sgust i ng ' 976' number s. I t ' s not even a pi t ch f or a
semi nar , an i r r esi st i bl e l ove pot i on, or a psychi c ast r ol ogi cal - past l i f e l ove
c har t .
"So j ust what t he heck I S t hi s a pi t ch f or t hen?
"Qui t e si mpl y, dear r eader , t hi s i s a pi t ch f or ME!
" OK. Al l ow me ANOTHER mi nut e t o expl ai n.
" My name i s ( your name) and I ' ve gone t o t he absur d ext r eme of pul l i ng a cr azy
st unt l i ke t hi s because I ver y much want t o meet a VERY SPECI AL l ady t o l ove and
enj oy and r espect . Who knows? Maybe YOU ar e her .
" I KNOW you are out t her e, somewher e. But I ' ve r ecent l y real i zed t hat I woul d
have t o do somet hi ng DRASTI C t o get your at t ent i on, whi l e weedi ng out al l t he
CRAZI ES, LOSERS, and DUM- DUMS who ar e keepi ng us f r om meet i ng each ot her .
"I hope t hat l ast sent ence doesn' t seem over l y negat i ve, but I t hi nk i t ' s a
pr et t y accurat e descr i pt i on of t he si ngl es scene, f or bot h men AND women. "
But I di gr es s . . . .
OK, you get t he poi nt . Then go on t o descr i be your good and bad poi nt s, what you
DON' T want i n a woman, and what you do want . Fi nal l y, ask t hem t o send a l et t er
and a r ecent f ul l l engt h phot o. I f you l i ke what you see, ar r ange f or a meet i ng.
That ' s t he SMART way t o pl ay t he per sonal s.

Chapt er Twel ve
BI RDOGGI NG -
How To Get A Gi r l When She' s Wi t h Anot her Guy
( Or When You' r e Wi t h Anot her Gi r l )
You' r e at a par t y, and so f ar t he act i on i s sl ow. The cl ass i est gi r l s t her e ar e

t he ones who don' t have cooki e crumbs i n t hei r must aches. You' r e ser i ousl y
consi der i ng goi ng home and t humbi ng t hr ough t hat used copy of Ti t and Bum.
And t hen. . . i n she wal ks. A st unni ng r aven hai r ed beaut y, i n t i ght r eveal i ng r ed
dr ess, her per t br east s st r ai ni ng agai nst t he thi n, cl i ngi ng mat er i al , ni ppl es
j ut t i ng, pout i ng bl ow j ob l i ps par t ed ever so i nvi t i ngl y. But you not i ce, t o
your chagr i n, t hat she' s wi t h anot her guy.
What wi l l you do? What wi l l you do????? ??? ??? ??? ?
Her e' s t wo appr oaches f or you t o t r y:
APPROACH NUMBER ONE:
As you f l i t about t he r oom, make casual eye cont act wi t h t he gi r l . Try t o see
f r om her r esponse i f she' s i nt er est ed. I f you can' t t el l , MOVE I N ANYWAY. Thi s
i s a saf e met hod - he won' t get a chance t o punch you out . I nt r oduce yours el f ,
TO THE GUY. Be as ni ce and f r i endl y as you can, and above al l KEEP BRI NGI NG THEM
BOTH DRI NKS. The nast i er he shoul d get , t he ni cer you shoul d be. Thi s i ncr eases
your st at ur e i n her eyes, and decr eases hi s. At some poi nt , Br ui ser Boy i s goi ng
t o have t o go pee. That ' s when you make your move. Don' t dawdl e, f or t i me i s of
t he essence. Move i n and pi t ch f or t he phone number. Then get out of t here f ast ,
bef ore he comes back! I deal l y, your bi r d- dog pi t ches shoul d be t he f i nal ones of
t he eveni ng as you don' t want t o be ar ound i f she snubs you and t hen deci des t o
t el l hi m. Ther e ar e some si cko women who enj oy maki ng t hei r boyf r i ends angr y and
j eal ous. Don' t wai t t o see i f she' s one of t hem.
APPROACH NUMBER TWO:

Hang out by t he Bat hr oom.
Thi s i s gener al l y a good par t y appr oach anyway ever yone has t o go event ual l y,
and you get a gr eat chance t o see what ' s t her e i n t he r oom. Wai t t i l l ei t her
your dr eamgi r l or her beau has t o go, and pounce t hen and t her e. One t hi ng you
shoul d keep i n mi nd - j ust because a gi r l i s wi t h a guy doesn' t mean she' s
REALLY wi t h t he guy. He coul d be her br ot her , or cousi n, or r oommat e. I f he' s
r eal l y unl ucky, he' s someone wi t h whom she' s " j ust f r i ends, " whi ch, bei ng
t r ansl at ed f r om womanese means, " he t akes me ever ywher e and pays f or ever yt hi ng,
but i f he t r i es t o put a f i nger on me he' l l never see me agai n. " Br ut al , ar en' t
t hey?
Chapt er Thi r t een
GETTI NG THE DATE
OK, l et ' s s ay you' ve managed t o pi ck- up a mor e t han passabl e bi mbo. Wher e do you
go f r om t her e?
Basi cal l y, t her e are t wo school s of t hought . One school suggest s get t i ng her
home phone number , wai t i ng a f ew days t o a week, and t hen cal l i ng her f or a
dat e.
The ot her advocat es t r yi ng t o get her t o go out wi t h you r i ght t hen and t her e,
t he sooner t he bet t er. I f you can' t get a dat e wi t h her t hat eveni ng, you make a
dat e f or anot her t i me, r i ght on t he spot .
I ' ve had bot h met hods wor k f or me, and t hei r ar e cer t ai nl y advant ages t o each.
Per sonal l y I pr ef er t he on t he spot dat e met hod. Her e' s why.
Lot s of gi r l s who have not hi ng ot her wi se pl anned wi l l go out wi t h you t hat ni ght
i f you make t he pi t ch exci t i ng enough. True, you' d pr obabl y l i ke t o be wi t h a
woman who has mor e i nt er est i n you, but t hen agai n we' r e goi ng t o show you
t echni ques t o make one of t hese "got not hi ng bet t er t o do" gi r l s eager t o sack
wi t h you r egar dl ess of t hei r or i gi nal i nt ent i ons.
Al so, t here i s somet hi ng ver y exci t i ng about goi ng out wi t h a st r anger t hat you
j ust met . I t ' s an ai r of " anyt hi ng coul d happen" t hat st r ongl y hel ps t o al t er a
gi r l s mood and make her s uscept i bl e t o doi ng t hi ngs she nor mal l y woul dn' t .
By way of cont r ast i f you get her home number, and wai t sever al days t o cal l ,
odds ar e t hat t he l ess i nt er est ed gi r l i s not goi ng t o be wi l l i ng t o squeeze you
i n t o her schedul e. And you' ve l ost t he ori gi nal exci t ement of meet i ng a
st r anger . So i t ' s up t o you. I f you l i ke t he sel l i ng chal l enge, or j ust t he
adr enal i ne r ush of spont aneousl y maki ng a dat e on t he spot , do i t . I f you pr ef er
t o f i ght by a set pl an, go wi t h t he phone number r out e.
Ei t her way, t he next t wo chapt ers wi l l show you t he wi nni ng t echni ques t o pul l
i t of f . . . . .
Chapt er Four t een
GETTI NG THE PHONE NUMBER ROUTE
I f you' ve ever asked a woman f or her phone number , you' ve pr obabl y not i ced an
i nt er est i ng phenomena - ver y f ew of t hem say "no" di r ect l y. I nst ead, t hey say
ever yt hi ng BUT " yes. "
Have you ever got t en t hese r esponses?
"I ' m sor r y, I don' t have a phone. "
How do you communi cat e, chi ck? Smoke si gnal s? ?? " Why don' t you gi ve me your
number ?"
Ri ght . And as soon as your back i s t ur ned, t hat car d wi t h your number on i t wi l l
be shr edded so f ast t he CI A woul d envy t he chi ck' s abi l i t y t o dest r oy document s.
DON' T BUY I T! I f a woman t r i es t hi s sl i ck t r i ck on you, j ust nod your head,
smi l e, and wal k of f , l eavi ng her secur e i n t he knowl edge t hat she met a man t oo
smar t f or her t o bamboozl e. "Sur e. I t ' s 555- 1212. "
The ol d wr ong number pl oy. I cky, ar en' t t hey?
My poi nt i s t hi s - i f you get anyt hi ng but her i mmedi at e posi t i ve r esponse when
you ask f or her number , you ar e i n bi g t r oubl e, par t ner . Gi vi ng out t he home
phone number i s a maj or st ep i nt o her pr i vacy, and she usual l y ai n' t about t o do
i t unl ess she di gs you on SOME l evel .
What ' s t he best way t o ask f or t he number? Tr y t o be as mat t er of f act and

st r ai ght f orwar d as possi bl e. "I ' d l i ke t o t ake you out somet i me, can I have your
home phone number ?" wi l l do j ust f i ne. I f you want t o be a l i t t l e sl i cker , hand
her a pen and a car d and say, " Magi c seven di gi t s, pl ease. " That ' s a bi t more
i nvent i ve, and i nvent i veness never hur t s.
I f you do get t he number, get l ost as soon as you can. Ther e' s no poi nt hangi ng
ar ound af t er you' ve cl osed t he sal e. Leave her wonder i ng about you and get t he
hel l out of t her e bef or e you do or say somet hi ng t o make her change her mi nd.
How l ong shoul d you wai t bef or e you cal l ? That depends. I f you sense her
i nt er est i n you was pr et t y hi gh, i t ' s saf e t o wai t 5 t o 7 days. She' l l be
wonder i ng what happened and why you haven' t cal l ed, and t hat wi l l make you
appear mor e CHALLENGI NG and t her ef or e mor e at t r act i ve i n her eyes.
I f you sense she wasn' t t hat i nt er est ed, wai t t wo days and then cal l .
Tr y t o must er up al l t he cheer f ul ness and f un you can when you make your cal l t o
pi t ch t he dat e. You want t o sound car ef r ee, f un, and exci t ed about t he absol ut e
bl ast t he t wo of you are goi ng t o have t oget her . Tal k t o her i n t he t one of
voi ce you' d use f or an ol d f r i end who you enj oy bei ng wi t h.
The key poi nt i s t o ask her out FOR A SPECI FI C NI GHT. Don' t say, " Woul d you l i ke
t o get t oget her t hi s week?" or " What ni ght are you f r ee?" That ' s a weak pi t ch.
You want t o come on st r onger t han t hat .
Tr y " Let ' s have di nner Wednesday ni ght , ei ght o' cl ock. Then we can go danci ng. "
Then SHUT YOUR MOUTH AND DO NOT SAY A WORD! ! ! ! !
That br i ef moment of si l ence i s t he aci d t est . I f you hear a l ong hesi t at i on
bef ore she answer s, or excuses, or anythi ng but , "Sur e, I ' d l ove t o, " you' ve got
a pr obl em on your hands.
I f a woman r eal l y does want t o see you, but has s omet hi ng t o do on t he ni ght
you' ve asked her t o be wi t h you, and j ust can' t cancel t hose pl ans, what wi l l
her r esponse be? SHE' LL MAKE A COUNTER- OFFER. Somet hi ng on t he l i nes of , " I
can' t Wednesday, but how about Thur sday at 8 o' cl ock?"
Don' t conf use a count er - of f er wi t h an " I ' m busy, but how about anot her t i me?"
That ' s a st one col d REJ ECTI ON. I f she r eal l y want ed t o go out wi t h you anot her
t i me, she' d t el l you when t hat t i me i s. Take i t f r om someone who used t o f al l
f or t hi s one al l t he t i me - i t wi l l do not hi ng but gener at e usel ess, t i me-
wast i ng wi shf ul t hi nki ng on your par t . Ei t her you get t he dat e, or a speci f i c
count er - of f er , or you FORGET I T!
One f i nal war ni ng her e, because women ar e even t r i cki er t han you can i magi ne.
Of t en t i mes you' l l make your pi t ch f or a speci f i c ni ght t o go out ; say a
Wednesday. And you' l l hear , "That ' s sounds l i ke f un. Sur e I ' l l go. "
Then, t hr obbi ng wi t h t he t hr i l l of vi ct or y, as you ar e about t o hang up you

