FLY ME TO THE MOON

as sang by f. sinatra
ARR. BY MARCIN
Composed by Bart Howard
Percussive Guitar
Acoustic Guitar
Standard tuning
 = 178

(  =   )
Play with triplet string throughout Right hand harmonic
BV

 
   
  1

2
     
 
     
   
 
Guitar

8 
7 5
5 6
 5
5
<12>
7
 12 12 5
 
Left hand slap

            
Perc.

 

RH harmonic Tap slide, then pull off
   
to normal fretting
 
              
3 4
 5
   
      
     
   
  3
3 
 3
 
X    3
5 8 0 (0) 7 8 12 (0)
(6) 8 <12> (<12>) 10 8 6 5
 (7)
X
3 5
4 5
5 5 3 7
 3

  
LH slap

     
   

1/8
     
  6     7   
   
    

3
Guitar

  
   <12>

10 8 9
 9
10
10 9
<12> (<12>) 7
10 14
8 8
 7
  
 Left hand snares
      
Perc.

  
 
   
 8      
 9


   
      
    
  

7  5
13 12 (10)
 9
7 10 9 7 5 (X)
5
5
6
9 (7) X
7 4
 0 5

 
      
 

BV B VII
 
       
  10
   
11
       
12 
 
    
        
  
     
5 X
S  8 7 (X) (X) 7 X
S S S

6 X 6 6 (X) (X) 8 8 X
 7
X
7 X
X
X (X)
(X)
 9
9 X
X
5 X 12 7
 5 4 3 0 4 5
   
          

2/8
 BX

Displaced gallop strumming (mad stuff)

 
BX BV 
 3 3 3 
  
13 14

     
          
      
Guitar

  
S S
X
10 X
 X X  10
10
X
X
 (5) 5 9
 X X
7 X
X
X
X
10 (X)
(X)
(X)
(X) 10
12
5
12
4
       
3
        
Perc.

  
3

Snap your fingers Harmonic slap + neck bend Alternate

B III picking

  3     
       
  
15 16 17

    
 
   3 3
3
S3 3 let ring 
7 8 <12> (<12>) 0 5 7
3 5 <12> (<12>) 12 10 9 10
 4
3 5
4 5 <12> (<12>)
5 3 7
 3

Scratches

  
     

BV

     
 
      
        
    
    
18 19 20

        
  
    

 
8  X   
7 5 5 8 0
5 6 (6) 8 <12> (<12>) 10 8 6
 5
5
<12>
(7)
X
3
7 5 5
 5 3
  
LH
 
        
  

3/8
           
21
  22
 23
     
        
    
3    
3 3 3
3
Guitar

3
3    S let ring
(0)
5
7 8 12 (0)
10 8
X
 5
4 5 9
10
10 9
<12> (<12>) 9
7 10 9
X
7
3 7 8 8 11
  7 10

     
Perc.

 
BV

Gallop strumming


   
 24 3 3 3 3 25 26
   
         
   
              
  
S S S
5 X
 6 7
6
7
X
X
6
0 8 X 7 0 5
3 X
4 5
7 X
X 12
 0 0
  0 X 0 0 5 5 4
      
       
  
3

B VII
 Tap harmonics

  
27    28    29
3
   
               
      
      3
  
S 8 7 (X) 7 X
S S S TH
6 6 (X) 8 8 X
 X (X)
(X) 9
7 X
X 5
3 2 0
7 4
 3 0 4 5 (5)

    
   

4/8
 BX
  B III

 BX BV 
    3        
  
30 31 32

         
   
    3 3
3  
Guitar

  
S
X
S 3 (3)
3 7 8 12 10 8
10 X 3 (3) 5
 10
10
X
X
4
3
(4)
(3) 5
4 5
12 12 5 (5) 3 7
 10 5 4 3
    
   
Perc.

  
Walking bass section Artificial
harmonic
BV BV

                  
33 34
    35       
       
3 3  
3

7 5 7 8 7 5 5 10 8 6
9 10 9 6 5 6 5 8 5 6 8 6 (6) <12>
 7
5
7
7
7 4 5 8 9
 5

 
Artificial Two hand tapping
harmonic (RH)
    
    
    
    
    
36 37 38
 
     
 3
  
3 3 3  
  
   
(<12>)
<19>
12
 13  11 10 8
 <12>
0 12
10 12 X
10
9
10
10 9 8 7
10 14 8 <12> 8
 3 8 8 8

   
3
 
 

5/8
  
   
 3 3  

39 40 41

            
 
               
 
3
Guitar

3
let ring let ring
S 0 <19>
S 0 <24>
8 0
 6 10 9
7 5 (5) 5
6
5
7
8 7 4
 7 4 7 10 0 12 5
       
LH  
      
Perc.

 
3

    

                   
42
 43
 44
 
          
   

0 (0) 7 <19> <24>
6 8 10 8 <12> (<12>) 10 8 17
 X
7 9 0
10
17
5 8 9 10 6 7 14 14


Neck bend
 BV
 
 
 45
     46    47  
 
    
  

   
 

 
(<24>) 10
3 <12>
5 6 8 6 (6) 3 <12>
 6
5
7
7
4
3
<12>
0 7 4 5 5
 1 2 3



6/8
 Harmonic
  
 3 48
     49
3
50


   
  
               
3
3
    

Guitar

AH
3 7 8 8
8 8 7 5
5 5 5 8 6
 5
4 5 5
5
5
5
3 7 X 7 7
 X 12 12 5
 5
  
Scratch

       
Perc.


3
3

   

Repetition  
              
51 52
 53
    
      
     
  
   3
3 
 3
 
X    3
5 8 0 (0) 7 8 12 (0)
(6) 8 <12> (<12>) 10 8 6 5
 (7)
X
3 5
4 5
5 5 3 7
 3

  
LH

       
 

      3
54
    55
      
56 3 3 3
         
  
   
3 3
         
3
 S let ring S S S

10 8
X
 9
10
10 9
<12> (<12>) 9
7 10 9
X
7
6
 8
7 10
8 11
0
0 8 X 7 0 5
0  0
 X
0  0

     
 

7/8
 BV

   
 57
   58
     59 
        
    
          
Guitar

 
5 X
S 8 7 (X)
  6 7
6
7
X
X
6
X
6 (X)
(X)
X 7 X (X)
3 4 5 X 12
 5 5 4 3
  
      
Perc.

   
3

B VII
BX
  
   3 3 3 BX BV 

      
60 61 62

  
             
            
     
S S S S S
7 X X
8 8 X 10 X
 9
7 X
X X X  (X) 10
10
X
X
 7
0 4 5 (5) 5 9
X X
7 X
X
X
X
10
(X)
(X)
(X) 10
12
5 4
12
       
    
3      
     
3

B III    
Slow down -----------------------

 63   64
 65 3
      66

 




    
   3 3
3
S 3 (3)
3 7 8 <12>

3 (3) 5 <24> 13
 4
3
(4)
(3) 5
4 5 <24>
5 (5) 3 7
 3

Scratches
  
             


8/8