hear , " Oh. Coul d you do me a f avor ? Coul d you cal l back Wednesday about 6 pm t o
conf i r m?" Or you mi ght hear , " Cal l me Wednesday ar ound 6 pm and I ' l l gi ve you my
addr ess. "
DON' T GET SUCKERED BY THI S TRI CK! You haven' t got a dat e i n t hi s i nst ance, you
have an opt i on f or a dat e, whi ch i s about as val uabl e as an I OU f r om one of my
gambl i ng buddi es who l i ve at t he r ace t r ack. The chi ck i s wai t i ng t o hear f r om
t he guy she' s REALLY i nt erest ed i n, and i f he' s not avai l abl e, t hen you may get
t he dat e.
I f a gi r l t r i es t o pul l t hi s on you, s ay s omet hi ng l i ke, " I don' t t hi nk t hat ' s a

good i dea. We' l l t r y anot her t i me when your schedul e i s l ooser. "
That wi l l put her i n her pl ace ni cel y. You' ve shown her t hat you can' t be
sucker ed and she can' t cal l t he shot s al most cer t ai nl y an unl i kel y and unusual
occur r ence. That wi l l def i ni t el y get her at t ent i on.
Wai t a week and cal l her back. Chances ar e she' l l accept t he dat e wi t hout t he
" cal l and conf i r m" bul l shi t . I f she doesn' t , t hen TOSS HER NUMBER AWAY and move
on t o t he next advent ur e. She' s j ust out t o wast e your t i me anyway.
Once you' ve made your dat e wi t h your l ady, get of f t he phone! Agai n, you mi ght
bl ow i t i f you st ay on and j abber , and you want t o keep her wonderi ng about you.
Do your t al ki ng on t he dat e! I f you hi t i t of f on t he phone, wher e does t hat
l eave you? You can' t get l ai d over a phone wi r e, what ever t he 976 number s woul d
have you bel i eve! Save i t f or t he date.
Fi nal l y, nowadays al most ever yone has one of t hose damn phone answer i ng
machi nes ! DO NOT LEAVE A MESSAGE ON ONE OF THESE BEFORE YOU' VE HAD A DATE WI TH A
WOMAN. Usi ng a phone machi ne as a buf f er bet ween you and t he l ady i s weak, ant i -
chal l enge, and put s t he bal l i n her cour t , as you ei t her have t o wai t f or her t o
cal l you back or al t er nat i vel y, l ook i mpat i ent and desper ate by cal l i ng her t o
see i f she got your mess age. AVOI D THI S PHONE BLUNDER LI KE THE PLAGUE!
BASI C PHONE PI TCHI NG RULES:

DO TRY TO USE A HAPPY, CAREFREE, EAGER TO HAVE ALL THI S FUN TOGETHER TONE OF
VOI CE.
ASK HER OUT FOR A SPECI FI C NI GHT.
DON' T FALL FOR " OPTI ON DATES. "
HANG UP AS SOON AS YOU POLI TELY CAN, ONCE YOU' VE MADE THE DATE.
DO NOT UNDER ANY, ANY, ANY, ANY CI RCUMSTANCES WHATSOEVER LEAVE A MESSAGE WI TH
HER ANSWERI NG MACHI NE OR A ROOMMATE EI THER FOR THAT MATTER. THE FI RST TI ME YOU
TALK TO HER PERSON TO PERSON I S THE FI RST TI ME YOU' VE EVER CALLED, AS FAR AS SHE
SHOULD KNOW.
Chapt er Fi f t een
MAKI NG THE DATE ON THE SPOT
Thi s i s t he met hod I t hi nk i s t he best . Ther e' s somet hi ng exci t i ng and

spont aneous about i t t hat you j ust can' t get usi ng t he phone number met hod.
The t hi ng t o keep i n mi nd her e i s t o t r y t o appear cas ual . You don' t want i t t o

l ook l i ke you are dyi ng t o rush her back t o your pl ace and r i p her pant i es of f .
The best i l l ust r at i on of t hi s met hod was gi ven t o me r ecent l y by a f r i end of

mi ne, J i m. Her e' s t he st ory he t ol d me:
" Our r egul ar secr et ar y at wor k was goi ng t o be gone f or a f ew days, so we want ed
t o hi r e someone t empor ar y, j ust t o answer phones. Someone was s chedul ed t o come
by t hat af t er noon, and t he boss was goi ng t o be out of t he of f i ce. He t ol d me i f
I l i ked her , I coul d go ahead and hi r e her .
" She was a cut e l i t t l e bl onde named Megan. She came i n about 4: 30 i n t he
af t er noon. We t al ked f or a whi l e, and I t ol d her she had t he j ob. Then I i nvi t ed
her t o go next door f or cof f ee.
" Wel l , we t al ked f or about an hour and t hen I asked her i f she want ed t o have
di nner . We di d, and t hat t ur ned i nt o a movi e. And f r om t her e we went back t o my
pl ace and di d al l sort s of wonder f ul l y obscene thi ngs t o each other f or sever al
hour s. "
Her e' s t he mai n poi nt : Tr y to st eer t he gi r l you' ve j ust met i nt o a di f f er ent

envi r onment . Don' t make i t el abor at e anywher e near by wi l l do. The cor ner Yogur t
st and f or some f r ozen f er ment ed cow j ui ce; t he l ocal pi zza parl or, even a
bowl i ng al l ey. You want a chance t o set her down and use t he mood al t er i ng
hypnot i c t echni ques we' r e goi ng t o be showi ng you.
What ever you do, don' t i nvi t e her back t o your pl ace r i ght away, or do anyt hi ng
t hat mi ght scar e her of f . Make i t seem l i ke you j ust want t o spend f i f t een
mi nut es t al ki ng i n a publ i c pl ace. Wi t h what we ar e goi ng t o show you, t hat ' s
al l you are goi ng t o need.
Chapt er Si xt een
HOW TO HANDLE CHI CKS WHO TRY TO CANCEL DATES
Per haps t he most seri ous of f ense a chi ck can commi t i s t o cancel a dat e. I ' ve
hear d al l sor t s of hi l ar i ous excuses, and ni ne t i mes out of t en t hey ar e j ust
t hat .
But so what ? Wi t h t he pr oper amount of coer ci on and psychol ogi cal pr essur e, you
can get her t o go out wi t h you anyway. Then you can use one of t he qui ck-
l ay/ hypnosi s t r i cks we' l l show you so you can st i l l wi nd up scr ewi ng her . How
dare she t r y t o wast e t he t i me of a mast er of Guer i l l a Get Lai d t act i cs? As
Bat man woul d say, " Poor del uded gi r l ! "
I t ' s r eal l y qui t e si mpl e. When she cal l s t o cancel wi t h her si l l y excuse, you
j ust do t hi s:
HER: Oh, I ' m sor r y, but I can' t make i t t oni ght . I have t o take my f r i end t o the
ai r p or t ( Or : " I ' m j us t not f eel i ng wel l , " or what ever l i e s he t el l s you) .
YOU: So what you' r e sayi ng i s, you' d l i ke t o go, but due t o a ci r cumst ance you
can' t cont r ol and weren' t expect i ng, you won' t be abl e t o?
HER: Yeah. That ' s r i ght . ( She' s got t o admi t t hi s- she can' t come ri ght out and
say she j ust i sn' t i nt er est ed. That mi ght t ake a l i t t l e gut s. )
YOU: ( Cl osi ng i n f or t he ki l l ) Wel l , si nce you sai d you' d l i ke t o go, what

ar r angement s woul d you l i ke t o make t o do t hat r i ght now?
Then, you shut up. You have t he si l l y chi ck. She' s backed i nt o a cor ner , and
wi l l have t o name a day, or el se r i sk bei ng r eveal ed as t he l i ar she t r ul y i s.
Your ot her opt i on i s t o bl ow t he chi ck of f , but make i t as embar r ass i ng and

uncomf ort abl e f or her as i s humanl y possi bl e.
Her e i s a gr eat way t o make her f eel absol ut el y awf ul :
HER: Oh, I can' t make our dat e because my parr ot i s havi ng an exi st ent i al cr i si s
and I want t o see hi m t hr ough i t .
YOU: Hmm. You know, I ' m si t t i ng her e, wi t h t he phone i n my hand, l i st eni ng t o

you speak, and I r eal i ze I st i l l don' t under st and what ' s goi ng on. And I al so
r eal i ze I can accept hear i ng t he f ul l and compl et e t r ut h f r om you. So, why don' t
you t el l me agai n what ' s goi ng on.
I t ' s ver y i mpor t ant t hat you say t hat l ast sent ence wi t h t he r i ght i nf l ect i on
and tonal i t y. You' r e i mpl yi ng a par t of t he sent ence whi ch i sn' t act ual l y sai d
whi ch i s, ". . . and t hi s t i me t el l me t he t r ut h. "
Bel i eve i t or el se, but ni ne t i mes out of t en, t he chi ck act ual l y wi l l f ess up
and admi t her decept i on. That ' s when you pounce on her !
YOU: So, how does i t f eel t o know t hat you' r e af r ai d t o t ake r esponsi bi l i t y f or
your own deci si ons and have t o r esor t t o l yi ng about t hem?
Oh, t he j oy of bat t l e, my br ot her s! Fl ushi ng a chi ck down t he t oi l et of

humi l i at i on i s al most as gr eat a ki ck as scor i ng!
Now, once i n a whi l e, a chi ck wi l l cancel , but when she does she' l l make a
count er - of f er t o go out agai n anot her t i me. Thi s at l east i s bet t er t han a
st r ai ght cancel l at i on wi t hout such an of f er , but I ' d st r ongl y advi se agai nst
accept i ng. She coul d be j ust t hrowi ng you a bone t o make you f eel bet t er, but
even i f she i sn' t , your accept i ng her of f er of doi ng i t anot her t i me makes you
l ook t oo easi l y avai l abl e and r emoves t he el ement of your bei ng a chal l enge t o
her . Thi s wi l l make you l ook much l ess appeal i ng i n her eyes.
Her e' s t he r i ght way t o handl e t hi s. Let ' s say you have a dat e f or Sat ur day, and
she cal l s you Fri day eveni ng.
HER: I ' m sor r y, but I r eal l y can' t make i t Sat ur day. I ' ve got f r i ends comi ng i n
f r om out of t own. But I r eal l y do want t o see you. Can we go out Sunday i nst ead?
YOU: No, I have pl ans f or Sunday ( even i f you don' t and you ar e dyi ng t o be wi t h
her - bi t e t he bul l et and r ef use! ) .
At t hi s poi nt you have t wo opt i ons:
Opt i on One
YOU: Why don' t we t r y anot her t i me when your sc hedul e i s a l i t t l e l ooser ?
Then pol i t el y say goodbye, and hang- up. Wai t 2 weeks, t hen cal l and ask her out
f or a speci f i c ni ght . I f she doesn' t accept or make a speci f i c count er - of f er ,
t oss t he number and move on.
Opt i on Two
YOU: Wel l , I ' l l t el l you, t hi s i s j ust t he way i t i s f or me. I t ' s j ust t he way I
do t hi ngs. When I make a dat e, and someone cancel s, I l eave i t up t o t hem t o
make t he next dat e. So, i f you want t o go out , I ' m i nt er est ed. Cal l me, and I ' l l
say yes.
Per sonal l y, I pr ef er t hi s opt i on. I t ' s not as down and di r t y as t he f i r st one,

but i t i s ef f ect i ve nonet hel ess. By put t i ng t he bal l back i n her cour t , you
don' t have t o spend t he t wo weeks bef ore you cal l , wonder i ng i f she' s r eal l y
i nt er est ed ( you shoul dn' t be wonder i ng t hi s, but i t ' s har d t o have t hat ki nd of
di s ci pl i ne, and I ' m a s uc ker f or s i t uat i ons t hat I c an' t qui t e f i gur e out ) . You
can j ust saf el y assume she i sn' t i nt er est ed, f orget about her , and l eave i t up
t o her t o pl easant l y sur pr i se you. And you al so pr eserve t he el ement of bei ng a
chal l enge, conveyi ng t he al l i mpor t ant message I DON' T NEED YOU, YOU NEED ME.
OK. Now you' r e ready f or t he ul t i mat e secr et s. I n t he next chapt er s we' r e goi ng
t o be showi ng you how, j ust by t al ki ng t o a woman, you can get her so damned
t ur ned on dur i ng t he dat e t hat she' l l be i t chi ng t o scr ew you. Hang on t o your
hat s, gent l emen.
Chapt er Sevent een
DECI DI NG YOUR APPROACH
The next f ew chapt er s wi l l emphasi ze qui ck- l ay st r at egi es: How To Scor e on t he
Fi r st Dat e or even sooner t han t hat !
However , you may deci de t hat you want somet hi ng mor e t han qui ck, hot sex wi t h a
gi r l . I f you want a rel at i onshi p wi t h a l ady, I r ecommend that you don' t use the
t echni ques i n t he next f ew chapt er s.
Cha
Chapt
pt er Ei ght
ght een
een
HOW TO USE HYPNOSI S

TO GET
GET YOU
YOUR DATE I NTO THE
THE SAC
SACK
What you
you ar
ar e ab
about
out t o r ead may st r et ch you
your abi
abi l i t y t o be
bel i eve t o t he br
br eaki
aki ng
poi nt . I don' t bl ame you f or havi ng t hat r eact i on at al l .
Al l I can
can t el l you i s t hat t hi s st uf f wor ks-
ks- i t wor ks so wel l t hat i t sca
scar es me
at t i mes. My onl
onl y comf or t i s knowi ng t hat
hat as you becom
become mor e and
and mor e successf ul
and
and pow
power f ul wi t h women,
en, you l ose t he desi
desi r e t o abuse
abuse t he pow
power . Succes
Success
s makes
you
you want t o gogo a l i t t l e bi
bi t easy on
on the poor
oor def ensel
sel ess cr eat ur es.
What I am abou
aboutt t o show
show you
you wi l l al l ow you
you t o creat
creat e vever y pow
power f ul f eel
eel i ngs of
bei
bei ng t ur ned
ned on
on and
and exci
exci t ed i n al most any
any woman youyou can spend
spend t i me wi t h. You
don' t have t o rel y onon l uck,
ck, or t hat spespeci al "che
"chemi st r y" or "spa
"spar k. " Thi s cha
chapt er
wi l l show
show you
you how
how t o cr eat
eat e t hat i n ab
about
out t en mi nut es t i me, wi t h al most anyany
woman you wantant , i n al most any
any ci r cumst ances.
ances. I nst ead
ead ofof dat
dat es t hat
hat end
end up wi t h a
pol i t e pe
peck on
on the che
cheek, you
you' l l end up
up t aki
aki ng i t as f ar as yo you want t o go,go,
r egar
egar dl ess of how
how t he woman f el t abou
aboutt you bef
bef or e you
you used
used t hese
hese t echni
echni ques
ques on
her .
One l ast cau

caut i on bef or e I l ay out
out t hi s t echn
chnol ogy.
ogy. I n som
some st at es, r ape
ape i s
def i ned as "i nt er cou
cour se of
of a woman,
an, by a man,an, by f orce, t hr eat of f orce, or
OTHER
THERW WI SE WI THO
THOUT CO
CONSEN
SENT. " I n some st at es, i f you get a datdat e dr
dr unk,
unk, and f uck
her when sheshe' s passed
passed out
out , you
you cou
coul d f i nd you
your sel f f aci
aci ng a rape
rape r ap.
ap.
Li kew
kewi se f or hypn
ypnosi s. I am not an att or ney, and am not goi ng t o gi ve you you l egal
advi
advi ce, but
but I war n you
you her
her e and
and now
now of t he poss
poss i bl e conseq
consequeuence
ncess and am not not
abou
aboutt t o be
be hel
hel d r esponsi
esponsi bl e i f you get
get sl appe
apped
d wi t h char
char ges.
ges. YOU USE THES THESE E
METH
ETHODS AT
AT YOUR OWN RI SK.SK. ( And I woul dn'
dn' t have
have t o gigi ve t hi s di sc l ai mer / war ni ng
i f t hese met hods
ods di
di dn' t work as wel l as t hey do.
do. )
HOW I T ALL WORKS:

COVERT HYPN
HYPNOSI S AND
AND THE
THE STRUC
S TRUCTURE
TURE OF
OF SEDUCTI
SEDUCTI ON
Thi s met hod wor ks because i t bypass

bypass es al l of a woman' s consc i ous r esi st ance t o
scr ewi ng you
you. I t doesn
oesn'' t mat t er what t hat consci
consci ous
ous r esi st ance
ance i s base
basedd on.
on.
Maybe
aybe you arar e not
not her
her t ype and
and she THI
THI NKS she need
needss a cer t ai n LOO
LOOK i n a guy
guy t o
t ur n her
her on.
on. Mayb
aybe she
she want
ant s you but i s af r ai d of
of l ooki
ooki ng chea
cheap
p i f she comes
acr
acr oss t oo f ast . Mayb
aybe she
she' s j ust r ece
ecent l y be
been bu
bur ned by
by a gu
guy an
and i sn'
sn' t eage
ager
t o hav
have
e i t happ
appen ag
agai n.
I t DOESN' T mat t er why

why,, becau
ecause f r om now on youyou wi l l be abl abl e t o get
get past al l of
t hat
hat by bypass
bypassii ng her
her CONSCISCI OUS mi nd and
and get
get t i ng r i ght
ght t o her
her UNCONSCISCI OUS. I f
t hi s soun
sounds l i ke bul l , pl ease st i ck wi t h me f or j ust a f ew more pag pagees, because
cause
what you
you are ab
about
out t o see i s a MAGI C key
key f or getget t i ng l ai d wi t h st art l i ng
f r equency.
SCORI
SCORI NG TECHNI QUE NUMBER ONE:
STAC
STACKI NG REALI
EALI TI ES
Let me t el l you
you a st or y ab about
out my bu buddy,
ddy, Ri ck. Ri ck t ol d me ab
about
out t hi s exper
exper i ence
ence
he had whene
henever
ver he r ead a book.
book. As he was r eadi
eadi ng al ong,
ong, he coul d begbegii n t o be
be
awar e of
of cert ai n t hi ngs. As he r ead ead, he cou
coul d sudd
suddenl
enl y be
be aw
awar e of
of t he uni que
dar kness
kness and
and shap
shape e of
of t he l et t er s. And as
as he becam
ecame aw
awar e of
of t hat
hat , he cou
coul d al
al so
see t he con
cont r ast i ng whi t eness
eness of t he pag
page.
e. And he
he cou
coul d al so be
be aw
awar e ofof t he
smoot hness
hness of t he pape
paperr . And as he becam
became aw
awar e of
of t hat
hat , he coul
coul d al so f eel
eel t he
r i se and f al l of hi s che
chest as he
he br eat hed, and t he sl i ght est l i t t l e noddi ng,
l i t t l e noddi ng of hi s he
head. And as hihi s ey
eyes be
began t o cl
cl ose . . . .
Now, what
hat j ust happ
happen
ened
ed as you
you wer e r eadi
eadi ng t hat
hat ? Even
Even t houg
houghh I ' m not
not st andi
andi ng
ove
over you
your shou
shoull der as you
you r ead t hi s, I ' l l bet my Bat
Bat man comi c boo
bookk col
col l ect i on,
on,
t hat you
you st ar t ed t o no
not i ce t he thi ngs I was t al ki ng about . You not i ced
ced t he
darkness
arkness of t he l et t er s, t he br i ght ness of t he pag
pagee, and
and t he smoot
oot hness ofof t he
paper
aper . And you
you not i ced you
your br eat
eat hi ng and
and you
your eyes
eyes st ar t ed t o cl ose.
ose.
Here' s t he poi nt : The

The on
onl y way t o und
unders
ers t and
and somet hi ng you
you ar e hea
hearr i ng or
r eadi ng, i s by
by havi ng a l i t t l e bi t of t he exper i ence your sel
sel f . Nat ur al l y, and
wi t hou
hout any
any r esi st ance,
ance, you
you beg
began
an t o exp
exper i ence
ence what I want
ant ed you
you t o, becau
ecause
you had
had t o do
do so i n or
or der
der t o make sense
sense out of my wor ds.
But not i ce somet hi ng el

el se of CRI TI CAL I MPORTAN
TANCE. I di dn' t sugge
suggestst t hat
hat you
you
exp
exper i ence
ence t hese t hi ngs, or war n you
you i n adv
advan
ance,
ce, or gi ve you
you a didi r ect command
and.
That woul d have caused i mmense r esi s t ance on your par t . I nst ead, I pr esent ed i t
t o you as par t of a st or y. I t ol d you
you about
about an exper
exper i ence
ence SOMEONE ELSEELSE HAD, AND
THE
THE ONLY WAY FORFOR YOU TO UNDERSTA
ERSTANND THA
THAT WAS TO HA
HAVE THE
THE EXPER
EXPERII ENC
ENCE FOR
FOR YOURSELF.
SELF.
Thi s i s t he same pat t er n and t echni que t hat you can use t o put put a woman i nt o an
al t er ed st at e an
and get her t o f eel and do j ust abo about what ever
ver you
you' d l i ke her t o.
You st ar t by t el l i ng her a st or y about
about someoneeone el se, and t hat s t or y descr i bes an
experi
xperi ence t hat i nvolvol ves
ves t he f eel i ngs and
and act
act i ons
ons you
you want
ant HER t o t ake
ake. I t
sounds
sounds t oo si mpl e andand t oo good
good t o bebe t r ue,
ue, but
but i t WORKS! And t he mor e you
pr act i ce t he bet t er you
you get .
Let
Let ' s do
do a sam
sampl e of t hi s, t o l et you
you see
see j ust exact
xact l y ho
how t o use
use t hi s t echn
chni que
t hat she
she' l l be unabl e t o r esi st . You may want t o wai t t i l l l at er i n t he even
veni ng,
when
hen you
you ar
ar e al
al one
one i n you
yourr apar
apar t ment
ent .
Even
ven t hough i t usua
sual l y onl y t akes
kes f i ve mi nut es or
or so, you
you st i l l don' t want t o
r un t he r i sk of bei ng i nt er r upt ed.
Af t er t he usua
sual smal l t al k, her e' s ho
how i t woul d go:
YOU: Hey, di d I t el l you yet about

about my f r i end,
end, Mi ke?
HER:
ER: No. What about
about hi m?
YOU: Wel l , t hi s i s i nt er est i ng.ng. I r emember one t i me Mi ke t ol d me t hi s st or y. You

see,
see, he had had t hi s f r i end. And t hi s f r i end not i cedced somet hi ng un unusual
sual when she'
she' d
l i st en t o someoneone t al k. Li ke f or exam
exampl e sheshe cou
coul d beco
becom me awawar e of
of t he soun
sound of of
hi s voi
voi ce . . . . and as she she he
hear d the sou
sound of of hi s voi
voi ce,
ce, she
she co coul d al so he
hear t he
ot her soun
sounds of of peopl
opl e i n t he r oom
oom . . . . and
and she
she cou
coul d become aware . . . . of t he
r i si ng and f al l i ng of her che chest . . . . and t he sl i ght noddi ng of her head as she she
l i st ened . . . . and
and t he deep, deep r i chn chness of hi s voi voi ce . . . . and as sheshe becam
came
awar e . . . . of al l t hese t hi ngs . . . . t he pr essur ssur e of her hand as i t r est ed on t he
t abl e . . . . and t he out l i ne of hi s f ace as she she wat che
ched hi m spespeak . . . . her
at t ent i on woul d becom come r i vet ed . . . . on a verver y un
uni que det ai l of hi s f ace . . . .
what ever
ver i t mi ght be t hat seem seemed t o cap
capt ur e her at t ent
ent i on . . . . so t hat as sheshe
f ocused mor e and and mor e on on t hi s par t of hi s f ace. . she becam
became mor e and and mor e
f asci nat ed by what he had t o say . . . . mor e and and mor e capt
capt i vat
vat ed and
and t ot al l y
enr apt
apt ur ed by t hi s exp exper i ence of hi m t hat she she was hav
havii ng . . . . and
and as she
she al l owed
her sel
sel f t o r eal i ze t hese t hi ngs . . . . sheshe cou
coul d al so f eel a deep l ongi ng wi t hi n
her s el
el f f or hi
hi m . . . . t o f eel hi s t o uc
uc h . . . . hi s ge
gent l e t ouc h ac r os
os s her f ac e.
e.
( Reach andand gent l y st r oke
oke her wi t h t he back ack ofof you
your handand) . . . . and
and as she
she f el t
t hi s t ouch and her eyes yes cl osedsed wi t h t he pl easur sur e of i t . . . . her br eat hi ng began
t o dedeepen, and her hear t began t o po pound . . . . t o po
pound . . . . wi t h t he r i ch . . . .
deep warmt h of of hi s voi ce.
ce. . . t he r i ch,
ch, deep warmt h t hat began t o spr spr ead . . . . began
t o pounound t hr oug
ough her che
chest . . . . andand t hr oug
ough her bel l y . . . . andand deep t hr oug
ough her
t hi ghs
ghs . . . . as t he war mt h anand t he wet ness and and t he dee
deep p r i ch pou
pounndi ng of
of her most
bur ni ng f emal e pl ace . . . . t he poundi ng bur ni ng pl ace . . . . t hat l onged t o be
f i l l ed, ac he
hed t o be f i l l ed . . . . f i l l ed wi t h hi s t hr o bb
bbi ng r o ck
ck- har d mannes s . . . .
and
and as she f el t t hese t hi ngs . . . . deep eeper and
and deep
eeper andand even
ven more i nt ensel y . . . .
t he f eel i ng of hi s ha hand as i t t ouche ched her t hi gh. . . l et her kno know t hat she
she woul d
open her selsel f t o t hi s man comcompl et el y . . . gi ve her sel
sel f t o hi m . . . . at t he t i me he
cho
chose t o taketake her . . . .
Now . . . . I guarant
arant ee t hat THA
THAT WI LL GET you
you l ai d . . . . i f she doesn
oesn'' t r ape
ape you
you
r i ght t her e . . . . j ust make sur e you
you r epea
epeatt t hat same t ouch
ouch you
you gave
ave her
her on t he
t hi gh, l at er on i n t he even
veni ng.
I n hypn
ypnosi s t er ms, t hi s i s kno
known as an ancho chor . Basi cal
cal l y, al l t hat means i s t hat
when a person has an an exp
experi
eri ence,
ce, anyt
anyt hi ng t hat i s associ
associ at ed or l i nked
ked wi t h t hat
expe
xper i ence wi l l cau
cause t he per son t o r ecal
cal l t he ent i r e expe
xper i ence.
ce. I t ' s what
Pavl ov didi d t o hi
hi s do
dogs - by asso
associ
ci at i ng t he ri ngi ng of a be bel l wi t h t he st
st at e of
hunger and dr ool i ng, he cou coul d set
set of t hat st at e byby si mpl y ri ngi ng t he be bel l at
any ti me t her eaf t er . I n t hi s case
case,, you
you ar e al so r i ngi ng someone' s be bel l , but
hope
hopeff ul l y she wi l l NOT BE
BE A DOG! ! !
You' l l have t o deci de when t o use t hi s appr

appr oach. You can t r y i t i n t he
r est aur
aur ant
ant or wai
wai t unt i l af t er when she
she' s i n you
your apart
apart ment . I t depends on how
dar i ng you
you want
ant t o get
get .
FI RST DATE
DATE SCREW
SCREW TECHN
TECHNI QUE TWO:
ANCHO
ANCHORI NG
We ment
ent i oned
oned anch
anchor or i ng abov
above,
e, bri ef l y, and
and here' s anot
anot her way
way t o use
use i t t o get
get
l ai d on t he f i r s t da
dat e.
The f i r st st ep t o maki ng t hi s wor k i s t o f i nd out your dat e' s pr ef er r ed

r epr esent at i onal sys t em. ( FOR
FOR A DETAI
ETAI LED GUI DE TO DOI NG THI THI S, SEE APPEN
APPENDI X TWO
AT THTHE EN
END OF THI S BOBOOK. ) You
You f i nd t hi s out
out by aski ng her t o r ecalecal l her
her l ast
vacat
vacat i on and
and have
ave her descr
descr i be i n her own wor ds, what she l i ked ked best . I f she
says she
she enenj oyed
oyed t he f eel
eel i ng of l ayi
ayi ng out
out i n t he sun,
sun, and
and swi
swi mmi ng i n t he war m
waves,
aves, you
you' ve got a ki nest het i c pe per son.
son. I f she
she says
says she l i ked
ked t he soun
sound of t he
poundi ng su sur f , and t he qu
qui et ni ght s, she
she' s aud
audi t or y. I f she
she use
usess vi sua
sual t er ms,
s he
he' s vi
vi s ua
ual .
Next
ext , ask i f she can r emember t he most exci
exci t i ng exp
exper i ence
ence she'
she' s had
had r ecent
ecent l y.
When you
you say t he word "exci t i ng" dr op you
your voi
voi ce a bi t , and
and gi ve i t an er ot i c
con
connot at i on.
on. Ni ne out
out of t en t i mes a woman wi l l r ecal l an er ot i c exp
experi
eri ence.
ce.
When
hen she answ
answerer s yes, ask her
her t o cl ose her
her eyes
eyes a mi nut
nut e. Then
Then,, depe
depend
ndii ng on
what her pr ef er r ed syst em i s, ask her her t o r emember
ber , what she saw, what she hear ear d,
and how i t f el t i n her body. As she she exper i ences
ces t hi s, you' l l not i ce t hi ngs st ar t
t o cha
change. Her f ace wi l l f l ush, sh, her br eat hi ng wi l l get heavy, her l ower l i p wi l l
get l ar ger , and she she wi l l act ual l y re- exper i ence i n her body al al l t hose l ovel
vel y
er ot i c f eel
eel i ngs she had when she f i r st went t hr oug ough t he exp
expeer i ence
ence..
As she
she' s do
doi ng t hi s, t el l her t hat when t hose f eel i ngs i n her body reach
reach t hei r
peak,
eak, she shou
shoul d wi ggl
ggl e her
her pi nk f i nger.
nger. When she wi ggl es i t , r each
each over
over and
and
gi ve her r i ght wr i st a squeeze, and at t he same t i me, say, " Good. " Run her
t hr ough t hi s a t wo mor e t i mes.
Then have her cl ear her mi nd, and cl ose her eyes. Reach over , squeeze her wr i st ,
and say good. I f you' ve done i t r i ght , she' l l go r i ght back i nt o t he er ot i c
st at e she was i n bef ore.
Now, t ease her wi t h i t . Go back t o normal conver sat i on, t hen a mi nut e l at er,
r each over and t r i gger t he anchor agai n. Look i nt o her eyes, and smi l e at her as
your do i t , but t hi s t i me, don' t l et go of her wr i st . Keep squeezi ng, keepi ng
her i n t he er ot i c state unt i l you st op.
You now have a weapon you can use any t i me dur i ng t he r est of t he eveni ng!
Lat er i n t he eveni ng, when your get her back at your pl ace, t ease her a bi t .
Don' t make a pass f or a l ong t i me, j ust smi l e knowi ngl y. I f she makes a comment
you t hi nk i s i nt er est i ng, r each over , squeeze t he wr i st , and say "good. "
When she goes i nt o t he er ot i c st at e agai n, keep one hand on t he wr i st squeezi ng,

t hen at t ack wi t h t he f r ee hand and your mout h.
Pr act i ce anchor i ng. You' l l get bet t er at i t and i t does t ake some pr act i ce- we
shoul dn' t ki d our sel ves about t hat . But shi t - i t wor ks ni cel y!
What ' s gr eat about t hi s t echni que and t he pr evi ous t echni que of st acki ng
r eal i t i es i s you of t en don' t have t o go on a f ormal dat e. You can t ake a gi r l
you j ust met f or an i nnocent cup of cof f ee and get her r eady t o f uck you i n
f i f t een mi nut es t i me. Why wast e t i me goi ng out when you coul d be goi ng i n?
FI RST DATE SCREW TECHNI QUE THREE:

SENSORY OVERLAP
Agai n t o make t hi s work, you have t o f i nd out t he l ady' s pref er r ed syst em.
Once you do t hat , you st art t al ki ng t o her about t he beach. You st art by aski ng
her t o recal l somet hi ng f r om her pr ef er r ed syst em about t he beach.
Let ' s say you are t al ki ng t o a woman who' s pr ef er r ed syst em i s audi t ory. Her e' s
how you' d do i t :
YOU: Hey, l et ' s t r y an i magi nat i on exper i ment . Cl ose your eyes f or a second.
Let ' s t ake an i magi nary t r i p t o t he beach. You' r e at t he beach. And you can hear
t he sound of t he wi nd as i t bl ows, and t he sound of t he waves . . . . and t he sound
of a gul l , cr yi ng over head . . . . and as you hear t he sound of t he waves . . . .
( swi t ch t o vi sual syst em) you can al so see a wave as i t moves t owar d t he shor e
. . . . you can see the sunl i ght gl i nt i ng of f t he wave, and some of t he whi t e spr ay
t hat ' s bei ng bl own of f by t he wi nd . . . . and as you see t hat spr ay . . . . you can
al so f eel i t gent l y t ouch your f ace now . . . . and as you f eel t he spr ay on your
f ace . . . . and t he r i se and f al l of your chest as you br eat h . . . . and t he gent l e
war mt h of t he sun on your f ace . . . . you can begi n t o f eel a deep and comf or t and
war mt h . . . . and a f eel i ng of bei ng t ot al l y at ease.
( Her e' s wher e you get her . You' ve al r eady hypnot i zed her , because when you
swi t ch peopl e f r om t hei r pr ef er r ed syst em t o a syst em t hat i s nor mal l y not i n
t hei r consci ous awar eness, t hey ent er an al t er ed st ate. )
. . . . and t hat f eel i ng of ease and warmt h, begi ns t o spr ead t hr ough your body
. . . . wi t h each br eat h you t ake . . . . t he r i se and f al l of your chest . . . . al l ows
a gl owi ng r i ch war mt h t o spr ead t hr oughout your body . . . . a war mt h t hat f eel s so
ver y good . . . . so good . . . . l i ke war m and gent l e hands . . . . massagi ng t hr oughout
your body . . . .
( From her e you l ead her i n t he same manner as t he f i r st st acki ng r eal i t i es

t echni que. )
MORE POWER CLOSES FOR GETTI NG YOU LAI D
I want t o emphasi ze agai n t he i mpor t ant super- r ul e you shoul d make par t of you.
I want you t o eat , sl eep, br eat he and shi t t hi s r ul e:
I MAKE NO EXCUSES FOR MY DESI RES AS A MAN
Thi s r ul e i s i mpor t ant i n ever y aspect of deal i ng wi t h a woman, but no wher e

mor e so t han when you make t hat f i r st ser i ous pass.
I f you aren' t goi ng t o use t he hypnot i c t echni ques ment i oned i n t he pr evi ous
chapt er s, t hen I suggest you use one or bot h of t he f ol l owi ng power cl oses.
POWER CLOSE ONE:

TAKI NG WHAT BELONGS TO YOU CLOSE
What does t he aver age guy do when a woman i nvi t es hi m i nt o her apar t ment f or a
cup of cof f ee?
I ' l l t el l you what he does. He makes smal l t al k whi l e t he cof f ee i s br ewi ng, al l
t he whi l e sweat i ng and ner vous about when he' s goi ng t o make hi s pass.
Then, when she ser ves t he cof f ee, he dr i nks i t ner vousl y, wonder i ng when he
shoul d make a move. Maybe t hey si t down on t he couch, and he wonder s when he
s houl d s i t c l os er .
Ti me wear s on. Not hi ng has happened, and he' s get t i ng mor e and mor e out of
cont r ol . Maybe he spi l l s hi s dr i nk or has t o keep goi ng t o t he bat hr oom.
Per haps he deci des he bet t er do somet hi ng, so he moves a l i t t l e cl oser and ki nd
of apol oget i cal l y put s an ar m ar ound her . He st ar t s t o sl owl y f i nger her hai r ,
wai t i ng t o see her r esponse.
The f i r st power cl ose cut s t hr ough al l t hat nonsense Her e' s how i t wor ks.
She i nvi t es you i n f or cof f ee. You l et her sl i de whi l e t he cof f ee i s br ewi ng.
Thi s i s her saf e t i me- t he l ast f ew mi nut es she' l l EVER be saf e ar ound you agai n.
You can chuckl e t o your sel f as you l ook at her and r eal i ze t hat .
The cof f ee i s r eady and she pour s i t f or bot h of you. Af t er she t akes t he f i r st
si p, don' t say anyt hi ng. J ust suddenl y stop t al ki ng and l ook at her i nt ensel y,
wi t h j ust t he sl i ght est hi nt of a smi l e.
At t hi s poi nt she' l l not i ce, and pr obabl y ask, what i s i t . You CALMLY, SLOWLY,
AND DELI BERATELY, put your cup down, r each over , t ake her s out of her hand, and
put i t down. Look at her f or a second, t ake her f ace i n her hands, and ki ss her
passi onat el y.
Thi s ki nd of act i on i s sendi ng a woman a POWERFUL mess age about t he ki nd of man
you ar e. You ar e i n ef f ect sayi ng, WI THOUT WORDS, " Let ' s ski p t he crap baby. I
want you, HERE, NOW, AND I ' M NOT MAKI NG ANY EXCUSES FOR I T. "
Thi s i s my f avor i t e, non- hypnot i c cl ose, al t hough I can' t ent i r el y cal l i t t hat ,
because women seem t o go i nt o a t r ance wi t h t he sl ow, del i berat e, but unexpect ed
movement s you make.
A key t o maki ng t hi s pi t ch wor k i s SAYI NG NOTHI NG! I f you t al k, you' ve r ui ned

i t ! Al so, your movement s must be sl ow, and del i berat e, not hur r i ed and r ushed,
l i ke you ar e af r ai d she' s goi ng t o st op you.
POWER CLOSE NUMBER TWO:

THE TEASE
Wi t h t hi s cl ose, you oper at e as i f you absol ut el y knew t he gi r l want ed t o

desper at el y sl eep wi t h you, but you ar e det er mi ned t o hol d out t i l l t he l ast
possi bl e mi nut e and t o enj oy t easi ng her al l eveni ng.
Wi t h thi s appr oach, you l ean i nt o her as you t al k as i f you ar e about t o ki ss

her . Then you MOVE AWAY. Get up and f i x your sel f a dr i nk, or go t o t he bat hr oom.
When you pl ay wi t h her mi nd l i ke t hi s, she won' t know what t o t hi nk. And when
you put her i n t hat st at e of mi nd, she' s much more pl i abl e and l ess l i kel y t o
r e si s t you.
A good t act i c i s t o wai t unt i l she says somet hi ng f unny, and t hen r each over and
br ush t he si de of her f ace wi t h t he OUTSI DE of your hand. Then say somet hi ng
l i ke, "You' r e such a f unny l ady. " Do t hi s sl owl y and del i ber at el y, l ooki ng i n
her eyes t he whol e t i me. Then PULL AWAY.
Her e' s how you end t hi s. Whi l e you' r e t al ki ng, suddenl y yawn, l ook at your
wat ch, and say, "I ' m f eel i ng a l i t t l e bushed. Let ' s cal l i t an eveni ng. "
I f you' r e at your pl ace, you pr oceed l i ke t hi s: "C' mon. I ' l l dr i ve you home. "
Make as i f you' r e r eal l y get t i ng t o l eave. As she st ands up f r om t he couch, t ake
her i n your ar ms, and ki ss her passi onat el y. I t ' s t he l ast t hi ng she' l l be
expect i ng, and t he unexpect ed has t he best ef f ect .
THE MAKE OUT
When you ar e maki ng out wi t h a l ady, you want t o show her t hat you ar e
det er mi ned and power f ul and cer t ai n you wi l l get what you want .
Don' t wast e t oo much t i me i n her mout h. Thi s i s wher e most men make t hei r bi g
err or . Go f or her neck as s oon as you can. As you go f or her neck, cup her
br east i n one of your hands. Gent l y rub i t wi t h t he pal m of your hand. Let your
hands r oam f r eel y over her l egs and ass - you ar e t he r i ght f ul ki ng, and t hi s i s
YOUR TERRI TORY, r i ght f ul l y your s t o expl or e as you see f i t .
Rat her t han t r yi ng t o get your hands i n her pant s r i ght away, t ake t he pal m of
your hand, and pl ace i t over her pubi c mound. I f you pr ess down l i ght l y and move
your pal m up and down you wi l l get her ver y hot and bot her ed.
Don' t bot her t r yi ng t o t ake of f her br a ei t her , bef ore you t ake her br east s i n
your mout h. Si mpl y l i f t up her shi r t or bl ouse, and pul l t he cup of t he br a
down, so t he br east i s exposed. Li ck, AROUND t he ni ppl e at f i r st , i nst ead of
goi ng at i t di r ect l y.
Then, l et your t ongue f l i ck i t qui ckl y a f ew t i mes. Then bi t e i t . . . . not har d
enough t o hur t .
I f she' s wear i ng pant s, move your head down, and ki ss her on t he cr ot ch. Then
r each f or her bel t , i f she' s wear i ng one, and undo. Don' t be shy about i t . Pul l
her pant s r i ght of f , and t r y t o t ake her pant i es wi t h t hem, i f you can.
Ki ss back up t o her chest now, but t hi s t i me you wor k your pal m on her naked
bush, sl i ppi ng your i ndex f i nger on her cl i t , and i n her cunt .
Af t er a f ew mi nut es of t hi s, move back down t o her pussy. Ki ss her i nner t hi ghs

once or t wi ce and t hen go f or t he eat - out .
Her e i s my f avor i t e cunni l i ngus t echni que. I di scover ed i t by acci dent years
ago, and women go cr azy over i t . I don' t cl ai m t o be t he best f uck i n t he worl d
- I know I am not . However , women have t ol d me, over and over agai n t hat I gi ve
t he best head of any man t hey have ever met .
Her e' s t he secr et . Kneel down so your f ace i s l evel wi t h her snat ch. She can si t
on t he edge of t he bed or chai r or couch, wi t h her l egs over your shoul der s.
Take t he i ndex f i nger of your l ef t hand, and t he i ndex f i nger of your r i ght
hand. Use t he l ef t f i nger t o push away t he ski n hi di ng t he cl i t ori s on t hat
si de, and t he r i ght f i nger t o push away t he ski n hi di ng t he cl i t or i s on t he
ot her . Once you' ve pushed t hi s l oose ski n t o the si de the cl i t or i s wi l l be
exposed. Fr om her e, what you do i s use your f i ngers t o push t he base of t he
cl i t or i s, so i t pops up, f ul l y exposed. Thi s i s sor t of t he equi val ent of a
woman squeezi ng t he base of your cock when she bl ows you - i t hel ps t o keep your
cock r i gi d by t r appi ng t he bl ood i n i t and al so keeps i t f r om movi ng.
From her e, she' s your s. You' l l be abl e t o suck and l i ck on t he l i t t l e bi ngo

but t on and she' l l f r eak out . The har dest pr obl em wi l l be get t i ng her t o hol d
st i l l - i f she t hr ashes around t oo much you ar e goi ng t o l ose your gr i p.
At t hi s poi nt , st op f or a mi nut e and t ake of f your pant s and short s. Resume

eat i ng, and when you f eel r eady, r ol l on your condom. You shoul d pr act i ce t hi s
unt i l you can do i t qui ckl y and wi t hout f umbl i ng.
Then spr ead her l egs open and sl i p i t i n sl ow and deep. Let her enj oy t he
pl easur e of havi ng your cock i nsi de of her .
Chapt er Ni net een
HOW TO TOTALL Y BREAK A WOMAN' S RESI STANCE

TO SLEEPI NG WI TH YOU
We' ve al l hear d t he nonsense about " No Means No" and r espect i ng a gi r l ' s r i ght
t o r ef use a pass.
Wel l , I hope by now you know di f f erent l y. Of t en t i mes "no" doesn' t mean t hat at
al l . I t coul d mean, " I don' t want t o appear cheap, so I have t o put up t oken
r esi st ance f i r st . " Or i t coul d mean, "I ' m not sur e. " Or i t coul d mean, "I ' m
scar ed of sex. "
What ever i t means, t he t wo wor st r esponses you coul d make t o a woman who r esi st s
you, ar e t o:
Ar gue wi t h her about i t .
Gi ve up and sul k.
The best t hi ng t o do i s expr ess agr eement wi t h how she f eel s, t hen back of f and
t r y l at er agai n i n t he eveni ng. I f she' s j ust t r yi ng t o avoi d appear i ng easy or
cheap, you' l l nai l her l at er anyway.
The r eal pr obl em ar i ses when t he l ady j ust happens t o have a ser i ous pr obl em
about sex or i s j ust NOT at t r act ed t o you.
I n t he f i r st case, you ar e i n t r oubl e, buddy. I f she' s t hi s hung up, what ki nd

of a f uck i s she goi ng t o be anyway? Per sonal l y, I ' d see her t o t he door and
t hr ow away her phone number .
I f she' s not at t r acted t o you, but l i kes sex gener al l y, you' ve st i l l got a
f i ght i ng chance. Let me show you sever al ways ar ound t he, " I ' M J UST NOT
ATTRACTED TO YOU LI NE. "
METHOD ONE: AS I F FRAME
Thi s i s per haps t he sneaki est and most unf ai r met hod I know t o br eak a woman' s
r esi st ance t o sl eepi ng wi t h you. I t i s t he H- bomb i n your ar senal . I t works on
t he pr i nci pl e t hat i f you put someone i n t he physi ol ogy of a cer t ai n st at e, t hey
wi l l ac t ual l y BE i n t hat s t a t e.
Here' s how i t wor ks. You make t he pass and she r ej ect s you. You shoul d act
apol oget i c. Tel l her you are sor r y you mi sr ead her cues. Say somet hi ng l i ke,
"Look. I ' m sor r y. I ' m j ust r eal l y dumb when i t comes t o readi ng women, y' know.
Maybe you can hel p me wi t h t hi s? I know t hi s sounds r eal l y dumb, but I don' t
want t o keep maki ng t hi s ki nd of dumb mi st ake wi t h women. "
Odds ar e, she' l l be wi l l i ng t o hel p.
" I f you can r emember a t i me you wer e wi t h a guy t hat you wer e r eal l y at t r act ed
t o, can you show me what t he l ook was on your f ace?"
She' l l l augh at f i r st , but t hen show you.
" OK. But can you show me how your mout h was? Was i t open? And how di d your eyes
l ook?"
" OK. And how wer e you br eat hi ng? Can you show me?"
" How wer e you si t t i ng? What was your post ur e?"
" And what f eel i ngs, cl osi ng your eyes f or a second, were you awar e of i n your
body? And how di d t hose st ar t t o bui l d?"
At t hi s poi nt , you have a choi ce. You can anchor t hose f eel i ngs and make a pass
l at er by f i r i ng of f t he anchor, or you can make a pass t hen and t her e, usi ng a
t r ans i t i on l i ke t hi s :
" And how woul d t hi s t ouch f eel t o you i f he wer e t ouchi ng you l i ke t hi s, her e
and now?" Resume your pass now.
METHOD TWO: REDEFI NE THE MEANI NG OF THE SI TUATI ON
Thi s i s a mor e ver bal appr oach t han t he l ast met hod. When she f eeds you t he " I ' m
j ust not at t r act ed t o you" obj ect i on, you r epl y as f ol l ows:
" What you' r e r eal l y sayi ng i s you have an unpr ecedent ed oppor t uni t y t o expand
t he range of peopl e you can shar e j oy and pl easur e wi t h. "
That wi l l bl ow her mi nd. You' ve t aken a negat i ve and t ur ned i t ar ound i nt o a

posi t i ve oppor t uni t y f or her t o gr ow and expand her l i f e. You' ve made her excuse
f or not f ucki ng you her posi t i ve r eason t o do so. Wow!
METHOD THREE: CONSEQUENCES
Here you poi nt out t he consequences of her act i ons by sayi ng: " Tel l i ng me t hat
i s onl y goi ng t o make me want you mor e, because I get r eal l y t ur ned on when
women r ej ect me. " Wel l , wher e does THAT l eave her ? You' ve l et her know t hat
pushi ng you away agai n i s onl y goi ng t o make i t wor se f or her! She can' t wi n no
mat t er what .
METHOD FOUR: SHOCK
Thi s met hod r el i es on i nt er r upt i ng her pat t er n by r ever si ng t he t abl es. Her e you
say: "At t r act ed? Who says I ' M att r act ed t o YOU. As f ar as I ' m concer ned, honey,
I ' m gi vi ng you a MERCY f uck! " Then i mmedi at el y r esume your pass.
METHOD FI VE: HUMOR
Her e you i nt er r upt her patt er n of r ej ect i on agai n, but t hi s t i me mor e gent l y.
Pol i t el y say, " Oh. I ' m sorr y. Excuse me. " Then get up, and go i nt o t he ki t chen.
Get a paper s hoppi ng bag, st i ck i t on your head, and wal k back over t o her .
"Ther e, " you say, "t hat shoul d f i x i t ! " As she l aughs, r esume your pass.
METHOD SI X: GUI LT
One of t he har dest t hi ngs f or anyone t o do i s wat ch a gr own man cr y. You ar e

goi ng t o depend on t hat f or t hi s met hod, but be aware t hat t hi s one i s goi ng t o
t ake some act i ng abi l i t y. Pul l away af t er she r ej ect s you and put your head i n
your hands. Qui et l y st ar t t o sob.
" I ' m s or r y . . . . I s houl d have known bet t er t han t o t hi nk . . . . t hat a gi r l l i ke

you . . . . coul d l i ke me . . . . " Sob some mor e. "Let me si t a second . . . . and I ' l l
t ake you home. " ( Obvi ousl y i f you are at HER pl ace, you word i t accor di ngl y,
dummy! ) "I t ' s j ust t hat I ' l l never know . . . . t he peace . . . . of havi ng you i n my
ar ms . . . . and l ovi ng you . . . . i t woul d have meant so much . . . . ( sob, sob) . I ' ve
never been wi t h a woman as beaut i f ul as you . . . . you don' t know t he conf i dence
i t woul d have gi ven me. . . and t he happi ness . . . . . ( sob uncont r ol l abl y now) . . . .
coul d you f i nd i t i n your sel f . . . . j ust t o l et me ki ss you once . . . . t o know I
at l east had t hat ?"
Now I pr omi se you, i f t he gi r l has any heart at ALL, she' l l ki ss you. And t hat ' s
when you r esume your pass. I f she st ops you, st ar t weepi ng agai n.
Chapt er Twent y
A FI NAL WORD
Wel l , we' ve come a l ong way t oget her . You' ve l ear ned and hopef ul l y appl i ed
met hods t o gi ve you unbeat abl e and easy conf i dence wi t h women. You know how t o
meet women l ef t and r i ght , and how t o scor e wi t h t he ones you want , when and
wher e YOU want t o.
I si ncerel y hope t hat you put t he t echni ques i n t hi s book t o use. Make t hem WORK
f or you. You' l l be ast oni shed at how easi l y and qui ckl y t hey can br i ng you
success and happi ness wi t h women.
I ' ve been a col ossal f ai l ur e wi t h women and a col ossal success and you know
what ? Col ossal success i s not onl y one hel l of a l ot mor e f un, i t ' s al so one
hel l of a l ot easi er ! Once you know how t o do i t , i t ' s HARD t o f ai l wi t h women,
and EASY t o get what you want .
I hope you di scover j ust how easy i t i s! And how much ni cer col ossal success can
be!
Appendi x One
THE ULTI MATE RULES AND ATTI TUDES

FOR SUCCESS WI TH WOMEN
Not e: These at t i t udes and rul es are t he f oundat i on of ever ythi ng i n t hi s book,
and t he key t o your success wi t h women. To make t hem wor k f or you, you must
pr act i ce t hem, bot h i n your i magi nat i on and r eal l i f e! Wr i t e t hem down on t hr ee
by f i ve i ndex car ds, and vi sual i ze your sel f put t i ng t hem i nt o act i on.
At t i t ude/ Rul e One:
I MAKE NO EXCUSES FOR MY DESI RES AS A MAN.

I MOVE THROUGH THE WORLD WI THOUT APOLOGY.
At t i t ude/ Rul e Two:
I DON' T NEED YOU- YOU NEED ME.
At t i t ude/ Rul e Thr ee:
YOU CAN' T CONTROL ME.
At t i t ude/ Rul e Four :
I NEVER KNOW WHERE I STAND WI TH A WOMAN UNTI L I MAKE

THAT FI RST SERI OUS PASS, SO I DON' T CONSI DER A WOMAN
A SERI OUS PROSPECT UNTI L AFTER WE' VE MADE LOVE.
At t i t ude/ Rul e Fi ve:
THE FI RST STEP I N ATTRACTI NG A WOMAN

I S GETTI NG HER ATTENTI ON, AND THE BEST WAY TO DO
THAT I S BY BEI NG UNI QUE, AND NOVEL, AND DI FFERENT.
At t i t ude/ Rul e Si x:
I DON' T ARGUE WI TH A WOMAN AND NEI THER DO I

ATTEMPT TO APPEASE HER. I LI STEN CAREFULLY TO WHAT
SHE HAS TO SAY, BUT GENTL Y AND FI RMLY DO AS
I HAD PLANNED ALL ALONG.
At t i t ude/ Rul e Seven:
THERE I S NO WOMAN SO BEAUTI FUL THAT I CAN' T MAKE HER MI NE.
At t i t ude/ Rul e Ei ght :
A "5" I N YOUR BED BEATS A " 10" I N YOUR HEAD,

BUT A "10" I N YOUR BED, BEATS A HUNDRED " 5' s" I N YOUR HEAD!
At t i t ude/ Rul e Ni ne:
NEVER GET SERI OUSLY I NVOLVED

WI TH A WOMAN WHO HAS MORE PROBLEMS THAN YOU DO.
At t i t ude/ Rul e Ten:
PERSI STENCE WI THOUT FLEXI BI LI TY I S A PRESCRI PTI ON

FOR DI SASTER. VARY YOUR APPROACH AND STYLE TO
DI SCOVER WHAT WORKS THE BEST.
Appendi x Two
REPRESENTATI ONAL SYSTEMS
Peopl e per cei ve t he wor l d i n t hr ee basi c modes: Vi sual ( pi ct ur es) , Audi t or y

( sounds) , Ki nest het i c ( body f eel i ngs) . Whi l e ever yone uses one or more of t hese
syst ems at any gi ven t i me, most peopl e have a pr ef er r ed syst em. I f you speak t o
t hem usi ng t er ms f r om t hei r pr ef er r ed syst em, you wi l l creat e gr eat f eel i ngs of
r apport and warmt h, because you are, i n ef f ect , speaki ng t o t hem i n t he l anguage
t hei r br a i n pr e f er s .
How To Fi nd Out Your Dat e' s Pr ef err ed Syst em
St ep One:
Ask, "Can you r ecal l t he l ast t i me you had a r eal l y f un vacat i on?"
St ep Two:
Af t er get t i ng a "yes" answer , ask, " What di d you r eal l y l i ke most about i t ?"
St ep Thr ee:
Make sur e your dat e uses SENSORY t er ms t o descr i be t he experi ence. I f she j ust
says, " I t was r eal l y f un! " you haven' t got t en anywhere. Ask her what
speci f i cal l y about i t was f un.
St ep Four :
Li st en f or t he sensor y based t erms she uses t o descr i be t he exper i ence. " I

r eal l y l i ked t he wat er . I t was so cl ear and bl ue. And you coul d see t he bi t s of
sunl i ght spar kl i ng of f t he t ops of t he waves. " Guess what ? She' s vi sual .
St ep Fi ve:
Descr i be a r ecent exper i ence of your s t o her , usi ng t er ms f r om her pr ef er r ed

syst em.
St ep Si x:
Wat ch her non- ver bal r esponses as you descr i be your exper i ence. You shoul d
not i ce, i f you ar e r eal l y get t i ng t hr ough t o her , pupi l di l at i on ( her eyes
get t i ng bi g and wi de, dumdum) i ncr eased br eat hi ng r at e, et c.
Appendi x Thr ee
I NDUCI NG TRANCE STATES I N YOUR DATE

USI NG THE STORY TELLI NG METHOD
Fi r st , never , NEVER ment i on t hat you can do t hi s! I f you t el l her about i t , you
mi ght as wel l f or get about i t ! Don' t say t he word "hypnosi s" - i t wi l l have t he
same af f ect as sayi ng " AI DS" or " Her pes. " Your ai m i s not t o i mpr ess wi t h what
you know, but t o use what you know t o get r esul t s!
Tr y t o do t hi s i n a qui et pl ace.
St ep One:
Fi nd out your dat e' s pr ef er r ed syst em. Thi s i sn' t absol ut el y necessar y f or t hi s
par t i cul ar met hod, but i t sur e can hel p!
St ep Two:
St ar t by t el l i ng a st or y, but make t he st ory hard t o f ol l ow. You want t o

over whel m her consci ous abi l i t y t o keep t r ack. Thus you woul d say, " Di d I ever
t el l you about my f r i end, J i m? I t seems he was at t hi s conf erence, and he was i n
t he hot el bar on a br eak. And t he bart ender was t el l i ng a st ory about hi s
nei ghbor who had t wo br ot her s. One was r eal l y good at deal i ng wi t h peopl e, but
t he ot her had pr obl ems unt i l he met t hi s guy. " et c, et c.
St ep Thr ee:
Weave el ement s of your cur r ent si t uat i on i nt o t he st ory t hat are based on your
dat es cur r ent sensor y experi ence.
St ep Four :
Lead her i nt o a ki nest het i c mode of experi ence and descr i be erot i c body
sensat i ons.
St ep Fi ve:
Make a smoot h t r ansi t i on i nt o your physi cal pass at her . Don' t suddenl y st op
t al ki ng and r oughl y gr ab her . You' l l j ol t her out of t he st at e you worked so
har d t o bui l d.
Appendi x Four
THE RI GHT WAY TO USE VI SUALI ZATI ON

TO BUI LD I RRESI STI BLE CONFI DENCE
Remember f i r st t he t wo di f f erent ki nds of vi sual i mages you can make i n your

mi nd:
Di sas soci at ed, wher e YOU SEE YOURSELF I N THE PI CTURE!
Ass oci at ed, wher e YOU DO NOT SEE YOURSELF I N THE PI CTURE! YOU SEE THE EVENT OR
CI RCUMSTANCE AS I F YOU WERE STANDI NG THERE, LOOKI NG OUT OF YOUR OWN EYES.
You' l l use t he f i r st ki nd of i mage, di sas soci at ed, t o i magi ne al l t he new,

aggr essi ve, power f ul ki nds of behavi ors you' d l i ke t o have wi t h women. That ' s
your f i r s t s t ep.
Your second st ep i s t o make ass oci at ed i mages of t he ci r cumst ances wher e you
want t o use t hose new power f ul , bol d, asser t i ve behavi ors. What woul d i t
act ual l y l ook l i ke f r om your own eyes?
Your t hi r d st ep i s t o r un t hr ough t he behavi or s, f ul l y ass oci at ed. How woul d you

f eel i n your body? What woul d your voi ce sound l i ke? What woul d you be seei ng
out of your own eyes?
Thi s wi l l make t hese behavi or s ver y r eal t o your br ai n, and wi l l t el l your br ai n

I NSTANTLY t o cal l t hem up when you need t hem, so you don' t even have t o t hi nk
about i t !
Appendi x Fi ve
ANCHORI NG TO BUI LD CONFI DENCE
St ep One:
Recal l a t i me when you f el t ver y power f ul , r esour cef ul and poi sed.
St ep Two:
Cl ose your eyes, and r un t hr ough t he si t uat i on. What di d you see? Hear ? How di d
i t f eel i n your body?
St ep Thr ee:
Exper i ence t hose powerf ul f eel i ngs i n your body. When t hey r each t hei r peak,
anchor t hem by r eachi ng wi t h your r i ght hand and gent l y squeezi ng your l ef t
wr i st , usi ng your i ndex f i nger and t humb. Keep hol di ng t hat squeeze as you
cont i nue t o exper i ence t hose power f ul f eel i ngs.
St ep Four :
Run t hr ough t he f i r st t hr ee st eps anot her t wo t i mes.
St ep Fi ve:
Make an ass oci at ed i mage of a ci r cumst ance wher e you want power and conf i dence
wi t h women. As you do so, f i r e your anchor by appl yi ng t he same wr i st squeeze.
St ep Si x:
Keep hol di ng t he squeeze and you wi l l experi ence t he power f ul , bol d, conf i dent
f eel i ngs i n a ci r cumst ance t hat used t o make you ner vous! You have now t r ai ned
your br ai n t o react t o women by put t i ng you i nt o a power f ul , conf i dent , bol d
st at e, WI THOUT YOUR HAVI NG TO THI NK ABOUT I T AT THE TI ME YOU ARE ACTUALLY I N THE
SI TUATI ON!
St ep Seven:
Do t hi s once a day, i n t he mor ni ng t o st ar t your day, f or one week! Ref r esh and
r epeat af t er t hat i f needed!
Appendi x Si x
HOW TO SWI FTLY DETECT AND ELI MI NATE WOMEN

WHO ARE WACKOS, LOW- LI FES, CRAZI ES AND SCUM
I wi sh t he wor l d wer e f ai r . I f i t wer e, I woul dn' t be si t t i ng her e wr i t i ng t hi s.

I ' d be a an i ndependent l y weal t hy mul t i - mi l l i onai r e pl ayboy, on my own beaut i f ul
t r opi cal i sl and, sur r ounded by t he ent i r e UCLA Women' s Vol l eybal l t eam t hi nki ng
up new ways t o be ni ce t o me.
Ahemm.
But l i f e I SN' T f ai r . And one of t he most unf ai r r eal i t i es i s t hat MOST of t he

women you meet are not goi ng t o be decent , i nt el l i gent , t oget her pi nnacl es of
l ove, j oy and sel f - est eem, dyi ng t o meet you and f ul f i l l your l i f e i n ever y way
pos s i bl e.
Nope. Most women ar e ser i ousl y di nged i n one way or anot her .
Maybe i t ' s t he i mpossi bl e expect at i ons of soci et y t hat does i t . Maybe i t ' s t he
hor r i bl e ear l y t r ai ni ng or j ust bi ol ogy. What ever t he r eason, i t i s a f act you
must be pr epar ed f or .
So many t i mes I woul d f al l head over heel s i n l ove wi t h a woman j ust because she
had a f ew char acteri st i cs I r eal l y l i ked. I t hi nk I di d i t because I t r ul y do
l i ke peopl e and enj oy t he f eel i ng of l i ki ng someone.
But man, di d I get my head ki cked i n.
Tat t oo t hi s on t he i nsi de of your eyel i ds: J ust because a woman i s gor geous or
f un or smar t or ( f i l l i n your f avor i t e her e) doesn' t say BEANS about her
char act er .
Many women wi t h gr eat per sonal i t i es have t er r i bl e char act er s. I ' ve met women who
ar e wi t t y, br i l l i ant and t ons of f un and GORGEOUS t o boot who woul d have no
second t hought about st eal i ng you bl i nd i n a second. Or doi ng what ever whi m
cr ossed t hei r mi nd at t he moment .
These l adi es l i ve by one r ul e: I ' M NOT GOI NG TO DO ANYTHI NG UNLESS I ABSOLUTELY

FEEL L I KE I T AT THE MOMENT.
Char mi ng f l akes l i ke t hi s can r eal l y put your head ( not t o ment i on ot her par t s)
t hr ough t he r i nger .
Then t hei r ar e l adi es wi t h gr eat per sonal i t i es, gr eat char act er s, and even gr eat
l ooki ng. But t hey have one smal l pr obl em:
THEY HATE SEX!
That ' s r i ght . I f you' ve ever r ead Geor ge Or wel l ' s cl ass i c book, l 984, you know
how t he t ot al i t ar i an gover nment di d i t ' s l evel best t o di scour age peopl e f r om
enj oyi ng sex. They were successf ul t o such an ext ent t hat peopl e vi ewed sex as
t hey woul d a di sgust i ng mi nor medi cal pr ocedur e l i ke havi ng an enema or poppi ng
a boi l .
They even had a gr oup f or youngst er s cal l ed THE J UNI OR ANTI - SEX LEAGUE.
Wel l , l 984 may have been f i ct i on, but t he J ASL i sn' t . I ' ve used t o dat e many of
i t ' s member s!
The best way t o deal wi t h al l of t hese var i ous var i et i es of l ow- l i f e f emal es i s
t o t ake t he same t act you' d t ake wi t h cancer : EARLY DETECTI ON AND SWI FT REMOVAL.
To ai d you i n det ect i on, I ' ve desi gned what I cal l r at her modest l y t he J EFFRI ES
UPRI GHT/ UPTI GHT SCALE. I t al l ows you t o qui ckl y si ze up a gi r l t o l et you know
i f she' s got r el at i onshi p pot ent i al or i f she deser ves no mor e t han havi ng one
of t he "qui ck- l ay" st r at egi es pul l ed on her .
The ver t i cal sc al e measur es her enj oyment of sex. Not necessar i l y per f or mance,
but ent husi asm and genui ne pl easur e she get s out of i t . Nat ur al l y, you' d want
someone wi t h a l ow " upt i ght scor e. "
The hor i zont al sc al e measur es her char act er , how " upr i ght " she i s. Lot s of
t hi ngs go i nt o t hi s: i s she war m? Does she tr eat peopl e, especi al l y st r anger s,
wi t h r espect ? DOES SHE DO WHAT SHE SAYS SHE WI LL ? I s she honest ?
Thi s l ast i s most i mpor t ant . I once wor ked wi t h a gi r l who I consi der t o be one
of my model s f or upr i ght ness. I n addi t i on t o her r egul ar j ob, whi ch she worked
wi t h me, she sol d cer t ai n door t o door ki t chenwar e/ soap pr oduct s. She knew I had
an i ncr edi bl e cr ush on her , and woul d buy anyt hi ng she sl apped down i n f r ont of
my f ace.
Bel i eve me, l ot s and LOTS of l adi es woul d not have hesi t at ed t o t ake advant age
of t hi s. But not Li sa. Af t er t al ki ng t o me f or awhi l e, she r eal i zed t hat I
r eal l y di dn' t need her pr oduct s and she woul dn' t l et me buy t hem! She sai d she
di dn' t f eel r i ght about maki ng a sal e t o someone who coul d get a cheaper product
t hat woul d do t he same j ob f or t he par t i cul ar need t hey had!
That , my f r i ends, i s i nt egr i t y and UPRI GHTNESS.

Ot her qual i t i es t hat go i nt o t hi s: I s she a gi ver ? And, j ust as i mpor t ant l y, can
SHE r ecei ve good t hi ngs f r om YOU? Wi t hout f eel i ng uncomf or t abl e about i t ? One of
t he sur e si gns t hat you' ve got a si cko on your hands i s she can' t accept
someone' s bei ng good t o her .
Someone once descr i bed a good f r i end of mi ne t hi s way: " She' s r eal l y gr eat t o
anyone who can t ake i t . "
Pi ck a gi r l who can t ake i t .
When you meet a l ady, si ze her up as t he t wo of you spend t i me t oget her , and t r y
t o put her on t he upt i ght / upr i ght scal e.
Her e are some ear l y t el l - t al e behavi oral cues t o l et you know you' r e deal i ng
wi t h someone who i s NOT goi ng t o get a f avor abl e spot on t he scal e:
She t al ks about sex on t he f i r st dat e. Any woman who does t hi s ei t her has no
cl ass, or , f ar mor e f r equent l y, i s a pr i ckteaser . I f a woman t al ks about sex on
t he f i r st dat e, or even pul l s out a di r t y dr awi ng or phot ogr aph t o show you
( bel i eve me, I ' ve had i t happen) don' t get hot and bot her ed! Thi s i s a si gn of a
si cko, bel i eve me! Your best r esponse i s t o act a t r i f l e shocked and say, "I
t hi nk t al ki ng about t hese ki nd of t hi ngs wi t h someone you hardl y know i s ki nd of
vul gar , don' t you?" Or , even mor e ef f ect i ve, " You know I f i nd peopl e who have t o
t al k about sex r i ght of f t he bat usual l y have a r eal pr obl em wi t h i t ! "
That wi l l REALLY PUT HER I N HER PLACE. She may even t r y t o pr ove you wr ong, by
f ucki ng you l at er t hat ni ght . But gener al l y speaki ng, you' ve got a J ASL member
on your hands and ar e best of f cal l i ng i t an earl y eveni ng. Tel l her you f or got
t hat you have t o dr i ve out of t own r eal l y earl y t he next day f or a Thr ee St ooges
convent i on. Have some f un wi t h i t , but f orget her , FAST!
She keeps you wai t i ng a l ong t i me when you go t o pi ck her up or does somet hi ng
el se t hat i s darn r ude ei t her at t he begi nni ng of t he dat e or l at er on.
Maybe she' l l pul l a f l aky st unt l i ke havi ng you wai t i n t he l i vi ng r oom, whi l e
she makes a qui ck cal l . Then she' l l get on t he phone and chat wi t h a gi r l f r i end
f or an hour or so.
Women l i ke t hi s ar e l ooki ng f or a man who' s goi ng t o ABUSE THEM EMOTI ONALLY.

They ar e t est i ng you r i ght of f t he bat t o see i f you' l l be pat i ent and
under st andi ng and i f you ar e, YOU ARE OUT! She i deal l y woul d l i ke you t o pul l
t he phone out of t he wal l , gr ab her by t he hai r and ei t her dr ag her out t he door
or wal k out , wi t h her r unni ng af t er you.
I f t he chi ck pul l s somet hi ng l i ke t hat , you have t o make a deci si on. Ei t her gi ve
her what she want s, by aggr essi vel y t el l i ng her what an asshol e she i s and
t ur ni ng t o wal k out i n whi ch case she' l l f al l i n l ove wi t h you r i ght t hen and
t her e. Or , deci de she' s not wor t h wasti ng t he t i me, wave pol i t el y, and get l ost .
Or , wai t pat i ent l y f or her t o f i ni sh t he cal l and t hen ski p t he dat e and scr ew
t he chi ck ri ght t her e, usi ng a qui ck- l ay hypnosi s st r at egy. She cer t ai nl y
doesn' t deserve any bet t er t r eat ment !
By t he way, you may f i nd i t qui t e a mi nd- expandi ng t r i p t o pl ay t he abusi ve

asshol e j ust once i n your l i f e! I t i s a f ar wei r der and more mi nd bl owi ng
exper i ence t han any dr ug you mi ght ever use - i t ' s l i ke bei ng a new pers on,
bei ng r eborn i n a new per sonal i t y and body. Tr y i t , i f onl y to see what i t i s
l i ke and t o add t o your per sonal f l exi bi l i t y.
She star t s t al ki ng about her past boyf r i ends or ot her guys she' s cur r ent l y
dat i ng. Thi s i s mor e easi l y deal t wi t h and not necessari l y cause to r el egate her
t o t he "l owl i f e" cat egor y. J ust t el l her you' d r eal l y r at her not hear about i t .
Thi s wi l l est abl i sh you as havi ng some bal l s and t hen you wi l l have passed her
l i t t l e t est .
She dr i nks or uses dr ugs t o excess. I f she get s r i ot ousl y dr unk ever y t i me you
go out , consi der t he f act t hat you may have an al cohol i c on your hands. Sure,
t hey can be f un f or a whi l e, but I per sonal l y woul d r at her not be wi t h a woman
who l oves J ack Dani el s more t han she does Ross J ef f r i es.
She does not keep appoi nt ment s or commi t ment s. I don' t know how " f l akes" ar e
manuf act ur ed; I suspect t hat t hey wer e r ai sed by par ent s who put enor mous
pr essur es on t hem t o perf or m on cue, so now t hey have a pol ar i t y r esponse and
r ef use t o do anyt hi ng unl ess t hey f eel l i ke i t at t he moment ! I f a woman doesn' t
do as she says she wi l l , dump her or use a "qui ck- l ay" st r at egy.
She asks f or a f avor BEFORE you' ve even gone out ! Maybe she needs a r i de, or
some money, or even her car washed.
To hel l wi t h t hese evi l l i t t l e Nazi douche- bag expl oi t at i on queens. Fuck and
dump t i me, good buddy! And DON' T DO HER THE FAVOR. TELL HER YOU' LL DO I T AFTER
YOU GO OUT!
I n summat i on, I ' m no bi bl e t humper , but scr i pt ur e does say somet hi ng ver y, ver y
wi se on t he subj ect :
" A good woman, who can f i nd her ? Her pr i ce i s beyond pear l s. "
Use t he upt i ght / upr i ght scal e, and get your sel f a STRAND OF THEM!
ORI GI NAL TABLE OF CONTENTS
TABLE OF CONTENTS
I NTRODUCTI ON
PART ONE: HOW TO HAVE POWER AND CONFI DENCE WI TH WOMEN
CHAPTER ONE: THE ONE ATTI TUDE THAT I S THE KEY TO HAVI NG I RRESI STI BLE APPEAL TO
WOMEN AND GETTI NG LAI D WI TH THE WOMEN OF YOUR DREAMS
CHAPTER TWO: HOW TO I NSTALL THE SUPER- GET L AI D ATTI TUDES I N YOUR SELF SO YOU USE
THEM AUTOMATI CALLY
CHAPTER THREE: BELI EVE I T OR NOT, HOW TO HAVE EVEN MORE CONFI DENCE WI TH WOMEN
CHAPTER FOUR: STI LL MORE CONFI DENCE AND POWER WI TH WOMEN!
CHAPTER FI VE: YET MORE CONFI DENCE AND POWER WI TH WOMEN
PART TWO: HOW TO MEET WOMEN, ANYTI ME, ANYWHERE ( I n whi ch we l ook at t he f our
st eps t o any pi ck- up) Get t i ng at t ent i on, Maki ng your i nt r oduct i on, Cr eati ng
r apport , Maki ng your pi t ch
CHAPTER SI X: HOW TO FAKE LI KE YOU ARE WARM AND FRI ENDLY
CHAPTER SEVEN: GETTI NG HER ATTENTI ON- THE KEY TO PI CK UPS WHEREVER YOU ARE
CHAPTER EI GHT: HOW TO MAKE A WOMAN YOU' VE J UST MET FEEL LI KE SHE' S MET THE MAN
OF HER DREAMS
CHAPTER NI NE: SOME GREAT METHODS AND GREAT PLACES TO PI CK UP MORE WOMEN THAN YOU
AND A FRI END COULD POSSI BLY HOPE TO HANDLE I NCLUDI NG THE ONLY TWO PI CK- UP LI NES
I N THE WORLD THAT WORK SO WELL THAT THEY CAN GET YOU LAI D AUTOMATI CALLY
CHAPTER TEN: SLASHI NG COMEBACKS FOR SLEAZOI D SLUTS!
CHAPTER ELEVEN: HOW TO USE THE PERSONALS TO GET HUNDREDS AND HUNDREDS OF WOMEN
TO DATE!
CHAPTER TWELVE: BI RDOGGI NG: How To Get A Gi r l When She' s Wi t h Anot her Guy ( Or
When You' r e Wi t h Anot her Gi r l )
CHAPTER THI RTEEN: GETTI NG THE DATE
CHAPTER FOURTEEN: GETTI NG THE PHONE NUMBER ROUTE
CHAPTER FI FTEEN: MAKI NG THE DATE ON THE SPOT
CHAPTER SI XTEEN: HOW TO HANDLE BI TCHES WHO TRY TO CANCEL DATES
PART THREE: HOW TO GET THE WOMEN YOU DATE I NTO BED
CHAPTER SEVENTEEN: DECI DI NG YOUR APPROACH
CHAPTER EI GHTEEN: HOW TO USE HYPNOSI S TO GET YOUR DATE I NTO THE SACK
CHAPTER NI NETEEN: HOW TO TOTALLY BREAK A WOMAN' S RESI STANCE TO SLEEPI NG WI TH YOU

Ross Jeffries How To Get The Women You Desire Into Bed

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HOW TO GET THE WOMEN YOU DESI

ESI RE I NTO BED

Nei t her t he aut

" He who wi l l not t ake t he hi

 HYPERLINK \ l "Introduction" Introduction

 HYPERLINK \ l "Chapter_1" Chapter 1

 HYPERLINK \ l "Chapter_3" Chapter 3

 HYPERLINK \ l "Chapter_4" Chapter 4

 HYPERLINK \ l "Chapter_5" Chapter 5

 HYPERLINK \ l "Chapter_6" Chapter 6

 HYPERLINK \ l "Chapter_7" Chapter 7

 HYPERLINK \ l "Chapter_10" Chapter 10

 HYPERLINK \ l "Chapter_12" Chapter 12

 HYPERLINK \ l "Chapter_13" Chapter 13

 HYPERLINK \ l "Chapter_15" Chapter 15

 HYPERLINK \ l "Chapter_16" Chapter 16

 HYPERLINK \ l "Chapter_17" Chapter 17

 HYPERLINK \ l "Chapter_18" Chapter 18

 HYPERLINK \ l "Chapter_19" Chapter 19

 HYPERLINK \ l "Chapter_20" Chapter 20

 HYPERLINK \ l "Appendix_1" Appendix 1

 HYPERLINK \ l "Appendix_2" Appendix 2

 HYPERLINK \ l "Appendix_3" Appendix 3

 HYPERLINK \ l "Appendix_4" Appendix 4

 HYPERLINK \ l "Appendix_5" Appendix 5

 HYPERLI NK \ l "Appendix_6" Appendix 6

 HYPERLINK \ l "Original_TOC" Original Table Of Contents

UNFAI R SEDUCTI ONS I N AN UNFAI R WORLD

Many peopl e who r ead t he rough dr af t of t hi s book wer e upset by par t s of i t .

But , i f YOU st ar t f i ght i ng di r t y, I wi l l f eel under no mor al obl i gat i on

Now, any chi ck who pul l s t hi s of f DESERVES t o be on t he r ecei vi ng end of t he

FOR GUYS, GETTI NG LAI D I S A CHORE.

Many of t hese women ar e goi ng t o be hung- up sexual l y, depr essed, suf f er f r om l ow

A FEW MORE WORDS BEFORE WE GET ON WI TH THI S BOOK

Thi s book wi l l NOT make t hat mi st ake; i n f act t he whol e f i r st sect i on i s

Not bad f or one l i t t l e book, huh?

Enough chi t chat . Let ' s go t o bat t l e men.

THE ONE ATTI TUDE THAT I S THE KEY

Once, one of my super - scor i ng buddi es i nvi t ed me t o go t o a par t y wi t h hi m. Not

I MAKE NO EXCUSES FOR MY DESI RES AS A MAN.

St op maki ng excuses f or want i ng t o meet a woman! St op maki ng excuses f or want i ng

I DON' T GET RATTL ED BY SETBACKS

I r emember wat chi ng a TV show wher e t he host was i nt er vi ewi ng a movi e

Now, make anot her pi ct ur e of a r ol l er coast er , but t hi s t i me, do NOT see

THE FAI LURE TO UNDERSTAND THI S SI MPLE DI FFERENCE

For ease we are goi ng t o cal l t he f i r st ki nd of pi ct ur e, wher e you do see

Cl ose your eyes, and see your sel f i n t he f i r st ki nd of pi ct ur e, goi ng t hr ough

Now, st ep i nt o t he pi ct ur e, and see t he event s as i f you wer e act ual l y l ooki ng

Thi nk of a si t uat i on or ci r cumst ance wher e you woul d l i ke t o be mor e power f ul

Pi ct ur e i t t he second way, as i f i t wer e goi ng on and you wer e seei ng i t t hr ough

BELI EVE I T OR NOT,

Guys l i ke t hi s may wi n t he bat t l es, but t hey ar e def i ni t el y l osi ng t he war .

STI LL MORE CONFI DENCE AND POWER WI TH WOMEN!

You must say no t o a woman once i n a whi l e, when i t i s over an i ss ue of

YET MORE CONFI DENCE AND POWER WI TH WOMEN

GLANCE AT WHAT YOU MI GHT HAVE TO LOSE,

HOW TO FAKE LI KE YOU ARE WARM AND FRI ENDLY

I pl edge al l egi ance t o the f l ag of t he Uni t ed St at es of Amer i ca, and t o the

I T I SN' T SO MUCH WHAT YOU SAY TO A WOMAN,

GETTI NG HER ATTENTI ON

I have a br ot her who' s i n adver t i si ng - more speci f i cal l y he wr i t es newspaper

Look at meet i ng women l i ke an ad man who' s wr i t i ng copy f or a newspaper ad.